{"title":"Dishware","description":"","products":[{"product_id":"english-transferware-plate-paisley-amp-floral-scroll-pattern-staffordshire-england-circa-1835-1845","title":"Reverse-Painted Glass Decorative Plate with Mason’s Transfer, Late Victorian, c. 1880s–1900s","description":"\u003ch2\u003e\u003cstrong\u003eThe Plate\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eA rare and visually arresting example of \u003cstrong\u003elate Victorian decorative glasswork\u003c\/strong\u003e, this reverse-painted glass plate incorporates a \u003cstrong\u003eMason’s transfer\u003c\/strong\u003e mounted behind glass and backed with aged textile. Produced in England or continental Europe \u003cstrong\u003ecirca 1880–1900\u003c\/strong\u003e, the plate reflects a period fascination with layered materials, textile-inspired ornament, and the reinterpretation of iconic ceramic patterns into purely decorative form.\u003c\/p\u003e\n\u003cp\u003eScrolling paisley and fern-like foliage encircle the surface in warm iron-brown tones, accented with softened cobalt blue floral elements. Unlike ceramic transferware, the decoration here sits \u003cem\u003ebeneath glass\u003c\/em\u003e, creating depth, luminosity, and a subtle glow as light passes across the surface. The word \u003cstrong\u003e“Mason”\u003c\/strong\u003e appears at the center, embedded within the composition rather than stamped or marked, signaling its origin as a design reference rather than a utilitarian brand mark.\u003c\/p\u003e\n\u003cp\u003eThis was never tableware. It was made to be seen.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e→ \u003cstrong\u003eTechnique\u003c\/strong\u003e\u003cbr\u003eThe design is applied to the reverse side of thin glass, then sealed and backed with fabric or paper. This construction protected the decoration while enhancing contrast and warmth, a technique favored in late-19th-century decorative arts for parlor and sideboard display.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMotif \u0026amp; Influence\u003c\/strong\u003e\u003cbr\u003eThe paisley scrolls and fern forms draw directly from the same textile traditions that inspired early Victorian transferware, particularly the paisley shawls imported from India and Persia. Here, those motifs are reinterpreted through glass and fabric rather than clay, signaling a shift from utility to ornament.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial Language\u003c\/strong\u003e\u003cbr\u003eGlass provides luminosity. Textile backing provides softness. Together, they create a depth impossible to achieve in ceramics alone.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eHistory \u0026amp; Context\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eBy the late 19th century, patterns made famous by firms such as \u003cstrong\u003eMason’s Ironstone\u003c\/strong\u003e had become deeply embedded in British visual culture. As decorative tastes evolved, these familiar designs were repurposed into ornamental objects using alternative materials. Reverse-painted glass plates like this allowed makers to echo beloved ceramic imagery while catering to interiors increasingly focused on display, atmosphere, and texture.\u003c\/p\u003e\n\u003cp\u003eThis hybrid object sits at the intersection of:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eceramic history\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eprint culture\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eglasswork\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eand interior decoration\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSurviving examples are uncommon, particularly with intact textile backing, as moisture and light exposure led most to deteriorate.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eDiameter: approx. 5–5½ inches\u003cbr\u003eDepth: shallow, decorative profile\u003cbr\u003e(Measurements approximate due to handmade construction)\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eIn very good antique condition for its type.\u003cbr\u003eThe glass remains intact with no major cracks observed. Surface patina, edge wear, and visible aging to the backing are present and expected, contributing to authenticity. The decoration remains legible and visually strong beneath the glass.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eBecause this is not decoration you buy to fill space.\u003cbr\u003eIt’s the kind of object that \u003cstrong\u003echanges the temperature of a room\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003ePlaced where light can touch it, the glass surface comes alive. The textile backing softens the glow. The pattern feels familiar yet elusive, like something remembered rather than reproduced. It brings Victorian romance without heaviness, history without stiffness.\u003c\/p\u003e\n\u003cp\u003eThis plate belongs in homes that value:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003elayered interiors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ecollected objects\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eand materials that reward close looking\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eLean it on a shelf, hang it among art, or let it stand alone where someone will inevitably ask, \u003cem\u003e“What is that?”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAnd that’s the moment it earns its place.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eAttribute\u003c\/th\u003e\n\u003cth\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eEngland or Continental Europe\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDate\u003c\/td\u003e\n\u003ctd\u003eCirca 1880–1900\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eReverse-painted glass with textile backing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eReference\u003c\/td\u003e\n\u003ctd\u003eMason’s transfer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eLate Victorian, textile-inspired ornament\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUse\u003c\/td\u003e\n\u003ctd\u003eDecorative only\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good antique condition with age patina\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42613125185641,"sku":null,"price":145.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/reverse-painted_glass_decorative_plate_with_masons_transfer_late_victorian_c._1880s1900s762304829860134521119522921.jpg?v=1773693424"},{"product_id":"colonial-homestead-dinnerware-by-royal-china-co-sebring-ohio-circa-1950","title":"“Colonial Homestead” Dinnerware Set by Royal China Co., Sebring, Ohio — Circa 1950","description":"\u003ch2\u003e\u003cstrong\u003eThe Dinnerware\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eColonial Homestead by Royal China Co., Sebring, Ohio (c. 1948–1955)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA classic example of postwar American tableware, this \u003cstrong\u003eColonial Homestead\u003c\/strong\u003e dinnerware set by the Royal China Company reflects mid-20th-century America’s renewed fascination with heritage, domestic comfort, and idealized early American life. Produced in Sebring, Ohio in the years immediately following World War II, the pattern belongs squarely within the \u003cstrong\u003eColonial Revival movement\u003c\/strong\u003e that defined American interiors of the late 1940s and early 1950s.\u003c\/p\u003e\n\u003cp\u003eEach piece features a forest-green transfer-printed vignette depicting colonial domestic scenes—hearths, simple furnishings, spinning wheels, and candlelit interiors—rendered in a graphic, illustrative style inspired by 19th-century engravings rather than historical documentation. These scenes were designed to evoke warmth, stability, and continuity at a moment when American households were rapidly expanding and redefining domestic life.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e→ \u003cstrong\u003ePattern \u0026amp; Imagery\u003c\/strong\u003e\u003cbr\u003eEach plate and bowl showcases a distinct Colonial Revival scene, including interior hearths, worktables, and household furnishings. The imagery is transfer-printed in rich green underglaze, ensuring durability while maintaining crisp linework.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eRim Design\u003c\/strong\u003e\u003cbr\u003eThe wide embossed rim imitates hand-carved wood planks with peg-like details, a deliberate design choice aligned with mid-century interpretations of handcrafted Americana. The textured border frames each scene and adds visual depth when pieces are stacked or displayed.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial\u003c\/strong\u003e\u003cbr\u003eSemi-vitreous ironstone, a durable ceramic body favored by Royal China for everyday use. Heavier and more resilient than porcelain, ironstone was intended to withstand frequent handling while retaining decorative appeal.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMarkings\u003c\/strong\u003e\u003cbr\u003eThe underside bears the green backstamp reading \u003cstrong\u003e“Colonial Homestead by Royal”\u003c\/strong\u003e within a framed floral border, accompanied by \u003cstrong\u003ePAT. PEND.\u003c\/strong\u003e This mark confirms early production, prior to full patent registration, and places the set in the late 1940s to early 1950s.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eHistory \u0026amp; Context\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eFounded in 1934, the Royal China Company became one of the most prolific American producers of transferware dinnerware. In the postwar years, patterns like \u003cstrong\u003eColonial Homestead\u003c\/strong\u003e, \u003cstrong\u003eCurrier \u0026amp; Ives\u003c\/strong\u003e, and \u003cstrong\u003eOld Curiosity Shop\u003c\/strong\u003e responded to a nationwide appetite for tradition and domestic reassurance.\u003c\/p\u003e\n\u003cp\u003eColonial Homestead is not a literal recreation of early American life, but a \u003cstrong\u003emid-century interpretation of it\u003c\/strong\u003e—filtered through nostalgia, print culture, and industrial production. These sets were marketed toward growing suburban households and were widely sold through department stores and mail-order catalogs as practical, family-oriented tableware with a sense of historical character.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eVery good vintage condition overall. The green transfer designs remain strong and legible with good glaze gloss. Light utensil wear and minor age-appropriate crazing are present on some pieces, consistent with ironstone of this era. No chips or cracks observed.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eSet Includes\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e7 large dinner plates\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e8 smaller plates\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e1 small bowl\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e1 large bowl\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e(Quantities listed reflect the full set included in this offering.)\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eWhy This Belongs in Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eColonial Homestead succeeds because it balances sentiment with utility. It is unmistakably American, comfortably mid-century, and designed for real use rather than display alone. The deep green palette pairs naturally with wood tables, brass accents, and neutral linens, making the set as effective in a farmhouse kitchen as it is in a curated wall or cabinet display.\u003c\/p\u003e\n\u003cp\u003eFor collectors, it represents an honest snapshot of postwar American domestic design. For interiors, it offers warmth, graphic interest, and a sense of lived-in history without pretense.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eMaker: Royal China Company\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOrigin: Sebring, Ohio, USA\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDate: c. 1948–1955\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePattern: Colonial Homestead\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStyle: Americana \/ Colonial Revival\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMaterial: Semi-vitreous ironstone\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTechnique: Green transfer print with embossed rim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCondition: Very good vintage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42613134491753,"sku":null,"price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/colonial_homestead_dinnerware_set_by_royal_china_co._sebring_ohio_circa_1950762305206692134521992986729.jpg?v=1773693434"},{"product_id":"imperial-glass-company-candlewick-rectangular-covered-butter-dish-bellaire-ohio-circa-1946-1949","title":"Imperial Glass Company “Candlewick” Rectangular Covered Butter Dish — Bellaire, Ohio, Circa 1946–-1949","description":"\u003ch2 data-end=\"134\" data-start=\"114\"\u003eThe Butter Dish\u003c\/h2\u003e\n\u003cp data-end=\"544\" data-start=\"135\"\u003eA luminous example of postwar American pressed glass, this \u003cstrong data-end=\"229\" data-start=\"194\"\u003erectangular covered butter dish\u003c\/strong\u003e was produced by the \u003cstrong data-end=\"276\" data-start=\"250\"\u003eImperial Glass Company\u003c\/strong\u003e of Bellaire, Ohio, between \u003cstrong data-end=\"321\" data-start=\"304\"\u003e1946 and 1953\u003c\/strong\u003e. Part of the company’s renowned \u003cem data-end=\"366\" data-start=\"354\"\u003eCandlewick\u003c\/em\u003e line, it perfectly captures the transition from Depression-era practicality to the refinement of mid-century American design—where industrial precision met handcrafted beauty.\u003c\/p\u003e\n\u003cp data-end=\"718\" data-start=\"546\"\u003eIntroduced as part of Imperial’s postwar expansion of the \u003cem data-end=\"616\" data-start=\"604\"\u003eCandlewick\u003c\/em\u003e pattern, this covered butter represents one of the most collectible and enduring forms in the line.\u003c\/p\u003e\n\u003chr data-end=\"723\" data-start=\"720\"\u003e\n\u003ch3 data-end=\"752\" data-start=\"725\"\u003eDesign \u0026amp; Construction\u003c\/h3\u003e\n\u003cp data-end=\"988\" data-start=\"753\"\u003e→ \u003cstrong data-end=\"767\" data-start=\"755\"\u003ePattern:\u003c\/strong\u003e Featuring Imperial’s hallmark \u003cem data-end=\"810\" data-start=\"798\"\u003eCandlewick\u003c\/em\u003e motif—rows of hand-applied glass beads encircling the base tray—the piece embodies the elegant geometry that made the pattern one of America’s most recognizable glass designs.\u003c\/p\u003e\n\u003cp data-end=\"1288\" data-start=\"990\"\u003e→ \u003cstrong data-end=\"1001\" data-start=\"992\"\u003eForm:\u003c\/strong\u003e The \u003cstrong data-end=\"1031\" data-start=\"1006\"\u003erectangular domed lid\u003c\/strong\u003e is topped with a ribbed \u003cstrong data-end=\"1075\" data-start=\"1056\"\u003eteardrop finial\u003c\/strong\u003e, a distinctive feature of late-1940s to early-1950s production. Earlier Candlewick lids were rounded or knobbed; this finial’s vertical ribbing and oval shape help date the piece precisely to the postwar years.\u003c\/p\u003e\n\u003cp data-end=\"1520\" data-start=\"1290\"\u003e→ \u003cstrong data-end=\"1308\" data-start=\"1292\"\u003eTray Design:\u003c\/strong\u003e The \u003cstrong data-end=\"1355\" data-start=\"1313\"\u003erectangular base with radiused corners\u003c\/strong\u003e and continuous beaded edge was first catalogued in Imperial’s 1946 marketing materials as part of their \"complete table service\" additions to the Candlewick line.\u003c\/p\u003e\n\u003cp data-end=\"1810\" data-start=\"1522\"\u003e→ \u003cstrong data-end=\"1537\" data-start=\"1524\"\u003eMaterial:\u003c\/strong\u003e Made of \u003cstrong data-end=\"1587\" data-start=\"1546\"\u003epressed crystal-clear soda-lime glass\u003c\/strong\u003e, fire-polished to achieve Imperial’s signature luster. Each bead around the tray was individually applied by hand before annealing—an exacting process that gave \u003cem data-end=\"1761\" data-start=\"1749\"\u003eCandlewick\u003c\/em\u003e its tactile brilliance and collectible appeal.\u003c\/p\u003e\n\u003chr data-end=\"1815\" data-start=\"1812\"\u003e\n\u003ch3 data-end=\"1833\" data-start=\"1817\"\u003eDimensions\u003c\/h3\u003e\n\u003cp data-end=\"1915\" data-start=\"1834\"\u003eLength: 7¼\"\u003cbr data-end=\"1848\" data-start=\"1845\"\u003eWidth: 4\"\u003cbr data-end=\"1860\" data-start=\"1857\"\u003eHeight (with lid): 4½\"\u003cbr data-end=\"1885\" data-start=\"1882\"\u003e(Measurements within ¼ inch)\u003c\/p\u003e\n\u003chr data-end=\"1920\" data-start=\"1917\"\u003e\n\u003ch3 data-end=\"1948\" data-start=\"1922\"\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp data-end=\"2162\" data-start=\"1949\"\u003eFounded in \u003cstrong data-end=\"1986\" data-start=\"1960\"\u003e1901 in Bellaire, Ohio\u003c\/strong\u003e, the \u003cstrong data-end=\"2018\" data-start=\"1992\"\u003eImperial Glass Company\u003c\/strong\u003e quickly became one of the foremost American glass manufacturers, known for the clarity and quality of their handmade pressed and blown glass.\u003c\/p\u003e\n\u003cp data-end=\"2593\" data-start=\"2164\"\u003eThe \u003cem data-end=\"2180\" data-start=\"2168\"\u003eCandlewick\u003c\/em\u003e pattern debuted in \u003cstrong data-end=\"2208\" data-start=\"2200\"\u003e1936\u003c\/strong\u003e, but it wasn’t until after World War II that Imperial expanded the line to include new serveware—such as butter dishes, creamers, and center bowls—to appeal to the growing suburban home market. These additions, produced roughly \u003cstrong data-end=\"2450\" data-start=\"2437\"\u003e1946–1953\u003c\/strong\u003e, feature heavier glass and more refined fire-polishing than earlier pieces, distinguishing them as the pinnacle of Imperial’s craftsmanship.\u003c\/p\u003e\n\u003cp data-end=\"2760\" data-start=\"2595\"\u003eThe pattern remained in production until the company’s closure in the 1980s and remains one of the most recognizable and beloved designs in American glass history.\u003c\/p\u003e\n\u003chr data-end=\"2765\" data-start=\"2762\"\u003e\n\u003ch3 data-end=\"2782\" data-start=\"2767\"\u003eCondition\u003c\/h3\u003e\n\u003cp data-end=\"3032\" data-start=\"2783\"\u003eIn \u003cstrong data-end=\"2817\" data-start=\"2786\"\u003eexcellent vintage condition\u003c\/strong\u003e, showing no chips, cracks, or discoloration. The glass is clear and bright with only minor base wear consistent with age. The beads remain crisp and well-defined—a hallmark of early production Candlewick quality.\u003c\/p\u003e\n\u003cp data-end=\"3528\" data-start=\"3149\"\u003eAmong collectors, the rectangular \u003cem data-end=\"3195\" data-start=\"3183\"\u003eCandlewick\u003c\/em\u003e butter dish is prized for its rarity and balanced proportions. For designers, it serves as a sculptural accent piece—equally at home in a farmhouse kitchen, a glass cabinet vignette, or a minimalist table setting. Its clarity, symmetry, and historical significance make it an enduring icon of American mid-century domestic design.\u003c\/p\u003e\n\u003chr data-end=\"3533\" data-start=\"3530\"\u003e\n\u003ch3 data-end=\"3556\" data-start=\"3535\"\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\" data-end=\"4123\" data-start=\"3557\"\u003e\n\u003cthead data-end=\"3594\" data-start=\"3557\"\u003e\n\u003ctr data-end=\"3594\" data-start=\"3557\"\u003e\n\u003cth data-col-size=\"sm\" data-end=\"3573\" data-start=\"3557\"\u003e\u003cstrong data-end=\"3572\" data-start=\"3559\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-col-size=\"md\" data-end=\"3594\" data-start=\"3573\"\u003e\u003cstrong data-end=\"3590\" data-start=\"3575\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-end=\"4123\" data-start=\"3634\"\u003e\n\u003ctr data-end=\"3674\" data-start=\"3634\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3646\" data-start=\"3634\"\u003e\u003cstrong data-end=\"3645\" data-start=\"3636\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3674\" data-start=\"3646\" data-col-size=\"md\"\u003eImperial Glass Company\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3713\" data-start=\"3675\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3688\" data-start=\"3675\"\u003e\u003cstrong data-end=\"3687\" data-start=\"3677\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3713\" data-start=\"3688\" data-col-size=\"md\"\u003eBellaire, Ohio, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3746\" data-start=\"3714\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3725\" data-start=\"3714\"\u003e\u003cstrong data-end=\"3724\" data-start=\"3716\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3746\" data-start=\"3725\" data-col-size=\"md\"\u003eCirca 1946–1953\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3777\" data-start=\"3747\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3761\" data-start=\"3747\"\u003e\u003cstrong data-end=\"3760\" data-start=\"3749\"\u003ePattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3777\" data-start=\"3761\" data-col-size=\"md\"\u003eCandlewick\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3838\" data-start=\"3778\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3790\" data-start=\"3778\"\u003e\u003cstrong data-end=\"3789\" data-start=\"3780\"\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3838\" data-start=\"3790\" data-col-size=\"md\"\u003ePostwar American \/ Mid-Century Traditional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3879\" data-start=\"3839\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3854\" data-start=\"3839\"\u003e\u003cstrong data-end=\"3853\" data-start=\"3841\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3879\" data-start=\"3854\" data-col-size=\"md\"\u003ePressed clear glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3947\" data-start=\"3880\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3896\" data-start=\"3880\"\u003e\u003cstrong data-end=\"3895\" data-start=\"3882\"\u003eTechnique\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3947\" data-start=\"3896\" data-col-size=\"md\"\u003eHand-applied beaded rim, fire-polished finish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3991\" data-start=\"3948\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3965\" data-start=\"3948\"\u003e\u003cstrong data-end=\"3964\" data-start=\"3950\"\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3991\" data-start=\"3965\" data-col-size=\"md\"\u003e7¼” L × 4” W × 4½” H\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"4046\" data-start=\"3992\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"4008\" data-start=\"3992\"\u003e\u003cstrong data-end=\"4007\" data-start=\"3994\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"4046\" data-start=\"4008\" data-col-size=\"md\"\u003eExcellent, no damage or clouding\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"4123\" data-start=\"4047\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"4064\" data-start=\"4047\"\u003e\u003cstrong data-end=\"4063\" data-start=\"4049\"\u003eProvenance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"4123\" data-start=\"4064\" data-col-size=\"md\"\u003ePostwar Imperial production, 1946–1953 expansion line\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-end=\"4128\" data-start=\"4125\"\u003e\n\u003ch3 data-end=\"4152\" data-start=\"4130\"\u003eWhy It’s Special\u003c\/h3\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"4566\" data-start=\"4153\"\u003eThis \u003cem data-end=\"4170\" data-start=\"4158\"\u003eCandlewick\u003c\/em\u003e butter dish represents the peak of Imperial Glass craftsmanship—a perfect marriage of function, ornament, and light. Its postwar design details—the ribbed finial, beaded edge, and hand-finished polish—capture the optimism and artistry of American domestic design in the late 1940s. Whether used as serveware or displayed as glass sculpture, it stands as a timeless piece of mid-century elegance.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42613140324457,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/imperial_glass_company_candlewick_rectangular_covered_butter_dish_bellaire_ohio_circa_1946-1949762305278781734151382614121.jpg?v=1773722633"},{"product_id":"mid-century-modern-enamel-dish-finel-arabia-kaj-franck-finland-circa-1960-1965","title":"Mid-Century Modern Enamel Dish — Finel Arabia (Kaj Franck, Finland), Circa 1960–1965","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-68e9f565-1404-8332-ba59-50c11e986fc5-5\" data-testid=\"conversation-turn-24\" data-scroll-anchor=\"false\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"8867866c-a83e-4758-b07a-732e306cea2a\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003ch2 data-start=\"97\" data-end=\"110\"\u003eThe Dish\u003c\/h2\u003e\n\u003cp data-start=\"111\" data-end=\"467\"\u003eA striking example of Scandinavian mid-century design, this \u003cstrong data-start=\"171\" data-end=\"194\"\u003eenameled steel dish\u003c\/strong\u003e was produced by \u003cstrong data-start=\"211\" data-end=\"227\"\u003eFinel Arabia\u003c\/strong\u003e of Helsinki, Finland, circa \u003cstrong data-start=\"256\" data-end=\"269\"\u003e1960–1965\u003c\/strong\u003e. Decorated with a geometric field of yellow circular motifs over a white ground, the piece embodies the Finnish modernist ideal—bold simplicity, everyday utility, and a harmony of color and form.\u003c\/p\u003e\n\u003cp data-start=\"469\" data-end=\"724\"\u003eThe design language and execution are consistent with works by \u003cstrong data-start=\"532\" data-end=\"558\"\u003eKaj Franck (1911–1989)\u003c\/strong\u003e, the legendary Finnish designer and artistic director of Arabia, whose Finel enamelware became iconic for its functional minimalism and graphic surface patterning.\u003c\/p\u003e\n\u003chr data-start=\"726\" data-end=\"729\"\u003e\n\u003ch3 data-start=\"731\" data-end=\"758\"\u003eDesign \u0026amp; Construction\u003c\/h3\u003e\n\u003cp data-start=\"759\" data-end=\"895\"\u003e→ \u003cstrong data-start=\"761\" data-end=\"774\"\u003eMaterial:\u003c\/strong\u003e Vitreous enamel over pressed steel, known for its durability and ability to preserve vivid color tones across decades.\u003c\/p\u003e\n\u003cp data-start=\"897\" data-end=\"1114\"\u003e→ \u003cstrong data-start=\"899\" data-end=\"911\"\u003ePattern:\u003c\/strong\u003e A field of \u003cstrong data-start=\"923\" data-end=\"952\"\u003econcentric yellow circles\u003c\/strong\u003e, arranged in a radiating optical pattern. The hand-screened design captures the optimism of 1960s Nordic decorative arts—modern yet warm, abstract yet organic.\u003c\/p\u003e\n\u003cp data-start=\"1116\" data-end=\"1350\"\u003e→ \u003cstrong data-start=\"1118\" data-end=\"1132\"\u003eTechnique:\u003c\/strong\u003e Produced using a silkscreen enamel transfer method developed in the 1950s for the Finel range, which allowed designers like Franck, Raija Uosikkinen, and Esteri Tomula to create bold surface graphics with precision.\u003c\/p\u003e\n\u003cp data-start=\"1352\" data-end=\"1484\"\u003e→ \u003cstrong data-start=\"1354\" data-end=\"1363\"\u003eForm:\u003c\/strong\u003e The dish is shallow with a slightly upturned rim, designed as a \u003cstrong data-start=\"1428\" data-end=\"1458\"\u003emulti-use enamelware plate\u003c\/strong\u003e for serving or display.\u003c\/p\u003e\n\u003chr data-start=\"1486\" data-end=\"1489\"\u003e\n\u003ch3 data-start=\"1491\" data-end=\"1507\"\u003eDimensions\u003c\/h3\u003e\n\u003cp data-start=\"1508\" data-end=\"1567\"\u003eDiameter: 6⅜\"\u003cbr data-start=\"1521\" data-end=\"1524\"\u003eHeight: ¾\"\u003cbr data-start=\"1534\" data-end=\"1537\"\u003e(Measurements within ⅛ inch)\u003c\/p\u003e\n\u003chr data-start=\"1569\" data-end=\"1572\"\u003e\n\u003ch3 data-start=\"1574\" data-end=\"1600\"\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp data-start=\"1601\" data-end=\"1820\"\u003eThe \u003cstrong data-start=\"1605\" data-end=\"1626\"\u003eFinel enamel line\u003c\/strong\u003e was introduced in the late 1950s by Arabia and produced through the 1970s. These pieces were designed to bridge art and function—offering high design for the modern home at accessible prices.\u003c\/p\u003e\n\u003cp data-start=\"1822\" data-end=\"2132\"\u003eThis particular yellow dot motif belongs stylistically to the early 1960s phase, when \u003cstrong data-start=\"1908\" data-end=\"1937\"\u003ebold geometric patterning\u003c\/strong\u003e in yellow, turquoise, and orange was most prevalent in Finel’s export collections. It reflects Kaj Franck’s philosophy that “objects should be so simple that they can’t be simplified further.”\u003c\/p\u003e\n\u003cp data-start=\"2134\" data-end=\"2272\"\u003eThe piece is unmarked on the base, typical of smaller Finel dishes where paper or foil labels were used instead of permanent backstamps.\u003c\/p\u003e\n\u003chr data-start=\"2274\" data-end=\"2277\"\u003e\n\u003ch3 data-start=\"2279\" data-end=\"2294\"\u003eCondition\u003c\/h3\u003e\n\u003cp data-start=\"2295\" data-end=\"2442\"\u003eExcellent vintage condition with clean enamel surface, no chips, and bright coloration. Minor wear consistent with age on the underside rim only.\u003c\/p\u003e\n\u003chr data-start=\"2444\" data-end=\"2447\"\u003e\n\u003cp data-start=\"2572\" data-end=\"2857\"\u003eMid-century enamelware by Arabia Finel remains highly sought after for its durability, craftsmanship, and design pedigree. Pieces like this dish—simple, vivid, and geometric—are frequently featured in Scandinavian interior styling, gallery exhibitions, and modern design collections.\u003c\/p\u003e\n\u003chr data-start=\"2859\" data-end=\"2862\"\u003e\n\u003ch3 data-start=\"2864\" data-end=\"2885\"\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"2886\" data-end=\"3335\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"2886\" data-end=\"2923\"\u003e\n\u003ctr data-start=\"2886\" data-end=\"2923\"\u003e\n\u003cth data-start=\"2886\" data-end=\"2902\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2888\" data-end=\"2901\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"2902\" data-end=\"2923\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2904\" data-end=\"2919\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"2963\" data-end=\"3335\"\u003e\n\u003ctr data-start=\"2963\" data-end=\"2993\"\u003e\n\u003ctd data-start=\"2963\" data-end=\"2975\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2965\" data-end=\"2974\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"2975\" data-end=\"2993\"\u003eArabia Finel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2994\" data-end=\"3039\"\u003e\n\u003ctd data-start=\"2994\" data-end=\"3009\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2996\" data-end=\"3008\"\u003eDesigner\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3009\" data-end=\"3039\"\u003eAttributed to Kaj Franck\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3040\" data-end=\"3076\"\u003e\n\u003ctd data-start=\"3040\" data-end=\"3053\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3042\" data-end=\"3052\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3053\" data-end=\"3076\"\u003eHelsinki, Finland\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3077\" data-end=\"3109\"\u003e\n\u003ctd data-start=\"3077\" data-end=\"3088\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3079\" data-end=\"3087\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3088\" data-end=\"3109\" data-col-size=\"sm\"\u003eCirca 1960–1965\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3110\" data-end=\"3161\"\u003e\n\u003ctd data-start=\"3110\" data-end=\"3122\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3112\" data-end=\"3121\"\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3122\" data-end=\"3161\"\u003eMid-Century Modern \/ Scandinavian\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3162\" data-end=\"3200\"\u003e\n\u003ctd data-start=\"3162\" data-end=\"3177\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3164\" data-end=\"3176\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3177\" data-end=\"3200\"\u003eEnamel over steel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3201\" data-end=\"3252\"\u003e\n\u003ctd data-start=\"3201\" data-end=\"3215\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3203\" data-end=\"3214\"\u003ePattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3215\" data-end=\"3252\"\u003eYellow circular geometric motif\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3253\" data-end=\"3283\"\u003e\n\u003ctd data-start=\"3253\" data-end=\"3268\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3255\" data-end=\"3267\"\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3268\" data-end=\"3283\"\u003e6⅜ inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3284\" data-end=\"3335\"\u003e\n\u003ctd data-start=\"3284\" data-end=\"3300\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3286\" data-end=\"3299\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3300\" data-end=\"3335\"\u003eExcellent vintage, light wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"3337\" data-end=\"3340\"\u003e\n\u003ch3 data-start=\"3342\" data-end=\"3364\"\u003eWhy It’s Special\u003c\/h3\u003e\n\u003cp data-start=\"3365\" data-end=\"3702\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis Finel Arabia enamel dish captures the essence of Scandinavian modernism—colorful, optimistic, and timelessly functional. Its luminous yellow pattern and minimalist form make it as relevant to a contemporary interior as it was in the modernist homes of 1960s Finland—a small but perfect statement of design clarity and craftsmanship.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42613144518761,"sku":null,"price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/mid-century_modern_enamel_dish_finel_arabia_kaj_franck_finland_circa_19601965762305495050534151465648233.jpg?v=1773722636"},{"product_id":"hand-painted-earthenware-soup-plate-vernon-kilns-california-hand-painted-series-vernon-california-circa-1940-1948","title":"Hand-Painted Earthenware Soup Plate – Vernon Kilns “California Hand Painted” Series, Vernon, California — Circa 1940–1948","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"a7c74a10-a4b0-49f6-8b06-e11657c80e7c\" data-testid=\"conversation-turn-28\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"ac2a1faa-315a-47c6-ae4f-bbfa4007362a\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003ch2 data-start=\"134\" data-end=\"148\"\u003eThe Plate\u003c\/h2\u003e\n\u003cp data-start=\"149\" data-end=\"563\"\u003eAn enduring piece of early- to mid-20th-century California pottery, this \u003cstrong data-start=\"222\" data-end=\"261\"\u003ehand-painted earthenware soup plate\u003c\/strong\u003e was produced by \u003cstrong data-start=\"278\" data-end=\"294\"\u003eVernon Kilns\u003c\/strong\u003e of Vernon, California, circa \u003cstrong data-start=\"324\" data-end=\"337\"\u003e1940–1948\u003c\/strong\u003e. A beautiful example of the company’s “California Hand Painted” line, it showcases the craftsmanship and optimism of prewar West Coast ceramics—combining artistry, accessibility, and a distinctly American color sensibility.\u003c\/p\u003e\n\u003cp data-start=\"565\" data-end=\"841\"\u003eThe plate features a \u003cstrong data-start=\"586\" data-end=\"610\"\u003eraised scalloped rim\u003c\/strong\u003e, a soft ivory clay body, and a hand-painted motif of \u003cstrong data-start=\"664\" data-end=\"713\"\u003estylized leaves in ochre, brown, and charcoal\u003c\/strong\u003e, encircled by a bright \u003cstrong data-start=\"737\" data-end=\"761\"\u003egolden-yellow border\u003c\/strong\u003e—a palette that defined the California pottery movement of the 1930s and ’40s.\u003c\/p\u003e\n\u003chr data-start=\"843\" data-end=\"846\"\u003e\n\u003ch3 data-start=\"848\" data-end=\"875\"\u003eDesign \u0026amp; Construction\u003c\/h3\u003e\n\u003cp data-start=\"876\" data-end=\"1146\"\u003e→ \u003cstrong data-start=\"878\" data-end=\"899\"\u003ePattern \u0026amp; Finish:\u003c\/strong\u003e Each plate was individually hand-painted under glaze, meaning subtle variations in color and brushwork were part of the design. The warm, matte ivory ground and bright border reflect the sunny palette favored in midcentury California tableware.\u003c\/p\u003e\n\u003cp data-start=\"1148\" data-end=\"1300\"\u003e→ \u003cstrong data-start=\"1150\" data-end=\"1159\"\u003eForm:\u003c\/strong\u003e The shallow bowl with embossed rim reflects Vernon Kilns’ signature “Montecito” and “Ultra” shapes of the 1940s—functional yet decorative.\u003c\/p\u003e\n\u003cp data-start=\"1302\" data-end=\"1569\"\u003e→ \u003cstrong data-start=\"1304\" data-end=\"1316\"\u003eMarking:\u003c\/strong\u003e The base is impressed and stamped:\u003cbr data-start=\"1351\" data-end=\"1354\"\u003e\u003cem data-start=\"1354\" data-end=\"1420\"\u003e“HAND PAINTED UNDERGLAZE \/ VERNON KILNS CALIF. \/ MADE IN U.S.A.”\u003c\/em\u003e\u003cbr data-start=\"1420\" data-end=\"1423\"\u003eThis backstamp was in use between \u003cstrong data-start=\"1457\" data-end=\"1474\"\u003e1937 and 1952\u003c\/strong\u003e, with your specific typography and circular placement used primarily in the \u003cstrong data-start=\"1551\" data-end=\"1566\"\u003eearly 1940s\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-start=\"1571\" data-end=\"1732\"\u003e→ \u003cstrong data-start=\"1573\" data-end=\"1586\"\u003eMaterial:\u003c\/strong\u003e California red or buff earthenware clay coated with a creamy white slip, fired at low temperature and glazed with hand-applied enamel pigments.\u003c\/p\u003e\n\u003chr data-start=\"1734\" data-end=\"1737\"\u003e\n\u003ch3 data-start=\"1739\" data-end=\"1755\"\u003eDimensions\u003c\/h3\u003e\n\u003cp data-start=\"1756\" data-end=\"1816\"\u003eDiameter: 8¼\"\u003cbr data-start=\"1769\" data-end=\"1772\"\u003eHeight: 1½\"\u003cbr data-start=\"1783\" data-end=\"1786\"\u003e(Measurements within ¼ inch)\u003c\/p\u003e\n\u003chr data-start=\"1818\" data-end=\"1821\"\u003e\n\u003ch3 data-start=\"1823\" data-end=\"1849\"\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp data-start=\"1850\" data-end=\"2094\"\u003eFounded in \u003cstrong data-start=\"1861\" data-end=\"1891\"\u003e1931 in Vernon, California\u003c\/strong\u003e, \u003cstrong data-start=\"1893\" data-end=\"1909\"\u003eVernon Kilns\u003c\/strong\u003e emerged as one of America’s most innovative pottery producers, following in the footsteps of California’s art pottery movement alongside Gladding McBean, Metlox, and Pacific Pottery.\u003c\/p\u003e\n\u003cp data-start=\"2096\" data-end=\"2434\"\u003eDuring the 1940s, Vernon Kilns became known for its \u003cstrong data-start=\"2148\" data-end=\"2181\"\u003ehand-painted dinnerware lines\u003c\/strong\u003e, many of which were designed by notable artists and decorators. These pieces were marketed as both \u003cstrong data-start=\"2281\" data-end=\"2314\"\u003eeveryday ware and art pottery\u003c\/strong\u003e, appealing to the growing modern California lifestyle that valued color, craftsmanship, and regional design identity.\u003c\/p\u003e\n\u003cp data-start=\"2436\" data-end=\"2590\"\u003eThe company was later acquired by Metlox in 1958, but its 1930s–’40s output remains the most collectible, celebrated for its warmth and painterly charm.\u003c\/p\u003e\n\u003chr data-start=\"2592\" data-end=\"2595\"\u003e\n\u003ch3 data-start=\"2597\" data-end=\"2612\"\u003eCondition\u003c\/h3\u003e\n\u003cp data-start=\"2613\" data-end=\"2870\"\u003eIn \u003cstrong data-start=\"2616\" data-end=\"2642\"\u003egood vintage condition\u003c\/strong\u003e with visible age-appropriate wear, including \u003cstrong data-start=\"2688\" data-end=\"2712\"\u003ecrazing of the glaze\u003c\/strong\u003e, minor rim chipping, and slight discoloration—consistent with authentic mid-century earthenware. The hand-painted surface retains strong color and clarity.\u003c\/p\u003e\n\u003chr data-start=\"2872\" data-end=\"2875\"\u003e\n\u003cp data-start=\"3045\" data-end=\"3246\"\u003eVernon Kilns’ early hand-painted dinnerware remains highly sought after for its \u003cstrong data-start=\"3125\" data-end=\"3168\"\u003eartisanal quality and regional heritage\u003c\/strong\u003e, representing a period when American potteries fused function and fine art.\u003c\/p\u003e\n\u003chr data-start=\"3248\" data-end=\"3251\"\u003e\n\u003ch3 data-start=\"3253\" data-end=\"3274\"\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"3275\" data-end=\"3832\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"3275\" data-end=\"3312\"\u003e\n\u003ctr data-start=\"3275\" data-end=\"3312\"\u003e\n\u003cth data-start=\"3275\" data-end=\"3291\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3277\" data-end=\"3290\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"3291\" data-end=\"3312\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"3293\" data-end=\"3308\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3352\" data-end=\"3832\"\u003e\n\u003ctr data-start=\"3352\" data-end=\"3382\"\u003e\n\u003ctd data-start=\"3352\" data-end=\"3364\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3354\" data-end=\"3363\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3364\" data-end=\"3382\" data-col-size=\"md\"\u003eVernon Kilns\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3383\" data-end=\"3425\"\u003e\n\u003ctd data-start=\"3383\" data-end=\"3396\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3385\" data-end=\"3395\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3396\" data-end=\"3425\" data-col-size=\"md\"\u003eVernon, California, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3426\" data-end=\"3458\"\u003e\n\u003ctd data-start=\"3426\" data-end=\"3437\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3428\" data-end=\"3436\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3437\" data-end=\"3458\" data-col-size=\"md\"\u003eCirca 1940–1948\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3459\" data-end=\"3501\"\u003e\n\u003ctd data-start=\"3459\" data-end=\"3472\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3461\" data-end=\"3471\"\u003eSeries\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3472\" data-end=\"3501\" data-col-size=\"md\"\u003eCalifornia Hand Painted\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3502\" data-end=\"3563\"\u003e\n\u003ctd data-start=\"3502\" data-end=\"3514\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3504\" data-end=\"3513\"\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3514\" data-end=\"3563\" data-col-size=\"md\"\u003eCalifornia Modern \/ Mid-Century Art Pottery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3564\" data-end=\"3609\"\u003e\n\u003ctd data-start=\"3564\" data-end=\"3579\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3566\" data-end=\"3578\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3579\" data-end=\"3609\" data-col-size=\"md\"\u003eHand-painted earthenware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3610\" data-end=\"3676\"\u003e\n\u003ctd data-start=\"3610\" data-end=\"3626\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3612\" data-end=\"3625\"\u003eTechnique\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3626\" data-end=\"3676\" data-col-size=\"md\"\u003eUnderglaze hand painting on slip-coated clay\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3677\" data-end=\"3707\"\u003e\n\u003ctd data-start=\"3677\" data-end=\"3692\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3679\" data-end=\"3691\"\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3692\" data-end=\"3707\" data-col-size=\"md\"\u003e8¼ inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3708\" data-end=\"3773\"\u003e\n\u003ctd data-start=\"3708\" data-end=\"3724\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3710\" data-end=\"3723\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3724\" data-end=\"3773\" data-col-size=\"md\"\u003eGood, with light age wear and glaze crazing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3774\" data-end=\"3832\"\u003e\n\u003ctd data-start=\"3774\" data-end=\"3791\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3776\" data-end=\"3790\"\u003eProvenance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3791\" data-end=\"3832\" data-col-size=\"md\"\u003eEarly 1940s Vernon Kilns production\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"3834\" data-end=\"3837\"\u003e\n\u003ch3 data-start=\"3839\" data-end=\"3861\"\u003eWhy It’s Special\u003c\/h3\u003e\n\u003cp data-start=\"3862\" data-end=\"4169\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis plate captures the spirit of 1940s California design—vibrant, hand-crafted, and accessible. The hand-painted brushwork, embossed rim, and luminous color embody the artistry of the state’s golden pottery era, when studios like Vernon Kilns helped define an entirely new aesthetic for American tableware.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42613144944745,"sku":null,"price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/hand-painted_earthenware_soup_plate_vernon_kilns_california_hand_painted_series_vernon_california_circa_19401948762305534372134151512801385.jpg?v=1773722639"},{"product_id":"mid-century-ribbed-glass-salt-amp-pepper-shakers-hazel-atlas-glass-co-wheeling-west-virginia-circa-1940-1955","title":"Mid-Century Ribbed Glass Salt \u0026 Pepper Shakers — Hazel-Atlas Glass Co., Wheeling, West Virginia — Circa 1940–1955","description":"\u003ch2\u003eThe Shakers\u003c\/h2\u003e\n\u003cp\u003eA classic pair of \u003cstrong\u003eribbed clear glass salt and pepper shakers\u003c\/strong\u003e produced by the \u003cstrong\u003eHazel-Atlas Glass Company\u003c\/strong\u003e, circa \u003cstrong\u003e1940–1955\u003c\/strong\u003e. With their clean vertical panel design and original \u003cstrong\u003echrome-plated metal screw caps\u003c\/strong\u003e, these shakers epitomize the utilitarian elegance of mid-century American glassware—durable, modern, and designed for everyday domestic life.\u003c\/p\u003e\n\u003cp\u003eThese were commonly used in diners, soda fountains, and postwar American homes, prized for their sturdy pressed glass bodies and timeless symmetry.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eDesign \u0026amp; Construction\u003c\/h3\u003e\n\u003cp\u003e→ \u003cstrong\u003ePattern \u0026amp; Form:\u003c\/strong\u003e The cylindrical bodies feature \u003cstrong\u003evertical ribbing\u003c\/strong\u003e or “paneled” sides that catch and reflect light, paired with a \u003cstrong\u003escalloped base edge\u003c\/strong\u003e—a subtle design flourish typical of Hazel-Atlas pressed glass.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e Clear pressed soda-lime glass with molded seams and a heavy base for stability. The screw-top \u003cstrong\u003emetal caps\u003c\/strong\u003e (tin or aluminum alloy) are original mid-century hardware, often supplied with Hazel-Atlas household lines.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eTechnique:\u003c\/strong\u003e Produced by \u003cstrong\u003eautomatic bottle molding machines\u003c\/strong\u003e—a hallmark of Hazel-Atlas’ efficiency during the 1940s, when the company specialized in both utilitarian and decorative household glass.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eFunctionality:\u003c\/strong\u003e Designed to balance perfectly in the hand and withstand daily kitchen or restaurant use.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eHeight: 3¾\"\u003cbr\u003eDiameter: 1¾\"\u003cbr\u003e(Measurements within ⅛ inch)\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eFounded in \u003cstrong\u003e1902 in Wheeling, West Virginia\u003c\/strong\u003e, the \u003cstrong\u003eHazel-Atlas Glass Company\u003c\/strong\u003e became one of America’s largest and most influential producers of consumer glassware by mid-century. Best known for their Depression-era colored glass, refrigerator jars, and Diner Series shakers, Hazel-Atlas supplied both domestic consumers and commercial restaurants.\u003c\/p\u003e\n\u003cp\u003eAfter World War II, as American dining culture shifted toward casual and home-centered meals, Hazel-Atlas’ designs balanced modern utility with restrained ornamentation—exemplified by these ribbed shakers.\u003c\/p\u003e\n\u003cp\u003eThe company merged with Continental Can Company in 1957, marking the end of its independent production era.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eIn \u003cstrong\u003every good vintage condition\u003c\/strong\u003e, with clear glass, intact ribbed detailing, and light surface wear consistent with age. The metal caps show mild patina but retain full functionality and fit securely.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eTheir minimal form, subtle sparkle, and historical context make these shakers appealing for both collectors and stylists. They serve equally well as usable tabletop accents or as part of a nostalgic mid-century kitchen vignette.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003e\u003cstrong\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHazel-Atlas Glass Company\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eWheeling, West Virginia, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCirca 1940–1955\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePressed clear glass with metal caps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMid-Century American \/ Dinerware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3¾ inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVery good, light patina on caps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProvenance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHazel-Atlas utilitarian glass line\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr\u003e\n\u003ch3\u003eWhy It’s Special\u003c\/h3\u003e\n\u003cp\u003eThis Hazel-Atlas salt and pepper set embodies the charm of postwar American design—simple, honest, and beautifully made. Their ribbed geometry and gleaming metal tops evoke the golden age of diners, soda fountains, and 1950s home kitchens, where craftsmanship met daily ritual in glass and chrome.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42613148090473,"sku":null,"price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/mid-century_ribbed_glass_salt_pepper_shakers_hazel-atlas_glass_co._wheeling_west_virginia_circa_19401955762305675274534151521878121.jpg?v=1773722649"},{"product_id":"depression-glass-etched-plate-frosted-fern-pattern-by-cambridge-glass-co-cambridge-ohio-circa-1935-1940","title":"Depression Glass Etched Plate — “Frosted Fern” Pattern by Cambridge Glass Co., Cambridge, Ohio — Circa 1935–1940","description":"\u003ch2 data-start=\"125\" data-end=\"139\"\u003eThe Plate\u003c\/h2\u003e\n\u003cp data-start=\"140\" data-end=\"565\"\u003eA graceful piece of American \u003cstrong data-start=\"169\" data-end=\"200\"\u003eDepression-era etched glass\u003c\/strong\u003e, this \u003cstrong data-start=\"207\" data-end=\"243\"\u003eclear sandwich or luncheon plate\u003c\/strong\u003e was produced by the \u003cstrong data-start=\"264\" data-end=\"291\"\u003eCambridge Glass Company\u003c\/strong\u003e of Cambridge, Ohio, circa \u003cstrong data-start=\"318\" data-end=\"331\"\u003e1935–1940\u003c\/strong\u003e. Decorated with a delicate \u003cstrong data-start=\"359\" data-end=\"396\"\u003e“frosted fern and scroll” etching\u003c\/strong\u003e on crystal-clear glass, the plate captures the refinement and optimism of pre-war American design — elegant enough for formal dining, yet affordable for everyday use.\u003c\/p\u003e\n\u003cp data-start=\"567\" data-end=\"787\"\u003eThis pattern belongs stylistically to Cambridge’s etched glass lines from the mid-1930s, including the \u003cem data-start=\"670\" data-end=\"678\"\u003eElaine\u003c\/em\u003e, \u003cem data-start=\"680\" data-end=\"691\"\u003eChantilly\u003c\/em\u003e, and \u003cem data-start=\"697\" data-end=\"705\"\u003ePortia\u003c\/em\u003e series, each featuring botanical flourishes etched with acid-stencil precision.\u003c\/p\u003e\n\u003chr data-start=\"789\" data-end=\"792\"\u003e\n\u003ch3 data-start=\"794\" data-end=\"821\"\u003eDesign \u0026amp; Construction\u003c\/h3\u003e\n\u003cp data-start=\"822\" data-end=\"1142\"\u003e→ \u003cstrong data-start=\"824\" data-end=\"836\"\u003ePattern:\u003c\/strong\u003e The etched motif features stylized \u003cstrong data-start=\"872\" data-end=\"913\"\u003eacanthus-like scrolls and fern plumes\u003c\/strong\u003e, symmetrically placed around the rim with alternating curvilinear flourishes. The design is produced via \u003cstrong data-start=\"1019\" data-end=\"1057\"\u003eacid-etching over a resist stencil\u003c\/strong\u003e, leaving a satiny, frosted design in relief against the clear polished background.\u003c\/p\u003e\n\u003cp data-start=\"1144\" data-end=\"1262\"\u003e→ \u003cstrong data-start=\"1146\" data-end=\"1161\"\u003eGlass Type:\u003c\/strong\u003e Fine \u003cstrong data-start=\"1167\" data-end=\"1199\"\u003epressed crystal (non-leaded)\u003c\/strong\u003e, hand-finished and fire-polished to achieve optical clarity.\u003c\/p\u003e\n\u003cp data-start=\"1264\" data-end=\"1445\"\u003e→ \u003cstrong data-start=\"1266\" data-end=\"1275\"\u003eForm:\u003c\/strong\u003e Circular plate with a shallow well and narrow inner ring border, designed to accompany matching etched glass stemware and serving pieces within the same pattern suite.\u003c\/p\u003e\n\u003cp data-start=\"1447\" data-end=\"1579\"\u003e→ \u003cstrong data-start=\"1449\" data-end=\"1458\"\u003eEdge:\u003c\/strong\u003e Smooth-cut rim with a faint rolled edge — characteristic of Cambridge’s \u003cem data-start=\"1531\" data-end=\"1539\"\u003eElaine\u003c\/em\u003e and \u003cem data-start=\"1544\" data-end=\"1551\"\u003eDiane\u003c\/em\u003e shapes of the late 1930s.\u003c\/p\u003e\n\u003chr data-start=\"1581\" data-end=\"1584\"\u003e\n\u003ch3 data-start=\"1586\" data-end=\"1602\"\u003eDimensions\u003c\/h3\u003e\n\u003cp data-start=\"1603\" data-end=\"1649\"\u003eDiameter: 8¾\"\u003cbr data-start=\"1616\" data-end=\"1619\"\u003e(Measurements within ¼ inch)\u003c\/p\u003e\n\u003chr data-start=\"1651\" data-end=\"1654\"\u003e\n\u003ch3 data-start=\"1656\" data-end=\"1682\"\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp data-start=\"1683\" data-end=\"2023\"\u003eThe \u003cstrong data-start=\"1687\" data-end=\"1714\"\u003eCambridge Glass Company\u003c\/strong\u003e, founded in \u003cstrong data-start=\"1727\" data-end=\"1735\"\u003e1901\u003c\/strong\u003e, became one of America’s premier producers of high-quality pressed and blown glass during the first half of the 20th century. By the mid-1930s, their etched glass patterns defined the aesthetic of Depression-era dining — accessible luxury made possible through precision manufacturing.\u003c\/p\u003e\n\u003cp data-start=\"2025\" data-end=\"2345\"\u003eThe \u003cem data-start=\"2029\" data-end=\"2045\"\u003e“frosted fern”\u003c\/em\u003e style, similar to Cambridge’s \u003cem data-start=\"2076\" data-end=\"2084\"\u003eElaine\u003c\/em\u003e (introduced in 1934) and \u003cem data-start=\"2110\" data-end=\"2122\"\u003eWildflower\u003c\/em\u003e (introduced in 1940), exemplified the company’s mastery of intricate surface decoration. Such designs were typically sold in department store bridal lines and popular as wedding gifts from 1935 through the wartime years.\u003c\/p\u003e\n\u003chr data-start=\"2347\" data-end=\"2350\"\u003e\n\u003ch3 data-start=\"2352\" data-end=\"2367\"\u003eCondition\u003c\/h3\u003e\n\u003cp data-start=\"2368\" data-end=\"2549\"\u003eIn \u003cstrong data-start=\"2371\" data-end=\"2402\"\u003eexcellent vintage condition\u003c\/strong\u003e, with no chips, cracks, or clouding. The etched pattern remains crisp and luminous, with only faint utensil wear visible under close inspection.\u003c\/p\u003e\n\u003chr data-start=\"2551\" data-end=\"2554\"\u003e\n\u003ch3 data-start=\"2556\" data-end=\"2584\"\u003eValue \u0026amp; Collectibility\u003c\/h3\u003e\n\u003cp data-start=\"2585\" data-end=\"2674\"\u003e→ \u003cstrong data-start=\"2587\" data-end=\"2614\"\u003eCollector Market Value:\u003c\/strong\u003e $25–$35 per plate\u003cbr data-start=\"2632\" data-end=\"2635\"\u003e→ \u003cstrong data-start=\"2637\" data-end=\"2664\"\u003eDesign \/ Styling Value:\u003c\/strong\u003e $40–$55\u003c\/p\u003e\n\u003cp data-start=\"2676\" data-end=\"3013\"\u003eEtched Depression glass from Cambridge continues to appeal to both collectors and interior stylists for its ability to bridge \u003cstrong data-start=\"2802\" data-end=\"2851\"\u003eArt Deco geometry and classical ornamentation\u003c\/strong\u003e. When layered over linen or wood, the frosted etching catches the light beautifully, making it ideal for elegant table settings or wall-mounted glass displays.\u003c\/p\u003e\n\u003chr data-start=\"3015\" data-end=\"3018\"\u003e\n\u003ch3 data-start=\"3020\" data-end=\"3041\"\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"3042\" data-end=\"3605\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"3042\" data-end=\"3079\"\u003e\n\u003ctr data-start=\"3042\" data-end=\"3079\"\u003e\n\u003cth data-start=\"3042\" data-end=\"3058\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3044\" data-end=\"3057\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"3058\" data-end=\"3079\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"3060\" data-end=\"3075\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3119\" data-end=\"3605\"\u003e\n\u003ctr data-start=\"3119\" data-end=\"3160\"\u003e\n\u003ctd data-start=\"3119\" data-end=\"3131\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3121\" data-end=\"3130\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3131\" data-end=\"3160\"\u003eCambridge Glass Company\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3161\" data-end=\"3200\"\u003e\n\u003ctd data-start=\"3161\" data-end=\"3174\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3163\" data-end=\"3173\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3174\" data-end=\"3200\"\u003eCambridge, Ohio, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3201\" data-end=\"3233\"\u003e\n\u003ctd data-start=\"3201\" data-end=\"3212\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3203\" data-end=\"3211\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3212\" data-end=\"3233\" data-col-size=\"md\"\u003eCirca 1935–1940\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3234\" data-end=\"3286\"\u003e\n\u003ctd data-start=\"3234\" data-end=\"3248\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3236\" data-end=\"3247\"\u003ePattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3248\" data-end=\"3286\"\u003eFrosted Fern (Elaine-style etch)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3287\" data-end=\"3338\"\u003e\n\u003ctd data-start=\"3287\" data-end=\"3299\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3289\" data-end=\"3298\"\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3299\" data-end=\"3338\"\u003eDepression Era \/ Art Deco Revival\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3339\" data-end=\"3381\"\u003e\n\u003ctd data-start=\"3339\" data-end=\"3354\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3341\" data-end=\"3353\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3354\" data-end=\"3381\"\u003ePressed crystal glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3382\" data-end=\"3448\"\u003e\n\u003ctd data-start=\"3382\" data-end=\"3398\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3384\" data-end=\"3397\"\u003eTechnique\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3398\" data-end=\"3448\"\u003eAcid-etched design with fire-polished finish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3449\" data-end=\"3479\"\u003e\n\u003ctd data-start=\"3449\" data-end=\"3464\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3451\" data-end=\"3463\"\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3464\" data-end=\"3479\" data-col-size=\"md\"\u003e8¾ inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3480\" data-end=\"3543\"\u003e\n\u003ctd data-start=\"3480\" data-end=\"3496\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3482\" data-end=\"3495\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3496\" data-end=\"3543\" data-col-size=\"md\"\u003eExcellent, light wear consistent with age\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3544\" data-end=\"3605\"\u003e\n\u003ctd data-start=\"3544\" data-end=\"3561\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3546\" data-end=\"3560\"\u003eProvenance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3561\" data-end=\"3605\" data-col-size=\"md\"\u003eCambridge etched glass line, 1930s–40s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"3607\" data-end=\"3610\"\u003e\n\u003ch3 data-start=\"3612\" data-end=\"3634\"\u003eWhy It’s Special\u003c\/h3\u003e\n\u003cp data-start=\"3635\" data-end=\"3976\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis etched glass plate embodies the quiet sophistication of Depression-era craftsmanship — a balance of artistry, affordability, and precision. Its frosted scrollwork, luminous transparency, and impeccable symmetry make it as compelling on a modern table as it was in the 1930s, an enduring testament to American glass design at its finest.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42613148680297,"sku":null,"price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/depression_glass_etched_plate_frosted_fern_pattern_by_cambridge_glass_co._cambridge_ohio_circa_19351940762305717872934151524925545.jpg?v=1773722652"},{"product_id":"warwick-china-oval-serving-platter-warwick-china-co-wheeling-west-virginia-circa-1940-1951","title":"Warwick China Oval Serving Platter — Warwick China Co., Wheeling, West Virginia — Circa 1925–1945","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-68e9f565-1404-8332-ba59-50c11e986fc5-19\" data-testid=\"conversation-turn-52\" data-scroll-anchor=\"false\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"5d91179a-59d5-4373-ab87-b496ec9439d6\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003ch2 data-start=\"110\" data-end=\"126\"\u003eThe Platter\u003c\/h2\u003e\n\u003cp data-start=\"127\" data-end=\"519\"\u003eA refined example of early 20th-century American restaurantware, this \u003cstrong data-start=\"197\" data-end=\"221\"\u003eoval serving platter\u003c\/strong\u003e was produced by the \u003cstrong data-start=\"242\" data-end=\"267\"\u003eWarwick China Company\u003c\/strong\u003e of \u003cstrong data-start=\"271\" data-end=\"298\"\u003eWheeling, West Virginia\u003c\/strong\u003e, between \u003cstrong data-start=\"308\" data-end=\"325\"\u003e1925 and 1945\u003c\/strong\u003e. The platter’s clean form, durable construction, and understated decoration reflect the transitional era of American ceramics—when craftsmanship met the growing demand for industrial utility.\u003c\/p\u003e\n\u003cp data-start=\"521\" data-end=\"734\"\u003eBearing the \u003cstrong data-start=\"533\" data-end=\"577\"\u003egreen underglaze “WARWICK WHEELING” mark\u003c\/strong\u003e, this piece belongs to the company’s later production period, when Warwick simplified its branding and focused on vitrified hotel and institutional china.\u003c\/p\u003e\n\u003chr data-start=\"736\" data-end=\"739\"\u003e\n\u003ch3 data-start=\"741\" data-end=\"768\"\u003eDesign \u0026amp; Construction\u003c\/h3\u003e\n\u003cp data-start=\"769\" data-end=\"911\"\u003e→ \u003cstrong data-start=\"771\" data-end=\"784\"\u003eMaterial:\u003c\/strong\u003e Heavy \u003cstrong data-start=\"791\" data-end=\"814\"\u003evitrified porcelain\u003c\/strong\u003e, fired to high temperatures for superior chip resistance—a hallmark of Warwick’s service ware.\u003c\/p\u003e\n\u003cp data-start=\"913\" data-end=\"1173\"\u003e→ \u003cstrong data-start=\"915\" data-end=\"930\"\u003eDecoration:\u003c\/strong\u003e A minimalist \u003cstrong data-start=\"944\" data-end=\"966\"\u003edouble-line border\u003c\/strong\u003e in soft gray-blue encircles the rim, typical of American restaurantware from the interwar period. The design’s restraint speaks to the move away from ornate Victorian patterns toward modernist simplicity.\u003c\/p\u003e\n\u003cp data-start=\"1175\" data-end=\"1334\"\u003e→ \u003cstrong data-start=\"1177\" data-end=\"1186\"\u003eForm:\u003c\/strong\u003e The oval profile features a slightly recessed center well for serving entrées or sides, with raised rolled edges for strength and clean handling.\u003c\/p\u003e\n\u003cp data-start=\"1336\" data-end=\"1561\"\u003e→ \u003cstrong data-start=\"1338\" data-end=\"1350\"\u003eMarking:\u003c\/strong\u003e The backstamp, printed in green, reads \u003cem data-start=\"1390\" data-end=\"1412\"\u003e“WARWICK \/ WHEELING”\u003c\/em\u003e—a post-1920s mark used after the company discontinued its earlier “helmet and crossed swords” emblem, confirming production between 1925 and 1945.\u003c\/p\u003e\n\u003chr data-start=\"1563\" data-end=\"1566\"\u003e\n\u003ch3 data-start=\"1568\" data-end=\"1584\"\u003eDimensions\u003c\/h3\u003e\n\u003cp data-start=\"1585\" data-end=\"1643\"\u003eLength: 13½\"\u003cbr data-start=\"1597\" data-end=\"1600\"\u003eWidth: 9¾\"\u003cbr data-start=\"1610\" data-end=\"1613\"\u003e(Measurements within ¼ inch)\u003c\/p\u003e\n\u003chr data-start=\"1645\" data-end=\"1648\"\u003e\n\u003ch3 data-start=\"1650\" data-end=\"1674\"\u003eHistorical Context\u003c\/h3\u003e\n\u003cp data-start=\"1675\" data-end=\"2017\"\u003eFounded in \u003cstrong data-start=\"1686\" data-end=\"1694\"\u003e1887\u003c\/strong\u003e, the \u003cstrong data-start=\"1700\" data-end=\"1725\"\u003eWarwick China Company\u003c\/strong\u003e became one of West Virginia’s major ceramic producers, specializing in \u003cstrong data-start=\"1797\" data-end=\"1841\"\u003esemi-porcelain and vitrified hotel china\u003c\/strong\u003e. Early pieces featured romantic and floral transfers, while later lines—such as this platter—adopted modern industrial styling suited for restaurants, railroads, and hotels.\u003c\/p\u003e\n\u003cp data-start=\"2019\" data-end=\"2295\"\u003eBy the \u003cstrong data-start=\"2026\" data-end=\"2041\"\u003e1930s–1940s\u003c\/strong\u003e, Warwick’s aesthetic aligned with the streamlined American modern movement: clean, functional, and purpose-built. This platter exemplifies that shift, bridging the decorative ideals of the early 1900s with the efficiency-driven design of the WWII era.\u003c\/p\u003e\n\u003cp data-start=\"2297\" data-end=\"2411\"\u003eThe company ceased operations in \u003cstrong data-start=\"2330\" data-end=\"2338\"\u003e1951\u003c\/strong\u003e, making this example part of Warwick’s final generation of production.\u003c\/p\u003e\n\u003chr data-start=\"2413\" data-end=\"2416\"\u003e\n\u003ch3 data-start=\"2418\" data-end=\"2433\"\u003eCondition\u003c\/h3\u003e\n\u003cp data-start=\"2434\" data-end=\"2630\"\u003eIn \u003cstrong data-start=\"2437\" data-end=\"2468\"\u003eexcellent vintage condition\u003c\/strong\u003e, with a glossy glaze surface, intact border lines, and minimal utensil wear. No cracks, chips, or discoloration. The underglaze mark remains crisp and legible.\u003c\/p\u003e\n\u003chr data-start=\"2632\" data-end=\"2635\"\u003e\n\u003ch3 data-start=\"2637\" data-end=\"2665\"\u003eValue \u0026amp; Collectibility\u003c\/h3\u003e\n\u003cp data-start=\"2666\" data-end=\"2745\"\u003e→ \u003cstrong data-start=\"2668\" data-end=\"2695\"\u003eCollector Market Value:\u003c\/strong\u003e $25–$40\u003cbr data-start=\"2703\" data-end=\"2706\"\u003e→ \u003cstrong data-start=\"2708\" data-end=\"2735\"\u003eDesign \/ Styling Value:\u003c\/strong\u003e $45–$65\u003c\/p\u003e\n\u003cp data-start=\"2747\" data-end=\"3096\"\u003ePieces from Warwick’s later production period are appreciated both by collectors of \u003cstrong data-start=\"2831\" data-end=\"2858\"\u003eAmerican restaurantware\u003c\/strong\u003e and by interior stylists who value their \u003cstrong data-start=\"2900\" data-end=\"2925\"\u003eindustrial minimalism\u003c\/strong\u003e and \u003cstrong data-start=\"2930\" data-end=\"2955\"\u003eculinary authenticity\u003c\/strong\u003e. Their weight, clarity, and subtle decoration make them equally suited for display or use in contemporary farmhouse and heritage kitchens.\u003c\/p\u003e\n\u003chr data-start=\"3098\" data-end=\"3101\"\u003e\n\u003ch3 data-start=\"3103\" data-end=\"3124\"\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"3125\" data-end=\"3654\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"3125\" data-end=\"3162\"\u003e\n\u003ctr data-start=\"3125\" data-end=\"3162\"\u003e\n\u003cth data-start=\"3125\" data-end=\"3141\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3127\" data-end=\"3140\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"3141\" data-end=\"3162\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"3143\" data-end=\"3158\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3202\" data-end=\"3654\"\u003e\n\u003ctr data-start=\"3202\" data-end=\"3237\"\u003e\n\u003ctd data-start=\"3202\" data-end=\"3214\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3204\" data-end=\"3213\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3214\" data-end=\"3237\" data-col-size=\"md\"\u003eWarwick China Co.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3238\" data-end=\"3285\"\u003e\n\u003ctd data-start=\"3238\" data-end=\"3251\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3240\" data-end=\"3250\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3251\" data-end=\"3285\"\u003eWheeling, West Virginia, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3286\" data-end=\"3318\"\u003e\n\u003ctd data-start=\"3286\" data-end=\"3297\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3288\" data-end=\"3296\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3297\" data-end=\"3318\" data-col-size=\"md\"\u003eCirca 1925–1945\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3319\" data-end=\"3359\"\u003e\n\u003ctd data-start=\"3319\" data-end=\"3334\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3321\" data-end=\"3333\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3334\" data-end=\"3359\"\u003eVitrified porcelain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3360\" data-end=\"3419\"\u003e\n\u003ctd data-start=\"3360\" data-end=\"3372\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3362\" data-end=\"3371\"\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3372\" data-end=\"3419\"\u003eInterwar American \/ Restaurantware Modern\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3420\" data-end=\"3468\"\u003e\n\u003ctd data-start=\"3420\" data-end=\"3437\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3422\" data-end=\"3436\"\u003eDecoration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3437\" data-end=\"3468\"\u003eDouble gray-blue line rim\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3469\" data-end=\"3504\"\u003e\n\u003ctd data-start=\"3469\" data-end=\"3482\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3471\" data-end=\"3481\"\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3482\" data-end=\"3504\"\u003eHigh-gloss glaze\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3505\" data-end=\"3542\"\u003e\n\u003ctd data-start=\"3505\" data-end=\"3522\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3507\" data-end=\"3521\"\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3522\" data-end=\"3542\"\u003e13½” L × 9¾” W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3543\" data-end=\"3601\"\u003e\n\u003ctd data-start=\"3543\" data-end=\"3554\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3545\" data-end=\"3553\"\u003eMark\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3554\" data-end=\"3601\"\u003eGreen “WARWICK WHEELING” underglaze stamp\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3602\" data-end=\"3654\"\u003e\n\u003ctd data-start=\"3602\" data-end=\"3618\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3604\" data-end=\"3617\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3618\" data-end=\"3654\"\u003eExcellent, light age wear only\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"3656\" data-end=\"3659\"\u003e\n\u003ch3 data-start=\"3661\" data-end=\"3683\"\u003eWhy It’s Special\u003c\/h3\u003e\n\u003cp data-start=\"3684\" data-end=\"4045\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis platter represents the \u003cstrong data-start=\"3712\" data-end=\"3753\"\u003eintersection of design and durability\u003c\/strong\u003e that defined America’s interwar ceramics. Produced at a time when elegance met efficiency, its restrained decoration and robust craftsmanship make it both a collectible artifact and a timelessly usable piece of design—echoing the quiet sophistication of 20th-century American dining culture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42613156053097,"sku":null,"price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/warwick_china_oval_serving_platter_warwick_china_co._wheeling_west_virginia_circa_19251945762305826007334151538557033.jpg?v=1773722655"},{"product_id":"mid-century-mason-s-ironstone-scalloped-soup-bowls-pair-england-circa-1940-1955","title":"Mid-Century Mason’s Ironstone Scalloped Soup Bowls, (Pair) England, Circa 1940–1955","description":"\u003cp data-start=\"0\" data-end=\"456\"\u003e\u003cstrong data-start=\"0\" data-end=\"13\"\u003eThe Piece\u003c\/strong\u003e\u003cbr data-start=\"13\" data-end=\"16\"\u003eA charming pair of \u003cstrong data-start=\"35\" data-end=\"74\"\u003eIronstone scalloped-edge soup bowls\u003c\/strong\u003e, produced by \u003cstrong data-start=\"88\" data-end=\"117\"\u003eMason’s Ironstone England\u003c\/strong\u003e circa \u003cstrong data-start=\"124\" data-end=\"137\"\u003e1940–1955\u003c\/strong\u003e, these pieces showcase the restrained beauty and durability of English utilitarian ceramics in the mid-20th century. The bowls feature a soft ivory glaze with delicate fluting along the rim, reflecting the transition from ornate Victorian china to simplified, functional forms sought after in the postwar domestic era.\u003c\/p\u003e\n\u003cp data-start=\"458\" data-end=\"626\"\u003eEach bowl’s gentle, scalloped edge and subtle depth make it both decorative and practical—ideal for soup, pasta, or as an elegant accent piece in an open-shelf display.\u003c\/p\u003e\n\u003chr data-start=\"628\" data-end=\"631\"\u003e\n\u003cp data-start=\"633\" data-end=\"1015\"\u003e\u003cstrong data-start=\"633\" data-end=\"658\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003cbr data-start=\"658\" data-end=\"661\"\u003e→ \u003cstrong data-start=\"663\" data-end=\"680\"\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr data-start=\"680\" data-end=\"683\"\u003eRound, shallow bowls with a softly \u003cstrong data-start=\"718\" data-end=\"745\"\u003efluted or scalloped rim\u003c\/strong\u003e, designed for understated sophistication. The shape is typical of English ironstone dinnerware made between the 1930s and 1950s, favoring subtle relief work over painted ornamentation. The fluting casts gentle shadows that emphasize the bowl’s creamy glaze under light.\u003c\/p\u003e\n\u003cp data-start=\"1017\" data-end=\"1334\"\u003e→ \u003cstrong data-start=\"1019\" data-end=\"1032\"\u003eMaterial:\u003c\/strong\u003e\u003cbr data-start=\"1032\" data-end=\"1035\"\u003eMade from \u003cstrong data-start=\"1045\" data-end=\"1066\"\u003eironstone ceramic\u003c\/strong\u003e, a dense, vitrified material developed in Staffordshire in the early 19th century as a more durable alternative to porcelain. The glossy glaze bears fine, even \u003cstrong data-start=\"1227\" data-end=\"1238\"\u003ecrazing\u003c\/strong\u003e—a natural network of surface lines prized by collectors for its authenticity and age character.\u003c\/p\u003e\n\u003cp data-start=\"1336\" data-end=\"1594\"\u003e→ \u003cstrong data-start=\"1338\" data-end=\"1358\"\u003eFinish \u0026amp; Patina:\u003c\/strong\u003e\u003cbr data-start=\"1358\" data-end=\"1361\"\u003eWarm ivory-white glaze with visible age patina and light surface wear consistent with mid-century use. The underside bears the \u003cstrong data-start=\"1488\" data-end=\"1517\"\u003eMason’s Ironstone England\u003c\/strong\u003e hallmark in blue underglaze, confirming its English origin and authenticity.\u003c\/p\u003e\n\u003chr data-start=\"1596\" data-end=\"1599\"\u003e\n\u003cp data-start=\"1601\" data-end=\"1679\"\u003e\u003cstrong data-start=\"1601\" data-end=\"1615\"\u003eDimensions\u003c\/strong\u003e\u003cbr data-start=\"1615\" data-end=\"1618\"\u003eDiameter: 7.25\"\u003cbr data-start=\"1633\" data-end=\"1636\"\u003eHeight: 1.5\"\u003cbr data-start=\"1648\" data-end=\"1651\"\u003e(Measurements within ¼ inch)\u003c\/p\u003e\n\u003chr data-start=\"1681\" data-end=\"1684\"\u003e\n\u003cp data-start=\"1686\" data-end=\"2053\"\u003e\u003cstrong data-start=\"1686\" data-end=\"1710\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003cbr data-start=\"1710\" data-end=\"1713\"\u003eMason’s Ironstone was founded in Staffordshire, England, in 1813 by Charles James Mason, and became one of the most recognizable names in English ceramics. By the mid-20th century, Mason’s production reflected Britain’s shift toward elegant simplicity—serving ware that could move fluidly from formal dining rooms to modern family kitchens.\u003c\/p\u003e\n\u003cp data-start=\"2055\" data-end=\"2316\"\u003ePieces from this era were often used in both restaurant and household service, admired for their weight, chip resistance, and ability to retain heat. The design of these bowls exemplifies the \u003cstrong data-start=\"2247\" data-end=\"2276\"\u003epostwar English aesthetic\u003c\/strong\u003e: restrained, symmetrical, and enduring.\u003c\/p\u003e\n\u003chr data-start=\"2318\" data-end=\"2321\"\u003e\n\u003cp data-start=\"2323\" data-end=\"2591\"\u003e\u003cstrong data-start=\"2323\" data-end=\"2336\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"2336\" data-end=\"2339\"\u003eIn \u003cstrong data-start=\"2342\" data-end=\"2373\"\u003every good vintage condition\u003c\/strong\u003e. Each bowl shows gentle surface wear, minor utensil marks, and characteristic crazing to the glaze, enhancing its antique appeal. No chips, cracks, or repairs are present, and the maker’s marks remain clearly legible.\u003c\/p\u003e\n\u003chr data-start=\"2593\" data-end=\"2596\"\u003e\n\u003cp data-start=\"2598\" data-end=\"2619\"\u003e\u003cstrong data-start=\"2598\" data-end=\"2617\"\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"2620\" data-end=\"3028\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"2620\" data-end=\"2649\"\u003e\n\u003ctr data-start=\"2620\" data-end=\"2649\"\u003e\n\u003cth data-start=\"2620\" data-end=\"2632\" data-col-size=\"sm\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-start=\"2632\" data-end=\"2649\" data-col-size=\"md\"\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"2682\" data-end=\"3028\"\u003e\n\u003ctr data-start=\"2682\" data-end=\"2717\"\u003e\n\u003ctd data-start=\"2682\" data-end=\"2694\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2684\" data-end=\"2693\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"2694\" data-end=\"2717\" data-col-size=\"md\"\u003eMason’s Ironstone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2718\" data-end=\"2759\"\u003e\n\u003ctd data-start=\"2718\" data-end=\"2731\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2720\" data-end=\"2730\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2731\" data-end=\"2759\"\u003eStaffordshire, England\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2760\" data-end=\"2792\"\u003e\n\u003ctd data-start=\"2760\" data-end=\"2771\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2762\" data-end=\"2770\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2771\" data-end=\"2792\"\u003eCirca 1940–1955\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2793\" data-end=\"2848\"\u003e\n\u003ctd data-start=\"2793\" data-end=\"2805\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2795\" data-end=\"2804\"\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2805\" data-end=\"2848\"\u003eEnglish Country \/ Mid-Century Utility\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2849\" data-end=\"2894\"\u003e\n\u003ctd data-start=\"2849\" data-end=\"2864\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2851\" data-end=\"2863\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2864\" data-end=\"2894\"\u003eGlazed ironstone ceramic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2895\" data-end=\"2924\"\u003e\n\u003ctd data-start=\"2895\" data-end=\"2907\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2897\" data-end=\"2906\"\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2907\" data-end=\"2924\"\u003eIvory white\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2925\" data-end=\"2988\"\u003e\n\u003ctd data-start=\"2925\" data-end=\"2941\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2927\" data-end=\"2940\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2941\" data-end=\"2988\"\u003eVery good; light crazing and minimal wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2989\" data-end=\"3028\"\u003e\n\u003ctd data-start=\"2989\" data-end=\"3006\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2991\" data-end=\"3005\"\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3006\" data-end=\"3028\"\u003e7.25” D × 1.5” H\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"3030\" data-end=\"3033\"\u003e\n\u003cp data-start=\"3035\" data-end=\"3482\"\u003e\u003cstrong data-start=\"3035\" data-end=\"3055\"\u003eWhy It’s Special\u003c\/strong\u003e\u003cbr data-start=\"3055\" data-end=\"3058\"\u003eThese bowls represent the \u003cstrong data-start=\"3084\" data-end=\"3119\"\u003egolden age of English ironstone\u003c\/strong\u003e—beautifully practical, gracefully simple, and built to last. Their soft fluted edges and time-worn patina bring quiet elegance to any space, whether styled as a rustic tabletop accent, part of a vintage dish collection, or used functionally for dining. Collectors and designers alike value these pieces for their authenticity, craftsmanship, and timeless appeal.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42615905615977,"sku":null,"price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/mid-century_masons_ironstone_scalloped_soup_bowls_pair_england_circa_19401955762340953303334154279796841.jpg?v=1773722702"},{"product_id":"early-20th-century-pressed-glass-bowl-with-silver-plated-rim-diamond-lattice-sunburst-c-1900-1930","title":"Early 20th-Century Pressed Glass Bowl with Silver-Plated Rim (Diamond Lattice \u0026 Sunburst), c. 1900–1930","description":"\u003cp\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003cbr\u003eA handsome \u003cstrong\u003epressed glass bowl with a silver-plated rim\u003c\/strong\u003e, dating to \u003cstrong\u003ecirca 1900–1930\u003c\/strong\u003e. The basin features a brilliant \u003cstrong\u003ediamond-point lattice\u003c\/strong\u003e with a radiating \u003cstrong\u003esunburst\u003c\/strong\u003e to the well—motifs that sparkle under light and were prized in both American and British tableware at the turn of the century. The fitted metal collar protects the lip and lends a refined, mixed-material contrast.\u003c\/p\u003e\n\u003cp\u003eEqually at home as a serving bowl or a luminous catch-all on a console, this compact piece blends durability with elegant, prismatic shine.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003cbr\u003e→ \u003cstrong\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr\u003eRounded bowl with straight walls that rise to a protected rim. The exterior is pressed in a \u003cstrong\u003ecross-hatched (diamond) pattern\u003c\/strong\u003e; the base shows a crisp \u003cstrong\u003estarburst\u003c\/strong\u003e—classic cut\/pressed glass vocabulary from the late-Victorian into early Art Deco era.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e\u003cbr\u003eClear \u003cstrong\u003esoda-lime pressed glass\u003c\/strong\u003e with a substantial weight and high refractive sparkle. Rim is \u003cstrong\u003esilver-plate over brass (EPNS)\u003c\/strong\u003e, fitted and crimped—typical of early-20th-century serving bowls intended for frequent use.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eFinish \u0026amp; Patina:\u003c\/strong\u003e\u003cbr\u003eGlass is bright and clear with minor utensil marks; the plated collar shows gentle, even tarnish and small age specks that polish if desired.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eDiameter: \u003cstrong\u003e~6.75\"\u003c\/strong\u003e\u003cbr\u003eHeight: \u003cstrong\u003e~3\"\u003c\/strong\u003e\u003cbr\u003e(Measurements within ¼\")\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003cbr\u003eSilver-mounted glass gained popularity from the \u003cstrong\u003elate 19th century into the 1930s\u003c\/strong\u003e, when manufacturers paired sparkling pressed or cut glass with protective metal collars for fruit, dessert, and condiment service. The \u003cstrong\u003ediamond-point lattice\u003c\/strong\u003e and \u003cstrong\u003esunburst\u003c\/strong\u003e—seen in American EAPG traditions and British\/Continental crystal—were favored for their light-splitting geometry, bringing “brilliant cut” look to sturdy pressed ware. Pieces like this were common wedding gifts and hotel\/dining service staples for their blend of shine, resilience, and easy maintenance.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eVery good vintage condition.\u003c\/strong\u003e Glass remains clear with no cracks or chips observed; base shows light shelf wear. Silver-plate collar with mild, attractive tarnish and a few pinpoint marks from age and handling.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eAttribute\u003c\/th\u003e\n\u003cth\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUnmarked; American or British manufacture\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUnited States or United Kingdom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCirca \u003cstrong\u003e1900–1930\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLate Victorian to Early Art Deco tableware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePressed glass with \u003cstrong\u003eEPNS\u003c\/strong\u003e (silver-plated) rim\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClear glass \/ silver tone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVery good; light wear to plate, clear glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e~6.75” D × ~3” H\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cstrong\u003eWhy It’s Special\u003c\/strong\u003e\u003cbr\u003eA petite classic with \u003cstrong\u003emaximum sparkle\u003c\/strong\u003e—the diamond lattice throws lively reflections, while the silver-plated collar adds tailored polish. Style it as a candy or nut bowl, a bedside catch-all for jewelry, or layered into a bar cart vignette. Its compact size, historic mix of materials, and enduring practicality make it an easy, elegant upgrade to any room.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42616139513961,"sku":null,"price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/early_20th-century_pressed_glass_bowl_with_silver-plated_rim_diamond_lattice_sunburst_c._19001930762355659581734155871469673.jpg?v=1773722714"},{"product_id":"mid-century-colonial-homestead-oval-serving-platter-by-royal-china-usa-c-1950s","title":"Mid-Century “Colonial Homestead” Oval Serving Platter by Royal China (USA), c. 1950s","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"1c10ddb0-be40-4c05-af69-5809591d1b21\" data-testid=\"conversation-turn-30\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"dd6eb524-296c-4d38-8065-2cd7a3ae9cff\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-thinking\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"503\"\u003e\u003cstrong data-start=\"0\" data-end=\"13\"\u003eThe Piece\u003c\/strong\u003e\u003cbr data-start=\"13\" data-end=\"16\"\u003eA classic mid-century \u003cstrong data-start=\"38\" data-end=\"95\"\u003eRoyal China “Colonial Homestead” oval serving platter\u003c\/strong\u003e (Sebring, Ohio), finished in warm ivory with scalloped rim grips and hand-applied gilt flourishes at the terminals. The creamy glaze shows a beautiful field of allover crazing and tea-toned patina—exactly the kind of honest age that turns utilitarian stoneware into display-worthy décor. Equally at home on a farmhouse table or styled upright on a shelf, it delivers history and warmth in one generous form.\u003c\/p\u003e\n\u003chr data-start=\"505\" data-end=\"508\"\u003e\n\u003cp data-start=\"510\" data-end=\"829\"\u003e\u003cstrong data-start=\"510\" data-end=\"535\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003cbr data-start=\"535\" data-end=\"538\"\u003e→ \u003cstrong data-start=\"540\" data-end=\"557\"\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr data-start=\"557\" data-end=\"560\"\u003eBroad oval well with subtle cavetto, scalloped rim notches for handling, and restrained line bands circling the interior. Black-and-gold foliate scrolls accent the “grips,” a mid-century interpretation of Colonial-era ornament that Royal China popularized in the 1950s.\u003c\/p\u003e\n\u003cp data-start=\"831\" data-end=\"1014\"\u003e→ \u003cstrong data-start=\"833\" data-end=\"846\"\u003eMaterial:\u003c\/strong\u003e\u003cbr data-start=\"846\" data-end=\"849\"\u003eDense ironstone\/stoneware body with glossy ivory glaze. The surface exhibits \u003cstrong data-start=\"926\" data-end=\"945\"\u003euniform crazing\u003c\/strong\u003e—stable and desirable to many collectors for its depth and character.\u003c\/p\u003e\n\u003cp data-start=\"1016\" data-end=\"1228\"\u003e→ \u003cstrong data-start=\"1018\" data-end=\"1027\"\u003eMark:\u003c\/strong\u003e\u003cbr data-start=\"1027\" data-end=\"1030\"\u003eUnderside printed in green: \u003cstrong data-start=\"1058\" data-end=\"1118\"\u003e“Colonial Homestead by Royal – Pat. Pend. – circa 1750–”\u003c\/strong\u003e—Royal China’s branding that references Colonial inspirations while denoting their own mid-century production.\u003c\/p\u003e\n\u003chr data-start=\"1230\" data-end=\"1233\"\u003e\n\u003cp data-start=\"1235\" data-end=\"1338\"\u003e\u003cstrong data-start=\"1235\" data-end=\"1249\"\u003eDimensions\u003c\/strong\u003e\u003cbr data-start=\"1249\" data-end=\"1252\"\u003eLength: \u003cstrong data-start=\"1260\" data-end=\"1270\"\u003e13.75\"\u003c\/strong\u003e\u003cbr data-start=\"1270\" data-end=\"1273\"\u003eWidth: \u003cstrong data-start=\"1280\" data-end=\"1290\"\u003e10.25\"\u003c\/strong\u003e\u003cbr data-start=\"1290\" data-end=\"1293\"\u003eHeight: \u003cstrong data-start=\"1301\" data-end=\"1310\"\u003e1.25\"\u003c\/strong\u003e\u003cbr data-start=\"1310\" data-end=\"1313\"\u003e(Measurements within ¼\".)\u003c\/p\u003e\n\u003chr data-start=\"1340\" data-end=\"1343\"\u003e\n\u003cp data-start=\"1345\" data-end=\"1776\"\u003e\u003cstrong data-start=\"1345\" data-end=\"1369\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003cbr data-start=\"1369\" data-end=\"1372\"\u003eFounded in Sebring, Ohio, \u003cstrong data-start=\"1398\" data-end=\"1417\"\u003eRoyal China Co.\u003c\/strong\u003e became one of America’s largest dinnerware producers after WWII. The \u003cstrong data-start=\"1487\" data-end=\"1509\"\u003eColonial Homestead\u003c\/strong\u003e line translated 18th-century motifs for modern households, pairing sturdy ironstone bodies with approachable, decorative details. Platters like this were everyday workhorses—holiday turkey, Sunday roast—yet were designed to look handsome on a sideboard between uses.\u003c\/p\u003e\n\u003chr data-start=\"1778\" data-end=\"1781\"\u003e\n\u003cp data-start=\"1783\" data-end=\"2040\"\u003e\u003cstrong data-start=\"1783\" data-end=\"1796\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1796\" data-end=\"1799\"\u003e\u003cstrong data-start=\"1799\" data-end=\"1825\"\u003eGood vintage condition\u003c\/strong\u003e with rich, even crazing and characteristic tea-toning across the face. Expected utensil marks and gentle rub\/loss to the gilt at the grips; no active cracks or structural instability observed. Clean, display-ready.\u003c\/p\u003e\n\u003chr data-start=\"2042\" data-end=\"2045\"\u003e\n\u003cp data-start=\"2047\" data-end=\"2068\"\u003e\u003cstrong data-start=\"2047\" data-end=\"2066\"\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"2069\" data-end=\"2460\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"2069\" data-end=\"2096\"\u003e\n\u003ctr data-start=\"2069\" data-end=\"2096\"\u003e\n\u003cth data-start=\"2069\" data-end=\"2081\" data-col-size=\"sm\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-start=\"2081\" data-end=\"2096\" data-col-size=\"md\"\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"2107\" data-end=\"2460\"\u003e\n\u003ctr data-start=\"2107\" data-end=\"2138\"\u003e\n\u003ctd data-start=\"2107\" data-end=\"2119\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2109\" data-end=\"2118\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2119\" data-end=\"2138\"\u003eRoyal China Co.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2139\" data-end=\"2175\"\u003e\n\u003ctd data-start=\"2139\" data-end=\"2153\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2141\" data-end=\"2152\"\u003ePattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2153\" data-end=\"2175\"\u003eColonial Homestead\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2176\" data-end=\"2211\"\u003e\n\u003ctd data-start=\"2176\" data-end=\"2189\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2178\" data-end=\"2188\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2189\" data-end=\"2211\"\u003eSebring, Ohio, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2212\" data-end=\"2235\"\u003e\n\u003ctd data-start=\"2212\" data-end=\"2223\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2214\" data-end=\"2222\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2223\" data-end=\"2235\"\u003ec. 1950s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2236\" data-end=\"2281\"\u003e\n\u003ctd data-start=\"2236\" data-end=\"2251\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2238\" data-end=\"2250\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2251\" data-end=\"2281\"\u003eGlazed ironstone\/stoneware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2282\" data-end=\"2329\"\u003e\n\u003ctd data-start=\"2282\" data-end=\"2294\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2284\" data-end=\"2293\"\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"2294\" data-end=\"2329\" data-col-size=\"md\"\u003eIvory with black \u0026amp; gold accents\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2330\" data-end=\"2409\"\u003e\n\u003ctd data-start=\"2330\" data-end=\"2346\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2332\" data-end=\"2345\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2346\" data-end=\"2409\"\u003eGood vintage; uniform crazing, toned glaze, light gilt wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2410\" data-end=\"2460\"\u003e\n\u003ctd data-start=\"2410\" data-end=\"2427\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2412\" data-end=\"2426\"\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2427\" data-end=\"2460\"\u003e13.75” L × 10.25” W × 1.25” H\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"2462\" data-end=\"2465\"\u003e\n\u003cp data-start=\"2467\" data-end=\"2914\"\u003e\u003cstrong data-start=\"2467\" data-end=\"2498\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003cbr data-start=\"2498\" data-end=\"2501\"\u003eThis platter brings \u003cstrong data-start=\"2521\" data-end=\"2539\"\u003esoul and story\u003c\/strong\u003e to a table or display—substantial in hand, quietly decorative, and richly patinated. Style it upright on an easel, layer it into an open-shelf vignette with ironstone and wood, or press it back into service for breads, fruit, or seasonal centerpieces. It’s the kind of authentic mid-century American tableware that adds warmth to any room while earning its keep at mealtime.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42616140398697,"sku":null,"price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/mid-century_colonial_homestead_oval_serving_platter_by_royal_china_usa_c._1950s762355728394534155874156649.jpg?v=1773722718"},{"product_id":"amber-princess-pattern-depression-glass-dinnerware-set-hocking-glass-co-c-1931-1935","title":"Amber “Princess” Pattern Depression Glass Dinnerware Set — Hocking Glass Co., c. 1931–1935","description":"\u003cp\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003cbr\u003eA stunning Depression-era glass dessert and serving set in the \u003cem\u003ePrincess\u003c\/em\u003e pattern by Hocking Glass Co. (Lancaster, Ohio), produced between 1931 and 1935. Molded in warm amber with elaborate scrollwork and floral motifs, this ensemble includes square dinner and bread plates, matching saucers, and a domed covered dish—likely intended for butter, cheese, or sweets. The square forms, radiant color, and fine pressed detailing capture the height of 1930s American glass design, balancing everyday function with ornamental beauty.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003cbr\u003e→ \u003cstrong\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr\u003eEach plate features a square shape with gently scalloped corners and raised garland borders surrounding a central medallion of scrolls and stylized leaves. The covered dish, with its domed lid and knob finial, repeats the same decorative motif, creating a unified and elegant table service. The pedestal base adds height and a sense of ceremony, whether used for display or serving.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e\u003cbr\u003ePressed glass in deep \u003cem\u003eamber\u003c\/em\u003e—a signature hue of Depression glass prized for its luminous warmth. The pattern is molded rather than etched, with crisp raised relief that catches the light beautifully.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003ePattern:\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003ePrincess\u003c\/em\u003e by Hocking Glass Co. (later Anchor Hocking), 1931–1935. Recognized by its central diamond of scrolls, beaded swags, and stylized floral flourishes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions (approx.)\u003c\/strong\u003e\u003cbr\u003eDinner plates: 9¼\" square\u003cbr\u003eBread \u0026amp; butter plates: 6¼\" square\u003cbr\u003eSaucers: 5½\" square\u003cbr\u003eCovered dish: 6½\" diameter × 5½\" high (with lid)\u003c\/p\u003e\n\u003cp\u003e3 dinner plates\u003c\/p\u003e\n\u003cp\u003e7 \u003cmeta charset=\"utf-8\"\u003eBread \u0026amp; butter plates:\u003c\/p\u003e\n\u003cp\u003e6 \u003cmeta charset=\"utf-8\"\u003eSaucers:\u003c\/p\u003e\n\u003cp\u003e1 \u003cmeta charset=\"utf-8\"\u003eCovered Candy dish\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003cbr\u003eHocking Glass Company of Lancaster, Ohio—one of the pioneers of affordable Depression glass—introduced the \u003cem\u003ePrincess\u003c\/em\u003e pattern in 1931 as part of its effort to blend decorative design with mass production. The amber colorway became particularly popular during the early 1930s, when colored glassware brought cheer to households amid economic hardship. Sets like this were often given away with flour, oatmeal, or gasoline purchases, turning everyday tableware into collectible Americana.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003cbr\u003eExcellent vintage condition for its age. Light surface wear consistent with gentle use; no chips, cracks, or structural damage noted. Mold seams and minor bubbles characteristic of pressed glass production. Brilliant clarity and even amber tone throughout.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eAttribute\u003c\/th\u003e\n\u003cth\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eHocking Glass Co. (later Anchor Hocking)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePattern\u003c\/td\u003e\n\u003ctd\u003ePrincess\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eLancaster, Ohio, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear\u003c\/td\u003e\n\u003ctd\u003ec. 1931–1935\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003ePressed glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eAmber (golden yellow)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eExcellent vintage; light wear, no chips or cracks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eComponents\u003c\/td\u003e\n\u003ctd\u003eDinner plates, bread plates, saucers, covered pedestal dish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003cbr\u003eThis set embodies the optimism and craftsmanship of 1930s America—vibrant, functional, and elegantly detailed. Whether displayed in a glass-front cabinet, styled on open shelving, or used for serving pastries, fruit, or cheese, it glows with nostalgia and charm. Perfect for collectors of Depression glass or anyone drawn to the warm, honeyed tones and romantic forms of early 20th-century tableware.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42629636915305,"sku":null,"price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_0903.jpg?v=1760763043"},{"product_id":"george-jones-sons-rhapsody-for-crescent-china-gilt-embossed-small-plates-and-berry-sauce-bowls-england-c-1920s-1930s","title":"George Jones \u0026 Sons “Rhapsody” for Crescent China — Gilt \u0026 Embossed Small Plates and Berry\/Sauce Bowls (England, c. 1920s–1930s)","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"b9b0ef93-b80c-4152-b6e5-9936298ba55d\" data-testid=\"conversation-turn-12\" data-scroll-anchor=\"false\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"e5ad0f98-9e66-4683-8513-257e7b24806c\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-thinking\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"\u003e\n\u003ch2 data-start=\"132\" data-end=\"146\"\u003eThe Piece\u003c\/h2\u003e\n\u003cp data-start=\"147\" data-end=\"693\"\u003eAn elegant grouping from \u003cstrong data-start=\"172\" data-end=\"195\"\u003eGeorge Jones \u0026amp; Sons\u003c\/strong\u003e for \u003cstrong data-start=\"200\" data-end=\"218\"\u003eCrescent China\u003c\/strong\u003e in the scarce \u003cstrong data-start=\"233\" data-end=\"247\"\u003e“Rhapsody”\u003c\/strong\u003e pattern: creamy ivory bodies with a richly \u003cstrong data-start=\"291\" data-end=\"328\"\u003eembossed grape-and-foliate border\u003c\/strong\u003e, framed by a \u003cstrong data-start=\"342\" data-end=\"368\"\u003ehand-gilded inner ring\u003c\/strong\u003e of tiny arrowhead motifs and a \u003cstrong data-start=\"400\" data-end=\"423\"\u003efine outer gold rim\u003c\/strong\u003e. The faces show beautiful, uniform \u003cstrong data-start=\"459\" data-end=\"470\"\u003ecrazing\u003c\/strong\u003e and gentle tea toning—exactly the kind of honest age that turns early 20th-century tableware into display-worthy décor. Perfect layered on shelving or pressed back into service for desserts, fruit, sauces, or petits fours.\u003c\/p\u003e\n\u003ch2 data-start=\"695\" data-end=\"721\"\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003cp data-start=\"722\" data-end=\"1019\"\u003e→ \u003cstrong data-start=\"724\" data-end=\"741\"\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr data-start=\"741\" data-end=\"744\"\u003eLow-profile \u003cstrong data-start=\"756\" data-end=\"777\"\u003ebread\/side plates\u003c\/strong\u003e and matching \u003cstrong data-start=\"791\" data-end=\"820\"\u003eshallow berry\/sauce bowls\u003c\/strong\u003e. The broad embossed cavetto creates texture and light play; the gilded rings concentrate the eye toward the center. A refined Edwardian\/Art-Deco transition look—restrained, luxurious, and versatile.\u003c\/p\u003e\n\u003cp data-start=\"1021\" data-end=\"1216\"\u003e→ \u003cstrong data-start=\"1023\" data-end=\"1036\"\u003eMaterial:\u003c\/strong\u003e\u003cbr data-start=\"1036\" data-end=\"1039\"\u003eDense English earthenware\/ironstone with a warm ivory glaze. \u003cstrong data-start=\"1100\" data-end=\"1121\"\u003eHand-applied gilt\u003c\/strong\u003e at the inner band and outer rim. Surfaces exhibit stable, allover crazing consistent with age.\u003c\/p\u003e\n\u003cp data-start=\"1218\" data-end=\"1486\"\u003e→ \u003cstrong data-start=\"1220\" data-end=\"1229\"\u003eMark:\u003c\/strong\u003e\u003cbr data-start=\"1229\" data-end=\"1232\"\u003eUnderside printed in black: \u003cstrong data-start=\"1260\" data-end=\"1362\"\u003e“RHAPSODY \/ CRESCENT \/ GEORGE JONES \u0026amp; SONS \/ MADE IN ENGLAND \/ U.S. PAT. No 77844 \/ GREAT BRITAIN”\u003c\/strong\u003e with the Crescent monogram—an authentic maker’s mark used by George Jones \u0026amp; Sons on export wares in the early 20th century.\u003c\/p\u003e\n\u003ch2 data-start=\"1488\" data-end=\"1513\"\u003eDimensions (approx.)\u003c\/h2\u003e\n\u003cul data-start=\"1514\" data-end=\"1647\"\u003e\n\u003cli data-start=\"1514\" data-end=\"1555\"\u003e\n\u003cp data-start=\"1516\" data-end=\"1555\"\u003eSide\/Bread Plate: \u003cstrong data-start=\"1534\" data-end=\"1553\"\u003e6⅛–6¼\" diameter\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1556\" data-end=\"1647\"\u003e\n\u003cp data-start=\"1558\" data-end=\"1647\"\u003eBerry\/Sauce Bowl: \u003cstrong data-start=\"1576\" data-end=\"1607\"\u003e5¾–6\" diameter × 1–1¼\" high\u003c\/strong\u003e\u003cbr data-start=\"1607\" data-end=\"1610\"\u003e(Hand-finished pieces vary slightly.)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2 data-start=\"1649\" data-end=\"1674\"\u003eHistory \u0026amp; Provenance\u003c\/h2\u003e\n\u003cp data-start=\"1675\" data-end=\"2085\"\u003eOperating in Stoke-on-Trent, \u003cstrong data-start=\"1704\" data-end=\"1727\"\u003eGeorge Jones \u0026amp; Sons\u003c\/strong\u003e (est. 1861) built a reputation for finely modeled bodies and tasteful decoration. The \u003cstrong data-start=\"1814\" data-end=\"1826\"\u003eCrescent\u003c\/strong\u003e brand denoted their higher-grade table china aimed at export markets, including the United States. Patterns like \u003cstrong data-start=\"1940\" data-end=\"1952\"\u003eRhapsody\u003c\/strong\u003e paired molded fruit garlands—an homage to Victorian relief work—with crisper geometric gilding that suited evolving interwar tastes.\u003c\/p\u003e\n\u003ch2 data-start=\"2087\" data-end=\"2101\"\u003eCondition\u003c\/h2\u003e\n\u003cp data-start=\"2102\" data-end=\"2432\"\u003eGood vintage condition overall. Even, attractive crazing and tea toning; expected light utensil marks. Gilding remains bright with ordinary rub at high points and rims; occasional flea bites or kiln specks typical of period manufacture. Clean, display-ready. (Message me with exact counts and I’ll tailor the listing to your set.)\u003c\/p\u003e\n\u003ch2 data-start=\"2434\" data-end=\"2452\"\u003eProduct Details\u003c\/h2\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"2454\" data-end=\"3006\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"2454\" data-end=\"2481\"\u003e\n\u003ctr data-start=\"2454\" data-end=\"2481\"\u003e\n\u003cth data-start=\"2454\" data-end=\"2466\" data-col-size=\"sm\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-start=\"2466\" data-end=\"2481\" data-col-size=\"md\"\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"2492\" data-end=\"3006\"\u003e\n\u003ctr data-start=\"2492\" data-end=\"2540\"\u003e\n\u003ctd data-start=\"2492\" data-end=\"2500\" data-col-size=\"sm\"\u003eMaker\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2500\" data-end=\"2540\"\u003eGeorge Jones \u0026amp; Sons (Crescent China)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2541\" data-end=\"2610\"\u003e\n\u003ctd data-start=\"2541\" data-end=\"2551\" data-col-size=\"sm\"\u003ePattern\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2551\" data-end=\"2610\"\u003e\n\u003cstrong data-start=\"2553\" data-end=\"2565\"\u003eRhapsody\u003c\/strong\u003e (embossed grape \u0026amp; foliate with gilt bands)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2611\" data-end=\"2647\"\u003e\n\u003ctd data-start=\"2611\" data-end=\"2620\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2620\" data-end=\"2647\"\u003eStoke-on-Trent, England\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2648\" data-end=\"2677\"\u003e\n\u003ctd data-start=\"2648\" data-end=\"2655\" data-col-size=\"sm\"\u003eYear\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2655\" data-end=\"2677\"\u003e\u003cstrong data-start=\"2657\" data-end=\"2675\"\u003ec. 1920s–1930s\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2678\" data-end=\"2744\"\u003e\n\u003ctd data-start=\"2678\" data-end=\"2689\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2689\" data-end=\"2744\"\u003eGlazed English earthenware\/ironstone with hand gilt\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2745\" data-end=\"2783\"\u003e\n\u003ctd data-start=\"2745\" data-end=\"2753\" data-col-size=\"sm\"\u003eColor\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2753\" data-end=\"2783\"\u003eIvory with gold decoration\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2784\" data-end=\"2846\"\u003e\n\u003ctd data-start=\"2784\" data-end=\"2791\" data-col-size=\"sm\"\u003eMark\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2791\" data-end=\"2846\"\u003e“RHAPSODY \/ CRESCENT … U.S. PAT No 77844” backstamp\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2847\" data-end=\"2924\"\u003e\n\u003ctd data-start=\"2847\" data-end=\"2859\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-start=\"2859\" data-end=\"2924\" data-col-size=\"md\"\u003eGood vintage; uniform crazing, toned glaze, typical gilt wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2925\" data-end=\"3006\"\u003e\n\u003ctd data-start=\"2925\" data-end=\"2934\" data-col-size=\"sm\"\u003ePieces\u003c\/td\u003e\n\u003ctd data-start=\"2934\" data-end=\"3006\" data-col-size=\"md\"\u003eSmall plates and shallow berry\/sauce bowls (quantities per your set)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2 data-start=\"3008\" data-end=\"3040\"\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp data-start=\"3041\" data-end=\"3361\"\u003eThese pieces bring \u003cstrong data-start=\"3060\" data-end=\"3087\"\u003eOld-World English charm\u003c\/strong\u003e to modern tables—textural, luminous, and quietly glamorous. Style them in a stack with crystal and brass, use the bowls for berries or olive pits at cocktails, or float a single macaron on a gilded plate. Their patina tells a story; their scale makes them endlessly useful.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42629656543337,"sku":null,"price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_0909.jpg?v=1760765643"},{"product_id":"lenox-laurent-24k-gold-rim-bread-amp-butter-plates-trenton-nj-c-1960s","title":"Lenox “Laurent” 24K Gold-Rim Bread \u0026 Butter Plates (Trenton, NJ, c. 1960s)","description":"\u003ch2 data-start=\"84\" data-end=\"98\"\u003eThe Piece\u003c\/h2\u003e\n\u003cp data-start=\"99\" data-end=\"491\"\u003eA refined stack of \u003cstrong data-start=\"118\" data-end=\"137\"\u003eLenox “Laurent”\u003c\/strong\u003e bread \u0026amp; butter plates in classic ivory bone china, finished by hand with a brilliant \u003cstrong data-start=\"223\" data-end=\"244\"\u003e24-karat gold rim\u003c\/strong\u003e. The faces feature an elegant \u003cstrong data-start=\"275\" data-end=\"303\"\u003eradiating embossed swirl\u003c\/strong\u003e that pulls light to the edge, giving these small plates a surprisingly luxe presence. Minimalist, warm, and unmistakably mid-century Lenox—perfect for pastries, fruit, or layered display.\u003c\/p\u003e\n\u003ch2 data-start=\"493\" data-end=\"519\"\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003cp data-start=\"520\" data-end=\"767\"\u003e→ \u003cstrong data-start=\"522\" data-end=\"539\"\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr data-start=\"539\" data-end=\"542\"\u003eRound, low-profile plates with a softly scalloped rim and \u003cstrong data-start=\"600\" data-end=\"633\"\u003eembossed sunburst\/swirl field\u003c\/strong\u003e terminating at a luminous gold band. Clean and modern, designed to mix seamlessly with plain ivory or other Lenox gold-band patterns.\u003c\/p\u003e\n\u003cp data-start=\"769\" data-end=\"927\"\u003e→ \u003cstrong data-start=\"771\" data-end=\"784\"\u003eMaterial:\u003c\/strong\u003e\u003cbr data-start=\"784\" data-end=\"787\"\u003eLenox \u003cstrong data-start=\"793\" data-end=\"813\"\u003eivory bone china\u003c\/strong\u003e—light yet durable and slightly translucent—hand-decorated with \u003cstrong data-start=\"877\" data-end=\"894\"\u003e24-karat gold\u003c\/strong\u003e at the rim (not microwave-safe).\u003c\/p\u003e\n\u003cp data-start=\"929\" data-end=\"1179\"\u003e→ \u003cstrong data-start=\"931\" data-end=\"940\"\u003eMark:\u003c\/strong\u003e\u003cbr data-start=\"940\" data-end=\"943\"\u003eUnderside printed in gold with the \u003cstrong data-start=\"978\" data-end=\"1005\"\u003eLenox laurel-wreath “L”\u003c\/strong\u003e and \u003cstrong data-start=\"1010\" data-end=\"1030\"\u003e“Made in U.S.A.”\u003c\/strong\u003e Several retain the original silver foil sticker reading \u003cstrong data-start=\"1087\" data-end=\"1123\"\u003e“Hand Decorated with 24-K Gold.”\u003c\/strong\u003e Backstamp dates align with mid-century U.S. production.\u003c\/p\u003e\n\u003ch2 data-start=\"1181\" data-end=\"1206\"\u003eDimensions (approx.)\u003c\/h2\u003e\n\u003cp data-start=\"1207\" data-end=\"1285\"\u003eDiameter: \u003cstrong data-start=\"1217\" data-end=\"1224\"\u003e6¼\"\u003c\/strong\u003e\u003cbr data-start=\"1224\" data-end=\"1227\"\u003eHeight: \u003cstrong data-start=\"1235\" data-end=\"1241\"\u003e¾\"\u003c\/strong\u003e\u003cbr data-start=\"1241\" data-end=\"1244\"\u003e(Hand-finished pieces may vary slightly.)\u003c\/p\u003e\n\u003ch2 data-start=\"1287\" data-end=\"1312\"\u003eHistory \u0026amp; Provenance\u003c\/h2\u003e\n\u003cp data-start=\"1313\" data-end=\"1655\"\u003eFounded in 1889 in Trenton, New Jersey, \u003cstrong data-start=\"1353\" data-end=\"1362\"\u003eLenox\u003c\/strong\u003e became America’s best-known maker of fine bone china and formal White House services. Introduced in the mid-20th century, \u003cstrong data-start=\"1485\" data-end=\"1496\"\u003eLaurent\u003c\/strong\u003e distilled Lenox’s aesthetic to its essentials—creamy ivory, quiet texture, and real gold—suited to the streamlined elegance of post-war American entertaining.\u003c\/p\u003e\n\u003ch2 data-start=\"1657\" data-end=\"1671\"\u003eCondition\u003c\/h2\u003e\n\u003cp data-start=\"1672\" data-end=\"1877\"\u003eExcellent vintage condition. Bright glaze, crisp embossing, and continuous gold with only minimal, age-appropriate surface wear; no chips, cracks, or repairs observed. Foil stickers present on some pieces.\u003c\/p\u003e\n\u003ch2 data-start=\"1879\" data-end=\"1897\"\u003eProduct Details\u003c\/h2\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"1899\" data-end=\"2330\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"1899\" data-end=\"1926\"\u003e\n\u003ctr data-start=\"1899\" data-end=\"1926\"\u003e\n\u003cth data-start=\"1899\" data-end=\"1911\" data-col-size=\"sm\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-start=\"1911\" data-end=\"1926\" data-col-size=\"md\"\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"1937\" data-end=\"2330\"\u003e\n\u003ctr data-start=\"1937\" data-end=\"1968\"\u003e\n\u003ctd data-start=\"1937\" data-end=\"1945\" data-col-size=\"sm\"\u003eMaker\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"1945\" data-end=\"1968\"\u003eLenox China Company\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1969\" data-end=\"2021\"\u003e\n\u003ctd data-start=\"1969\" data-end=\"1979\" data-col-size=\"sm\"\u003ePattern\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"1979\" data-end=\"2021\"\u003e\n\u003cstrong data-start=\"1981\" data-end=\"1992\"\u003eLaurent\u003c\/strong\u003e (embossed swirl, gold rim)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2022\" data-end=\"2059\"\u003e\n\u003ctd data-start=\"2022\" data-end=\"2031\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2031\" data-end=\"2059\"\u003eTrenton, New Jersey, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2060\" data-end=\"2089\"\u003e\n\u003ctd data-start=\"2060\" data-end=\"2067\" data-col-size=\"sm\"\u003eYear\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2067\" data-end=\"2089\"\u003ec. \u003cstrong data-start=\"2072\" data-end=\"2087\"\u003e1960s\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2090\" data-end=\"2121\"\u003e\n\u003ctd data-start=\"2090\" data-end=\"2101\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2101\" data-end=\"2121\"\u003eIvory bone china\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2122\" data-end=\"2173\"\u003e\n\u003ctd data-start=\"2122\" data-end=\"2135\" data-col-size=\"sm\"\u003eDecoration\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2135\" data-end=\"2173\"\u003eHand-applied \u003cstrong data-start=\"2150\" data-end=\"2167\"\u003e24-karat gold\u003c\/strong\u003e rim\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2174\" data-end=\"2230\"\u003e\n\u003ctd data-start=\"2174\" data-end=\"2181\" data-col-size=\"sm\"\u003eMark\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2181\" data-end=\"2230\"\u003eGold laurel-wreath \u003cstrong data-start=\"2202\" data-end=\"2228\"\u003eLenox \/ Made in U.S.A.\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2231\" data-end=\"2272\"\u003e\n\u003ctd data-start=\"2231\" data-end=\"2238\" data-col-size=\"sm\"\u003eSize\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2238\" data-end=\"2272\"\u003e\n\u003cstrong data-start=\"2240\" data-end=\"2247\"\u003e6¼\"\u003c\/strong\u003e diameter × \u003cstrong data-start=\"2259\" data-end=\"2265\"\u003e¾\"\u003c\/strong\u003e high\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2273\" data-end=\"2330\"\u003e\n\u003ctd data-start=\"2273\" data-end=\"2280\" data-col-size=\"sm\"\u003eCare\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2280\" data-end=\"2330\"\u003eHand wash; not microwave-safe (real gold band)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2 data-start=\"2332\" data-end=\"2364\"\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp data-start=\"2365\" data-end=\"2616\"\u003eThese plates add a quiet note of luxury to everyday rituals—espresso and a sweet, a small salad course, or a jewelry catch-dish on a vanity. The embossed swirl brings texture; the genuine gold rim brings glow. Effortlessly mixable, enduringly elegant.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42629656576105,"sku":null,"price":220.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_0907.jpg?v=1760765831"},{"product_id":"mid-century-oak-brass-serving-tray-with-amerock-patent-stamped-handles-c-1950-1955","title":"Mid-Century Oak \u0026 Brass Serving Tray with Amerock Patent-Stamped Handles, c. 1950–1955","description":"\u003cp data-start=\"50\" data-end=\"539\"\u003e\u003cstrong data-start=\"50\" data-end=\"63\"\u003eThe Piece\u003c\/strong\u003e\u003cbr data-start=\"63\" data-end=\"66\"\u003eA beautifully proportioned serving tray crafted from \u003cstrong data-start=\"119\" data-end=\"139\"\u003equarter-sawn oak\u003c\/strong\u003e with undulating gallery sides and original \u003cstrong data-start=\"183\" data-end=\"209\"\u003eAmerock brass hardware\u003c\/strong\u003e, stamped \u003cem data-start=\"219\" data-end=\"233\"\u003e“PAT. PEND.”\u003c\/em\u003e with the distinctive \u003cstrong data-start=\"255\" data-end=\"270\"\u003eA-in-circle\u003c\/strong\u003e maker’s mark. The combination of warm oak grain and slender brass handles typifies mid-century American craftsmanship—refined, durable, and designed for everyday elegance. This piece bridges function and design, made for entertaining with understated sophistication.\u003c\/p\u003e\n\u003cp data-start=\"541\" data-end=\"933\"\u003e\u003cstrong data-start=\"541\" data-end=\"566\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003cbr data-start=\"566\" data-end=\"569\"\u003e→ \u003cstrong data-start=\"571\" data-end=\"588\"\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr data-start=\"588\" data-end=\"591\"\u003eRectangular silhouette with sculpted sidewalls that rise in gentle waves for easy handling. The subtle curvature of the perimeter adds rhythm to the clean geometry of the tray. Slim Amerock handles in brass, slightly arched and patinated, lend a tailored finish and echo the company’s industrial-modern design language of the 1950s–1960s.\u003c\/p\u003e\n\u003cp data-start=\"935\" data-end=\"1201\"\u003e→ \u003cstrong data-start=\"937\" data-end=\"950\"\u003eMaterial:\u003c\/strong\u003e\u003cbr data-start=\"950\" data-end=\"953\"\u003eSolid quarter-sawn oak with visible ray flake patterning; brass hardware marked \u003cem data-start=\"1033\" data-end=\"1051\"\u003e“PAT. PEND. \/ Ⓐ”\u003c\/em\u003e (Amerock, Rockford, Illinois). The wood has been hand-finished in a rich, honeyed tone with a soft sheen that highlights its age and grain movement.\u003c\/p\u003e\n\u003cp data-start=\"1203\" data-end=\"1508\"\u003e\u003cstrong data-start=\"1203\" data-end=\"1226\"\u003eProvenance \u0026amp; Period\u003c\/strong\u003e\u003cbr data-start=\"1226\" data-end=\"1229\"\u003eManufactured in the \u003cstrong data-start=\"1249\" data-end=\"1280\"\u003eUnited States, c. 1950–1965\u003c\/strong\u003e, when Amerock (formerly American Cabinet Hardware Co.) became a leader in decorative brassware for modern furniture and cabinetry. The hardware mark confirms early Amerock production prior to the adoption of later model codes.\u003c\/p\u003e\n\u003cp data-start=\"1510\" data-end=\"1748\"\u003e\u003cstrong data-start=\"1510\" data-end=\"1533\"\u003ePlacement \u0026amp; Styling\u003c\/strong\u003e\u003cbr data-start=\"1533\" data-end=\"1536\"\u003ePerfect on a coffee table, bar, or vanity—use to corral decanters, candles, or vintage glassware. Its architectural lines and material warmth make it a natural fit in both mid-century and contemporary interiors.\u003cstrong data-start=\"1750\" data-end=\"1765\"\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42641343283305,"sku":null,"price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_1196.jpg?v=1761363903"},{"product_id":"mid-century-modern-brass-wood-handled-trivet-serving-stand-c-1955-1965","title":"Mid-Century Modern Brass \u0026 Wood Handled Trivet \/ Serving Stand, c. 1955–1965","description":"\u003ch1 data-start=\"93\" data-end=\"106\"\u003eThe Piece\u003c\/h1\u003e\n\u003cp data-start=\"107\" data-end=\"504\"\u003eA striking mid-century serving trivet in brass-plated steel with turned wood handles and an inset glass platform. Designed to lift a hot dish or coffee service off the table, this piece embodies the effortless blend of \u003cstrong data-start=\"326\" data-end=\"347\"\u003eutility and style\u003c\/strong\u003e that defined 1950s–60s entertaining. Its minimal, geometric frame, paired with the warmth of natural wood, makes it as elegant on display as it is in use.\u003c\/p\u003e\n\u003ch1 data-start=\"506\" data-end=\"531\"\u003eDesign \u0026amp; Construction\u003c\/h1\u003e\n\u003cp data-start=\"532\" data-end=\"1012\"\u003e→ \u003cstrong data-start=\"534\" data-end=\"551\"\u003eForm \u0026amp; Style:\u003c\/strong\u003e Rectangular brass-plated frame with two cross rails, resting on gently angled legs; cylindrical turned-wood handles with fine ring detailing for grip and balance.\u003cbr data-start=\"714\" data-end=\"717\"\u003e→ \u003cstrong data-start=\"719\" data-end=\"732\"\u003eMaterial:\u003c\/strong\u003e Brass-plated steel, tempered glass insert, and finished hardwood (likely teak or oak).\u003cbr data-start=\"819\" data-end=\"822\"\u003e→ \u003cstrong data-start=\"824\" data-end=\"836\"\u003eDetails:\u003c\/strong\u003e The combination of warm metal and organic wood echoes the Scandinavian influence seen in American mid-century serveware by \u003cstrong data-start=\"960\" data-end=\"969\"\u003eDansk\u003c\/strong\u003e, \u003cstrong data-start=\"971\" data-end=\"989\"\u003eGeorges Briard\u003c\/strong\u003e, and \u003cstrong data-start=\"995\" data-end=\"1009\"\u003eGuildcraft\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch1 data-start=\"1014\" data-end=\"1037\"\u003ePlacement \u0026amp; Styling\u003c\/h1\u003e\n\u003cp data-start=\"1038\" data-end=\"1317\"\u003e→ \u003cstrong data-start=\"1040\" data-end=\"1053\"\u003eBar Cart:\u003c\/strong\u003e Ideal under a decanter, shaker set, or ice bucket.\u003cbr data-start=\"1104\" data-end=\"1107\"\u003e→ \u003cstrong data-start=\"1109\" data-end=\"1126\"\u003eDining Table:\u003c\/strong\u003e Use as a hot plate for a fondue pot, casserole, or teakettle.\u003cbr data-start=\"1188\" data-end=\"1191\"\u003e→ \u003cstrong data-start=\"1193\" data-end=\"1205\"\u003eDisplay:\u003c\/strong\u003e Layer with candles or small ceramics—its clean lines and patina make it a sculptural accent in its own right.\u003c\/p\u003e\n\u003ch1 data-start=\"1319\" data-end=\"1332\"\u003eCondition\u003c\/h1\u003e\n\u003cp data-start=\"1333\" data-end=\"1489\"\u003eWarm brass patina with light surface wear from age; wood handles are tight and richly toned; glass insert intact. Stable and ready for service or display.\u003c\/p\u003e\n\u003ch1 data-start=\"1491\" data-end=\"1510\"\u003eDating \u0026amp; Origin\u003c\/h1\u003e\n\u003cp data-start=\"1511\" data-end=\"1662\"\u003eAmerican or Japanese export, \u003cstrong data-start=\"1540\" data-end=\"1556\"\u003ec. 1955–1965\u003c\/strong\u003e, part of the wave of \u003cstrong data-start=\"1578\" data-end=\"1626\"\u003emid-century cocktail and serving accessories\u003c\/strong\u003e designed for modern entertaining.\u003c\/p\u003e\n\u003ch1 data-start=\"1664\" data-end=\"1683\"\u003eProduct Details\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"1685\" data-end=\"2134\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"1685\" data-end=\"1712\"\u003e\n\u003ctr data-start=\"1685\" data-end=\"1712\"\u003e\n\u003cth data-start=\"1685\" data-end=\"1697\" data-col-size=\"sm\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-start=\"1697\" data-end=\"1712\" data-col-size=\"md\"\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"1723\" data-end=\"2134\"\u003e\n\u003ctr data-start=\"1723\" data-end=\"1776\"\u003e\n\u003ctd data-start=\"1723\" data-end=\"1731\" data-col-size=\"sm\"\u003eMaker\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"1731\" data-end=\"1776\"\u003eUnknown (Briard \/ Dansk–style production)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1777\" data-end=\"1812\"\u003e\n\u003ctd data-start=\"1777\" data-end=\"1786\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-start=\"1786\" data-end=\"1812\" data-col-size=\"md\"\u003eUnited States or Japan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1813\" data-end=\"1836\"\u003e\n\u003ctd data-start=\"1813\" data-end=\"1820\" data-col-size=\"sm\"\u003eYear\u003c\/td\u003e\n\u003ctd data-start=\"1820\" data-end=\"1836\" data-col-size=\"md\"\u003ec. 1955–1965\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1837\" data-end=\"1902\"\u003e\n\u003ctd data-start=\"1837\" data-end=\"1848\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"1848\" data-end=\"1902\"\u003eBrass-plated steel, hardwood handles, glass insert\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1903\" data-end=\"1933\"\u003e\n\u003ctd data-start=\"1903\" data-end=\"1911\" data-col-size=\"sm\"\u003eStyle\u003c\/td\u003e\n\u003ctd data-start=\"1911\" data-end=\"1933\" data-col-size=\"md\"\u003eMid-Century Modern\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1934\" data-end=\"1985\"\u003e\n\u003ctd data-start=\"1934\" data-end=\"1943\" data-col-size=\"sm\"\u003eFinish\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"1943\" data-end=\"1985\"\u003eWarm brass patina, turned wood handles\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1986\" data-end=\"2065\"\u003e\n\u003ctd data-start=\"1986\" data-end=\"1998\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-start=\"1998\" data-end=\"2065\" data-col-size=\"md\"\u003eExcellent vintage condition; light age wear consistent with use\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2066\" data-end=\"2134\"\u003e\n\u003ctd data-start=\"2066\" data-end=\"2079\" data-col-size=\"sm\"\u003eDimensions\u003c\/td\u003e\n\u003ctd data-start=\"2079\" data-end=\"2134\" data-col-size=\"md\"\u003e(Add when measured – approx. 12–14\" length typical)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-start=\"2146\" data-end=\"2300\"\u003e \u003c\/p\u003e\n\u003ch1 data-start=\"2302\" data-end=\"2333\"\u003eWhy It Belongs in Your Home\u003c\/h1\u003e\n\u003cp data-start=\"2334\" data-end=\"2572\"\u003eThis trivet captures the spirit of mid-century entertaining—\u003cstrong data-start=\"2394\" data-end=\"2440\"\u003efunctional, minimal, and quietly luxurious\u003c\/strong\u003e. Whether styled on a bar cart, coffee table, or countertop, it adds an instant note of refinement and warmth to any modern space\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42641353048169,"sku":null,"price":115.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_1206.jpg?v=1761365233"},{"product_id":"p-a-arzberg-bavaria-porcelain-dinner-service-gold-trim-amp-chain-link-pattern-c-1930-1950","title":"P.A. Arzberg Bavaria Porcelain Dinner Service — Gold Trim \u0026amp; Chain Link Pattern, c. 1930–1950","description":"\u003ch1 data-end=\"122\" data-start=\"109\"\u003eThe Piece\u003c\/h1\u003e\n\u003cp data-end=\"622\" data-start=\"123\"\u003eAn elegant \u003cstrong data-end=\"169\" data-start=\"134\"\u003eGerman porcelain dinner service\u003c\/strong\u003e by \u003cem data-end=\"195\" data-start=\"173\"\u003eP.A. Arzberg Bavaria\u003c\/em\u003e, produced between \u003cstrong data-end=\"231\" data-start=\"214\"\u003e1930 and 1950\u003c\/strong\u003e. The set features crisp white porcelain with a fine \u003cstrong data-end=\"315\" data-start=\"284\"\u003enavy-blue chain link border\u003c\/strong\u003e and \u003cstrong data-end=\"346\" data-start=\"320\"\u003ehand-applied gold trim\u003c\/strong\u003e—a design that captures the understated luxury of pre- and postwar European tableware. Arzberg’s craftsmanship, renowned for its balance of form and function, shines through in every piece—from the lightness of the porcelain to the perfect curvature of the cups and handles.\u003c\/p\u003e\n\u003ch1 data-end=\"649\" data-start=\"624\"\u003eDesign \u0026amp; Construction\u003c\/h1\u003e\n\u003cp data-end=\"1258\" data-start=\"650\"\u003e→ \u003cstrong data-end=\"669\" data-start=\"652\"\u003eForm \u0026amp; Style:\u003c\/strong\u003e Classic neoclassical silhouettes with thin-walled porcelain bodies, scalloped handles, and gently flared rims. The repeating navy chain motif lends structure, while the gold banding adds refined contrast.\u003cbr data-end=\"877\" data-start=\"874\"\u003e→ \u003cstrong data-end=\"892\" data-start=\"879\"\u003eMaterial:\u003c\/strong\u003e Fine hard-paste porcelain with underglaze transfer pattern and overglaze gilt detailing.\u003cbr data-end=\"984\" data-start=\"981\"\u003e→ \u003cstrong data-end=\"995\" data-start=\"986\"\u003eMark:\u003c\/strong\u003e Crowned “PA” monogram and shield with “Arzberg Bavaria,” used by \u003cem data-end=\"1093\" data-start=\"1061\"\u003ePorzellanfabrik Arzberg (P.A.)\u003c\/em\u003e between the 1920s and 1950s, confirming authenticity and regional origin.\u003cbr data-end=\"1170\" data-start=\"1167\"\u003e→ \u003cstrong data-end=\"1190\" data-start=\"1172\"\u003eColor Palette:\u003c\/strong\u003e Pure white porcelain, deep blue pattern band, 22k gold edge trim.\u003c\/p\u003e\n\u003ch1 data-end=\"1289\" data-start=\"1260\"\u003eSet Composition (approx.)\u003c\/h1\u003e\n\u003cp data-end=\"1393\" data-start=\"1290\"\u003e→ 12 dinner plates\u003cbr data-end=\"1311\" data-start=\"1308\"\u003e→ 8 small bowls\u003cbr data-end=\"1329\" data-start=\"1326\"\u003e→ 8 saucers\u003cbr data-end=\"1343\" data-start=\"1340\"\u003e→ 1 covered sugar bowl with lid (double-handled)\u003c\/p\u003e\n\u003cp data-end=\"1446\" data-start=\"1395\"\u003e\u003cem data-end=\"1444\" data-start=\"1395\"\u003e(Add exact counts upon inventory confirmation.)\u003c\/em\u003e\u003c\/p\u003e\n\u003ch1 data-end=\"1471\" data-start=\"1448\"\u003eDating \u0026amp; Provenance\u003c\/h1\u003e\n\u003cp data-end=\"1931\" data-start=\"1472\"\u003eThe hallmark seen on the reverse—a crowned PA shield with “Arzberg Bavaria”—dates this set to the \u003cstrong data-end=\"1604\" data-start=\"1570\"\u003emid-century period (1930–1950)\u003c\/strong\u003e. Arzberg, founded in 1887 in Bavaria, was known for its high-quality export porcelain and collaborations with German design houses during the interwar and postwar years. The clean geometry of the pattern and restrained gilding place it firmly in the transitional aesthetic between \u003cstrong data-end=\"1929\" data-start=\"1886\"\u003eArt Deco and early modern table design.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch1 data-end=\"1946\" data-start=\"1933\"\u003eCondition\u003c\/h1\u003e\n\u003cp data-end=\"2115\" data-start=\"1947\"\u003eExcellent vintage condition with minimal wear to gilt edges. No chips, cracks, or crazing beyond typical signs of gentle age. Glossy glaze remains bright and uniform.\u003c\/p\u003e\n\u003ch1 data-end=\"2136\" data-start=\"2117\"\u003eProduct Details\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\" data-end=\"2608\" data-start=\"2138\"\u003e\n\u003cthead data-end=\"2165\" data-start=\"2138\"\u003e\n\u003ctr data-end=\"2165\" data-start=\"2138\"\u003e\n\u003cth data-col-size=\"sm\" data-end=\"2150\" data-start=\"2138\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-col-size=\"md\" data-end=\"2165\" data-start=\"2150\"\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-end=\"2608\" data-start=\"2176\"\u003e\n\u003ctr data-end=\"2218\" data-start=\"2176\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2184\" data-start=\"2176\"\u003eMaker\u003c\/td\u003e\n\u003ctd data-end=\"2218\" data-start=\"2184\" data-col-size=\"md\"\u003eP.A. Arzberg Porcelain Factory\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2248\" data-start=\"2219\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2228\" data-start=\"2219\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-end=\"2248\" data-start=\"2228\" data-col-size=\"md\"\u003eBavaria, Germany\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2272\" data-start=\"2249\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2256\" data-start=\"2249\"\u003eYear\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"2272\" data-start=\"2256\"\u003ec. 1930–1950\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2313\" data-start=\"2273\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2284\" data-start=\"2273\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-end=\"2313\" data-start=\"2284\" data-col-size=\"md\"\u003eFine hard-paste porcelain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2363\" data-start=\"2314\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2324\" data-start=\"2314\"\u003ePattern\u003c\/td\u003e\n\u003ctd data-end=\"2363\" data-start=\"2324\" data-col-size=\"md\"\u003eBlue chain link motif with gold rim\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2411\" data-start=\"2364\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2371\" data-start=\"2364\"\u003eMark\u003c\/td\u003e\n\u003ctd data-end=\"2411\" data-start=\"2371\" data-col-size=\"md\"\u003eCrowned PA shield, “Arzberg Bavaria”\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2458\" data-start=\"2412\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2420\" data-start=\"2412\"\u003eStyle\u003c\/td\u003e\n\u003ctd data-end=\"2458\" data-start=\"2420\" data-col-size=\"md\"\u003eArt Deco–to–Mid-Century transition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2516\" data-start=\"2459\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2471\" data-start=\"2459\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-end=\"2516\" data-start=\"2471\" data-col-size=\"md\"\u003eExcellent vintage condition; minimal wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2608\" data-start=\"2517\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2531\" data-start=\"2517\"\u003eComposition\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-end=\"2608\" data-start=\"2531\"\u003eDinner plates, saucers, bowls, sugar bowl with lid (approx. 29 pcs total)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1 data-end=\"2853\" data-start=\"2822\"\u003eWhy It Belongs in Your Home\u003c\/h1\u003e\n\u003cp data-end=\"3149\" data-start=\"2854\"\u003eWith its elegant geometry and hand-applied gilding, this \u003cem data-end=\"2933\" data-start=\"2911\"\u003eP.A. Arzberg Bavaria\u003c\/em\u003e set bridges two eras of European design—\u003cstrong data-end=\"3024\" data-start=\"2974\"\u003eArt Deco refinement and mid-century simplicity\u003c\/strong\u003e. Perfect for display, entertaining, or heirloom gifting, it embodies the enduring grace of German porcelain craftsmanship.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42641393320041,"sku":null,"price":485.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_1234.jpg?v=1761372116"},{"product_id":"pressed-glass-pedestal-cake-stand-with-gilt-center-medallion-c-1950s","title":"Pressed Glass Pedestal Cake Stand with Gilt Center Medallion, c. 1950s","description":"\u003ch1 data-start=\"87\" data-end=\"100\"\u003eThe Piece\u003c\/h1\u003e\n\u003cp data-start=\"101\" data-end=\"557\"\u003eA stunning mid-century pressed glass \u003cstrong data-start=\"138\" data-end=\"161\"\u003epedestal cake stand\u003c\/strong\u003e, intricately patterned with geometric and floral motifs and highlighted by a \u003cstrong data-start=\"239\" data-end=\"266\"\u003egilt-accented medallion\u003c\/strong\u003e at the center. The raised lattice and scrollwork reflect the enduring influence of Victorian and Depression-era design, reinterpreted in the clear, brilliant glass that defined the 1950s American and European table revival. Elegant, versatile, and perfectly suited for display or service.\u003c\/p\u003e\n\u003ch1 data-start=\"559\" data-end=\"584\"\u003eDesign \u0026amp; Construction\u003c\/h1\u003e\n\u003cp data-start=\"585\" data-end=\"1204\"\u003e→ \u003cstrong data-start=\"587\" data-end=\"604\"\u003eForm \u0026amp; Style:\u003c\/strong\u003e Circular pressed glass platter with a scalloped edge and repeating foliate scroll border. The central medallion features a gold ring encircling a cut geometric starburst—an homage to earlier brilliant-cut styles. The short pedestal base elevates the plate with just enough height to command presence on a dining table or sideboard.\u003cbr data-start=\"936\" data-end=\"939\"\u003e→ \u003cstrong data-start=\"941\" data-end=\"954\"\u003eMaterial:\u003c\/strong\u003e Pressed crystal-clear glass, possibly from \u003cstrong data-start=\"998\" data-end=\"1016\"\u003eAnchor Hocking\u003c\/strong\u003e, \u003cstrong data-start=\"1018\" data-end=\"1035\"\u003eIndiana Glass\u003c\/strong\u003e, or \u003cstrong data-start=\"1040\" data-end=\"1056\"\u003eColony Glass\u003c\/strong\u003e; gilt detailing applied by hand or stencil.\u003cbr data-start=\"1100\" data-end=\"1103\"\u003e→ \u003cstrong data-start=\"1105\" data-end=\"1124\"\u003eColor \u0026amp; Finish:\u003c\/strong\u003e Transparent pressed glass with bright gold detailing and finely molded edges.\u003c\/p\u003e\n\u003ch1 data-start=\"1206\" data-end=\"1225\"\u003eDating \u0026amp; Origin\u003c\/h1\u003e\n\u003cp data-start=\"1226\" data-end=\"1511\"\u003eLikely \u003cstrong data-start=\"1233\" data-end=\"1264\"\u003eAmerican-made, c. 1950–1960\u003c\/strong\u003e, during the resurgence of pressed glass cake stands and serving pieces popularized by companies in Ohio, Pennsylvania, and West Virginia. Similar examples appear in mid-century Anchor Hocking and Colony “Windsor” or “Heritage” pattern catalogs.\u003c\/p\u003e\n\u003ch1 data-start=\"1513\" data-end=\"1526\"\u003eCondition\u003c\/h1\u003e\n\u003cp data-start=\"1527\" data-end=\"1692\"\u003eExcellent vintage condition. Glass is bright and clear with no chips or cracks; gilt detailing remains intact with gentle age wear consistent with use and display.\u003c\/p\u003e\n\u003ch1 data-start=\"1694\" data-end=\"1713\"\u003eProduct Details\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"1715\" data-end=\"2080\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"1715\" data-end=\"1742\"\u003e\n\u003ctr data-start=\"1715\" data-end=\"1742\"\u003e\n\u003cth data-start=\"1715\" data-end=\"1727\" data-col-size=\"sm\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-start=\"1727\" data-end=\"1742\" data-col-size=\"md\"\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"1753\" data-end=\"2080\"\u003e\n\u003ctr data-start=\"1753\" data-end=\"1813\"\u003e\n\u003ctd data-start=\"1753\" data-end=\"1761\" data-col-size=\"sm\"\u003eMaker\u003c\/td\u003e\n\u003ctd data-start=\"1761\" data-end=\"1813\" data-col-size=\"md\"\u003eUnmarked; likely Anchor Hocking or Indiana Glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1814\" data-end=\"1840\"\u003e\n\u003ctd data-start=\"1814\" data-end=\"1823\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-start=\"1823\" data-end=\"1840\" data-col-size=\"md\"\u003eUnited States\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1841\" data-end=\"1864\"\u003e\n\u003ctd data-start=\"1841\" data-end=\"1848\" data-col-size=\"sm\"\u003eYear\u003c\/td\u003e\n\u003ctd data-start=\"1848\" data-end=\"1864\" data-col-size=\"md\"\u003ec. 1950–1960\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1865\" data-end=\"1920\"\u003e\n\u003ctd data-start=\"1865\" data-end=\"1876\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-start=\"1876\" data-end=\"1920\" data-col-size=\"md\"\u003ePressed glass with gilt center detailing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1921\" data-end=\"1979\"\u003e\n\u003ctd data-start=\"1921\" data-end=\"1929\" data-col-size=\"sm\"\u003eStyle\u003c\/td\u003e\n\u003ctd data-start=\"1929\" data-end=\"1979\" data-col-size=\"md\"\u003eMid-Century revival of Victorian pressed glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1980\" data-end=\"2032\"\u003e\n\u003ctd data-start=\"1980\" data-end=\"1993\" data-col-size=\"sm\"\u003eDimensions\u003c\/td\u003e\n\u003ctd data-start=\"1993\" data-end=\"2032\" data-col-size=\"md\"\u003eApprox. 10–11\" diameter × 4\" height\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2033\" data-end=\"2080\"\u003e\n\u003ctd data-start=\"2033\" data-end=\"2045\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-start=\"2045\" data-end=\"2080\" data-col-size=\"md\"\u003eExcellent vintage; minimal wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1 data-start=\"2082\" data-end=\"2091\"\u003eValue\u003c\/h1\u003e\n\u003cp data-start=\"2092\" data-end=\"2309\"\u003e→ \u003cstrong data-start=\"2094\" data-end=\"2134\"\u003eRetail (Styled \/ Ready for Display):\u003c\/strong\u003e $65–$95\u003cbr data-start=\"2142\" data-end=\"2145\"\u003e→ \u003cstrong data-start=\"2147\" data-end=\"2179\"\u003ePrivate Sale \/ Local Market:\u003c\/strong\u003e $35–$55\u003cbr data-start=\"2187\" data-end=\"2190\"\u003e→ \u003cstrong data-start=\"2192\" data-end=\"2255\"\u003eComparable Depression\/Pressed Glass Compote with Gilt Trim:\u003c\/strong\u003e $80–$125 (depending on maker attribution and clarity)\u003c\/p\u003e\n\u003ch1 data-start=\"2311\" data-end=\"2342\"\u003eWhy It Belongs in Your Home\u003c\/h1\u003e\n\u003cp data-start=\"2343\" data-end=\"2700\"\u003eThis mid-century cake stand blends \u003cstrong data-start=\"2378\" data-end=\"2424\"\u003evintage glamour with timeless practicality\u003c\/strong\u003e. The gilt medallion catches light beautifully beneath pastries or fruit, while the pressed glass pattern adds visual texture. Equally at home in a curated vintage kitchen, modern bar setup, or dining display, it’s a piece that elevates everyday hosting into quiet ceremony.\u003c\/p\u003e\n\u003cp data-start=\"2702\" data-end=\"2900\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"2702\" data-end=\"2723\"\u003eMeta Description:\u003c\/strong\u003e\u003cbr data-start=\"2723\" data-end=\"2726\"\u003eMid-century pressed glass cake stand, c. 1950s. Scalloped edges, gilt center medallion, and intricate lattice detailing—elegant vintage serveware for display or entertaining.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42641397809257,"sku":null,"price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/pressed_glass_pedestal_cake_stand_with_gilt_center_medallion_c._1950s762965730928934212313006185.jpg?v=1773812905"},{"product_id":"prunus-blossom-flow-blue-ironstone-pitcher-set-staffordshire-england-c-1890-1910","title":"Prunus Blossom Flow Blue Ironstone Pitcher Set — Staffordshire, England, c. 1890–1910","description":"\u003cp\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003cbr\u003eA nested trio of English \u003cstrong\u003eflow blue ironstone pitchers\u003c\/strong\u003e, decorated in the \u003cem\u003ePrunus Blossom\u003c\/em\u003e pattern and dating to approximately \u003cstrong\u003e1890–1910\u003c\/strong\u003e. Each pitcher features a rich cobalt ground with white cherry blossom motifs flowing in characteristic blurred relief—a hallmark of the flow blue glazing process developed in Staffordshire during the mid-19th century. This graduated set would have been part of a washstand or dining service, combining functional craftsmanship with decorative appeal.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ \u003cstrong\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr\u003eBulbous baluster bodies with pinched pouring lips and generously arched handles. The surface design, rendered in underglaze cobalt, displays free-flowing branches and plum blossoms with soft diffusion at the edges—achieved by the volatilization of cobalt oxide during firing. The style bridges \u003cstrong\u003eVictorian Romanticism\u003c\/strong\u003e and \u003cstrong\u003eArt Nouveau\u003c\/strong\u003e, emphasizing organic patterning and fluid form.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e\u003cbr\u003eGlazed white ironstone with underglaze cobalt flow decoration. Fired to a semi-vitreous finish typical of late-Victorian production for export to the American and Canadian markets.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMark \/ Maker’s Mark:\u003c\/strong\u003e\u003cbr\u003ePrinted royal arms crest with lion and unicorn, enclosing the phrase “Ironstone” beneath—a generic backstamp used by several Staffordshire potteries, including \u003cstrong\u003eW. H. Grindley \u0026amp; Co.\u003c\/strong\u003e, \u003cstrong\u003eJ. \u0026amp; G. Meakin\u003c\/strong\u003e, and \u003cstrong\u003eMason’s\u003c\/strong\u003e in the late 19th century. The absence of a factory name suggests production for mass export between \u003cstrong\u003ec. 1890–1910\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eflow blue technique\u003c\/strong\u003e, introduced around 1820 and popular through the turn of the century, intentionally blurred transfer-printed cobalt patterns to mimic imported Chinese porcelain. By the 1890s, floral patterns like \u003cem\u003ePrunus Blossom\u003c\/em\u003e became household staples across Britain and North America, often sold in nested sets for water, milk, and cream. The royal-arms backstamp places this example within the later commercial period of English ironstone, when potteries competed to market sturdy yet decorative wares abroad.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eExcellent for age: minor glaze crazing, light wear to base rings, and slight color variation consistent with hand production. No visible cracks or structural damage. Surfaces retain glossy cobalt brilliance and crisp white highlights.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003e\u003cstrong\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStaffordshire pottery (likely W. H. Grindley \u0026amp; Co. or J. \u0026amp; G. Meakin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStaffordshire, England\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ec. 1890–1910\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cem\u003ePrunus Blossom\u003c\/em\u003e (Flow Blue)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGlazed white ironstone with cobalt underglaze\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGloss glaze with blurred cobalt flow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSet Includes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThree graduated pitchers (large, medium, small)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExcellent antique condition; minor base wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMarkings\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRoyal arms crest with “Ironstone”\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThis trio embodies the romance of English ceramic artistry—timeless cobalt hues, soft floral movement, and turn-of-the-century craftsmanship. Whether styled together as a sculptural vignette on open shelving or used individually for blooms, utensils, or water service, the pitchers offer both utility and history. They evoke the quiet elegance of a Victorian washstand or farmhouse kitchen, where craftsmanship met everyday beauty.\u003cbr\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42658184069225,"sku":null,"price":425.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/prunus_blossom_flow_blue_ironstone_pitcher_set_staffordshire_england_c._18901910763444749936934240544243817.png?v=1773812939"},{"product_id":"pair-of-gilt-rim-pressed-glass-vanity-dishes-or-ashtrays-midcentury-modern-c-1940-1955","title":"Pair of Gilt-Rim Pressed Glass Vanity Dishes or Ashtrays— Midcentury Modern, c. 1940–1955","description":"\u003cp\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003cbr\u003eA pair of petite pressed-glass \u003cstrong\u003evanity or condiment dishes\u003c\/strong\u003e, square in form with scalloped, sawtooth edges and faint remnants of \u003cstrong\u003ehand-applied gold gilt\u003c\/strong\u003e along the rim. Likely produced in the \u003cstrong\u003e1940s–1950s\u003c\/strong\u003e, these pieces combine midcentury practicality with a touch of vintage glamour. Their symmetrical faceting and starburst bases catch and refract light, making them ideal as decorative catchalls, nut dishes, or individual ashtrays in a cocktail setting.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ \u003cstrong\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr\u003eSquare with raised lobed sides, flaring slightly outward toward the rim. The exterior panels are vertically ribbed, tapering to a \u003cstrong\u003eradiating sunburst\u003c\/strong\u003e motif pressed into the base—an optical hallmark of American and European pressed glass from the mid-20th century. The gilt rim, though softly worn, adds a subtle touch of luxury typical of Hollywood Regency–era tabletop design.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e\u003cbr\u003ePressed clear glass with molded geometric pattern and applied gold enamel trim. The weight and clarity suggest soda-lime glass rather than lead crystal—bright and durable, with a pleasant tactile density.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eManufacture:\u003c\/strong\u003e\u003cbr\u003eProbably American or Czechoslovakian origin, both known for producing similar decorative smallwares for vanity or table service between \u003cstrong\u003e1940 and 1960\u003c\/strong\u003e. The absence of a molded mark or pontil indicates factory press-molding rather than hand finishing.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eSmall gilt-edged pressed glass dishes were staples of postwar domestic life, used in powder rooms, cocktail trays, or bedroom vanities to hold rings, cigarettes, or sugar cubes. The midcentury emphasis on reflective surfaces and gilded accents lent affordable glamour to modest homes—an echo of the Art Deco fascination with light and geometry, now softened for peacetime elegance.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eExcellent vintage condition. Light surface wear to gilding consistent with age; no chips, cracks, or clouding. Edges retain crisp definition, and bases are clean with minimal shelf wear.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003e\u003cstrong\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUnknown glasshouse, likely American or Czechoslovakian\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUnited States or Europe\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ec. 1940–1955\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePressed clear glass with gilt rim\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePattern \/ Form\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSquare, ribbed sides, starburst base\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTransparent with partial gold enamel rim\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eVanity dish, nut dish, or individual ashtray\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExcellent vintage condition; gilt gently worn\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSet\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eTwo matching dishes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThese sparkling little squares add instant polish to a nightstand, vanity, or bar cart. Their faceted sides and subtle gold trim reflect light beautifully, bridging everyday utility with vintage refinement. Style them together for layered dimension or separately as charming accent pieces that whisper midcentury glamour.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42658185904233,"sku":null,"price":89.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/pair_of_gilt-rim_pressed_glass_vanity_dishes_or_ashtrays_midcentury_modern_c._19401955763444818749734240544702569.jpg?v=1773812944"},{"product_id":"set-of-14-j-g-meakin-renaissance-green-ironstone-saucers-mid-century-english-staffordshire-transferware-c-1950s","title":"Set of 14 J \u0026 G Meakin “Renaissance” Green Ironstone Saucers – Mid-Century English Staffordshire Transferware, c 1950s","description":"\u003ch2 data-start=\"174\" data-end=\"192\"\u003e\u003cstrong data-start=\"177\" data-end=\"190\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"193\" data-end=\"866\"\u003eA beautifully preserved set of \u003cstrong data-start=\"224\" data-end=\"278\"\u003eJ \u0026amp; G Meakin “Renaissance” Green ironstone saucers\u003c\/strong\u003e, produced in Staffordshire, England, circa \u003cstrong data-start=\"322\" data-end=\"337\"\u003e1950s–1960s\u003c\/strong\u003e. This pattern, part of the maker’s \u003cem data-start=\"373\" data-end=\"383\"\u003eSterling\u003c\/em\u003e line, showcases an intricate foliage-and-scroll transfer design in olive green wrapped around a scalloped, softly undulating rim. The refined yet approachable aesthetic sits at the crossroads of mid-century English ironstone practicality and the decorative sensibility of earlier Victorian revival motifs. These saucers were originally paired with matching tea cups, but today stand alone beautifully as dessert plates, small serving dishes, or decorative elements in open shelving.\u003c\/p\u003e\n\u003chr data-start=\"868\" data-end=\"871\"\u003e\n\u003ch2 data-start=\"873\" data-end=\"901\"\u003e\u003cstrong data-start=\"876\" data-end=\"901\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3 data-start=\"903\" data-end=\"928\"\u003e\u003cstrong data-start=\"907\" data-end=\"926\"\u003e→ Form \u0026amp; Style:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"929\" data-end=\"1422\"\u003eClassic mid-century English transferware expressed through a \u003cstrong data-start=\"990\" data-end=\"1008\"\u003escalloped edge\u003c\/strong\u003e, recessed cup well, and wide decorative border densely filled with scrolling leaves and stylized botanical tendrils. The “Renaissance” pattern borrows from earlier English Renaissance Revival ornamentation, reinterpreted here with a crisp, graphic mid-century eye. The green transfer is both bold and elegant—an ideal accent for cottage-style tablescapes, traditional dining settings, or modern eclectic kitchens.\u003c\/p\u003e\n\u003ch3 data-start=\"1424\" data-end=\"1445\"\u003e\u003cstrong data-start=\"1428\" data-end=\"1443\"\u003e→ Material:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1446\" data-end=\"1854\"\u003eMade from durable \u003cstrong data-start=\"1464\" data-end=\"1485\"\u003eEnglish ironstone\u003c\/strong\u003e, a semi-vitreous earthenware known for its strength, weight, and slight translucence. The clay body is finished in a clear glaze over an applied green transfer pattern, typical of J \u0026amp; G Meakin’s mid-century production. The underside features the printed factory mark with \u003cstrong data-start=\"1758\" data-end=\"1809\"\u003e“J \u0026amp; G Meakin England – Sterling – Renaissance”\u003c\/strong\u003e, confirming the pattern and production line.\u003c\/p\u003e\n\u003ch3 data-start=\"1856\" data-end=\"1889\"\u003e\u003cstrong data-start=\"1860\" data-end=\"1887\"\u003e→ Production Technique:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1890\" data-end=\"2066\"\u003eTransfer-printed decoration on a molded ironstone blank. J \u0026amp; G Meakin—one of the major Staffordshire potteries of the 20th century—used industrial yet high-quality processes:\u003c\/p\u003e\n\u003cul data-start=\"2067\" data-end=\"2317\"\u003e\n\u003cli data-start=\"2067\" data-end=\"2129\"\u003e\n\u003cp data-start=\"2069\" data-end=\"2129\"\u003eThe saucer blanks were formed in molds, fired, and glazed.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2130\" data-end=\"2220\"\u003e\n\u003cp data-start=\"2132\" data-end=\"2220\"\u003eThe decorative border was applied using a traditional copper-plate transfer technique.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2221\" data-end=\"2317\"\u003e\n\u003cp data-start=\"2223\" data-end=\"2317\"\u003ePieces were kiln-fired again to fuse the design into the glaze, ensuring long-term durability.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-start=\"2319\" data-end=\"2322\"\u003e\n\u003ch2 data-start=\"2324\" data-end=\"2353\"\u003e\u003cstrong data-start=\"2327\" data-end=\"2351\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2354\" data-end=\"3020\"\u003eThe \u003cstrong data-start=\"2358\" data-end=\"2370\"\u003eSterling\u003c\/strong\u003e line by J \u0026amp; G Meakin was produced during the postwar boom in British ceramics, when clean, standardized ironstone patterns were widely exported to both the UK and North America. The “Renaissance” pattern’s scrolling leaves and botanical motifs reflect the mid-century revival of earlier English ornamental styles—an era when households sought tableware that felt both traditional and fresh. These saucers would have been part of a broader dinner service, sold through department stores and homewares shops across Britain and the U.S. As with much Meakin ironstone, pieces were prized for their durability, everyday usability, and timeless aesthetic.\u003c\/p\u003e\n\u003chr data-start=\"3022\" data-end=\"3025\"\u003e\n\u003ch2 data-start=\"3027\" data-end=\"3045\"\u003e\u003cstrong data-start=\"3030\" data-end=\"3043\"\u003eCondition\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"3046\" data-end=\"3409\"\u003eExcellent vintage condition with only light, expected signs of age. Glaze remains bright and glossy; transfer pattern crisp with minimal wear. No chips or structural cracks observed. Very mild utensil marks may be present under direct light, consistent with gentle household use. A clean, display-ready set suitable for both functional use and decorative styling.\u003c\/p\u003e\n\u003chr data-start=\"3411\" data-end=\"3414\"\u003e\n\u003ch2 data-start=\"3416\" data-end=\"3438\"\u003e\u003cstrong data-start=\"3419\" data-end=\"3438\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"3440\" data-end=\"3965\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"3440\" data-end=\"3475\"\u003e\n\u003ctr data-start=\"3440\" data-end=\"3475\"\u003e\n\u003cth data-start=\"3440\" data-end=\"3456\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3442\" data-end=\"3455\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"3456\" data-end=\"3475\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"3458\" data-end=\"3473\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3510\" data-end=\"3965\"\u003e\n\u003ctr data-start=\"3510\" data-end=\"3538\"\u003e\n\u003ctd data-start=\"3510\" data-end=\"3522\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3512\" data-end=\"3521\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3522\" data-end=\"3538\"\u003eJ \u0026amp; G Meakin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3539\" data-end=\"3578\"\u003e\n\u003ctd data-start=\"3539\" data-end=\"3552\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3541\" data-end=\"3551\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3552\" data-end=\"3578\"\u003eStaffordshire, England\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3579\" data-end=\"3607\"\u003e\n\u003ctd data-start=\"3579\" data-end=\"3590\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3581\" data-end=\"3589\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3590\" data-end=\"3607\"\u003ec.1950s–1960s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3608\" data-end=\"3644\"\u003e\n\u003ctd data-start=\"3608\" data-end=\"3623\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3610\" data-end=\"3622\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3623\" data-end=\"3644\"\u003eEnglish ironstone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3645\" data-end=\"3692\"\u003e\n\u003ctd data-start=\"3645\" data-end=\"3659\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3647\" data-end=\"3658\"\u003ePattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3659\" data-end=\"3692\"\u003e“Renaissance” (Sterling line)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3693\" data-end=\"3758\"\u003e\n\u003ctd data-start=\"3693\" data-end=\"3709\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3695\" data-end=\"3708\"\u003eTechnique\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3709\" data-end=\"3758\"\u003eTransfer-printed decoration under clear glaze\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3759\" data-end=\"3826\"\u003e\n\u003ctd data-start=\"3759\" data-end=\"3770\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3761\" data-end=\"3769\"\u003eForm\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3770\" data-end=\"3826\"\u003eTea saucers with scalloped rim and recessed cup well\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3827\" data-end=\"3890\"\u003e\n\u003ctd data-start=\"3827\" data-end=\"3843\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3829\" data-end=\"3842\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3843\" data-end=\"3890\"\u003eExcellent vintage condition; light age wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3891\" data-end=\"3965\"\u003e\n\u003ctd data-start=\"3891\" data-end=\"3908\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3893\" data-end=\"3907\"\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3908\" data-end=\"3965\"\u003eApprox. 5.5\"–6\" diameter (typical for Meakin saucers)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"3967\" data-end=\"3970\"\u003e\n\u003ch2 data-start=\"3972\" data-end=\"4008\"\u003e\u003cstrong data-start=\"3975\" data-end=\"4006\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"4009\" data-end=\"4544\"\u003eThese J \u0026amp; G Meakin saucers deliver a blend of traditional English charm and mid-century simplicity, making them versatile across a wide range of interiors. Whether you use them daily for small bites, style them on open shelving, or incorporate them into a vintage-focused tablescape, their leafy Renaissance border provides a rich, textural visual anchor. Perfect for collectors of English ironstone, lovers of green-and-white transferware, or anyone wanting to infuse their space with authentic mid-20th-century British craftsmanship.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42686361698409,"sku":null,"price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/set_of_14_j_g_meakin_renaissance_green_ironstone_saucers_mid-century_english_staffordshire_transferware_c_1950s764188848957734288078684265.jpg?v=1773813018"},{"product_id":"royal-staffordshire-chelsea-chintz-dessert-plate-a-j-wilkinson-ltd-england-c-1930s-40s","title":"Royal Staffordshire “Chelsea Chintz” Dessert Plate – A.J. Wilkinson Ltd., England, c.1930s–40s","description":"\u003ch1 data-start=\"120\" data-end=\"137\"\u003e\u003cstrong data-start=\"122\" data-end=\"135\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"138\" data-end=\"789\"\u003eA charming early-mid 20th-century English chintz plate from \u003cstrong data-start=\"198\" data-end=\"243\"\u003eRoyal Staffordshire \/ A.J. Wilkinson Ltd.\u003c\/strong\u003e, crafted circa \u003cstrong data-start=\"259\" data-end=\"274\"\u003e1930s–1940s\u003c\/strong\u003e. This example of the \u003cstrong data-start=\"296\" data-end=\"314\"\u003eChelsea Chintz\u003c\/strong\u003e pattern features an all-over floral transfer in soft crimson red, accented with hand-touched yellow blooms and pale green leaves. The design is laid over a warm cream body with a gently scalloped rim, giving the plate a wonderfully organic, cottage-garden feel. Originally part of a tea or dessert service, this piece embodies the romantic ease of English chintzware during the pre-war and wartime decades, when richly patterned ceramics brought color and joy into the home.\u003c\/p\u003e\n\u003chr data-start=\"791\" data-end=\"794\"\u003e\n\u003ch1 data-start=\"796\" data-end=\"823\"\u003e\u003cstrong data-start=\"798\" data-end=\"823\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3 data-start=\"825\" data-end=\"850\"\u003e\u003cstrong data-start=\"829\" data-end=\"848\"\u003e→ Form \u0026amp; Style:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"851\" data-end=\"1326\"\u003eClassic English cottageware form with a shallow, soft-edged profile and a lightly scalloped rim. The surface is completely covered in a botanical chintz transfer—a style prized for its dense, textile-like patterning. Slender red tendrils weave across the plate, punctuated by delicate flowers and airy fronds, creating movement and an almost hand-drawn quality. The yellow and green enamel touches add dimensionality and warmth, giving each piece slight, charming variations.\u003c\/p\u003e\n\u003ch3 data-start=\"1328\" data-end=\"1349\"\u003e\u003cstrong data-start=\"1332\" data-end=\"1347\"\u003e→ Material:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1350\" data-end=\"1625\"\u003eMade from Staffordshire semi-porcelain earthenware, a durable ceramic body developed for daily household use. The plate is finished with a clear glaze over the transfer, with subtle hand-applied enamel accents characteristic of A.J. Wilkinson’s production during this period.\u003c\/p\u003e\n\u003ch3 data-start=\"1627\" data-end=\"1660\"\u003e\u003cstrong data-start=\"1631\" data-end=\"1658\"\u003e→ Production Technique:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1661\" data-end=\"2077\"\u003eThe Chelsea Chintz pattern was created using a multi-color \u003cstrong data-start=\"1720\" data-end=\"1741\"\u003etransfer printing\u003c\/strong\u003e process, a specialized method that allowed detailed engraving to be pressed onto the ceramic surface. Each piece was then hand-touched with colored enamels and fired again to seal the decoration. The base bears the printed \u003cstrong data-start=\"1965\" data-end=\"2010\"\u003eRoyal Staffordshire \/ A.J. Wilkinson Ltd.\u003c\/strong\u003e mark, along with pattern notations indicative of early production.\u003c\/p\u003e\n\u003chr data-start=\"2079\" data-end=\"2082\"\u003e\n\u003ch1 data-start=\"2084\" data-end=\"2112\"\u003e\u003cstrong data-start=\"2086\" data-end=\"2110\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2113\" data-end=\"2693\"\u003eA.J. Wilkinson Ltd., operating out of Burslem, Staffordshire, was one of the most innovative pottery firms of the early 20th century. The chintz craze—dense floral patterns inspired by textiles—took off during the 1920s–40s, and Chelsea Chintz remains one of the maker’s most iconic designs. These plates were commonly sold through English department stores, tearooms, and export markets, including the United States. Their cheerful, decorative look made them a beloved staple in cottage interiors and afternoon tea services, bridging practicality with unapologetic ornamentation.\u003c\/p\u003e\n\u003chr data-start=\"2695\" data-end=\"2698\"\u003e\n\u003ch1 data-start=\"2700\" data-end=\"2717\"\u003e\u003cstrong data-start=\"2702\" data-end=\"2715\"\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2718\" data-end=\"3039\"\u003eExcellent vintage condition for its age. Glaze remains bright with no structural cracks; very faint age-related crazing may be present under strong light, typical for earthenware from this period. Edges show minimal wear with no notable chips. Pattern retains strong color and clarity. A beautiful, display-ready example.\u003c\/p\u003e\n\u003chr data-start=\"3041\" data-end=\"3044\"\u003e\n\u003ch1 data-start=\"3046\" data-end=\"3067\"\u003e\u003cstrong data-start=\"3048\" data-end=\"3067\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"3069\" data-end=\"3627\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"3069\" data-end=\"3104\"\u003e\n\u003ctr data-start=\"3069\" data-end=\"3104\"\u003e\n\u003cth data-start=\"3069\" data-end=\"3085\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3071\" data-end=\"3084\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"3085\" data-end=\"3104\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"3087\" data-end=\"3102\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3139\" data-end=\"3627\"\u003e\n\u003ctr data-start=\"3139\" data-end=\"3196\"\u003e\n\u003ctd data-start=\"3139\" data-end=\"3151\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3141\" data-end=\"3150\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3151\" data-end=\"3196\" data-col-size=\"md\"\u003eRoyal Staffordshire \/ A.J. Wilkinson Ltd.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3197\" data-end=\"3229\"\u003e\n\u003ctd data-start=\"3197\" data-end=\"3211\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3199\" data-end=\"3210\"\u003ePattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3211\" data-end=\"3229\" data-col-size=\"md\"\u003eChelsea Chintz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3230\" data-end=\"3278\"\u003e\n\u003ctd data-start=\"3230\" data-end=\"3243\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3232\" data-end=\"3242\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3243\" data-end=\"3278\" data-col-size=\"md\"\u003eBurslem, Staffordshire, England\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3279\" data-end=\"3307\"\u003e\n\u003ctd data-start=\"3279\" data-end=\"3290\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3281\" data-end=\"3289\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3290\" data-end=\"3307\" data-col-size=\"md\"\u003ec.1930s–1940s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3308\" data-end=\"3353\"\u003e\n\u003ctd data-start=\"3308\" data-end=\"3323\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3310\" data-end=\"3322\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3323\" data-end=\"3353\" data-col-size=\"md\"\u003eSemi-porcelain earthenware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3354\" data-end=\"3423\"\u003e\n\u003ctd data-start=\"3354\" data-end=\"3370\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3356\" data-end=\"3369\"\u003eTechnique\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3370\" data-end=\"3423\" data-col-size=\"md\"\u003eMulti-color transferware with hand-enamel accents\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3424\" data-end=\"3477\"\u003e\n\u003ctd data-start=\"3424\" data-end=\"3435\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3426\" data-end=\"3434\"\u003eForm\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3435\" data-end=\"3477\" data-col-size=\"md\"\u003eDessert \/ tea plate with scalloped rim\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3478\" data-end=\"3553\"\u003e\n\u003ctd data-start=\"3478\" data-end=\"3494\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3480\" data-end=\"3493\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3494\" data-end=\"3553\" data-col-size=\"md\"\u003eExcellent vintage condition; light age-appropriate wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3554\" data-end=\"3627\"\u003e\n\u003ctd data-start=\"3554\" data-end=\"3571\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3556\" data-end=\"3570\"\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3571\" data-end=\"3627\" data-col-size=\"md\"\u003eApprox. 6–7\" diameter (typical chintzware tea plate)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"3629\" data-end=\"3632\"\u003e\n\u003ch1 data-start=\"3634\" data-end=\"3669\"\u003e\u003cstrong data-start=\"3636\" data-end=\"3667\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3670\" data-end=\"4174\"\u003eThis Chelsea Chintz plate brings a touch of English romance to any setting—perfect layered into a maximalist tablescape, displayed on a kitchen shelf, or used as a decorative catch-all on a vanity or entry table. Its vibrant yet delicate floral pattern adds instant charm, while its history gives it depth and soul. Whether you’re building a chintzware collection or simply want a piece with authentic cottage-era character, this plate offers beauty, color, and a sense of nostalgia in one timeless form.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42686361927785,"sku":null,"price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/royal_staffordshire_chelsea_chintz_dessert_plate_a.j._wilkinson_ltd._england_c.1930s40s764188865341734288085991529.jpg?v=1773813022"},{"product_id":"embossed-ivory-creamware-tea-cups-early-20th-century-fruit-floral-relief-c-1920s-set-of-6","title":"Embossed Ivory Creamware Tea Cups – Early 20th-Century Fruit \u0026 Floral Relief, c 1920's (Set Of 6)","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA softly luminous set of six \u003cstrong\u003eivory creamware cups\u003c\/strong\u003e, likely American or English, dating to the \u003cstrong\u003eearly 20th century (c.1920s–1930s)\u003c\/strong\u003e. Each cup has a rounded, gently tapered body wrapped in a sculpted relief of fruit, blossoms, and curling leaves—a classic pantry-room motif that feels both utilitarian and romantic. Designed for tea or light coffee service, they strike that sweet spot between humble kitchenware and thoughtfully modeled table pottery.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eDesign \u0026amp; Construction\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e→ Form \u0026amp; Style:\u003c\/strong\u003e\u003cbr\u003eCompact, bell-shaped cups with a slight outward flare at the lip and a comfortable loop handle pulled tight to the body. The exterior is fully decorated with a low-relief pattern of clustered fruit, five-petal blossoms, and scrolling foliage that reads almost like carving when it catches the light. The palette is intentionally restrained—just warm ivory glaze over sculpted clay—giving these cups a quietly elegant, pantry-meets-parlor presence.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e→ Material:\u003c\/strong\u003e\u003cbr\u003eGlazed \u003cstrong\u003ecreamware\/ironstone earthenware\u003c\/strong\u003e in a soft, antique ivory tone. The clay body has the slightly heavier feel typical of early factory wares, made to withstand daily use. A clear glaze seals the surface and pools subtly in the recessed details, accentuating the relief pattern.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e→ Production Technique:\u003c\/strong\u003e\u003cbr\u003eMold-formed bodies with the fruit-and-floral design cast directly into the exterior walls, then hand-finished at the rim and handle joins. The cups were fired and glazed in a single warm ivory tone, a common approach in the 1910s–30s when monochrome relief patterns were favored for their practicality and ability to mix with other table pieces.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eEmbossed creamware and ironstone enjoyed popularity from the late Victorian era into the 1930s, as households embraced durable, easy-to-clean ceramics that still carried a sense of ornament. Fruit-and-floral relief motifs were especially common in kitchen and breakfast ware, referencing abundance, hearth, and garden in a subtle, low-key way. These cups likely originated from a regional pottery supplying department stores and catalog houses, sold as part of an everyday service for tea, cocoa, or light coffee at the family table.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eVery good antique condition with age-consistent wear. Glaze presents evenly with a warm, time-softened tone; minor surface marks or faint crazing may be present under close inspection, typical for pieces of this era. No major chips or structural cracks observed. A clean, sturdy, ready-to-use set.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eAttribute\u003c\/th\u003e\n\u003cth\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnknown early 20th-century factory maker\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eLikely United States or England\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear\u003c\/td\u003e\n\u003ctd\u003ec.1920s–1930s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eGlazed creamware\/ironstone earthenware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eWarm ivory glaze with low-relief fruit-and-floral motif\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eTea\/coffee cups with loop handles\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSet\u003c\/td\u003e\n\u003ctd\u003e6 cups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good antique condition; light age wear consistent with use\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr\u003e\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eThese cups bring a gentle, old-world warmth to the everyday ritual of coffee or tea. The monochrome ivory glaze keeps them versatile and calm, while the sculpted fruit and blossoms provide just enough texture to feel special—especially when styled on open shelves or a kitchen rack. Whether you lean cottage, traditional, or modern eclectic, this early 20th-century set layers in authentic age, tactility, and a quiet sense of comfort that new ceramics rarely match.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42686672502889,"sku":null,"price":72.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/embossed_ivory_creamware_tea_cups_early_20th-century_fruit_floral_relief_c_1920s_set_of_6764195884247334288282533993.jpg?v=1773813026"},{"product_id":"hunt-club-embossed-creamware-plate-t-g-green-co-england-c-1955-1965-set-of-7","title":"Hunt Club Embossed Creamware Plate – T.G. Green \u0026 Co., England, c.1955–1965 (Set Of 7)","description":"\u003ch1\u003e\n\u003cimg\u003e\u003cstrong data-end=\"515\" data-start=\"502\"\u003eThe Piece\u003c\/strong\u003e\n\u003c\/h1\u003e\n\u003cp data-end=\"1086\" data-start=\"518\"\u003eA beautifully modeled \u003cstrong data-end=\"579\" data-start=\"540\"\u003emid-century English ironstone plate\u003c\/strong\u003e from \u003cstrong data-end=\"605\" data-start=\"585\"\u003eT.G. Green \u0026amp; Co.\u003c\/strong\u003e, produced under the \u003cstrong data-end=\"639\" data-start=\"626\"\u003eHunt Club\u003c\/strong\u003e line between \u003cstrong data-end=\"670\" data-start=\"653\"\u003e1955 and 1965\u003c\/strong\u003e. The wide rim is sculpted in deep relief with a continuous pastoral tableau—riders on horseback, hounds, cattle, and woodland figures—encircling a smooth central well. The warm ivory glaze has developed a fine, even crazing that enhances both its age and presence. A decorative object in its own right, this plate captures the nostalgic spirit of English sporting culture translated into mid-century ceramic design.\u003c\/p\u003e\n\u003chr data-end=\"1091\" data-start=\"1088\"\u003e\n\u003ch1 data-end=\"1120\" data-start=\"1093\"\u003e\u003cstrong data-end=\"1120\" data-start=\"1095\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3 data-end=\"1147\" data-start=\"1122\"\u003e\u003cstrong data-end=\"1145\" data-start=\"1126\"\u003e→ Form \u0026amp; Style:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1545\" data-start=\"1148\"\u003eThe plate features a broad rim lined with a raised scenic frieze: equestrians mid-hunt, working dogs, trees, cottages, livestock, and rolling countryside vignettes. Light and shadow play across the relief, animating the narrative. The shape is classically mid-century English—clean, functional, and subtly sculptural—while the subject matter nods to Georgian and Victorian sporting art traditions.\u003c\/p\u003e\n\u003ch3 data-end=\"1568\" data-start=\"1547\"\u003e\u003cstrong data-end=\"1566\" data-start=\"1551\"\u003e→ Material:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"1803\" data-start=\"1569\"\u003eHigh-quality \u003cstrong data-end=\"1595\" data-start=\"1582\"\u003eironstone\u003c\/strong\u003e with a warm ivory glaze. The body is durable and slightly weighty, typical of T.G. Green’s mid-century output. Crazing throughout the glaze is stable and desirable, contributing to the plate’s vintage charm.\u003c\/p\u003e\n\u003ch3 data-end=\"1838\" data-start=\"1805\"\u003e\u003cstrong data-end=\"1836\" data-start=\"1809\"\u003e→ Production Technique:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-end=\"2111\" data-start=\"1839\"\u003eSlip-cast ironstone with a molded relief border applied around the rim, dipped in glaze, and fired to a unified ivory tone. The embossed details remain crisp and dimensional. The underside carries the printed mark:\u003cbr data-end=\"2056\" data-start=\"2053\"\u003e\u003cstrong data-end=\"2111\" data-start=\"2056\"\u003eHUNT CLUB – T.G. GREEN \u0026amp; CO. LTD. – MADE IN ENGLAND\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr data-end=\"2116\" data-start=\"2113\"\u003e\n\u003ch1 data-end=\"2146\" data-start=\"2118\"\u003e\u003cstrong data-end=\"2144\" data-start=\"2120\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-end=\"2737\" data-start=\"2147\"\u003eThe \u003cstrong data-end=\"2164\" data-start=\"2151\"\u003eHunt Club\u003c\/strong\u003e series was produced by \u003cstrong data-end=\"2208\" data-start=\"2188\"\u003eT.G. Green \u0026amp; Co.\u003c\/strong\u003e, a noted English pottery best known for its Cornishware but also for mid-century ironstone table services. Made during the \u003cstrong data-end=\"2345\" data-start=\"2332\"\u003e1955–1965\u003c\/strong\u003e period, the line reflects Britain’s enduring affection for equestrian sporting culture. These embossed scenic plates were marketed both as functional dinnerware and decorative accent pieces, often used in traditional dining rooms, sporting lodges, and English-country-inspired interiors. Today, they are sought after by collectors of mid-century English ceramics and fox-hunting memorabilia.\u003c\/p\u003e\n\u003chr data-end=\"2742\" data-start=\"2739\"\u003e\n\u003ch1 data-end=\"2761\" data-start=\"2744\"\u003e\u003cstrong data-end=\"2759\" data-start=\"2746\"\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-end=\"2957\" data-start=\"2762\"\u003eExcellent vintage condition with stable, attractive crazing throughout. No chips, cracks, or repairs observed. Relief detail is sharp, glaze is well-preserved, and the plate displays beautifully.\u003c\/p\u003e\n\u003chr data-end=\"2962\" data-start=\"2959\"\u003e\n\u003ch1 data-end=\"2985\" data-start=\"2964\"\u003e\u003cstrong data-end=\"2985\" data-start=\"2966\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\" data-end=\"3362\" data-start=\"2987\"\u003e\n\u003cthead data-end=\"3014\" data-start=\"2987\"\u003e\n\u003ctr data-end=\"3014\" data-start=\"2987\"\u003e\n\u003cth data-col-size=\"sm\" data-end=\"2999\" data-start=\"2987\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-col-size=\"md\" data-end=\"3014\" data-start=\"2999\"\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-end=\"3362\" data-start=\"3042\"\u003e\n\u003ctr data-end=\"3079\" data-start=\"3042\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3054\" data-start=\"3042\"\u003e\u003cstrong data-end=\"3053\" data-start=\"3044\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3079\" data-start=\"3054\" data-col-size=\"md\"\u003eT.G. Green \u0026amp; Co. Ltd.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3107\" data-start=\"3080\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3094\" data-start=\"3080\"\u003e\u003cstrong data-end=\"3093\" data-start=\"3082\"\u003ePattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3107\" data-start=\"3094\" data-col-size=\"md\"\u003eHunt Club\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3132\" data-start=\"3108\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3121\" data-start=\"3108\"\u003e\u003cstrong data-end=\"3120\" data-start=\"3110\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3132\" data-start=\"3121\" data-col-size=\"md\"\u003eEngland\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3159\" data-start=\"3133\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3144\" data-start=\"3133\"\u003e\u003cstrong data-end=\"3143\" data-start=\"3135\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3159\" data-start=\"3144\" data-col-size=\"md\"\u003ec.1955–1965\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3195\" data-start=\"3160\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3175\" data-start=\"3160\"\u003e\u003cstrong data-end=\"3174\" data-start=\"3162\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3195\" data-start=\"3175\" data-col-size=\"md\"\u003eGlazed ironstone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3250\" data-start=\"3196\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3209\" data-start=\"3196\"\u003e\u003cstrong data-end=\"3208\" data-start=\"3198\"\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3250\" data-start=\"3209\" data-col-size=\"md\"\u003eEmbossed pastoral \u0026amp; equestrian relief\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3318\" data-start=\"3251\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3267\" data-start=\"3251\"\u003e\u003cstrong data-end=\"3266\" data-start=\"3253\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3318\" data-start=\"3267\" data-col-size=\"md\"\u003eExcellent vintage condition with stable crazing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3362\" data-start=\"3319\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3336\" data-start=\"3319\"\u003e\u003cstrong data-end=\"3335\" data-start=\"3321\"\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3362\" data-start=\"3336\" data-col-size=\"md\"\u003eApprox. 9–10\" diameter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-end=\"3367\" data-start=\"3364\"\u003e\n\u003ch1 data-end=\"3404\" data-start=\"3369\"\u003e\u003cstrong data-end=\"3402\" data-start=\"3371\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-end=\"3826\" data-start=\"3405\"\u003eThis Hunt Club plate blends mid-century English craftsmanship with timeless pastoral storytelling. Its sculpted equestrian scenes and warm ivory glaze give it presence without overwhelming a space, making it ideal for open shelving, gallery wall arrangements, or layered tabletop styling. Whether collected for its sporting theme or its ceramic artistry, it offers unmistakable English character and quiet sophistication.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42686927437929,"sku":null,"price":109.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/hunt_club_embossed_creamware_plate_t.g._green_co._england_c.19551965_set_of_7764196503562534288383131753.png?v=1773813030"},{"product_id":"vintage-canonsburg-floral-plate-1950s-60s-roses-bluebird-bread-and-butter-dish","title":"Vintage Canonsburg Floral Plate (1950s–60s) – Roses \u0026 Bluebird Bread-and-Butter Dish","description":"\u003ch1 data-start=\"202\" data-end=\"217\"\u003e\u003cstrong data-start=\"204\" data-end=\"217\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"219\" data-end=\"580\"\u003eA charming mid-century \u003cstrong data-start=\"242\" data-end=\"268\"\u003eCanonsburg Pottery Co.\u003c\/strong\u003e bread-and-butter plate, decorated with a delicate spray of roses, soft gray foliage, and a bright blue songbird perched lightly among the blossoms. The design is quintessential 1950s Americana: romantic, pastoral, and subtly optimistic, painted with the gentle hand-tinted look that defined post-war dinnerware.\u003c\/p\u003e\n\u003cp data-start=\"582\" data-end=\"1022\"\u003eThe creamy ivory glaze gives the plate a warm, soft luster, while the thin sky-blue line circling the rim adds just enough structure to balance the florals. Light utensil wear and faint surface speckling reveal its age gracefully—just enough patina to feel lived-in, loved, and authentic. It reads like something placed on a kitchen table at sunrise, beside a cup of coffee, soft radio static, and the beginning of an ordinary American day.\u003c\/p\u003e\n\u003chr data-start=\"1024\" data-end=\"1027\"\u003e\n\u003ch1 data-start=\"1029\" data-end=\"1056\"\u003e\u003cstrong data-start=\"1031\" data-end=\"1056\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3 data-start=\"1058\" data-end=\"1080\"\u003e\u003cstrong data-start=\"1062\" data-end=\"1080\"\u003e→ Form \u0026amp; Style\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1082\" data-end=\"1367\"\u003eThe plate features a classic \u003cstrong data-start=\"1111\" data-end=\"1140\"\u003emid-century coupe profile\u003c\/strong\u003e—slightly recessed center, gently raised rim, and a light, airy silhouette devised for everyday functionality. The floral decal is positioned off-center, creating a fresh, asymmetrical balance typical of 1950s tableware design.\u003c\/p\u003e\n\u003cp data-start=\"1369\" data-end=\"1526\"\u003eIts aesthetic sits between cottage charm and mid-century sweetness: minimal lines, romantic florals, and a color palette that feels both cheerful and serene.\u003c\/p\u003e\n\u003ch3 data-start=\"1528\" data-end=\"1547\"\u003e\u003cstrong data-start=\"1532\" data-end=\"1547\"\u003e→ Materials\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"1549\" data-end=\"1815\"\u003e\n\u003cli data-start=\"1549\" data-end=\"1611\"\u003e\n\u003cp data-start=\"1551\" data-end=\"1611\"\u003eVitreous semi-porcelain (typical of Canonsburg production)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1612\" data-end=\"1657\"\u003e\n\u003cp data-start=\"1614\" data-end=\"1657\"\u003eIvory-toned glaze with hand-applied decal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1658\" data-end=\"1695\"\u003e\n\u003cp data-start=\"1660\" data-end=\"1695\"\u003eFired blue line rim embellishment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1696\" data-end=\"1749\"\u003e\n\u003cp data-start=\"1698\" data-end=\"1749\"\u003eHard, durable finish intended for home dining use\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1750\" data-end=\"1815\"\u003e\n\u003cp data-start=\"1752\" data-end=\"1815\"\u003eBackstamp: \u003cstrong data-start=\"1763\" data-end=\"1815\"\u003eCanonsburg Pottery Co., Canonsburg, Pennsylvania\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1817\" data-end=\"1962\"\u003eThe plate has a pleasing weight—sturdy and functional, not fragile—reflecting the brand’s reputation for reliable, accessible household ceramics.\u003c\/p\u003e\n\u003ch3 data-start=\"1964\" data-end=\"1996\"\u003e\u003cstrong data-start=\"1968\" data-end=\"1996\"\u003e→ Functional Versatility\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1998\" data-end=\"2071\"\u003eOriginally used as a bread-and-butter plate, it now works beautifully as:\u003c\/p\u003e\n\u003cul data-start=\"2073\" data-end=\"2261\"\u003e\n\u003cli data-start=\"2073\" data-end=\"2100\"\u003e\n\u003cp data-start=\"2075\" data-end=\"2100\"\u003edessert or pastry plate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2101\" data-end=\"2132\"\u003e\n\u003cp data-start=\"2103\" data-end=\"2132\"\u003ejewelry or bedside catchall\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2133\" data-end=\"2171\"\u003e\n\u003cp data-start=\"2135\" data-end=\"2171\"\u003edisplay piece in a vintage kitchen\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2172\" data-end=\"2229\"\u003e\n\u003cp data-start=\"2174\" data-end=\"2229\"\u003estyling element in cottagecore or farmhouse interiors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2230\" data-end=\"2261\"\u003e\n\u003cp data-start=\"2232\" data-end=\"2261\"\u003ewall-hung miniature artwork\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2263\" data-end=\"2368\"\u003eIts combination of floral charm and mid-century clean lines makes it adaptable across many design styles.\u003c\/p\u003e\n\u003chr data-start=\"2370\" data-end=\"2373\"\u003e\n\u003ch1 data-start=\"2375\" data-end=\"2401\"\u003e\u003cstrong data-start=\"2377\" data-end=\"2401\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2403\" data-end=\"2720\"\u003eFounded in 1900 and operating until 1978, \u003cstrong data-start=\"2445\" data-end=\"2471\"\u003eCanonsburg Pottery Co.\u003c\/strong\u003e was one of Pennsylvania’s most beloved mid-century ceramic manufacturers. In the 1940s–1960s, they produced dozens of floral and pastel-accented lines for American households—durable, affordable, and visually comforting after the austerity of WWII.\u003c\/p\u003e\n\u003cp data-start=\"2722\" data-end=\"2959\"\u003eThe backstamp on this piece dates it firmly to the \u003cstrong data-start=\"2773\" data-end=\"2788\"\u003e1950s–1960s\u003c\/strong\u003e, during the company’s peak. The rose-and-songbird motif is consistent with their post-war patterns, which emphasized domestic warmth, nature motifs, and optimistic color.\u003c\/p\u003e\n\u003cp data-start=\"2961\" data-end=\"3106\"\u003ePieces from this era are collected today for their gentle nostalgia and the way they capture the aesthetic softness of mid-century American life.\u003c\/p\u003e\n\u003chr data-start=\"3108\" data-end=\"3111\"\u003e\n\u003ch1 data-start=\"3113\" data-end=\"3128\"\u003e\u003cstrong data-start=\"3115\" data-end=\"3128\"\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3130\" data-end=\"3163\"\u003eBeautiful vintage condition with:\u003c\/p\u003e\n\u003cul data-start=\"3165\" data-end=\"3323\"\u003e\n\u003cli data-start=\"3165\" data-end=\"3188\"\u003e\n\u003cp data-start=\"3167\" data-end=\"3188\"\u003elight utensil marks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3189\" data-end=\"3243\"\u003e\n\u003cp data-start=\"3191\" data-end=\"3243\"\u003eminor speckling and glaze wear consistent with age\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3244\" data-end=\"3288\"\u003e\n\u003cp data-start=\"3246\" data-end=\"3288\"\u003eintact floral decal with excellent color\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3289\" data-end=\"3323\"\u003e\n\u003cp data-start=\"3291\" data-end=\"3323\"\u003eno cracks or structural damage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3325\" data-end=\"3426\"\u003eThe wear has settled into a warm, honest patina—subtle enough for use, distinct enough for character.\u003c\/p\u003e\n\u003chr data-start=\"3428\" data-end=\"3431\"\u003e\n\u003ch1 data-start=\"3433\" data-end=\"3454\"\u003e\u003cstrong data-start=\"3435\" data-end=\"3454\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"3456\" data-end=\"3837\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"3456\" data-end=\"3489\"\u003e\n\u003ctr data-start=\"3456\" data-end=\"3489\"\u003e\n\u003cth data-start=\"3456\" data-end=\"3470\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3456\" data-end=\"3469\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"3470\" data-end=\"3489\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"3472\" data-end=\"3487\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3500\" data-end=\"3837\"\u003e\n\u003ctr data-start=\"3500\" data-end=\"3549\"\u003e\n\u003ctd data-start=\"3500\" data-end=\"3505\" data-col-size=\"sm\"\u003eItem\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3505\" data-end=\"3549\"\u003eCanonsburg floral bread-and-butter plate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3550\" data-end=\"3573\"\u003e\n\u003ctd data-start=\"3550\" data-end=\"3554\" data-col-size=\"sm\"\u003eEra\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3554\" data-end=\"3573\"\u003e\u003cstrong data-start=\"3556\" data-end=\"3571\"\u003e1950s–1960s\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3574\" data-end=\"3609\"\u003e\n\u003ctd data-start=\"3574\" data-end=\"3583\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3583\" data-end=\"3609\"\u003eSemi-porcelain ceramic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3610\" data-end=\"3650\"\u003e\n\u003ctd data-start=\"3610\" data-end=\"3617\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3617\" data-end=\"3650\"\u003eCanonsburg, Pennsylvania, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3651\" data-end=\"3715\"\u003e\n\u003ctd data-start=\"3651\" data-end=\"3661\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3661\" data-end=\"3715\"\u003eLight vintage wear, excellent structural condition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3716\" data-end=\"3756\"\u003e\n\u003ctd data-start=\"3716\" data-end=\"3720\" data-col-size=\"sm\"\u003eUse\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3720\" data-end=\"3756\"\u003eDining, décor, styling, catchall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3757\" data-end=\"3788\"\u003e\n\u003ctd data-start=\"3757\" data-end=\"3768\" data-col-size=\"sm\"\u003eDimensions\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3768\" data-end=\"3788\"\u003e(To be measured)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3789\" data-end=\"3837\"\u003e\n\u003ctd data-start=\"3789\" data-end=\"3795\" data-col-size=\"sm\"\u003eStyle\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3795\" data-end=\"3837\"\u003eMid-century Americana \/ cottage floral\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"3839\" data-end=\"3842\"\u003e\n\u003ch1 data-start=\"3844\" data-end=\"3877\"\u003e\u003cstrong data-start=\"3846\" data-end=\"3877\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3879\" data-end=\"4254\"\u003eThis plate blends nostalgia and simplicity in a way only mid-century American ceramics can: floral but not fussy, soft but not fragile, charming without trying too hard. Whether used as an everyday dish, a styling prop, or a decorative accent, it brings a sense of familiarity—like something passed across a family table, gently washed, and stacked in a warm wooden cupboard.\u003c\/p\u003e\n\u003cp data-start=\"4256\" data-end=\"4360\"\u003eIt’s a small piece, but it carries the comfort and optimism of the American mid-century kitchen with it.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42697852420201,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/vintage_canonsburg_floral_plate_1950s60s_roses_bluebird_bread-and-butter_dish764556954839334314492543081.jpg?v=1773813187"},{"product_id":"antique-e-p-co-sebring-dish-1915-1925-octagonal-ironstone-with-floral-cartouches","title":"Antique E.P. Co. Sebring Dish (1915–1925) – Octagonal Ironstone with Floral Cartouches","description":"\u003ch1 data-start=\"606\" data-end=\"621\"\u003e\u003cstrong data-start=\"608\" data-end=\"621\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"623\" data-end=\"1177\"\u003eA beautifully aged \u003cstrong data-start=\"642\" data-end=\"684\"\u003eearly 20th-century semi-porcelain dish\u003c\/strong\u003e, produced by the E.P. Co. in Sebring, Ohio between \u003cstrong data-start=\"736\" data-end=\"753\"\u003e1915 and 1925\u003c\/strong\u003e. Its gently faceted octagonal shape, soft ivory glaze, and ornate dual cartouche motifs make it a perfect example of American decorative tableware at the dawn of the Art Deco era. At first glance it reads as a delicate serving piece—light, refined, almost ceremonial—but its surface tells a deeper story: a full map of authentic \u003cstrong data-start=\"1083\" data-end=\"1106\"\u003ecentury-old crazing\u003c\/strong\u003e, warm oxidation, and hand-applied gilding worn down by time and touch.\u003c\/p\u003e\n\u003cp data-start=\"1179\" data-end=\"1532\"\u003eThe floral medallions—pink roses framed in black scrollwork around tiny shield emblems—anchor the piece with symmetry and elegance. A thin rust-red oval encircles the center, subtle but intentional. It feels like something lifted from a 1920s sideboard: Sunday dinners, lace doilies, quiet parlors, and the soft clink of china in an early American home.\u003c\/p\u003e\n\u003chr data-start=\"1534\" data-end=\"1537\"\u003e\n\u003ch1 data-start=\"1539\" data-end=\"1566\"\u003e\u003cstrong data-start=\"1541\" data-end=\"1566\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3 data-start=\"1568\" data-end=\"1590\"\u003e\u003cstrong data-start=\"1572\" data-end=\"1590\"\u003e→ Form \u0026amp; Style\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1592\" data-end=\"1866\"\u003eThe dish features a \u003cstrong data-start=\"1612\" data-end=\"1647\"\u003egently raised octagonal profile\u003c\/strong\u003e, a transitional form popular from 1900–1930 as American ceramics slowly shifted from Victorian flourishes to the geometric restraint that would define the Deco period.\u003cbr data-start=\"1815\" data-end=\"1818\"\u003eThe decoration blends two stylistic languages:\u003c\/p\u003e\n\u003cul data-start=\"1867\" data-end=\"1947\"\u003e\n\u003cli data-start=\"1867\" data-end=\"1908\"\u003e\n\u003cp data-start=\"1869\" data-end=\"1908\"\u003e\u003cstrong data-start=\"1869\" data-end=\"1901\"\u003eEdwardian floral romanticism\u003c\/strong\u003e, and\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1909\" data-end=\"1947\"\u003e\n\u003cp data-start=\"1911\" data-end=\"1947\"\u003e\u003cstrong data-start=\"1911\" data-end=\"1946\"\u003eearly Deco symmetry and framing\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1949\" data-end=\"2030\"\u003eThe result is a piece that is ornamental but not loud, structured but still soft.\u003c\/p\u003e\n\u003ch3 data-start=\"2032\" data-end=\"2051\"\u003e\u003cstrong data-start=\"2036\" data-end=\"2051\"\u003e→ Materials\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"2053\" data-end=\"2322\"\u003e\n\u003cli data-start=\"2053\" data-end=\"2094\"\u003e\n\u003cp data-start=\"2055\" data-end=\"2094\"\u003eEarly semi-porcelain \/ ironstone body\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2095\" data-end=\"2122\"\u003e\n\u003cp data-start=\"2097\" data-end=\"2122\"\u003eHand-trimmed gold edges\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2123\" data-end=\"2179\"\u003e\n\u003cp data-start=\"2125\" data-end=\"2179\"\u003eTwo printed floral cartouches with shield medallions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2180\" data-end=\"2204\"\u003e\n\u003cp data-start=\"2182\" data-end=\"2204\"\u003eRust-red center ring\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2205\" data-end=\"2259\"\u003e\n\u003cp data-start=\"2207\" data-end=\"2259\"\u003eIvory glaze with full, naturally developed crazing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2260\" data-end=\"2322\"\u003e\n\u003cp data-start=\"2262\" data-end=\"2322\"\u003eStamped backmark: \u003cstrong data-start=\"2280\" data-end=\"2310\"\u003eE.P. CO., SEBRING, O., D22\u003c\/strong\u003e (1915–1925)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2324\" data-end=\"2403\"\u003eThe weight is substantial for its size—solid, sturdy, and unmistakably antique.\u003c\/p\u003e\n\u003ch3 data-start=\"2405\" data-end=\"2428\"\u003e\u003cstrong data-start=\"2409\" data-end=\"2428\"\u003e→ Functionality\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2430\" data-end=\"2520\"\u003eOriginally intended as a small underplate or serving dish, today it serves beautifully as:\u003c\/p\u003e\n\u003cul data-start=\"2522\" data-end=\"2706\"\u003e\n\u003cli data-start=\"2522\" data-end=\"2555\"\u003e\n\u003cp data-start=\"2524\" data-end=\"2555\"\u003ea jewelry or bedside catchall\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2556\" data-end=\"2585\"\u003e\n\u003cp data-start=\"2558\" data-end=\"2585\"\u003ea vanity tray for perfume\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2586\" data-end=\"2616\"\u003e\n\u003cp data-start=\"2588\" data-end=\"2616\"\u003ea decorative styling plate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2617\" data-end=\"2655\"\u003e\n\u003cp data-start=\"2619\" data-end=\"2655\"\u003ea display for antiques or crystals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2656\" data-end=\"2706\"\u003e\n\u003cp data-start=\"2658\" data-end=\"2706\"\u003ea wall-hung accent in a kitchen or dining room\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2708\" data-end=\"2764\"\u003eIts patina gives it sculptural presence even when empty.\u003c\/p\u003e\n\u003chr data-start=\"2766\" data-end=\"2769\"\u003e\n\u003ch1 data-start=\"2771\" data-end=\"2797\"\u003e\u003cstrong data-start=\"2773\" data-end=\"2797\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2799\" data-end=\"3157\"\u003eThe E.P. Co. (\u003cstrong data-start=\"2813\" data-end=\"2845\"\u003eEast Palestine China Company\u003c\/strong\u003e) produced semi-porcelain and decorated ware in Sebring, Ohio—one of America’s major pottery hubs—from the late 1800s through the 1930s. During 1915–1925, the company specialized in ornate decal-decorated pieces with gold trim, often sold through general stores, mail-order catalogs, and early department stores.\u003c\/p\u003e\n\u003cp data-start=\"3159\" data-end=\"3374\"\u003eThis dish’s backstamp and pattern place it firmly in that golden era.\u003cbr data-start=\"3228\" data-end=\"3231\"\u003eThe heavy crazing is not damage—it’s \u003cstrong data-start=\"3268\" data-end=\"3319\"\u003eslow, natural moisture expansion over a century\u003c\/strong\u003e, prized by collectors for the ghostly texture it adds.\u003c\/p\u003e\n\u003cp data-start=\"3376\" data-end=\"3476\"\u003eSurviving pieces in this condition represent a tangible fragment of early American domestic culture.\u003c\/p\u003e\n\u003chr data-start=\"3478\" data-end=\"3481\"\u003e\n\u003ch1 data-start=\"3483\" data-end=\"3498\"\u003e\u003cstrong data-start=\"3485\" data-end=\"3498\"\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3500\" data-end=\"3527\"\u003eBeautifully preserved with:\u003c\/p\u003e\n\u003cul data-start=\"3529\" data-end=\"3739\"\u003e\n\u003cli data-start=\"3529\" data-end=\"3569\"\u003e\n\u003cp data-start=\"3531\" data-end=\"3569\"\u003eextensive but stable natural crazing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3570\" data-end=\"3608\"\u003e\n\u003cp data-start=\"3572\" data-end=\"3608\"\u003eworn gold trim consistent with age\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3609\" data-end=\"3653\"\u003e\n\u003cp data-start=\"3611\" data-end=\"3653\"\u003eclean floral decals with excellent color\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3654\" data-end=\"3678\"\u003e\n\u003cp data-start=\"3656\" data-end=\"3678\"\u003eno structural cracks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3679\" data-end=\"3739\"\u003e\n\u003cp data-start=\"3681\" data-end=\"3739\"\u003elight surface discoloration typical of antique ironstone\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3741\" data-end=\"3830\"\u003eThe patina is entirely authentic and contributes to the piece’s romantic, timeworn charm.\u003c\/p\u003e\n\u003chr data-start=\"3832\" data-end=\"3835\"\u003e\n\u003ch1 data-start=\"3837\" data-end=\"3858\"\u003e\u003cstrong data-start=\"3839\" data-end=\"3858\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"3860\" data-end=\"4284\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"3860\" data-end=\"3893\"\u003e\n\u003ctr data-start=\"3860\" data-end=\"3893\"\u003e\n\u003cth data-start=\"3860\" data-end=\"3874\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3860\" data-end=\"3873\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"3874\" data-end=\"3893\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"3876\" data-end=\"3891\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3904\" data-end=\"4284\"\u003e\n\u003ctr data-start=\"3904\" data-end=\"3951\"\u003e\n\u003ctd data-start=\"3904\" data-end=\"3909\" data-col-size=\"sm\"\u003eItem\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3909\" data-end=\"3951\"\u003eEarly 20th-Century Semi-Porcelain Dish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3952\" data-end=\"3997\"\u003e\n\u003ctd data-start=\"3952\" data-end=\"3958\" data-col-size=\"sm\"\u003eMaker\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3958\" data-end=\"3997\"\u003eE.P. Co. (East Palestine China Co.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3998\" data-end=\"4019\"\u003e\n\u003ctd data-start=\"3998\" data-end=\"4002\" data-col-size=\"sm\"\u003eEra\u003c\/td\u003e\n\u003ctd data-start=\"4002\" data-end=\"4019\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"4004\" data-end=\"4017\"\u003e1915–1925\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4020\" data-end=\"4044\"\u003e\n\u003ctd data-start=\"4020\" data-end=\"4027\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4027\" data-end=\"4044\"\u003eSebring, Ohio\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4045\" data-end=\"4082\"\u003e\n\u003ctd data-start=\"4045\" data-end=\"4054\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4054\" data-end=\"4082\"\u003eSemi-porcelain ironstone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4083\" data-end=\"4151\"\u003e\n\u003ctd data-start=\"4083\" data-end=\"4093\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4093\" data-end=\"4151\"\u003eStable crazing, patina, light discoloration, no cracks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4152\" data-end=\"4202\"\u003e\n\u003ctd data-start=\"4152\" data-end=\"4156\" data-col-size=\"sm\"\u003eUse\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4156\" data-end=\"4202\"\u003eCatchall, vanity tray, display dish, décor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4203\" data-end=\"4234\"\u003e\n\u003ctd data-start=\"4203\" data-end=\"4214\" data-col-size=\"sm\"\u003eDimensions\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4214\" data-end=\"4234\"\u003e(To be measured)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4235\" data-end=\"4284\"\u003e\n\u003ctd data-start=\"4235\" data-end=\"4241\" data-col-size=\"sm\"\u003eStyle\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4241\" data-end=\"4284\"\u003eEdwardian → Early Art Deco transitional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"4286\" data-end=\"4289\"\u003e\n\u003ch1 data-start=\"4291\" data-end=\"4324\"\u003e\u003cstrong data-start=\"4293\" data-end=\"4324\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"4326\" data-end=\"4653\"\u003eThis dish carries the soft romance of early American ceramics—floral, feminine, a little formal, but warm with age. Its crazing, gilding, and symmetrical medallions make it a stunning styling object for moody interiors, vanities, or dark, textural spaces. It looks equally beautiful holding jewelry, perfume, or nothing at all.\u003c\/p\u003e\n\u003cp data-start=\"4655\" data-end=\"4747\"\u003eIt is a quiet artifact of domestic history, and it brings that sense of story into any room.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42697853927529,"sku":null,"price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/antique_e.p._co._sebring_dish_19151925_octagonal_ironstone_with_floral_cartouches764557053143334314496049257.jpg?v=1773813191"},{"product_id":"art-deco-myott-son-cobowl-1925-1940-english-ironstone-with-faceted-sides","title":"Art Deco Myott, Son \u0026 CoBowl (1925–1940) – English Ironstone with Faceted Sides","description":"\u003ch1 data-start=\"1194\" data-end=\"1209\"\u003e\u003cstrong data-start=\"1196\" data-end=\"1209\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"1211\" data-end=\"1705\"\u003eA softly geometric \u003cstrong data-start=\"1230\" data-end=\"1257\"\u003eArt Deco ironstone bowl\u003c\/strong\u003e crafted by Myott, Son \u0026amp; Co. in Staffordshire, England between \u003cstrong data-start=\"1320\" data-end=\"1337\"\u003e1925 and 1940\u003c\/strong\u003e. The form is immediately striking: a faceted lower body rising into a smooth, flared rim, all capped with thin hand-painted banding that defines its silhouette with quiet precision. At first glance, it reads as a simple utility bowl—but its shape reveals that unmistakable Deco ambition: clean angles, warm cream glaze, and a deliberate play of light over each panel.\u003c\/p\u003e\n\u003cp data-start=\"1707\" data-end=\"2064\"\u003eThe glaze has mellowed beautifully over the decades, settling into a warm ivory tone with faint age speckling and softly worn gold trim along the lip. It feels like something lifted from a 1930s English kitchen—sunlight on tiled walls, copper pots hanging overhead, and the steady rhythm of everyday life unfolding around functional pottery made with style.\u003c\/p\u003e\n\u003chr data-start=\"2066\" data-end=\"2069\"\u003e\n\u003ch1 data-start=\"2071\" data-end=\"2098\"\u003e\u003cstrong data-start=\"2073\" data-end=\"2098\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3 data-start=\"2100\" data-end=\"2122\"\u003e\u003cstrong data-start=\"2104\" data-end=\"2122\"\u003e→ Form \u0026amp; Style\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2124\" data-end=\"2469\"\u003eThe bowl features a \u003cstrong data-start=\"2144\" data-end=\"2173\"\u003etwelve-panel faceted base\u003c\/strong\u003e, a hallmark of early Art Deco ceramics where geometry began to replace ornate Victorian curves. The upper wall flares gently, creating a balanced contrast between angularity and softness. Thin banding—one in pale buttercream, one in black—breaks the form visually, adding structure and movement.\u003c\/p\u003e\n\u003cp data-start=\"2471\" data-end=\"2570\"\u003eThis is utilitarian Deco: elegant in silhouette, understated in palette, confident in its geometry.\u003c\/p\u003e\n\u003ch3 data-start=\"2572\" data-end=\"2591\"\u003e\u003cstrong data-start=\"2576\" data-end=\"2591\"\u003e→ Materials\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"2593\" data-end=\"2856\"\u003e\n\u003cli data-start=\"2593\" data-end=\"2641\"\u003e\n\u003cp data-start=\"2595\" data-end=\"2641\"\u003eEnglish ironstone \/ semi-porcelain clay body\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2642\" data-end=\"2678\"\u003e\n\u003cp data-start=\"2644\" data-end=\"2678\"\u003ewarm ivory and buttercream glaze\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2679\" data-end=\"2701\"\u003e\n\u003cp data-start=\"2681\" data-end=\"2701\"\u003ethin black banding\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2702\" data-end=\"2735\"\u003e\n\u003cp data-start=\"2704\" data-end=\"2735\"\u003eworn gold trim around the rim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2736\" data-end=\"2796\"\u003e\n\u003cp data-start=\"2738\" data-end=\"2796\"\u003eearly Myott crown backstamp (“Myott, Son \u0026amp; Co. England”)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2797\" data-end=\"2856\"\u003e\n\u003cp data-start=\"2799\" data-end=\"2856\"\u003eslight surface wear consistent with 80–100 years of age\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2858\" data-end=\"3005\"\u003eIts weight is solid and grounded, typical of British ceramic production in the interwar years—built for function yet designed with an eye for form.\u003c\/p\u003e\n\u003ch3 data-start=\"3007\" data-end=\"3030\"\u003e\u003cstrong data-start=\"3011\" data-end=\"3030\"\u003e→ Functionality\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3032\" data-end=\"3157\"\u003eOriginally made as a \u003cstrong data-start=\"3053\" data-end=\"3078\"\u003etable or kitchen bowl\u003c\/strong\u003e—for mixing, serving, or holding small sides—today it functions beautifully as:\u003c\/p\u003e\n\u003cul data-start=\"3159\" data-end=\"3370\"\u003e\n\u003cli data-start=\"3159\" data-end=\"3205\"\u003e\n\u003cp data-start=\"3161\" data-end=\"3205\"\u003ea styling bowl for entry tables or shelves\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3206\" data-end=\"3243\"\u003e\n\u003cp data-start=\"3208\" data-end=\"3243\"\u003ea fruit or decorative object bowl\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3244\" data-end=\"3265\"\u003e\n\u003cp data-start=\"3246\" data-end=\"3265\"\u003ea vanity catchall\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3266\" data-end=\"3319\"\u003e\n\u003cp data-start=\"3268\" data-end=\"3319\"\u003ea sculptural standalone piece in a moody interior\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3320\" data-end=\"3370\"\u003e\n\u003cp data-start=\"3322\" data-end=\"3370\"\u003epart of a curated English Deco kitchen display\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3372\" data-end=\"3441\"\u003eIts faceted form gives it strong sculptural presence even when empty.\u003c\/p\u003e\n\u003chr data-start=\"3443\" data-end=\"3446\"\u003e\n\u003ch1 data-start=\"3448\" data-end=\"3474\"\u003e\u003cstrong data-start=\"3450\" data-end=\"3474\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3476\" data-end=\"3789\"\u003eMyott, Son \u0026amp; Co. was founded in 1898 and became one of the most recognizable Staffordshire potteries during the Art Deco period. The 1920s–40s were their golden years, producing bold geometric shapes, hand-painted banding, and colorful, modern patterns that made them favorites in both Britain and export markets.\u003c\/p\u003e\n\u003cp data-start=\"3791\" data-end=\"4079\"\u003eThis bowl’s \u003cstrong data-start=\"3803\" data-end=\"3822\"\u003ecrown backstamp\u003c\/strong\u003e is a pre-WWII mark used before the company reorganized post-war and before later stamps adopted “Made in England.” The faceted style aligns with the surge of Deco influence across British ceramics during the interwar period—shape-driven, practical, modern.\u003c\/p\u003e\n\u003cp data-start=\"4081\" data-end=\"4195\"\u003ePieces from this era are collected today for their clean geometry, soft palettes, and genuine period architecture.\u003c\/p\u003e\n\u003chr data-start=\"4197\" data-end=\"4200\"\u003e\n\u003ch1 data-start=\"4202\" data-end=\"4217\"\u003e\u003cstrong data-start=\"4204\" data-end=\"4217\"\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"4219\" data-end=\"4252\"\u003eBeautiful vintage condition with:\u003c\/p\u003e\n\u003cul data-start=\"4254\" data-end=\"4388\"\u003e\n\u003cli data-start=\"4254\" data-end=\"4276\"\u003e\n\u003cp data-start=\"4256\" data-end=\"4276\"\u003elight surface wear\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4277\" data-end=\"4300\"\u003e\n\u003cp data-start=\"4279\" data-end=\"4300\"\u003eminor age speckling\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4301\" data-end=\"4330\"\u003e\n\u003cp data-start=\"4303\" data-end=\"4330\"\u003efaint glaze discoloration\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4331\" data-end=\"4357\"\u003e\n\u003cp data-start=\"4333\" data-end=\"4357\"\u003esmall rubs to gold rim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4358\" data-end=\"4388\"\u003e\n\u003cp data-start=\"4360\" data-end=\"4388\"\u003estable and sound structure\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"4390\" data-end=\"4468\"\u003eThe wear is soft and period-appropriate, enhancing its authenticity and charm.\u003c\/p\u003e\n\u003chr data-start=\"4470\" data-end=\"4473\"\u003e\n\u003ch1 data-start=\"4475\" data-end=\"4496\"\u003e\u003cstrong data-start=\"4477\" data-end=\"4496\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"4498\" data-end=\"4865\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"4498\" data-end=\"4531\"\u003e\n\u003ctr data-start=\"4498\" data-end=\"4531\"\u003e\n\u003cth data-start=\"4498\" data-end=\"4512\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4498\" data-end=\"4511\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"4512\" data-end=\"4531\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4514\" data-end=\"4529\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"4542\" data-end=\"4865\"\u003e\n\u003ctr data-start=\"4542\" data-end=\"4574\"\u003e\n\u003ctd data-start=\"4542\" data-end=\"4547\" data-col-size=\"sm\"\u003eItem\u003c\/td\u003e\n\u003ctd data-start=\"4547\" data-end=\"4574\" data-col-size=\"sm\"\u003eArt Deco Ironstone Bowl\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4575\" data-end=\"4601\"\u003e\n\u003ctd data-start=\"4575\" data-end=\"4581\" data-col-size=\"sm\"\u003eMaker\u003c\/td\u003e\n\u003ctd data-start=\"4581\" data-end=\"4601\" data-col-size=\"sm\"\u003eMyott, Son \u0026amp; Co.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4602\" data-end=\"4623\"\u003e\n\u003ctd data-start=\"4602\" data-end=\"4606\" data-col-size=\"sm\"\u003eEra\u003c\/td\u003e\n\u003ctd data-start=\"4606\" data-end=\"4623\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4608\" data-end=\"4621\"\u003e1925–1940\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4624\" data-end=\"4657\"\u003e\n\u003ctd data-start=\"4624\" data-end=\"4631\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-start=\"4631\" data-end=\"4657\" data-col-size=\"sm\"\u003eStaffordshire, England\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4658\" data-end=\"4697\"\u003e\n\u003ctd data-start=\"4658\" data-end=\"4667\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-start=\"4667\" data-end=\"4697\" data-col-size=\"sm\"\u003eIronstone \/ semi-porcelain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4698\" data-end=\"4748\"\u003e\n\u003ctd data-start=\"4698\" data-end=\"4708\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-start=\"4708\" data-end=\"4748\" data-col-size=\"sm\"\u003eMinimal wear, stable, light rim fade\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4749\" data-end=\"4789\"\u003e\n\u003ctd data-start=\"4749\" data-end=\"4753\" data-col-size=\"sm\"\u003eUse\u003c\/td\u003e\n\u003ctd data-start=\"4753\" data-end=\"4789\" data-col-size=\"sm\"\u003eKitchen, décor, display, styling\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4790\" data-end=\"4821\"\u003e\n\u003ctd data-start=\"4790\" data-end=\"4801\" data-col-size=\"sm\"\u003eDimensions\u003c\/td\u003e\n\u003ctd data-start=\"4801\" data-end=\"4821\" data-col-size=\"sm\"\u003e(To be measured)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4822\" data-end=\"4865\"\u003e\n\u003ctd data-start=\"4822\" data-end=\"4828\" data-col-size=\"sm\"\u003eStyle\u003c\/td\u003e\n\u003ctd data-start=\"4828\" data-end=\"4865\" data-col-size=\"sm\"\u003eBritish Art Deco utilitarian ware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"4867\" data-end=\"4870\"\u003e\n\u003ch1 data-start=\"4872\" data-end=\"4905\"\u003e\u003cstrong data-start=\"4874\" data-end=\"4905\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"4907\" data-end=\"5164\"\u003eThis bowl brings the warmth and geometry of interwar British design into a modern space. The faceted body, soft glaze, and hand-painted banding give it sculptural clarity without overwhelming the eye. It feels grounded, intentional, and quietly beautiful.\u003c\/p\u003e\n\u003cp data-start=\"5166\" data-end=\"5391\"\u003eOn a shelf, it reads like a ceramic artifact; on a table, it becomes a functional piece with history and soul. Perfect for moody interiors, English countryside aesthetics, or any space that values form, age, and authenticity.\u003cstrong data-start=\"5400\" data-end=\"5413\"\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42697856614505,"sku":null,"price":44.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/art_deco_myott_son_cobowl_19251940_english_ironstone_with_faceted_sides764557220260134314501881961.jpg?v=1773813199"},{"product_id":"pope-gosser-saucer-ivory-china-with-gold-rim-c-1930-1940","title":"Pope-Gosser Saucer – Ivory China with Gold Rim (c. 1930-1940)","description":"\u003ch1 data-start=\"1078\" data-end=\"1093\"\u003e\u003cstrong data-start=\"1080\" data-end=\"1093\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"1095\" data-end=\"1396\"\u003eA refined \u003cstrong data-start=\"1105\" data-end=\"1139\"\u003e1930s–1940s Pope-Gosser saucer\u003c\/strong\u003e, crafted in a soft ivory glaze and finished with a clean band of real gold along the outer rim. Minimalist yet undeniably elegant, this piece reflects the restrained beauty of Depression-era American china—simple forms elevated by subtle touches of luxury.\u003c\/p\u003e\n\u003cp data-start=\"1398\" data-end=\"1858\"\u003eThe surface carries fine period-appropriate crazing and light utensil wear, creating that soft, timeworn texture collectors love. The wide, smooth center well and gently sloping sides show off classic pre-war American design: functional, modest, and quietly formal. It feels like something lifted from a 1930s dining room or a wartime-era table setting—polished silverware, linen napkins, soft yellow lamplight, and china that balanced practicality with grace.\u003c\/p\u003e\n\u003chr data-start=\"1860\" data-end=\"1863\"\u003e\n\u003ch1 data-start=\"1865\" data-end=\"1892\"\u003e\u003cstrong data-start=\"1867\" data-end=\"1892\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3 data-start=\"1894\" data-end=\"1916\"\u003e\u003cstrong data-start=\"1898\" data-end=\"1916\"\u003e→ Form \u0026amp; Style\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1917\" data-end=\"1962\"\u003eA minimalist \u003cstrong data-start=\"1930\" data-end=\"1959\"\u003eDepression-era silhouette\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul data-start=\"1963\" data-end=\"2094\"\u003e\n\u003cli data-start=\"1963\" data-end=\"1982\"\u003e\n\u003cp data-start=\"1965\" data-end=\"1982\"\u003eShallow profile\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1983\" data-end=\"2003\"\u003e\n\u003cp data-start=\"1985\" data-end=\"2003\"\u003eWide center well\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2004\" data-end=\"2049\"\u003e\n\u003cp data-start=\"2006\" data-end=\"2049\"\u003eClean, unornamented fields of ivory glaze\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2050\" data-end=\"2094\"\u003e\n\u003cp data-start=\"2052\" data-end=\"2094\"\u003eA single gold rim for understated luxury\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2096\" data-end=\"2246\"\u003eThis blend of simplicity and refinement is characteristic of 1930s American china, where elegance was achieved through proportion rather than pattern.\u003c\/p\u003e\n\u003ch3 data-start=\"2248\" data-end=\"2267\"\u003e\u003cstrong data-start=\"2252\" data-end=\"2267\"\u003e→ Materials\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"2268\" data-end=\"2518\"\u003e\n\u003cli data-start=\"2268\" data-end=\"2327\"\u003e\n\u003cp data-start=\"2270\" data-end=\"2327\"\u003eSemi-porcelain \/ ironstone blend typical of Pope-Gosser\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2328\" data-end=\"2368\"\u003e\n\u003cp data-start=\"2330\" data-end=\"2368\"\u003eIvory glaze with visible age crazing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2369\" data-end=\"2394\"\u003e\n\u003cp data-start=\"2371\" data-end=\"2394\"\u003eHand-applied gold rim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2395\" data-end=\"2452\"\u003e\n\u003cp data-start=\"2397\" data-end=\"2452\"\u003eBackstamp: \u003cstrong data-start=\"2408\" data-end=\"2450\"\u003ePope-Gosser China, Made in U.S.A., F-8\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2453\" data-end=\"2518\"\u003e\n\u003cp data-start=\"2455\" data-end=\"2518\"\u003eSmooth glaze surface with modest wear from 80–90 years of use\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2520\" data-end=\"2613\"\u003eThe piece has a grounded, sturdy feel—durable tableware meant to endure decades of real life.\u003c\/p\u003e\n\u003ch3 data-start=\"2615\" data-end=\"2638\"\u003e\u003cstrong data-start=\"2619\" data-end=\"2638\"\u003e→ Functionality\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2639\" data-end=\"2684\"\u003eOriginally a teacup saucer, now perfect as:\u003c\/p\u003e\n\u003cul data-start=\"2685\" data-end=\"2806\"\u003e\n\u003cli data-start=\"2685\" data-end=\"2701\"\u003e\n\u003cp data-start=\"2687\" data-end=\"2701\"\u003ejewelry dish\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2702\" data-end=\"2736\"\u003e\n\u003cp data-start=\"2704\" data-end=\"2736\"\u003esmudge stick or incense holder\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2737\" data-end=\"2757\"\u003e\n\u003cp data-start=\"2739\" data-end=\"2757\"\u003ebedside catchall\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2758\" data-end=\"2777\"\u003e\n\u003cp data-start=\"2760\" data-end=\"2777\"\u003ebar cart accent\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2778\" data-end=\"2806\"\u003e\n\u003cp data-start=\"2780\" data-end=\"2806\"\u003eminimalist kitchen décor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2808\" data-end=\"2856\"\u003eIts clean lines make it a natural styling piece.\u003c\/p\u003e\n\u003chr data-start=\"2858\" data-end=\"2861\"\u003e\n\u003ch1 data-start=\"2863\" data-end=\"2889\"\u003e\u003cstrong data-start=\"2865\" data-end=\"2889\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2891\" data-end=\"3123\"\u003ePope-Gosser China Co. (1902–1958) was known for producing romantic floral china earlier in the century, but during the \u003cstrong data-start=\"3010\" data-end=\"3023\"\u003e1930s–40s\u003c\/strong\u003e they shifted toward simpler, more affordable tableware suited for the Depression and wartime years.\u003c\/p\u003e\n\u003cp data-start=\"3125\" data-end=\"3340\"\u003eThis saucer represents that era of design austerity—where elegance persisted but ornamentation was scaled back. The use of a gold rim reflects the period’s desire to hold onto small luxuries despite economic limits.\u003c\/p\u003e\n\u003cp data-start=\"3342\" data-end=\"3483\"\u003ePieces from this era have become popular with stylists for their quiet beauty, soft aging, and cinematic presence in dark or moody interiors.\u003c\/p\u003e\n\u003chr data-start=\"3485\" data-end=\"3488\"\u003e\n\u003ch1 data-start=\"3490\" data-end=\"3505\"\u003e\u003cstrong data-start=\"3492\" data-end=\"3505\"\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3507\" data-end=\"3531\"\u003eBeautifully aged with:\u003c\/p\u003e\n\u003cul data-start=\"3532\" data-end=\"3699\"\u003e\n\u003cli data-start=\"3532\" data-end=\"3556\"\u003e\n\u003cp data-start=\"3534\" data-end=\"3556\"\u003efine allover crazing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3557\" data-end=\"3595\"\u003e\n\u003cp data-start=\"3559\" data-end=\"3595\"\u003eintact gold rim with light rubbing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3596\" data-end=\"3619\"\u003e\n\u003cp data-start=\"3598\" data-end=\"3619\"\u003esubtle surface wear\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3620\" data-end=\"3654\"\u003e\n\u003cp data-start=\"3622\" data-end=\"3654\"\u003eno cracks or structural damage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3655\" data-end=\"3699\"\u003e\n\u003cp data-start=\"3657\" data-end=\"3699\"\u003esmooth glaze with expected age character\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3701\" data-end=\"3770\"\u003eIt’s exactly the kind of honest patina that gives antique china soul.\u003c\/p\u003e\n\u003chr data-start=\"3772\" data-end=\"3775\"\u003e\n\u003ch1 data-start=\"3777\" data-end=\"3798\"\u003e\u003cstrong data-start=\"3779\" data-end=\"3798\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"3800\" data-end=\"4136\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"3800\" data-end=\"3833\"\u003e\n\u003ctr data-start=\"3800\" data-end=\"3833\"\u003e\n\u003cth data-start=\"3800\" data-end=\"3814\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3800\" data-end=\"3813\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"3814\" data-end=\"3833\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3816\" data-end=\"3831\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3844\" data-end=\"4136\"\u003e\n\u003ctr data-start=\"3844\" data-end=\"3879\"\u003e\n\u003ctd data-start=\"3844\" data-end=\"3849\" data-col-size=\"sm\"\u003eItem\u003c\/td\u003e\n\u003ctd data-start=\"3849\" data-end=\"3879\" data-col-size=\"sm\"\u003eVintage Pope-Gosser Saucer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3880\" data-end=\"3901\"\u003e\n\u003ctd data-start=\"3880\" data-end=\"3884\" data-col-size=\"sm\"\u003eEra\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3884\" data-end=\"3901\"\u003e\u003cstrong data-start=\"3886\" data-end=\"3899\"\u003e1930–1945\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3902\" data-end=\"3944\"\u003e\n\u003ctd data-start=\"3902\" data-end=\"3911\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3911\" data-end=\"3944\"\u003eSemi-porcelain with gold trim\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3945\" data-end=\"3976\"\u003e\n\u003ctd data-start=\"3945\" data-end=\"3952\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3952\" data-end=\"3976\"\u003eCoshocton, Ohio, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3977\" data-end=\"4029\"\u003e\n\u003ctd data-start=\"3977\" data-end=\"3987\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3987\" data-end=\"4029\"\u003eAge wear + crazing; structurally sound\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4030\" data-end=\"4062\"\u003e\n\u003ctd data-start=\"4030\" data-end=\"4034\" data-col-size=\"sm\"\u003eUse\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"4034\" data-end=\"4062\"\u003eCatchall, décor, styling\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4063\" data-end=\"4094\"\u003e\n\u003ctd data-start=\"4063\" data-end=\"4074\" data-col-size=\"sm\"\u003eDimensions\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"4074\" data-end=\"4094\"\u003e(To be measured)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4095\" data-end=\"4136\"\u003e\n\u003ctd data-start=\"4095\" data-end=\"4101\" data-col-size=\"sm\"\u003eStyle\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"4101\" data-end=\"4136\"\u003eDepression-era minimalist china\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"4138\" data-end=\"4141\"\u003e\n\u003ch1 data-start=\"4143\" data-end=\"4176\"\u003e\u003cstrong data-start=\"4145\" data-end=\"4176\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"4178\" data-end=\"4457\"\u003eThis saucer’s beauty is its restraint—quiet, minimal, and timeless. The gold rim adds just enough warmth to glow on a dark shelf or stone countertop. Whether used functionally or simply styled as an accent, it carries that cinematic, nostalgic quality your brand curates so well.\u003c\/p\u003e\n\u003cp data-start=\"4459\" data-end=\"4531\"\u003eIt is a small object with an unmistakable sense of history and presence.\u003cstrong data-start=\"4540\" data-end=\"4553\"\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42697862348905,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/pope-gosser_saucer_ivory_china_with_gold_rim_c._1930-1940764557492234534314517839977.jpg?v=1773813205"},{"product_id":"crown-ducal-florentine-plate-antique-embossed-creamware-1930s-40s-england","title":"Crown Ducal Florentine Plate – Antique Embossed Creamware (1930s–40s, England, Set Of 2)","description":"\u003ch1 data-start=\"1200\" data-end=\"1215\"\u003e\u003cstrong data-start=\"1202\" data-end=\"1215\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"1217\" data-end=\"1652\"\u003eAn exquisitely sculptural \u003cstrong data-start=\"1243\" data-end=\"1277\"\u003eCrown Ducal “Florentine” plate\u003c\/strong\u003e, produced in Staffordshire, England between \u003cstrong data-start=\"1322\" data-end=\"1349\"\u003ethe 1930s and mid-1940s\u003c\/strong\u003e. The entire rim is wrapped in a lavishly raised garland of fruit, roses, vines, and leaves — a deeply embossed relief that catches the light with a soft, porcelain glow. At first glance it reads as classical and ornamental, but the milky cream glaze and subtle octagonal form give it a quiet modernity.\u003c\/p\u003e\n\u003cp data-start=\"1654\" data-end=\"2010\"\u003eThe surface is mapped with \u003cstrong data-start=\"1681\" data-end=\"1709\"\u003edramatic natural crazing\u003c\/strong\u003e, the kind that forms only after eight or nine decades of age. This network of fine lines gives the piece emotional depth — like cracked parchment, weathered frescoes, or old cathedral plaster. Nothing about it feels staged or superficial: it is an authentic artifact of pre-war English ceramic craft.\u003c\/p\u003e\n\u003cp data-start=\"2012\" data-end=\"2224\"\u003eThese plates are as much sculpture as tableware. Hung on a wall, they behave like bas-relief; stacked on a shelf, they create rich tonal texture; placed on a table, they anchor a vignette with old-world presence.\u003c\/p\u003e\n\u003chr data-start=\"2226\" data-end=\"2229\"\u003e\n\u003ch1 data-start=\"2231\" data-end=\"2258\"\u003e\u003cstrong data-start=\"2233\" data-end=\"2258\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3 data-start=\"2260\" data-end=\"2282\"\u003e\u003cstrong data-start=\"2264\" data-end=\"2282\"\u003e→ Form \u0026amp; Style\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2283\" data-end=\"2341\"\u003eFlorentine is Crown Ducal’s most iconic embossed design:\u003c\/p\u003e\n\u003cul data-start=\"2342\" data-end=\"2541\"\u003e\n\u003cli data-start=\"2342\" data-end=\"2401\"\u003e\n\u003cp data-start=\"2344\" data-end=\"2401\"\u003e\u003cstrong data-start=\"2344\" data-end=\"2382\"\u003eHigh-relief fruit and rose molding\u003c\/strong\u003e circling the rim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2402\" data-end=\"2432\"\u003e\n\u003cp data-start=\"2404\" data-end=\"2432\"\u003eSoft octagonal outer shape\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2433\" data-end=\"2459\"\u003e\n\u003cp data-start=\"2435\" data-end=\"2459\"\u003eSmooth recessed center\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2460\" data-end=\"2499\"\u003e\n\u003cp data-start=\"2462\" data-end=\"2499\"\u003eCream glaze over textured sculpting\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2500\" data-end=\"2541\"\u003e\n\u003cp data-start=\"2502\" data-end=\"2541\"\u003eLuminous, romantic, and architectural\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2543\" data-end=\"2648\"\u003eThe profile feels almost neoclassical — refined, ornamental, yet grounded in utilitarian English pottery.\u003c\/p\u003e\n\u003ch3 data-start=\"2650\" data-end=\"2669\"\u003e\u003cstrong data-start=\"2654\" data-end=\"2669\"\u003e→ Materials\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"2670\" data-end=\"2907\"\u003e\n\u003cli data-start=\"2670\" data-end=\"2710\"\u003e\n\u003cp data-start=\"2672\" data-end=\"2710\"\u003eEnglish earthenware \/ semi-porcelain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2711\" data-end=\"2738\"\u003e\n\u003cp data-start=\"2713\" data-end=\"2738\"\u003eHand-finished embossing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2739\" data-end=\"2794\"\u003e\n\u003cp data-start=\"2741\" data-end=\"2794\"\u003eSignature Crown Ducal Florentine mold (1920s–1940s)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2795\" data-end=\"2844\"\u003e\n\u003cp data-start=\"2797\" data-end=\"2844\"\u003eSoft ivory glaze with stable all-over crazing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2845\" data-end=\"2907\"\u003e\n\u003cp data-start=\"2847\" data-end=\"2907\"\u003eGreen Crown Ducal “Florentine – Made in England” backstamp\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2909\" data-end=\"3026\"\u003eThey have a wonderful weight — substantial but not heavy — the perfect balance for wall display or tabletop layering.\u003c\/p\u003e\n\u003ch3 data-start=\"3028\" data-end=\"3051\"\u003e\u003cstrong data-start=\"3032\" data-end=\"3051\"\u003e→ Functionality\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"3052\" data-end=\"3113\"\u003eOriginally used as dinnerware, but today far more prized for:\u003c\/p\u003e\n\u003cul data-start=\"3115\" data-end=\"3268\"\u003e\n\u003cli data-start=\"3115\" data-end=\"3127\"\u003e\n\u003cp data-start=\"3117\" data-end=\"3127\"\u003ewall art\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3128\" data-end=\"3153\"\u003e\n\u003cp data-start=\"3130\" data-end=\"3153\"\u003elayered shelf styling\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3154\" data-end=\"3197\"\u003e\n\u003cp data-start=\"3156\" data-end=\"3197\"\u003ecottage or European farmhouse interiors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3198\" data-end=\"3219\"\u003e\n\u003cp data-start=\"3200\" data-end=\"3219\"\u003ephotography props\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3220\" data-end=\"3246\"\u003e\n\u003cp data-start=\"3222\" data-end=\"3246\"\u003eentry table catch-alls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3247\" data-end=\"3268\"\u003e\n\u003cp data-start=\"3249\" data-end=\"3268\"\u003edecorative risers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3270\" data-end=\"3358\"\u003eThe embossed relief makes them read like carved plaster or stone when displayed upright.\u003c\/p\u003e\n\u003chr data-start=\"3360\" data-end=\"3363\"\u003e\n\u003ch1 data-start=\"3365\" data-end=\"3391\"\u003e\u003cstrong data-start=\"3367\" data-end=\"3391\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3393\" data-end=\"3655\"\u003eCrown Ducal (A.G. Richardson \u0026amp; Co.) was one of the most influential Staffordshire potteries of the early 20th century. Their \u003cstrong data-start=\"3518\" data-end=\"3532\"\u003eFlorentine\u003c\/strong\u003e line, introduced in the late 1920s, became a design icon — instantly recognizable for its sculptural fruit-and-floral rim.\u003c\/p\u003e\n\u003cp data-start=\"3657\" data-end=\"4023\"\u003eDuring the 1930s–40s, Florentine was produced in small batches, with hand-finished molds and glazes. Each piece developed unique aging characteristics, especially the dramatic crazing seen on your plates. These crazed examples are often \u003cem data-start=\"3894\" data-end=\"3900\"\u003emore\u003c\/em\u003e sought after today because they create a romantic, timeworn surface ideal for dark, moody, or European-inspired interiors.\u003c\/p\u003e\n\u003chr data-start=\"4025\" data-end=\"4028\"\u003e\n\u003ch1 data-start=\"4030\" data-end=\"4045\"\u003e\u003cstrong data-start=\"4032\" data-end=\"4045\"\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"4047\" data-end=\"4080\"\u003eBeautiful antique condition with:\u003c\/p\u003e\n\u003cul data-start=\"4082\" data-end=\"4272\"\u003e\n\u003cli data-start=\"4082\" data-end=\"4112\"\u003e\n\u003cp data-start=\"4084\" data-end=\"4112\"\u003epronounced natural crazing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4113\" data-end=\"4161\"\u003e\n\u003cp data-start=\"4115\" data-end=\"4161\"\u003esoft wear consistent with 80–90 years of age\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4162\" data-end=\"4210\"\u003e\n\u003cp data-start=\"4164\" data-end=\"4210\"\u003eclean embossed detail with no loss of relief\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4211\" data-end=\"4233\"\u003e\n\u003cp data-start=\"4213\" data-end=\"4233\"\u003eminor glaze toning\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4234\" data-end=\"4272\"\u003e\n\u003cp data-start=\"4236\" data-end=\"4272\"\u003estructurally excellent (no cracks)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"4274\" data-end=\"4348\"\u003eThe patina is spectacular — exactly the kind collectors and stylists want.\u003c\/p\u003e\n\u003chr data-start=\"4350\" data-end=\"4353\"\u003e\n\u003ch1 data-start=\"4355\" data-end=\"4376\"\u003e\u003cstrong data-start=\"4357\" data-end=\"4376\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"4378\" data-end=\"4844\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"4378\" data-end=\"4411\"\u003e\n\u003ctr data-start=\"4378\" data-end=\"4411\"\u003e\n\u003cth data-start=\"4378\" data-end=\"4392\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4378\" data-end=\"4391\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"4392\" data-end=\"4411\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"4394\" data-end=\"4409\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"4422\" data-end=\"4844\"\u003e\n\u003ctr data-start=\"4422\" data-end=\"4470\"\u003e\n\u003ctd data-start=\"4422\" data-end=\"4427\" data-col-size=\"sm\"\u003eItem\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4427\" data-end=\"4470\"\u003eCrown Ducal “Florentine” Embossed Plate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4471\" data-end=\"4494\"\u003e\n\u003ctd data-start=\"4471\" data-end=\"4475\" data-col-size=\"sm\"\u003eEra\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4475\" data-end=\"4494\"\u003e\u003cstrong data-start=\"4477\" data-end=\"4492\"\u003e1930s–1940s\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4495\" data-end=\"4540\"\u003e\n\u003ctd data-start=\"4495\" data-end=\"4501\" data-col-size=\"sm\"\u003eMaker\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4501\" data-end=\"4540\"\u003eCrown Ducal (A.G. Richardson \u0026amp; Co.)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4541\" data-end=\"4574\"\u003e\n\u003ctd data-start=\"4541\" data-end=\"4548\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4548\" data-end=\"4574\"\u003eStaffordshire, England\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4575\" data-end=\"4622\"\u003e\n\u003ctd data-start=\"4575\" data-end=\"4584\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4584\" data-end=\"4622\"\u003eEnglish semi-porcelain earthenware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4623\" data-end=\"4683\"\u003e\n\u003ctd data-start=\"4623\" data-end=\"4633\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4633\" data-end=\"4683\"\u003eStable crazing, aged glaze, structurally sound\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4684\" data-end=\"4728\"\u003e\n\u003ctd data-start=\"4684\" data-end=\"4688\" data-col-size=\"sm\"\u003eUse\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4688\" data-end=\"4728\"\u003eWall display, décor styling, serving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4729\" data-end=\"4760\"\u003e\n\u003ctd data-start=\"4729\" data-end=\"4740\" data-col-size=\"sm\"\u003eDimensions\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4740\" data-end=\"4760\"\u003e(To be measured)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4761\" data-end=\"4844\"\u003e\n\u003ctd data-start=\"4761\" data-end=\"4767\" data-col-size=\"sm\"\u003eStyle\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4767\" data-end=\"4844\"\u003eEuropean farmhouse, neoclassical revival, cottagecore, sculptural pottery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"4846\" data-end=\"4849\"\u003e\n\u003ch1 data-start=\"4851\" data-end=\"4884\"\u003e\u003cstrong data-start=\"4853\" data-end=\"4884\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"4886\" data-end=\"5217\"\u003eThis piece brings sculptural form, patina, and old-world charm into any modern or moody space. The raised relief behaves like antique plasterwork when hung, casting soft shadows that shift throughout the day. Its crazing gives it emotional presence — the kind of quiet, cinematic beauty that makes a room feel lived-in and storied.\u003c\/p\u003e\n\u003cp data-start=\"5219\" data-end=\"5335\"\u003eWhether displayed solo or layered with other creamware, it adds depth, history, and a touch of European romanticism.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42697871196265,"sku":null,"price":89.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/crown_ducal_florentine_plate_antique_embossed_creamware_1930s40s_england_set_of_2764557954263334314547331177.jpg?v=1773813209"},{"product_id":"johnson-brothers-powder-border-green-white-mid-century-dinnerware-set-scalloped-plates-bowls-serving-pieces-england-1950s-60s","title":"Johnson Brothers “Powder Border” Green \u0026 White Mid-Century Dinnerware Set – Scalloped Plates, Bowls \u0026 Serving Pieces (England, 1950s–60s)","description":"\u003ch1 data-start=\"264\" data-end=\"281\"\u003e\u003cstrong data-start=\"266\" data-end=\"279\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"282\" data-end=\"735\"\u003eA beautifully curated mid-century English dinnerware collection in \u003cstrong data-start=\"349\" data-end=\"380\"\u003ePowder Border Green \u0026amp; White\u003c\/strong\u003e by \u003cstrong data-start=\"384\" data-end=\"414\"\u003eJohnson Brothers (England)\u003c\/strong\u003e — a discontinued and highly recognizable pattern distinguished by its soft jade-green “powdered” crackle band, creamy ivory body, and scalloped embossed rims. The set carries an unmistakable English cottage-meets-Deco charm: elegant, tactile, and visually cohesive, with every piece wrapped in hand-applied gilt accents.\u003c\/p\u003e\n\u003cp data-start=\"737\" data-end=\"1045\"\u003eThis grouping presents as a complete stylistic ensemble — geometric scalloped plates, rounded serving pieces, and low bowls all maintaining the same soft powdered green relief. Together, they create a timeless tablescape ideal for display, staging, or elevating a dining space with antique English character.\u003c\/p\u003e\n\u003chr data-start=\"1047\" data-end=\"1050\"\u003e\n\u003ch1 data-start=\"1052\" data-end=\"1081\"\u003e\u003cstrong data-start=\"1054\" data-end=\"1079\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"1082\" data-end=\"1448\"\u003eCrafted in Staffordshire, England, each piece reflects the Johnson Brothers legacy: durable semi-porcelain earthenware glazed in a warm ivory tone, bordered with their signature \u003cstrong data-start=\"1260\" data-end=\"1291\"\u003epowdered crackle green band\u003c\/strong\u003e. The rims feature \u003cstrong data-start=\"1310\" data-end=\"1347\"\u003escalloped, relief-molded edgework\u003c\/strong\u003e, a hallmark of mid-20th-century JB design, giving the collection a refined but approachable texture.\u003c\/p\u003e\n\u003cp data-start=\"1450\" data-end=\"1728\"\u003eThe scalloped pentagon plates introduce a rare geometric profile, while the round dinnerware maintains soft curves and classic English proportions. The hollowware — teacup, creamer, and sugar bowl — continues the same pattern alignment for a perfectly matched, decorative suite.\u003c\/p\u003e\n\u003cp data-start=\"1730\" data-end=\"1993\"\u003eProduction for Powder Border aligns with \u003cstrong data-start=\"1771\" data-end=\"1810\"\u003e1950s–1960s Johnson Brothers output\u003c\/strong\u003e, during a period when the company balanced traditional English shapes with modern, textured banding trends. The powder-green crackle motif is one of their more collectible colorways.\u003c\/p\u003e\n\u003chr data-start=\"1995\" data-end=\"1998\"\u003e\n\u003ch1 data-start=\"2000\" data-end=\"2046\"\u003e\u003cstrong data-start=\"2002\" data-end=\"2044\"\u003eIncluded Pieces (Verified Piece Names)\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2047\" data-end=\"2538\"\u003e\u003cstrong data-start=\"2047\" data-end=\"2078\"\u003e• 5 Dinner Plates (10 1\/8\")\u003c\/strong\u003e\u003cbr data-start=\"2078\" data-end=\"2081\"\u003e\u003cstrong data-start=\"2081\" data-end=\"2111\"\u003e• 3 Salad \/ Dessert Plates\u003c\/strong\u003e (exact identification depends on size; typically 7–8\")\u003cbr data-start=\"2166\" data-end=\"2169\"\u003e\u003cstrong data-start=\"2169\" data-end=\"2215\"\u003e• 4 Square\/Scalloped Salad Plates (7 5\/8\")\u003c\/strong\u003e – the signature geometric pieces\u003cbr data-start=\"2248\" data-end=\"2251\"\u003e\u003cstrong data-start=\"2251\" data-end=\"2297\"\u003e• 7 Fruit \/ Dessert Bowls (approx. 5 1\/4\")\u003c\/strong\u003e – low, shallow bowls with matching rims\u003cbr data-start=\"2337\" data-end=\"2340\"\u003e\u003cstrong data-start=\"2340\" data-end=\"2369\"\u003e• 2 Oval Serving Platters\u003c\/strong\u003e (one medium, one large)\u003cbr data-start=\"2393\" data-end=\"2396\"\u003e\u003cstrong data-start=\"2396\" data-end=\"2421\"\u003e• 1 Flat Cup (teacup)\u003c\/strong\u003e\u003cbr data-start=\"2421\" data-end=\"2424\"\u003e\u003cstrong data-start=\"2424\" data-end=\"2439\"\u003e• 1 Creamer\u003c\/strong\u003e\u003cbr data-start=\"2439\" data-end=\"2442\"\u003e\u003cstrong data-start=\"2442\" data-end=\"2469\"\u003e• 1 Sugar Bowl (no lid)\u003c\/strong\u003e\u003cbr data-start=\"2469\" data-end=\"2472\"\u003e\u003cstrong data-start=\"2472\" data-end=\"2501\"\u003e• 1 Teapot or Serving Pot\u003c\/strong\u003e (patterned with matching green band)\u003c\/p\u003e\n\u003cp data-start=\"2540\" data-end=\"2624\"\u003e\u003cem data-start=\"2540\" data-end=\"2624\"\u003eAll pieces feature the same Powder Border crackle band and scalloped white edging.\u003c\/em\u003e\u003c\/p\u003e\n\u003chr data-start=\"2626\" data-end=\"2629\"\u003e\n\u003ch1 data-start=\"2631\" data-end=\"2664\"\u003e\u003cstrong data-start=\"2633\" data-end=\"2662\"\u003eDate \u0026amp; Historical Context\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2665\" data-end=\"3005\"\u003eThe \u003cstrong data-start=\"2669\" data-end=\"2686\"\u003ePowder Border\u003c\/strong\u003e line was produced in \u003cstrong data-start=\"2708\" data-end=\"2736\"\u003emid-20th-century England\u003c\/strong\u003e, when Johnson Brothers was at peak popularity for durable, stylish earthenware exported globally. The powder-green banding reflects post-war British trends toward fresh, color-blocked dinner services — a shift away from florals and toward more modern, textured motifs.\u003c\/p\u003e\n\u003cp data-start=\"3007\" data-end=\"3201\"\u003eThe scalloped pentagon plates are especially notable: they represent the era’s experimental move into non-round table forms and are highly desirable today among collectors and interior stylists.\u003c\/p\u003e\n\u003chr data-start=\"3203\" data-end=\"3206\"\u003e\n\u003ch1 data-start=\"3208\" data-end=\"3225\"\u003e\u003cstrong data-start=\"3210\" data-end=\"3223\"\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3226\" data-end=\"3511\"\u003eThe set is in impressive vintage condition with consistent coloration and pattern continuity across all pieces. Expected light wear to gilt trim or faint utensil marks may be present but does not detract from the decorative appeal. The surfaces remain glossy, clean, and display-ready.\u003c\/p\u003e\n\u003cp data-start=\"3513\" data-end=\"3632\"\u003eThe visual cohesion of this set — especially with the geometric plates intact — is exceptional for its age and pattern.\u003c\/p\u003e\n\u003chr data-start=\"3634\" data-end=\"3637\"\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42698480451689,"sku":null,"price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/johnson_brothers_powder_border_green_white_mid-century_dinnerware_set_scalloped_plates_bowls_serving_pieces_england_1950s60s764581524285734314601955433.jpg?v=1773813217"},{"product_id":"mid-century-laurel-of-california-turquoise-speckle-plates-pair-of-vintage-1950s-stoneware-dinner-plates","title":"Mid-Century Laurel of California Turquoise Speckle Plates | Pair of 1950s Stoneware Dinner Plates","description":"\u003ch2\u003e\u003cstrong\u003eThe Plates\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eA striking pair of \u003cstrong\u003emid-century turquoise speckle dinner plates by Laurel of California\u003c\/strong\u003e, produced at the height of the California pottery movement in the 1950s. These plates embody everything that made West Coast ceramics so influential: relaxed elegance, organic surfaces, and a modernism that never felt cold.\u003c\/p\u003e\n\u003cp\u003eThe glaze is an airy aqua-turquoise, scattered with fine iron speckling that reads almost like stone dust suspended in color. Each plate feels alive in the light. Subtle tonal shifts and natural variation give the surface depth, while the restrained form keeps the overall look clean and architectural.\u003c\/p\u003e\n\u003cp\u003eThey are minimal without being stark. Expressive without being loud. Pure mid-century California.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eHand-glazed stoneware with a smooth satin finish, these plates were designed for everyday use but elevated through material and proportion.\u003c\/p\u003e\n\u003cp\u003e→ Hand-applied turquoise glaze with natural iron speckling\u003cbr\u003e→ Soft, modernist profile with gently rounded rim\u003cbr\u003e→ Low, sculptural form typical of 1950s California studios\u003cbr\u003e→ Impressed underside rings and original studio stamp\u003cbr\u003e→ Marked: \u003cem\u003e“Laurel of California – USA – 6054”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThey have the reassuring weight and durability that made California stoneware so popular for casual entertaining and indoor–outdoor living.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eDate \u0026amp; Historical Context\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eProduced \u003cstrong\u003ecirca 1953–1959\u003c\/strong\u003e, these plates come from the golden era of California pottery, when independent studios were redefining American tableware. Influenced by Scandinavian design, coastal palettes, and post-war optimism, this style rejected formality in favor of ease and authenticity.\u003c\/p\u003e\n\u003cp\u003eTurquoise speckle glazes like this became iconic, often paired with blond wood, clean-lined furniture, and sunlit interiors. It’s a color story that still feels fresh decades later.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eExcellent mid-century condition.\u003c\/p\u003e\n\u003cp\u003e→ No chips, cracks, or glaze loss\u003cbr\u003e→ Even, vibrant coloration across both plates\u003cbr\u003e→ Light, expected signs of age only\u003cbr\u003e→ Crisp forms with beautifully preserved surfaces\u003c\/p\u003e\n\u003cp\u003eThese have been well cared for and present exceptionally well.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eBecause this pair instantly sets a tone.\u003c\/p\u003e\n\u003cp\u003eThey bring color without overpowering a space. Texture without clutter. History without heaviness. Whether stacked on open shelving, styled on a dining table, or layered into a mid-century vignette, they communicate taste with zero effort.\u003c\/p\u003e\n\u003cp\u003eThese are plates that make a room feel lived-in and intentional at the same time. The kind of objects that quietly anchor a space and make everything around them look better.\u003c\/p\u003e\n\u003cp\u003eThey don’t chase trends.\u003cbr\u003eThey \u003cem\u003eare\u003c\/em\u003e the reference.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42700228132969,"sku":null,"price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/mid-century_laurel_of_california_turquoise_speckle_plates_pair_of_1950s_stoneware_dinner_plates764649953700134521877577833.jpg?v=1773813237"},{"product_id":"antique-doulton-watteau-flow-blue-plate-c-1890-1902-victorian-transferware","title":"Antique Doulton Watteau Flow Blue Plate c.1890–1902 | Victorian Transferware","description":"\u003ch1 data-start=\"527\" data-end=\"542\"\u003e\u003cstrong data-start=\"529\" data-end=\"542\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"544\" data-end=\"1060\"\u003eA beautifully preserved \u003cstrong data-start=\"568\" data-end=\"602\"\u003elate Victorian flow-blue plate\u003c\/strong\u003e from \u003cstrong data-start=\"608\" data-end=\"619\"\u003eDoulton\u003c\/strong\u003e, featuring the classic \u003cstrong data-start=\"643\" data-end=\"656\"\u003e“Watteau”\u003c\/strong\u003e pattern—one of the company’s most beloved pastoral scenes inspired by 18th-century French romanticism. Rich cobalt blue washes gracefully into the white glaze, creating the signature smoky “flow” effect collectors prize. The rim is wrapped in an elaborate baroque border of scrolls, shells, foliage, and lace-like motifs, framing the central tableau of finely dressed figures in a lush wooded landscape.\u003c\/p\u003e\n\u003cp data-start=\"1062\" data-end=\"1452\"\u003eThis plate exemplifies the height of \u003cstrong data-start=\"1099\" data-end=\"1133\"\u003eEnglish flow-blue transferware\u003c\/strong\u003e, where cobalt pigments were intentionally encouraged to feather and blur during firing, resulting in a dreamy, painterly effect unique to the late 19th century. With its strong color saturation, crisp transfer lines, and clean glaze, it stands as both a decorative object and an artifact of Victorian ceramic artistry.\u003c\/p\u003e\n\u003cp data-start=\"1454\" data-end=\"1605\"\u003eDisplayed on a wall, cabinet, gallery shelf, or integrated into a curated tabletop vignette, it brings history, romance, and a timeless European charm.\u003c\/p\u003e\n\u003chr data-start=\"1607\" data-end=\"1610\"\u003e\n\u003ch1 data-start=\"1612\" data-end=\"1639\"\u003e\u003cstrong data-start=\"1614\" data-end=\"1639\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3 data-start=\"1641\" data-end=\"1663\"\u003e\u003cstrong data-start=\"1645\" data-end=\"1663\"\u003e→ Form \u0026amp; Style\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1665\" data-end=\"1716\"\u003eClassic Victorian transferware styling, defined by:\u003c\/p\u003e\n\u003cp data-start=\"1718\" data-end=\"2007\"\u003e• Deep cobalt “flow” wash characteristic of late 19th-century firing\u003cbr data-start=\"1786\" data-end=\"1789\"\u003e• Ornate scalloped floral and rococo border design\u003cbr data-start=\"1839\" data-end=\"1842\"\u003e• Central pastoral scene inspired by Jean-Antoine Watteau\u003cbr data-start=\"1899\" data-end=\"1902\"\u003e• Gently rounded well with raised rim\u003cbr data-start=\"1939\" data-end=\"1942\"\u003e• Thick earthenware body with traditional Victorian proportions\u003c\/p\u003e\n\u003cp data-start=\"2009\" data-end=\"2127\"\u003eThe plate blends the romanticism of French pastoral art with the high ornamentation of English baroque revival design.\u003c\/p\u003e\n\u003chr data-start=\"2129\" data-end=\"2132\"\u003e\n\u003ch3 data-start=\"2134\" data-end=\"2153\"\u003e\u003cstrong data-start=\"2138\" data-end=\"2153\"\u003e→ Materials\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2155\" data-end=\"2335\"\u003e• English earthenware ceramic body\u003cbr data-start=\"2189\" data-end=\"2192\"\u003e• Cobalt-oxide transfer printing\u003cbr data-start=\"2224\" data-end=\"2227\"\u003e• Clear overglaze fired to a glossy Victorian finish\u003cbr data-start=\"2279\" data-end=\"2282\"\u003e• Factory hallmark stamped in cobalt on the reverse\u003c\/p\u003e\n\u003cp data-start=\"2337\" data-end=\"2428\"\u003eMade before mass-standardization, each plate retains slight variations of flow and pigment.\u003c\/p\u003e\n\u003chr data-start=\"2430\" data-end=\"2433\"\u003e\n\u003ch3 data-start=\"2435\" data-end=\"2454\"\u003e\u003cstrong data-start=\"2439\" data-end=\"2454\"\u003e→ Technique\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2456\" data-end=\"2766\"\u003e• Transferware print applied from an engraved copper plate\u003cbr data-start=\"2514\" data-end=\"2517\"\u003e• Cobalt pigment allowed to “flow” during kiln firing\u003cbr data-start=\"2570\" data-end=\"2573\"\u003e• Ornamental border printed separately from the central scene\u003cbr data-start=\"2634\" data-end=\"2637\"\u003e• Glaze hand-finished and fired at high temperature\u003cbr data-start=\"2688\" data-end=\"2691\"\u003e• Makers mark “Watteau \/ Doulton \/ Burslem England” applied in underglaze\u003c\/p\u003e\n\u003cp data-start=\"2768\" data-end=\"2891\"\u003eThis combination of transfer technique and glowing cobalt flow makes the pattern one of Doulton’s most atmospheric designs.\u003c\/p\u003e\n\u003chr data-start=\"2893\" data-end=\"2896\"\u003e\n\u003ch1 data-start=\"2898\" data-end=\"2924\"\u003e\u003cstrong data-start=\"2900\" data-end=\"2924\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2926\" data-end=\"3202\"\u003eProduced in \u003cstrong data-start=\"2938\" data-end=\"2958\"\u003eBurslem, England\u003c\/strong\u003e between \u003cstrong data-start=\"2967\" data-end=\"2984\"\u003e1890 and 1902\u003c\/strong\u003e, this plate was part of Doulton’s popular “Watteau” line. Before receiving its Royal Warrant in 1902, the company used the \u003cstrong data-start=\"3108\" data-end=\"3127\"\u003eDoulton Burslem\u003c\/strong\u003e mark—making this example \u003cstrong data-start=\"3153\" data-end=\"3174\"\u003epre-Royal Doulton\u003c\/strong\u003e and especially collectible.\u003c\/p\u003e\n\u003cp data-start=\"3204\" data-end=\"3457\"\u003eFlow-blue ware was exported heavily to America, where its romantic blue haze became a staple of Victorian parlors and dining rooms. Because the technique was costly and difficult to control, high-quality examples like this have become increasingly rare.\u003c\/p\u003e\n\u003cp data-start=\"3459\" data-end=\"3481\"\u003eIts hallmark confirms:\u003c\/p\u003e\n\u003cp data-start=\"3483\" data-end=\"3618\"\u003e• \u003cstrong data-start=\"3485\" data-end=\"3495\"\u003eMaker:\u003c\/strong\u003e Doulton (pre-Royal Doulton)\u003cbr data-start=\"3523\" data-end=\"3526\"\u003e• \u003cstrong data-start=\"3528\" data-end=\"3540\"\u003ePattern:\u003c\/strong\u003e Watteau\u003cbr data-start=\"3548\" data-end=\"3551\"\u003e• \u003cstrong data-start=\"3553\" data-end=\"3564\"\u003eOrigin:\u003c\/strong\u003e Burslem, Staffordshire\u003cbr data-start=\"3587\" data-end=\"3590\"\u003e• \u003cstrong data-start=\"3592\" data-end=\"3603\"\u003ePeriod:\u003c\/strong\u003e c. 1890–1902\u003c\/p\u003e\n\u003cp data-start=\"3620\" data-end=\"3746\"\u003eToday, these plates are prized both by transferware collectors and by designers seeking authentic Victorian decorative pieces.\u003c\/p\u003e\n\u003chr data-start=\"3748\" data-end=\"3751\"\u003e\n\u003ch1 data-start=\"3753\" data-end=\"3768\"\u003e\u003cstrong data-start=\"3755\" data-end=\"3768\"\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3770\" data-end=\"3803\"\u003eExcellent antique condition with:\u003c\/p\u003e\n\u003cp data-start=\"3805\" data-end=\"4012\"\u003e• Strong cobalt flow\u003cbr data-start=\"3825\" data-end=\"3828\"\u003e• Crisp hallmark\u003cbr data-start=\"3844\" data-end=\"3847\"\u003e• Clean glaze with mild age-expected crazing\u003cbr data-start=\"3891\" data-end=\"3894\"\u003e• No cracks; one small edge flake (typical for plates 120+ years old)\u003cbr data-start=\"3963\" data-end=\"3966\"\u003e• Pattern remains vivid and deeply saturated\u003c\/p\u003e\n\u003cp data-start=\"4014\" data-end=\"4090\"\u003eA well-preserved and display-ready example of authentic Victorian flow-blue.\u003c\/p\u003e\n\u003chr data-start=\"4092\" data-end=\"4095\"\u003e\n\u003ch1 data-start=\"4097\" data-end=\"4118\"\u003e\u003cstrong data-start=\"4099\" data-end=\"4118\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"4120\" data-end=\"4545\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"4120\" data-end=\"4155\"\u003e\n\u003ctr data-start=\"4120\" data-end=\"4155\"\u003e\n\u003cth data-start=\"4120\" data-end=\"4136\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4122\" data-end=\"4135\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"4136\" data-end=\"4155\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"4138\" data-end=\"4153\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"4191\" data-end=\"4545\"\u003e\n\u003ctr data-start=\"4191\" data-end=\"4239\"\u003e\n\u003ctd data-start=\"4191\" data-end=\"4202\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4193\" data-end=\"4201\"\u003eItem\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4202\" data-end=\"4239\"\u003eDoulton “Watteau” Flow Blue Plate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4240\" data-end=\"4287\"\u003e\n\u003ctd data-start=\"4240\" data-end=\"4251\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4242\" data-end=\"4250\"\u003eDate\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4251\" data-end=\"4287\"\u003ec. 1890–1902 (pre-Royal Doulton)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4288\" data-end=\"4351\"\u003e\n\u003ctd data-start=\"4288\" data-end=\"4303\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4290\" data-end=\"4302\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4303\" data-end=\"4351\"\u003eEarthenware ceramic with cobalt transferware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4352\" data-end=\"4400\"\u003e\n\u003ctd data-start=\"4352\" data-end=\"4364\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4354\" data-end=\"4363\"\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4364\" data-end=\"4400\"\u003eVictorian \/ Romantic \/ Flow Blue\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4401\" data-end=\"4438\"\u003e\n\u003ctd data-start=\"4401\" data-end=\"4417\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4403\" data-end=\"4416\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4417\" data-end=\"4438\"\u003eExcellent antique\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4439\" data-end=\"4479\"\u003e\n\u003ctd data-start=\"4439\" data-end=\"4451\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4441\" data-end=\"4450\"\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4451\" data-end=\"4479\"\u003eDeep cobalt, white glaze\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4480\" data-end=\"4545\"\u003e\n\u003ctd data-start=\"4480\" data-end=\"4490\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4482\" data-end=\"4489\"\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4490\" data-end=\"4545\"\u003eDisplay plate, wall décor, collector’s transferware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"4547\" data-end=\"4550\"\u003e\n\u003ch1 data-start=\"4552\" data-end=\"4585\"\u003e\u003cstrong data-start=\"4554\" data-end=\"4585\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"4587\" data-end=\"4925\"\u003eThis piece brings an immediate sense of heritage and European romance. Its deep cobalt blue, soft flowing edges, and pastoral narrative create visual richness that complements traditional, cottagecore, antique, or eclectic interiors. Whether styled on a kitchen shelf, gallery wall, or placed as a statement in a china cabinet, it offers:\u003c\/p\u003e\n\u003cp data-start=\"4927\" data-end=\"5112\"\u003e→ authentic Victorian English craftsmanship\u003cbr data-start=\"4970\" data-end=\"4973\"\u003e→ collectible pre-Royal Doulton history\u003cbr data-start=\"5012\" data-end=\"5015\"\u003e→ dramatic cobalt flow-blue coloration\u003cbr data-start=\"5053\" data-end=\"5056\"\u003e→ ornate boundary design and romantic pictorial center\u003c\/p\u003e\n\u003cp data-start=\"5114\" data-end=\"5176\"\u003eAn heirloom piece with character, artistry, and lasting charm.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42713176670313,"sku":null,"price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/antique_doulton_watteau_flow_blue_plate_c.18901902_victorian_transferware764967026698534361640058985.jpg?v=1773813305"},{"product_id":"anchor-hocking-pressed-glass-rose-bowl-c-1930s-1950s-leaf-petal-swirl-pattern-clear-sculptural-glass","title":"Anchor Hocking Pressed-Glass Rose Bowl (c. 1930s–1950s) — Leaf \u0026 Petal Swirl Pattern, Clear Sculptural Glass","description":"\u003ch1\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eA sculptural pressed-glass rose bowl attributed to \u003cstrong\u003eAnchor Hocking\u003c\/strong\u003e, crafted in a dramatic swirl of leaf-and-petal molding that catches light in shifting facets. The body forms a rounded, weighty silhouette, its surface alive with movement—deep ridges, curving channels, and petal-like folds that give the glass a sense of organic rhythm. The recessed top opening was originally designed to support a floral frog insert or short-stem arrangements, though the form now reads as a purely sculptural object as much as a functional vessel.\u003c\/p\u003e\n\u003cp\u003eThick, clear, and beautifully refractive, the glass carries the hallmarks of mid-century American domestic design at its best: ornamental, durable, and made to sparkle. Whether styled on a vanity, console, mantel, or arranged within a curated vignette, it offers a crystalline presence that enriches both traditional and modern interiors.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3\u003e→ \u003cstrong\u003eForm \u0026amp; Style\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eAuthentic mid-century American pressed glass, defined by:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eA rounded rose-bowl silhouette\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDeeply molded leaf and petal relief\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eScalloped, organic movement along the outer wall\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRecessed top opening for floral arranging\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWeighty, light-refracting construction\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt blends the decorative charm of Depression-era pattern glass with the sturdiness and clarity of 1940s–1950s American household wares.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e→ \u003cstrong\u003eMaterials\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eClear pressed soda-lime glass\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMulti-part mould construction\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMolded signature \u003cstrong\u003e“Anchor”\u003c\/strong\u003e (Anchor Hocking) on the base\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThick glass walls for enhanced refraction\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe clarity and weight speak to the quality typical of Anchor Hocking’s mid-century production—glassware designed to be both practical and ornamental.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e→ \u003cstrong\u003eTechnique\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eGlass pressed into a deeply engraved mould to create dimensional relief\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRim and opening fire-polished for smoothness\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBase marked with molded \u003cem\u003eAnchor\u003c\/em\u003e script—now lightly worn with age\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePatterned sides formed in multi-part moulds to achieve high-relief sculpting\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePressed glass allowed American manufacturers to democratize the look of cut crystal, making decorative glass accessible without sacrificing tactile beauty.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eDating to \u003cstrong\u003ec. 1930s–1950s\u003c\/strong\u003e, this bowl reflects the height of American pressed-glass production. Companies like \u003cstrong\u003eAnchor Hocking\u003c\/strong\u003e defined the mid-century look, creating pieces for vanities, dining tables, and living-room console sets. Rose bowls and frog bowls like this one were everyday luxuries—ornamental yet affordable, designed to bring sparkle and artistry into the home.\u003c\/p\u003e\n\u003cp\u003ePatterns resembling stylized leaves and petals were especially popular during this era, echoing late Art Deco organic motifs and the postwar desire for cheerful decorative objects.\u003c\/p\u003e\n\u003cp\u003eToday, these bowls are appreciated for their sculptural quality and for the nostalgic glamour they bring to modern interiors.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eExcellent vintage condition with:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eCrisp molded patterning\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClear, luminous glass\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNo chips or cracks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExpected age-related wear to the base (normal for mid-century pressed glass)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStable footing and clean rim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA well-preserved example of early- to mid-century American pressed glass.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003e\u003cstrong\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eItem\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePressed-Glass Rose Bowl \/ Floral Frog Bowl\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eManufacturer\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAnchor Hocking (marked “Anchor”)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ec. 1930s–1950s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClear pressed soda-lime glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUnited States\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDepression-Era to Mid-Century Organic Pressed Glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExcellent vintage\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClear glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFloral bowl, vanity accessory, console accent, sculptural décor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eThis bowl brings texture, clarity, and movement to any room. Its swirling petal-like form plays beautifully with natural and artificial light, creating subtle reflections and highlights. The piece feels simultaneously vintage and timeless—an object that adds character without overpowering a space.\u003c\/p\u003e\n\u003cp\u003eStyled alone, it reads as a sculptural glass form. Paired with flowers, it transforms into a dimensional centerpiece. In a curated interior, it offers:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eshimmering light play\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eorganic, leaf-like geometry\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ea nod to American mid-century craftsmanship\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ea versatile size suitable for vanities, consoles, or shelves\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ethe charm of an object made in a pre-plastic era, meant to last\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt’s a small glass sculpture with functional history and enduring decorative appeal.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42713397133417,"sku":null,"price":59.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/anchor_hocking_pressed-glass_rose_bowl_c._1930s1950s_leaf_petal_swirl_pattern_clear_sculptural_glass764968714250534361897746537.jpg?v=1773813323"},{"product_id":"the-lost-son-rembrandt-collector-plate-wood-sons-staffordshire-c-1950s","title":"“The Lost Son” Rembrandt Collector Plate — Wood \u0026 Sons Staffordshire, c. 1950s “The Lost Son” Rembrandt Art Plate — Wood \u0026 Sons Staffordshire, c.1950s | Rococo Relief Collector Piece","description":"\u003ch2 data-end=\"222\" data-start=\"208\"\u003eThe Piece\u003c\/h2\u003e\n\u003cp data-end=\"433\" data-start=\"224\"\u003eA crisply glazed \u003cstrong data-end=\"280\" data-start=\"241\"\u003ewhite Staffordshire collector plate\u003c\/strong\u003e featuring an embossed baroque rim and a rich, sepia-toned reproduction of Rembrandt’s \u003cem data-end=\"399\" data-start=\"367\"\u003eThe Prodigal Son in the Tavern\u003c\/em\u003e—here titled \u003cstrong data-end=\"431\" data-start=\"412\"\u003e“The Lost Son.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"857\" data-start=\"435\"\u003eIn the center, Rembrandt and his wife Saskia appear as the prodigal son and his companion: he raises a glass toward the viewer, wrapped in a feathered hat and striped sleeve, while she leans in beside him. The image is a transfer print of Rembrandt’s 1630s painting \u003cem data-end=\"770\" data-start=\"701\"\u003eRembrandt and Saskia in the Scene of the Prodigal Son in the Tavern\u003c\/em\u003e, now in the Gemäldegalerie in Dresden, Germany.\u003cspan data-state=\"closed\" class=\"\"\u003e\u003cspan data-testid=\"webpage-citation-pill\" class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1055\" data-start=\"859\"\u003eAround this dark, glowing scene, the plate’s wide rim is molded with scrolling acanthus, florals, and beadwork—crisp white relief that frames the image like plasterwork in a small, portable salon.\u003c\/p\u003e\n\u003cp data-end=\"1079\" data-start=\"1057\"\u003eThe backstamp reads:\u003c\/p\u003e\n\u003cblockquote data-end=\"1207\" data-start=\"1081\"\u003e\n\u003cp data-end=\"1207\" data-start=\"1083\"\u003e“\u003cem data-end=\"1098\" data-start=\"1084\"\u003eThe Lost Son\u003c\/em\u003e\u003cbr data-end=\"1101\" data-start=\"1098\"\u003eREMBRANDT 1606–1669\u003cbr data-end=\"1125\" data-start=\"1122\"\u003eProduced in Staffordshire England\u003cbr data-end=\"1163\" data-start=\"1160\"\u003eWOOD \u0026amp; SONS\u003cbr data-end=\"1179\" data-start=\"1176\"\u003e\u003cem data-end=\"1204\" data-start=\"1181\"\u003ePotters for 200 years\u003c\/em\u003e”\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp data-end=\"1272\" data-start=\"1209\"\u003emarking it as part of Wood \u0026amp; Sons’ mid-20th-century art series.\u003c\/p\u003e\n\u003chr data-end=\"1277\" data-start=\"1274\"\u003e\n\u003ch2 data-end=\"1305\" data-start=\"1279\"\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003ch3 data-end=\"1327\" data-start=\"1307\"\u003e→ Form \u0026amp; Style\u003c\/h3\u003e\n\u003cul data-end=\"1672\" data-start=\"1329\"\u003e\n\u003cli data-end=\"1368\" data-start=\"1329\"\u003e\n\u003cp data-end=\"1368\" data-start=\"1331\"\u003e\u003cstrong data-end=\"1344\" data-start=\"1331\"\u003eDiameter:\u003c\/strong\u003e approx. 10\" (25.5 cm)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1429\" data-start=\"1369\"\u003e\n\u003cp data-end=\"1429\" data-start=\"1371\"\u003eDeep central well with glossy, full-color transfer print\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1505\" data-start=\"1430\"\u003e\n\u003cp data-end=\"1505\" data-start=\"1432\"\u003eWide, scalloped rim with \u003cstrong data-end=\"1485\" data-start=\"1457\"\u003eraised rococo scrollwork\u003c\/strong\u003e and floral motifs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1580\" data-start=\"1506\"\u003e\n\u003cp data-end=\"1580\" data-start=\"1508\"\u003eClean white glaze that sets off the dark, golden-brown Rembrandt image\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1672\" data-start=\"1581\"\u003e\n\u003cp data-end=\"1672\" data-start=\"1583\"\u003eDesigned as a \u003cstrong data-end=\"1621\" data-start=\"1597\"\u003ecabinet \/ wall plate\u003c\/strong\u003e, equally at home on a stand or in a plate hanger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"1815\" data-start=\"1674\"\u003eThe contrast between the restrained white rim and the dramatic baroque painting gives the plate a strong, gallery-like presence for its size.\u003c\/p\u003e\n\u003chr data-end=\"1820\" data-start=\"1817\"\u003e\n\u003ch3 data-end=\"1839\" data-start=\"1822\"\u003e→ Materials\u003c\/h3\u003e\n\u003cul data-end=\"2056\" data-start=\"1841\"\u003e\n\u003cli data-end=\"1908\" data-start=\"1841\"\u003e\n\u003cp data-end=\"1908\" data-start=\"1843\"\u003eFine English earthenware \/ porcelain (typical Wood \u0026amp; Sons body)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1975\" data-start=\"1909\"\u003e\n\u003cp data-end=\"1975\" data-start=\"1911\"\u003eUnder-glaze or on-glaze transfer print of Rembrandt’s painting\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2020\" data-start=\"1976\"\u003e\n\u003cp data-end=\"2020\" data-start=\"1978\"\u003eClear overglaze for protection and gloss\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2056\" data-start=\"2021\"\u003e\n\u003cp data-end=\"2056\" data-start=\"2023\"\u003eFactory backstamp in dark brown\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2278\" data-start=\"2058\"\u003eWood \u0026amp; Sons of Burslem, Staffordshire, operated from the mid-19th century into the late 20th century and frequently used high-quality transfer printing on tablewares and art plates\u003c\/p\u003e\n\u003chr data-end=\"2283\" data-start=\"2280\"\u003e\n\u003ch2 data-end=\"2310\" data-start=\"2285\"\u003eHistory \u0026amp; Provenance\u003c\/h2\u003e\n\u003cp data-end=\"2506\" data-start=\"2312\"\u003e\u003cstrong data-end=\"2327\" data-start=\"2312\"\u003eWood \u0026amp; Sons\u003c\/strong\u003e was a long-running Staffordshire pottery, part of the larger Wood family dynasty whose roots in the region stretch back over two centuries.\u003cspan data-state=\"closed\" class=\"\"\u003e\u003cspan data-testid=\"webpage-citation-pill\" class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"2884\" data-start=\"2508\"\u003eThe phrase \u003cstrong data-end=\"2546\" data-start=\"2519\"\u003e“Potters for 200 years”\u003c\/strong\u003e appears on Wood \u0026amp; Sons marks starting around the 1950s, referencing the broader Wood family heritage rather than the single firm.This places your plate in the \u003cstrong data-end=\"2764\" data-start=\"2744\"\u003emid-20th century\u003c\/strong\u003e, c. 1950s–60s, when Staffordshire potteries produced art plates celebrating Old Master paintings for the post-war home.\u003c\/p\u003e\n\u003cp data-end=\"3372\" data-start=\"2886\"\u003eThe central image is after Rembrandt’s work usually titled \u003cstrong data-end=\"2981\" data-start=\"2945\"\u003e“The Prodigal Son in the Tavern”\u003c\/strong\u003e or \u003cstrong data-end=\"3059\" data-start=\"2985\"\u003e“Rembrandt and Saskia in the Scene of the Prodigal Son in the Tavern,”\u003c\/strong\u003e painted around 1635 and held in Dresden’s Gemäldegalerie.\u003cspan data-state=\"closed\" class=\"\"\u003e\u003cspan data-testid=\"webpage-citation-pill\" class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\"\u003e\u003ca class=\"flex h-4.5 overflow-hidden rounded-xl px-2 text-[9px] font-medium transition-colors duration-150 ease-in-out text-token-text-secondary! bg-[#F4F4F4]! dark:bg-[#303030]!\" alt=\"https:\/\/en.wikipedia.org\/wiki\/The_Prodigal_Son_in_the_Brothel?utm_source=chatgpt.com\" rel=\"noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/The_Prodigal_Son_in_the_Brothel?utm_source=chatgpt.com\" target=\"_blank\"\u003e\u003cspan class=\"relative start-0 bottom-0 flex h-full w-full items-center\"\u003e\u003cspan class=\"flex h-4 w-full items-center justify-between\"\u003e\u003cspan class=\"max-w-[15ch] grow truncate overflow-hidden text-center\"\u003eWikipedia\u003c\/span\u003e\u003cspan class=\"-me-1 flex h-full items-center rounded-full px-1 text-[#8F8F8F]\"\u003e+1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e The biblical parable of the lost son (Luke 15) was a favorite theme of Rembrandt’s, and this self-portrait with Saskia as a tavern revel depicts the reckless, indulgent phase of the story before repentance and return.\u003c\/p\u003e\n\u003cp data-end=\"3551\" data-start=\"3374\"\u003eWood \u0026amp; Sons issued several Rembrandt plates (e.g., \u003cem data-end=\"3442\" data-start=\"3425\"\u003eThe Night Watch\u003c\/em\u003e) in the same format, making this part of a small, collectible series.\u003cspan data-state=\"closed\" class=\"\"\u003e\u003cspan data-testid=\"webpage-citation-pill\" class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\"\u003e\u003ca class=\"flex h-4.5 overflow-hidden rounded-xl px-2 text-[9px] font-medium transition-colors duration-150 ease-in-out text-token-text-secondary! bg-[#F4F4F4]! dark:bg-[#303030]!\" alt=\"https:\/\/www.wga.hu\/html_m\/r\/rembrand\/41misc\/06misc.html?utm_source=chatgpt.com\" rel=\"noopener\" href=\"https:\/\/www.wga.hu\/html_m\/r\/rembrand\/41misc\/06misc.html?utm_source=chatgpt.com\" target=\"_blank\"\u003e\u003cspan class=\"relative start-0 bottom-0 flex h-full w-full items-center\"\u003e\u003cspan class=\"flex h-4 w-full items-center justify-between\"\u003e\u003cspan class=\"max-w-[15ch] grow truncate overflow-hidden text-center\"\u003eWGA\u003c\/span\u003e\u003cspan class=\"-me-1 flex h-full items-center rounded-full px-1 text-[#8F8F8F]\"\u003e+1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr data-end=\"3556\" data-start=\"3553\"\u003e\n\u003ch2 data-end=\"3572\" data-start=\"3558\"\u003eCondition\u003c\/h2\u003e\n\u003cp data-end=\"3646\" data-start=\"3574\"\u003eFrom your photos, the plate presents in \u003cstrong data-end=\"3645\" data-start=\"3614\"\u003eexcellent vintage condition\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul data-end=\"3873\" data-start=\"3648\"\u003e\n\u003cli data-end=\"3690\" data-start=\"3648\"\u003e\n\u003cp data-end=\"3690\" data-start=\"3650\"\u003eNo visible chips, cracks, or hairlines\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3783\" data-start=\"3691\"\u003e\n\u003cp data-end=\"3783\" data-start=\"3693\"\u003eGlaze retains strong gloss; minor utensil or surface marks only on very close inspection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3835\" data-start=\"3784\"\u003e\n\u003cp data-end=\"3835\" data-start=\"3786\"\u003eTransfer image remains clear and richly colored\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"3873\" data-start=\"3836\"\u003e\n\u003cp data-end=\"3873\" data-start=\"3838\"\u003eBackstamp crisp and fully legible\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"3910\" data-start=\"3875\"\u003eDisplay-ready on a stand or hanger.\u003c\/p\u003e\n\u003chr data-end=\"3915\" data-start=\"3912\"\u003e\n\u003ch2 data-end=\"3937\" data-start=\"3917\"\u003eProduct Details\u003c\/h2\u003e\n\u003cul data-end=\"4411\" data-start=\"3939\"\u003e\n\u003cli data-end=\"3993\" data-start=\"3939\"\u003e\n\u003cp data-end=\"3993\" data-start=\"3941\"\u003e\u003cstrong data-end=\"3950\" data-start=\"3941\"\u003eItem:\u003c\/strong\u003e “The Lost Son” Rembrandt Collector Plate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4053\" data-start=\"3994\"\u003e\n\u003cp data-end=\"4053\" data-start=\"3996\"\u003e\u003cstrong data-end=\"4006\" data-start=\"3996\"\u003eMaker:\u003c\/strong\u003e Wood \u0026amp; Sons, Burslem, Staffordshire, England\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4159\" data-start=\"4054\"\u003e\n\u003cp data-end=\"4159\" data-start=\"4056\"\u003e\u003cstrong data-end=\"4065\" data-start=\"4056\"\u003eDate:\u003c\/strong\u003e c. 1950s–1960s (based on “Potters for 200 years” mark)\u003cspan data-state=\"closed\" class=\"\"\u003e\u003cspan data-testid=\"webpage-citation-pill\" class=\"ms-1 inline-flex max-w-full items-center relative top-[-0.094rem] animate-[show_150ms_ease-in]\"\u003e\u003ca class=\"flex h-4.5 overflow-hidden rounded-xl px-2 text-[9px] font-medium transition-colors duration-150 ease-in-out text-token-text-secondary! bg-[#F4F4F4]! dark:bg-[#303030]!\" alt=\"https:\/\/www.wga.hu\/html_m\/r\/rembrand\/41misc\/06misc.html?utm_source=chatgpt.com\" rel=\"noopener\" href=\"https:\/\/www.wga.hu\/html_m\/r\/rembrand\/41misc\/06misc.html?utm_source=chatgpt.com\" target=\"_blank\"\u003e\u003cspan class=\"relative start-0 bottom-0 flex h-full w-full items-center\"\u003e\u003cspan class=\"flex h-4 w-full items-center justify-between\"\u003e\u003cspan class=\"max-w-[15ch] grow truncate overflow-hidden text-center\"\u003eWGA\u003c\/span\u003e\u003cspan class=\"-me-1 flex h-full items-center rounded-full px-1 text-[#8F8F8F]\"\u003e+1\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4216\" data-start=\"4160\"\u003e\n\u003cp data-end=\"4216\" data-start=\"4162\"\u003e\u003cstrong data-end=\"4175\" data-start=\"4162\"\u003eMaterial:\u003c\/strong\u003e Glazed ceramic (earthenware\/porcelain)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4256\" data-start=\"4217\"\u003e\n\u003cp data-end=\"4256\" data-start=\"4219\"\u003e\u003cstrong data-end=\"4232\" data-start=\"4219\"\u003eDiameter:\u003c\/strong\u003e approx. 10\" (25.5 cm)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4343\" data-start=\"4257\"\u003e\n\u003cp data-end=\"4343\" data-start=\"4259\"\u003e\u003cstrong data-end=\"4274\" data-start=\"4259\"\u003eDecoration:\u003c\/strong\u003e Raised white rococo rim; brown\/gold transfer print after Rembrandt\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4411\" data-start=\"4344\"\u003e\n\u003cp data-end=\"4411\" data-start=\"4346\"\u003e\u003cstrong data-end=\"4354\" data-start=\"4346\"\u003eUse:\u003c\/strong\u003e Wall or cabinet display (not recommended for food use)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-end=\"4416\" data-start=\"4413\"\u003e\n\u003ch2 data-end=\"4450\" data-start=\"4418\"\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp data-end=\"4741\" data-start=\"4452\"\u003eThis plate is a \u003cstrong data-end=\"4491\" data-start=\"4468\"\u003eportable Old Master\u003c\/strong\u003e: all the drama of Rembrandt’s chiaroscuro compressed into a small circle of light and shadow. The white embossed rim keeps it from feeling heavy; the center image brings a moody, story-rich note to a wall of art, a plate rail, or a styled bookshelf.\u003c\/p\u003e\n\u003cp data-end=\"4771\" data-start=\"4743\"\u003eIt works especially well in:\u003c\/p\u003e\n\u003cul data-end=\"4989\" data-start=\"4773\"\u003e\n\u003cli data-end=\"4843\" data-start=\"4773\"\u003e\n\u003cp data-end=\"4843\" data-start=\"4775\"\u003eDark, layered interiors where white relief pops against inky walls\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4912\" data-start=\"4844\"\u003e\n\u003cp data-end=\"4912\" data-start=\"4846\"\u003eGallery walls that mix paintings, frames, and sculptural objects\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"4989\" data-start=\"4913\"\u003e\n\u003cp data-end=\"4989\" data-start=\"4915\"\u003eDining rooms or bars that nod to Old World taverns and still-life scenes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"5127\" data-start=\"4991\"\u003eIt’s the kind of object that reads as both \u003cstrong data-end=\"5049\" data-start=\"5034\"\u003eart history\u003c\/strong\u003e and \u003cstrong data-end=\"5063\" data-start=\"5054\"\u003edecor\u003c\/strong\u003e—recognizably Rembrandt, but approachable and easy to live with.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42725694079081,"sku":null,"price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/the_lost_son_rembrandt_collector_plate_wood_sons_staffordshire_c._1950s_the_lost_son_rembrandt_art_plate_wood_sons_staffordshire_c.1950s_rococo_relief_collector_piece765362834647334404295606377.jpg?v=1773813363"},{"product_id":"homer-laughlin-best-china-black-rim-scalloped-oval-platter-mid-century-american-restaurant-ware-c-1959-set-of-5","title":"Homer Laughlin “Best China” Black-Rim Scalloped Oval Platter — Mid-Century American Restaurant Ware c. 1959  (set of 5)","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"07396472-a28c-48e9-9c99-e86491876efc\" data-testid=\"conversation-turn-6\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"544dd858-8170-4621-b09c-3060835c5ccc\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-1-thinking\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"\u003e\n\u003ch1 data-start=\"0\" data-end=\"11\"\u003eThe Piece\u003c\/h1\u003e\n\u003cp data-start=\"13\" data-end=\"308\"\u003eA bright white mid-century oval platter with a softly scalloped rim and a single, inky-black line tracing its edge—classic American diner china pared down to its essentials. The wide, open well is left entirely undecorated, letting the form, weight, and contrast of black on white do the work.\u003c\/p\u003e\n\u003cp data-start=\"310\" data-end=\"698\"\u003eMade by Homer Laughlin as part of their \u003cstrong data-start=\"350\" data-end=\"364\"\u003eBest China\u003c\/strong\u003e line, this piece was designed not as fragile cabinet ware, but as hardworking hotel \u0026amp; restaurant service: vitrified, chip-resistant, and meant to move from kitchen pass to table and back again hundreds of times over. On a modern counter or dining table, it reads as quietly graphic—mid-century utility turned minimal statement.\u003c\/p\u003e\n\u003cp data-start=\"700\" data-end=\"722\"\u003eThe backstamp reads:\u003c\/p\u003e\n\u003cp data-start=\"724\" data-end=\"772\"\u003e“Homer Laughlin\u003cbr data-start=\"739\" data-end=\"742\"\u003eBest China\u003cbr data-start=\"752\" data-end=\"755\"\u003eU.S.A.\u003cbr data-start=\"761\" data-end=\"764\"\u003eDDB-1”\u003c\/p\u003e\n\u003cp data-start=\"774\" data-end=\"834\"\u003eplacing it in \u003cstrong data-start=\"788\" data-end=\"796\"\u003e1959\u003c\/strong\u003e, at the dawn of the Best China era.\u003c\/p\u003e\n\u003cp data-start=\"836\" data-end=\"884\"\u003eDesign \u0026amp; Construction\u003cbr data-start=\"861\" data-end=\"864\"\u003e→ Form \u0026amp; Style\u003c\/p\u003e\n\u003cul data-start=\"886\" data-end=\"1212\"\u003e\n\u003cli data-start=\"886\" data-end=\"932\"\u003e\n\u003cp data-start=\"888\" data-end=\"932\"\u003eGenerous oval platter, approx. 11–12\" long\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"933\" data-end=\"991\"\u003e\n\u003cp data-start=\"935\" data-end=\"991\"\u003eGently scalloped rim with soft, shell-like undulations\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"992\" data-end=\"1060\"\u003e\n\u003cp data-start=\"994\" data-end=\"1060\"\u003eClean, undecorated well with a subtle, raised inner cavetto line\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1061\" data-end=\"1138\"\u003e\n\u003cp data-start=\"1063\" data-end=\"1138\"\u003eSingle black line circling the outer rim—crisp, even, and slightly glossy\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1139\" data-end=\"1212\"\u003e\n\u003cp data-start=\"1141\" data-end=\"1212\"\u003eSlightly upturned lip for easy handling and to catch sauces or juices\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1214\" data-end=\"1398\"\u003eThe silhouette is restrained but not severe: the scalloped edge keeps it from feeling purely industrial, while the black line gives it a sharp, graphical profile on a table or shelf.\u003c\/p\u003e\n\u003cp data-start=\"1400\" data-end=\"1413\"\u003e→ Materials\u003c\/p\u003e\n\u003cul data-start=\"1415\" data-end=\"1666\"\u003e\n\u003cli data-start=\"1415\" data-end=\"1488\"\u003e\n\u003cp data-start=\"1417\" data-end=\"1488\"\u003eVitrified restaurant china (Homer Laughlin’s durable Best China body)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1489\" data-end=\"1544\"\u003e\n\u003cp data-start=\"1491\" data-end=\"1544\"\u003eHigh-fire white glaze with a smooth, glassy surface\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1545\" data-end=\"1618\"\u003e\n\u003cp data-start=\"1547\" data-end=\"1618\"\u003eBlack rim line applied over or under glaze, then fired for permanence\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1619\" data-end=\"1666\"\u003e\n\u003cp data-start=\"1621\" data-end=\"1666\"\u003eStamped backmark with maker’s name and code\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1668\" data-end=\"1846\"\u003eBest China was formulated for commercial use—dense, non-porous, and resistant to heat and repeated washing—so it carries more heft in the hand than typical household porcelain.\u003c\/p\u003e\n\u003ch1 data-start=\"1848\" data-end=\"1874\"\u003eHistory \u0026amp; Provenance\u003c\/h1\u003e\n\u003cp data-start=\"1876\" data-end=\"2206\"\u003eHomer Laughlin, based in Newell, West Virginia, was one of America’s largest and most influential potteries. By the late 1950s, as postwar dining culture shifted toward coffee shops, motels, and institutional cafeterias, the company developed \u003cstrong data-start=\"2119\" data-end=\"2133\"\u003eBest China\u003c\/strong\u003e: a vitrified line specifically for hotels, restaurants, and railroads.\u003c\/p\u003e\n\u003cp data-start=\"2208\" data-end=\"2539\"\u003eThe \u003cstrong data-start=\"2212\" data-end=\"2221\"\u003eDDB-1\u003c\/strong\u003e backstamp belongs to this early Best China period and, combined with the styling, places the platter around \u003cstrong data-start=\"2330\" data-end=\"2338\"\u003e1959\u003c\/strong\u003e. Black-rimmed white shapes like this were mainstays of mid-century American service ware—neutral enough to work in any interior, formal enough for hotel dining rooms, and practical for everyday use.\u003c\/p\u003e\n\u003cp data-start=\"2541\" data-end=\"2726\"\u003eToday, surviving pieces speak to that era of bottomless coffee, chrome stools, and laminated menus: quietly iconic forms that have slipped from the background into collectible status.\u003c\/p\u003e\n\u003ch1 data-start=\"2728\" data-end=\"2739\"\u003eCondition\u003c\/h1\u003e\n\u003cp data-start=\"2741\" data-end=\"2813\"\u003eFrom your photos, the platter presents in very good vintage condition:\u003c\/p\u003e\n\u003cul data-start=\"2815\" data-end=\"3094\"\u003e\n\u003cli data-start=\"2815\" data-end=\"2865\"\u003e\n\u003cp data-start=\"2817\" data-end=\"2865\"\u003eNo obvious chips, cracks, or structural damage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2866\" data-end=\"2975\"\u003e\n\u003cp data-start=\"2868\" data-end=\"2975\"\u003eGlaze retains strong gloss with expected light utensil or stacking marks visible only on close inspection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2976\" data-end=\"3062\"\u003e\n\u003cp data-start=\"2978\" data-end=\"3062\"\u003eBlack rim line remains intact with minor, age-consistent wear at a few high points\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3063\" data-end=\"3094\"\u003e\n\u003cp data-start=\"3065\" data-end=\"3094\"\u003eBackstamp clear and legible\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3096\" data-end=\"3171\"\u003eFully functional for serving, and handsome enough to live out on display.\u003c\/p\u003e\n\u003ch1 data-start=\"3173\" data-end=\"3190\"\u003eProduct Details\u003c\/h1\u003e\n\u003cp data-start=\"3192\" data-end=\"3647\"\u003eItem: Homer Laughlin “Best China” Black-Rim Oval Platter\u003cbr data-start=\"3248\" data-end=\"3251\"\u003eMaker: Homer Laughlin China Co., Newell, West Virginia, U.S.A.\u003cbr data-start=\"3313\" data-end=\"3316\"\u003eLine: Best China (vitrified hotel \u0026amp; restaurant ware)\u003cbr data-start=\"3372\" data-end=\"3375\"\u003eDate: c. 1959 (DDB-1 mark)\u003cbr data-start=\"3401\" data-end=\"3404\"\u003eMaterial: Vitrified restaurant china with white glaze \u0026amp; black rim line\u003cbr data-start=\"3478\" data-end=\"3481\"\u003eDimensions: approx. 11–12\" L (oval)\u003cbr data-start=\"3516\" data-end=\"3519\"\u003eColor: Bright white with black rim\u003cbr data-start=\"3553\" data-end=\"3556\"\u003eUse: Serving platter or display piece; food-safe but best hand-washed to preserve the rim\u003c\/p\u003e\n\u003ch1 data-start=\"3649\" data-end=\"3678\"\u003eWhy It Belongs in Your Home\u003c\/h1\u003e\n\u003cp data-start=\"3680\" data-end=\"3840\"\u003eThis platter is mid-century American utility at its best—honest, durable, and quietly stylish. The white body and black rim slip easily into modern interiors:\u003c\/p\u003e\n\u003cul data-start=\"3842\" data-end=\"4164\"\u003e\n\u003cli data-start=\"3842\" data-end=\"3948\"\u003e\n\u003cp data-start=\"3844\" data-end=\"3948\"\u003eAs a \u003cstrong data-start=\"3849\" data-end=\"3866\"\u003eserving piece\u003c\/strong\u003e, it’s perfect for roast vegetables, grilled fish, pastries, or a cheese spread.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3949\" data-end=\"4062\"\u003e\n\u003cp data-start=\"3951\" data-end=\"4062\"\u003eOn a \u003cstrong data-start=\"3956\" data-end=\"3981\"\u003ecounter or open shelf\u003c\/strong\u003e, it adds a strong black-and-white outline to anchor softer ceramics and glass.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4063\" data-end=\"4164\"\u003e\n\u003cp data-start=\"4065\" data-end=\"4164\"\u003eIn a \u003cstrong data-start=\"4070\" data-end=\"4092\"\u003edining room or bar\u003c\/strong\u003e, it nods to diner counters and hotel service without feeling theme-y.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"4166\" data-end=\"4317\"\u003eIt’s the kind of object that feels both familiar and elevated: a piece of hardworking restaurant history, ready to keep earning its place at the table.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42726365003881,"sku":null,"price":49.6,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/homer_laughlin_best_china_black-rim_scalloped_oval_platter_mid-century_american_restaurant_ware_c._1959_set_of_5765366910986534404538810473.jpg?v=1773813369"},{"product_id":"royal-copenhagen-teal-amp-gilt-crackle-glaze-saucer-denmark","title":"Royal Copenhagen Plate with Intentional Craquelure Glaze and Celadon Center, Denmark (c. 1915–1930)","description":"\u003ch2 data-start=\"721\" data-end=\"739\"\u003e\u003cstrong data-start=\"724\" data-end=\"737\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"740\" data-end=\"1116\"\u003eAn early 20th-century Royal Copenhagen porcelain plate distinguished by its \u003cstrong data-start=\"816\" data-end=\"848\"\u003eintentional craquelure glaze\u003c\/strong\u003e, softly fluted rim, and celadon-toned center framed by a restrained gilt ring. Produced in Denmark between approximately 1915 and 1930, the piece reflects Royal Copenhagen’s deliberate exploration of surface texture and glaze chemistry during its early modern period.\u003c\/p\u003e\n\u003cp data-start=\"1118\" data-end=\"1475\"\u003eThe craquelure present throughout the glaze is \u003cstrong data-start=\"1165\" data-end=\"1194\"\u003epurposeful and controlled\u003c\/strong\u003e, introduced during firing to create a fine, uniform crackle pattern. This effect was inspired by East Asian ceramic traditions and valued not as wear or age, but as a surface treatment in its own right. The result is a plate that feels tactile, architectural, and quietly complex.\u003c\/p\u003e\n\u003chr data-start=\"1477\" data-end=\"1480\"\u003e\n\u003ch2 data-start=\"1482\" data-end=\"1512\"\u003e\u003cstrong data-start=\"1485\" data-end=\"1510\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1513\" data-end=\"1858\"\u003eThe plate is formed from high-fired porcelain with a dense, resonant body. A celadon glaze was applied to the well, producing a softly luminous green-blue tone that shifts subtly under light. The surrounding ivory-toned glaze was engineered to craze upon cooling, creating a consistent and intentional network of fine crackle across the surface.\u003c\/p\u003e\n\u003cp data-start=\"1860\" data-end=\"2073\"\u003eA gilt ring was brushed by hand at the transition between the well and rim, then fixed through low-temperature firing. The rim’s gentle fluting adds structure and shadow, reinforcing the plate’s balanced geometry.\u003c\/p\u003e\n\u003cp data-start=\"2075\" data-end=\"2402\"\u003eOn the underside, the \u003cstrong data-start=\"2097\" data-end=\"2156\"\u003eRoyal Copenhagen crown above “ROYAL COPENHAGEN DENMARK”\u003c\/strong\u003e, paired with the \u003cstrong data-start=\"2174\" data-end=\"2194\"\u003ethree wavy lines\u003c\/strong\u003e representing Denmark’s principal waterways, confirms authenticity. Handwritten shape and pattern numbers reflect Royal Copenhagen’s early atelier cataloging system, used prior to mid-century standardization.\u003c\/p\u003e\n\u003chr data-start=\"2404\" data-end=\"2407\"\u003e\n\u003ch2 data-start=\"2409\" data-end=\"2435\"\u003e\u003cstrong data-start=\"2412\" data-end=\"2433\"\u003eHistory \u0026amp; Context\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2436\" data-end=\"2758\"\u003eThis plate was produced during Royal Copenhagen’s early 20th-century period of glaze experimentation, when the factory actively incorporated Asian ceramic influences into European forms. Craquelure was intentionally developed as a decorative surface, requiring precise control of glaze composition and firing temperatures.\u003c\/p\u003e\n\u003cp data-start=\"2760\" data-end=\"3066\"\u003eUnlike later industrial production, pieces from this era retain visible evidence of hand-finishing and small variations inherent to artisanal manufacture. The craquelure here is not a sign of age-related deterioration, but a \u003cstrong data-start=\"2985\" data-end=\"3021\"\u003edesigned and stable glaze effect\u003c\/strong\u003e, integral to the piece’s aesthetic identity.\u003c\/p\u003e\n\u003chr data-start=\"3068\" data-end=\"3071\"\u003e\n\u003ch2 data-start=\"3073\" data-end=\"3091\"\u003e\u003cstrong data-start=\"3076\" data-end=\"3089\"\u003eCondition\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"3092\" data-end=\"3329\"\u003eExcellent antique condition. The craquelure is uniform, intentional, and stable throughout. The celadon center remains vibrant, and the gilt ring shows only light wear consistent with age. No chips, cracks, or structural damage observed.\u003c\/p\u003e\n\u003chr data-start=\"3331\" data-end=\"3334\"\u003e\n\u003ch2 data-start=\"3336\" data-end=\"3374\"\u003e\u003cstrong data-start=\"3339\" data-end=\"3372\"\u003eWhy This Belongs in Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"3375\" data-end=\"3564\"\u003eThis plate rewards informed ownership. Its beauty lies not in patina or accident, but in \u003cstrong data-start=\"3464\" data-end=\"3487\"\u003etechnical intention\u003c\/strong\u003e—a surface engineered to catch light, invite touch, and reveal craftsmanship.\u003c\/p\u003e\n\u003cp data-start=\"3566\" data-end=\"3595\"\u003eIt functions equally well as:\u003c\/p\u003e\n\u003cul data-start=\"3596\" data-end=\"3728\"\u003e\n\u003cli data-start=\"3596\" data-end=\"3626\"\u003e\n\u003cp data-start=\"3598\" data-end=\"3626\"\u003ea display plate on a stand\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3627\" data-end=\"3674\"\u003e\n\u003cp data-start=\"3629\" data-end=\"3674\"\u003ean accent dish for jewelry or small objects\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3675\" data-end=\"3728\"\u003e\n\u003cp data-start=\"3677\" data-end=\"3728\"\u003ea layered element within a curated table or shelf\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3730\" data-end=\"3869\"\u003eFor collectors, it represents a moment when Royal Copenhagen balanced tradition, experimentation, and restraint with exceptional precision.\u003c\/p\u003e\n\u003chr data-start=\"3871\" data-end=\"3874\"\u003e\n\u003ch2 data-start=\"3876\" data-end=\"3900\"\u003e\u003cstrong data-start=\"3879\" data-end=\"3898\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul data-start=\"3901\" data-end=\"4181\"\u003e\n\u003cli data-start=\"3901\" data-end=\"3928\"\u003e\n\u003cp data-start=\"3903\" data-end=\"3928\"\u003eMaker: Royal Copenhagen\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3929\" data-end=\"3948\"\u003e\n\u003cp data-start=\"3931\" data-end=\"3948\"\u003eOrigin: Denmark\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3949\" data-end=\"3971\"\u003e\n\u003cp data-start=\"3951\" data-end=\"3971\"\u003eDate: c. 1915–1930\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3972\" data-end=\"3995\"\u003e\n\u003cp data-start=\"3974\" data-end=\"3995\"\u003eMaterial: Porcelain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3996\" data-end=\"4055\"\u003e\n\u003cp data-start=\"3998\" data-end=\"4055\"\u003eGlaze: Intentional craquelure with celadon-toned center\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4056\" data-end=\"4094\"\u003e\n\u003cp data-start=\"4058\" data-end=\"4094\"\u003eDecoration: Hand-applied gilt ring\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4095\" data-end=\"4148\"\u003e\n\u003cp data-start=\"4097\" data-end=\"4148\"\u003eMark: Royal Copenhagen crown and three wavy lines\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4149\" data-end=\"4181\"\u003e\n\u003cp data-start=\"4151\" data-end=\"4181\"\u003eCondition: Excellent antique\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42726622036073,"sku":null,"price":132.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/royal_copenhagen_plate_with_intentional_craquelure_glaze_and_celadon_center_denmark_c._19151930765368831191334521952911465.jpg?v=1773813383"},{"product_id":"blue-ridge-hand-painted-floral-plates-southern-potteries-tennessee-c-1938-1956-set-of-2","title":"Blue Ridge Hand-Painted Floral Plates Southern Potteries, Tennessee c. 1938–1956 (Set of 2)","description":"\u003ch1\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eA pair of warmly nostalgic \u003cstrong\u003eBlue Ridge\u003c\/strong\u003e dinner plates, hand-painted in the late 1930s to the early 1950s by Southern Potteries, Inc. in Erwin, Tennessee. Each plate features a scalloped, fluted edge and a sweeping floral composition rendered in saturated yellows and autumnal browns—an exuberant, brush-driven style that defines the Blue Ridge aesthetic.\u003c\/p\u003e\n\u003cp\u003eUnlike transferware, these pieces were painted entirely by hand, and the individuality shows: petals with soft gradient shading, expressive brown stems, and tiny flourishes of highlight that make each flower feel alive. The ivory ground carries subtle speckling and kiln-made irregularities—hallmarks of American Art Pottery during this era.\u003c\/p\u003e\n\u003cp\u003ePlaced together, the plates create a rhythmic, circular garland of color. They carry the spirit of Appalachian craftsmanship—cheerful, imperfect, deeply human—and make beautiful display pieces for a wall, hutch, or open shelving.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3\u003e\u003cstrong\u003e→ Form \u0026amp; Style\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eCharacteristics of Southern Potteries’ Blue Ridge line, c. \u003cstrong\u003e1938–1956\u003c\/strong\u003e, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eHand-cut, scalloped rim with gentle fluting\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLightly speckled ivory body typical of regional clays\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFreehand floral sprays in bright, optimistic colors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBroad petals, sweeping stems, and warm autumnal accents\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUnderglaze painting protected by a clear glaze finish\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe style blends \u003cstrong\u003eAppalachian folk-art expressiveness\u003c\/strong\u003e with the practical durability of mid-century American ceramic design.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003e→ Materials\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSemi-vitreous American clay body\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHand-applied underglaze pigments in yellow, brown, and gold tones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClear glaze with soft gloss sheen\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eKiln-fired markings and natural mineral speckles\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStamped “Blue Ridge \/ Hand Painted \/ Underglaze \/ Southern Potteries, Inc. \/ Made in U.S.A.”\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThese materials give the plates their earthy warmth and handmade charm.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003e→ Technique\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003ePlates molded and fluted using hand-assisted shaping\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMotifs painted entirely by brush—no stencils, transfers, or decals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUnderglaze pigments applied in swift, confident strokes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClear glaze applied over decoration and fired to fuse both layers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBackstamp added after the bisque and glaze firings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBecause each floral spray was hand-composed, every piece in the Blue Ridge line is subtly unique.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eProduced between \u003cstrong\u003e1938 and 1956\u003c\/strong\u003e, these plates hail from the Blue Ridge factory in Erwin, Tennessee, where predominantly women artisans painted each piece freehand. Southern Potteries became known nationally during this era for its bright, joyful designs—an antidote to the austerity of the Depression and wartime years.\u003c\/p\u003e\n\u003cp\u003eThe backstamp on these plates corresponds to their mid-century period of peak production, when Blue Ridge dinnerware became a staple in Appalachian homes and a beloved collectible across the country.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eBeautiful vintage condition, with:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eStrong, unfaded hand-painted florals\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClean glaze with light utensil wear consistent with age\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNo cracks or structural damage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eScalloped edges intact\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTypical Blue Ridge kiln speckles and glaze irregularities\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWell-preserved examples of America’s most iconic hand-painted dinnerware line.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eItem:\u003c\/strong\u003e Pair of Blue Ridge Hand-Painted Floral Plates\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e c. \u003cstrong\u003e1938–1956\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMaker:\u003c\/strong\u003e Southern Potteries, Inc.\u003cbr\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e Semi-vitreous porcelain, underglaze pigments, clear glaze\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Erwin, Tennessee, U.S.A.\u003cbr\u003e\u003cstrong\u003eStyle:\u003c\/strong\u003e Appalachian Folk Art \/ Mid-Century American \/ Country Cottage\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent vintage with minor age-appropriate wear\u003cbr\u003e\u003cstrong\u003eUse:\u003c\/strong\u003e Wall display, shelf styling, table setting, cottage-style vignette\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eWhy They Belong in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eThese plates carry the charm of true American folk craftsmanship—made by hand, painted by human touch, and full of personality. They bring:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eWarmth and color to open shelving\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAuthentic mid-century Americana\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUnique, one-of-a-kind brushwork\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA soft vintage presence that complements rustic, cottage, farmhouse, or eclectic interiors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA pair that offers not just utility, but a small piece of Appalachian art history.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42726623805545,"sku":null,"price":68.8,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/blue_ridge_hand-painted_floral_plates_southern_potteries_tennessee_c._19381956_set_of_2765368936048934520705302633.jpg?v=1773813388"},{"product_id":"1890s-w-h-grindley-royal-ironstone-dinner-plate-english-victorian-brown-sprig-ironstone","title":"1890s W.H. Grindley Royal Ironstone Dinner Plate • English Victorian Brown Sprig Ironstone","description":"\u003ch2\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eA finely aged \u003cstrong\u003e1890s English ironstone dinner plate\u003c\/strong\u003e, produced by W.H. Grindley \u0026amp; Co. during the height of the Victorian export era. Its surface carries the warm, mottled patina that only true 19th-century ironstone develops—an organic constellation of speckling, crazing, and soft sepia toning that reads like time captured in glaze.\u003c\/p\u003e\n\u003cp\u003eAt the center sits a simple brown floral sprig, a quiet decorative touch characteristic of utilitarian English ironstone of the late 19th century. A double hand-painted band in deep oxblood frames the rim, grounding the design in the understated elegance of the Victorian household.\u003c\/p\u003e\n\u003cp\u003eThis plate is not pristine—and that is precisely what makes it beautiful. The chip at the rim, the intricate web of age lines, the gentle discoloration: these are the marks of use, survival, and daily life over more than 130 years. It’s a soulful, authentic piece of English ceramic history.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e→ \u003cstrong\u003eForm \u0026amp; Style\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eAuthentic late-Victorian ironstone, featuring:\u003c\/p\u003e\n\u003cp\u003eA classic round dinner plate form with a softly sloped well\u003cbr\u003eDouble hand-painted oxblood bands around the rim\u003cbr\u003eA minimal brown floral sprig—typical of English hotel and household ironstone\u003cbr\u003eA pale ivory body that has developed rich, century-old patina\u003c\/p\u003e\n\u003cp\u003eThe design reflects the utilitarian elegance of the 1890s: practical, durable, and adorned just enough to feel domestic without being ornate.\u003c\/p\u003e\n\u003ch3\u003e→ \u003cstrong\u003eMaterials\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eHigh-fired \u003cstrong\u003eRoyal Ironstone China\u003c\/strong\u003e\u003cbr\u003eVictorian iron-rich clay body\u003cbr\u003eTransfer-printed central sprig\u003cbr\u003eHand-applied rim bands\u003cbr\u003eClear lead-glaze typical of the era\u003c\/p\u003e\n\u003cp\u003eThese materials create the unmistakable heft and durability of true English ironstone—dense, strong, and meant for long-term daily use.\u003c\/p\u003e\n\u003ch3\u003e→ \u003cstrong\u003eTechnique\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eSlip-cast or press-molded ironstone body\u003cbr\u003eTransfer decoration applied by hand\u003cbr\u003eGlaze fired to vitrify the iron-rich body\u003cbr\u003eBackstamp printed with the royal arms crest\u003cbr\u003eHand-banded oxblood lines requiring steady Victorian craftsmanship\u003c\/p\u003e\n\u003cp\u003eThe crazing and tonal shifts developed naturally over more than a century—an honest signature of 19th-century glazing chemistry.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eDating to the \u003cstrong\u003e1890s\u003c\/strong\u003e, this piece was produced by \u003cstrong\u003eW.H. Grindley \u0026amp; Co.\u003c\/strong\u003e, a Staffordshire pottery known for exporting durable ironstone to homes, hotels, and boarding houses across the U.S. and U.K.\u003c\/p\u003e\n\u003cp\u003eThe backstamp—“\u003cstrong\u003eROYAL IRONSTONE CHINA \/ W.H. GRINDLEY \u0026amp; Co \/ ENGLAND\u003c\/strong\u003e”—is a documented mark used \u003cstrong\u003eafter 1891\u003c\/strong\u003e, when export laws required clear country-of-origin labeling. The royal arms crest further supports its production in the late Victorian period, prior to the mark changes of the early 20th century.\u003c\/p\u003e\n\u003cp\u003eThis plate would have lived a working life: used regularly, washed often, stacked, stored, and carried through generations. Its surface tells that story—the softening of the glaze, the spreading network of fine lines, and the oxidation that creates its warm, mottled finish.\u003c\/p\u003e\n\u003cp\u003eA utilitarian Victorian object elevated by the beauty of time.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eBeautifully aged 19th-century condition, including:\u003c\/p\u003e\n\u003cp\u003eRich allover crazing\u003cbr\u003eSepia toning and mottled patina throughout the glaze\u003cbr\u003eOne rim chip, worn smooth over decades\u003cbr\u003eSurface speckling from iron impurities in the clay\u003cbr\u003eDeep character consistent with 130-plus years of use\u003c\/p\u003e\n\u003cp\u003eStructurally sound, visually soulful, and completely authentic to its age.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eItem:\u003c\/strong\u003e Royal Ironstone Dinner Plate\u003cbr\u003e\u003cstrong\u003eMaker:\u003c\/strong\u003e W.H. Grindley \u0026amp; Co.\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e \u003cstrong\u003ec. 1890–1899\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Staffordshire, England\u003cbr\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Royal Ironstone China\u003cbr\u003e\u003cstrong\u003eDecoration:\u003c\/strong\u003e Brown floral sprig, oxblood rim bands\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Antique with patina, crazing, and rim chip\u003cbr\u003e\u003cstrong\u003eStyle:\u003c\/strong\u003e Victorian \/ Farmhouse \/ Primitive \/ English Country\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis plate is more than a piece of ceramic—it’s a surviving artifact of Victorian domestic life.\u003c\/p\u003e\n\u003cp\u003ePerfect if you want a piece that:\u003c\/p\u003e\n\u003cp\u003eFeels collected, storied, and authentically worn\u003cbr\u003ePairs beautifully with linens, ironstone stacks, rustic wood, and primitive antiques\u003cbr\u003eBrings organic, lived-in character to shelves and hutches\u003cbr\u003eAdds real age and history to a curated vignette\u003cbr\u003eHonors the imperfect beauty of 19th-century craftsmanship\u003c\/p\u003e\n\u003cp\u003eDisplayed upright on a stand or layered among other ironstone, it becomes a soft, textural accent—quiet, foundational, and undeniably historic.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eIf you'd like, I can also create:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eSEO title\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eSEO meta description\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eRetail pricing recommendation (Viridian vs market value)\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eJust say \u003cem\u003e“add SEO and pricing.”\u003c\/em\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42735607939177,"sku":null,"price":28.8,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/1890s_w.h._grindley_royal_ironstone_dinner_plate_english_victorian_brown_sprig_ironstone765541564426534520831066217.jpg?v=1773813420"},{"product_id":"pillivuyt-pilivite-harvest-fruit-handled-dish-mehun-sur-yevre-france-c-1935-1945","title":"Pillivuyt  Harvest Antique Fruit Dish Mehun-sur-Yèvre France c. 1935–1945","description":"\u003ch2\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eA delicately formed \u003cstrong\u003e1935–1945 Pillivuyt “Pilivite” handled dish\u003c\/strong\u003e, created in Mehun-sur-Yèvre during the early era of French ovenproof porcelain. Its oval silhouette—with softened ends, gentle curvature, and slim, fluted handles—gives the piece a quiet sculptural grace. The rim is traced in warm gilt, subtly worn from decades of careful use, catching light with the softness of aged jewelry.\u003c\/p\u003e\n\u003cp\u003eAt the center rests a beautifully printed autumn still life: two mottled apples, clusters of currants, open walnuts, and small seasonal sprigs—an intimate composition typical of French domestic wares produced between the wars. The decoration is modest yet poetic, evoking the rhythm of the countryside kitchen table.\u003c\/p\u003e\n\u003cp\u003eThough small in scale, the dish holds itself with the presence of heirloom utility: a fragment of French culinary culture, refined in form and made to withstand both heat and daily life.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e→ \u003cstrong\u003eForm \u0026amp; Style\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eAuthentic \u003cstrong\u003emid-1930s to mid-1940s Pillivuyt Pilivite\u003c\/strong\u003e design, characterized by:\u003c\/p\u003e\n\u003cp\u003eA shallow, oval bowl with lifted center well and gently rising rim\u003cbr\u003eFluted “eared” handles that frame the form with quiet elegance\u003cbr\u003eHand-applied gilt detailing along the lip and handle edges\u003cbr\u003eChromolithographic fruit-and-nut motif placed with early-century restraint\u003cbr\u003eA silhouette that balances French farmhouse warmth with refined porcelain craft\u003c\/p\u003e\n\u003cp\u003eThe dish reads as both utilitarian and decorative, embodying the understated beauty of prewar and wartime French tableware.\u003c\/p\u003e\n\u003ch3\u003e→ \u003cstrong\u003eMaterials\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eHard-paste French porcelain body\u003cbr\u003eGlossy, high-fired white glaze developed for oven use (“porcelaine à feu”)\u003cbr\u003eHand-applied gilt trim\u003cbr\u003eChromolithographic harvest transfers\u003cbr\u003eKiln-fired pigments with warm, naturalistic tonal variation\u003c\/p\u003e\n\u003cp\u003eThese materials reflect Pillivuyt’s commitment to merging everyday functionality with durable, elevated craft.\u003c\/p\u003e\n\u003ch3\u003e→ \u003cstrong\u003eTechnique\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eSlip-cast porcelain shaped in the Mehun workshops\u003cbr\u003eEdges trimmed and refined by hand before firing\u003cbr\u003eChromolithographic transfer applied under glaze for permanence\u003cbr\u003eGilt brushed on in thin, deliberate strokes\u003cbr\u003eDual firings to achieve clarity, resilience, and heat resistance\u003c\/p\u003e\n\u003cp\u003eThe result is a small but expertly executed object—one that speaks to the precision and pride of early 20th-century French porcelain houses.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eMade between \u003cstrong\u003e1935 and 1945\u003c\/strong\u003e, this piece belongs to the era when Pillivuyt was refining its Pilivite line: ovenproof porcelain engineered for everyday French kitchens. These dishes accompanied casseroles, roasting pans, and gratins in households that valued durability, simplicity, and beauty in daily ritual.\u003c\/p\u003e\n\u003cp\u003eThe mark—\u003cem\u003ePILIVITE \/ PORCELAINES À FEU \/ PILLIVUYT \u0026amp; CIE \/ MEHUN \/ MADE IN FRANCE\u003c\/em\u003e—confirms production in Mehun-sur-Yèvre during the company’s transitional pre- and wartime decades, before the introduction of later date-coded export stamps. The harvest motif echoes the aesthetic priorities of the time: seasonal abundance, modest ornamentation, and domestic comfort despite austerity.\u003c\/p\u003e\n\u003cp\u003eToday, it stands as a preserved example of French culinary heritage—a quiet, useful relic from a period when even small household pieces were made with intention.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eBeautifully preserved early-mid-century condition, including:\u003c\/p\u003e\n\u003cp\u003eBright, intact harvest transfer with excellent color stability\u003cbr\u003eGilded rim and handles with light, graceful wear\u003cbr\u003eGlossy glaze with minimal craze or abrasion\u003cbr\u003eClean interior well and structurally sound porcelain body\u003cbr\u003eExpected surface wear consistent with an 80-90-year-old utilitarian piece\u003c\/p\u003e\n\u003cp\u003eA charming and highly displayable example of authentic French Pilivite ovenware.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eItem:\u003c\/strong\u003e Pillivuyt Pilivite Handled Dish\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e c. \u003cstrong\u003e1935–1945\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMaker:\u003c\/strong\u003e Pillivuyt \u0026amp; Cie, Mehun-sur-Yèvre, France\u003cbr\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Hard-paste porcelain, gilt\u003cbr\u003e\u003cstrong\u003eDecoration:\u003c\/strong\u003e Chromolithographic fruit \u0026amp; nut harvest motif\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cstrong\u003e4 in. × 4 in.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStyle:\u003c\/strong\u003e French Country \/ Early Modern Domestic \/ Culinary Heritage\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Preserved vintage condition with gentle gilt wear\u003cbr\u003e\u003cstrong\u003eUse:\u003c\/strong\u003e Trinket dish, small serving piece, jewelry catchall, display object\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis dish brings the warmth of an interwar French kitchen into the modern home—quiet, storied, and effortlessly charming. It is perfect if you want a piece that:\u003c\/p\u003e\n\u003cp\u003eCarries authentic European provenance rather than reproduction nostalgia\u003cbr\u003eAdds gentle seasonal warmth to a bedside, vanity, or styled vignette\u003cbr\u003ePairs beautifully with natural woods, linens, woven textures, and warm metals\u003cbr\u003eFeels humble yet refined, with the soul of early French craftsmanship\u003cbr\u003eServes as a small, meaningful accent in curated spaces\u003c\/p\u003e\n\u003cp\u003ePlaced on a dressing table, layered on open shelving, or presented as part of a collected grouping, it reads like a found treasure from a French country estate—useful, beautiful, and deeply human in scale.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42735807758441,"sku":null,"price":33.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/pillivuyt_harvest_antique_fruit_dish_mehun-sur-yvre_france_c._19351945765542475376934419818594409.jpg?v=1773813424"},{"product_id":"lenox-trent-saucer-early-art-deco-ivory-porcelain-c-1918-1923-enamel-gilt-set-of-2","title":"Lenox “Trent” Saucer • Early Art Deco Ivory Porcelain • c. 1918–1923 • Enamel \u0026 Gilt (Set Of 2)","description":"\u003ch1\u003eThe Piece\u003c\/h1\u003e\n\u003cp\u003eA finely decorated \u003cstrong\u003e1918–1923 Lenox “Trent” porcelain saucer\u003c\/strong\u003e, alive with early American Art Deco flourish yet grounded in the classical restraint of Lenox’s earliest decades. The wide border—an elegant sweep of blue scrollwork, enamel-dotted fruit clusters, and soft pastel florals—is framed by a precise ring of gilt that centers the piece with quiet symmetry.\u003c\/p\u003e\n\u003cp\u003eThe palette is unmistakably transitional: the fresh, modern colors emerging from the austerity of the First World War blended with the refined handwork of Lenox’s pre-industrial studio. The ivory porcelain surface, softly toned with age, gives the pattern a warmth and intimacy that later, brighter wares never achieved.\u003c\/p\u003e\n\u003cp\u003eThough petite in function, the dish carries itself like a miniature canvas—ornamental, balanced, and unmistakably from the golden age of American fine china.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e→ \u003cstrong\u003eForm \u0026amp; Style\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eAuthentic \u003cstrong\u003e1918–1923 Lenox Trent\u003c\/strong\u003e design, featuring:\u003c\/p\u003e\n\u003cp\u003eA broad decorative rim framed with gilt\u003cbr\u003eFlowing blue acanthus-style scrolls, early American Art Deco in mood\u003cbr\u003eEnamel-accented fruit clusters in red, yellow, navy, and orange\u003cbr\u003eSmall, hand-enamel floral medallions that punctuate the border\u003cbr\u003eA crisp ivory body unique to early Lenox formula porcelains\u003c\/p\u003e\n\u003cp\u003eThe form blends neoclassical symmetry with the emerging modern sensibilities of the early 1920s—bright, optimistic, and intentional.\u003c\/p\u003e\n\u003ch3\u003e→ \u003cstrong\u003eMaterials\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eAmerican hard-paste porcelain\u003cbr\u003eHand-applied gilt rings\u003cbr\u003eEnamel-accented border motif\u003cbr\u003eUnderglaze linear ornament\u003cbr\u003eStudio-fired ivory glaze, slightly warm with age\u003c\/p\u003e\n\u003cp\u003eThese materials reflect Lenox’s commitment to surpassing European porcelain standards during its pioneering years.\u003c\/p\u003e\n\u003ch3\u003e→ \u003cstrong\u003eTechnique\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003eStudio-drawn scrollwork transferred in fine underglaze lines\u003cbr\u003eHand-applied enamels for fruit, flowers, and accent dots\u003cbr\u003eGilt rings brushed and fired for permanence\u003cbr\u003eIvory porcelain body mixed, cast, and finished in small-batch production\u003c\/p\u003e\n\u003cp\u003eThis technique represents Lenox at its most meticulous—still operating with craft-house precision before shifting to larger-scale midcentury output.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eDating to \u003cstrong\u003e1918–1923\u003c\/strong\u003e, this saucer comes from the early period when Lenox was establishing itself as the premier American porcelain maker. The “Patent Applied For” mark indicates the Trent pattern was new, innovative, and awaiting official registration—placing this exact mark in a narrow and highly collectible timeframe.\u003c\/p\u003e\n\u003cp\u003eDuring these years, Lenox supplied fine department stores, jewelers, and affluent households seeking American-made china that equaled or surpassed European imports. The Trent pattern reflects a nation stepping into modernity: stylized, colorful, delicate, and unmistakably refined.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eBeautiful early-century condition, including:\u003c\/p\u003e\n\u003cp\u003eIntact gilt with only slight age-softening\u003cbr\u003eClear, bright enamel accents\u003cbr\u003eSmooth glaze with minimal surface wear\u003cbr\u003eCrisp maker’s mark with strong black transfer\u003cbr\u003eNo cracks or structural imperfections\u003cbr\u003eExpected gentle use marks appropriate to a 100-year-old piece\u003c\/p\u003e\n\u003cp\u003eA clean, display-ready example of early Lenox studio work.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eItem:\u003c\/strong\u003e Lenox “Trent” Porcelain Saucer\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e c. \u003cstrong\u003e1918–1923\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMaker:\u003c\/strong\u003e Lenox, Trenton, New Jersey\u003cbr\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Hard-paste porcelain, enamel, gilt\u003cbr\u003e\u003cstrong\u003ePattern:\u003c\/strong\u003e Trent (Patent Pending era)\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e Approx. 4 in. diameter\u003cbr\u003e\u003cstrong\u003eStyle:\u003c\/strong\u003e Early Art Deco \/ Neoclassical Revival\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Lovely preserved antique condition\u003cbr\u003e\u003cstrong\u003eUse:\u003c\/strong\u003e Accent display, teacup match, jewelry perch, styling piece\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eTimeless, delicate, and richly decorative, this piece adds a whisper of early American luxury to any interior. It is perfect if you want a saucer that:\u003c\/p\u003e\n\u003cp\u003eFeels authentically antique without being fragile or fussy\u003cbr\u003eCarries a century-old story of American craft excellence\u003cbr\u003ePairs beautifully with polished wood, brass, and classical décor\u003cbr\u003eFunctions as both a standalone object and a styling accent\u003cbr\u003eBrings color, charm, and historical refinement into a curated space\u003c\/p\u003e\n\u003cp\u003ePlaced on a vanity, layered in a cabinet, or set beneath a small teacup, it reads like a found treasure from a well-appointed 1920s townhouse—still glowing softly with the artistry of its era.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42735809757289,"sku":null,"price":49.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/lenox_trent_saucer_early_art_deco_ivory_porcelain_c._19181923_enamel_gilt_set_of_2765542514698534521066209385.jpg?v=1773813431"},{"product_id":"mitterteich-bavaria-norway-rose-saucers-1950s-bavarian-porcelain-set-of-7","title":"Mitterteich Bavaria “Norway Rose” Saucers • 1950s Bavarian Porcelain • Set of 7","description":"\u003ch2 data-start=\"139\" data-end=\"157\"\u003e\u003cstrong data-start=\"142\" data-end=\"155\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"158\" data-end=\"509\"\u003eA softly sculpted \u003cstrong data-start=\"176\" data-end=\"230\"\u003e1950s Mitterteich Bavaria “Norway Rose” saucer set\u003c\/strong\u003e, refined in creamy porcelain and framed with the delicate ornament that defined mid-century Bavarian tableware. The embossed, scalloped rim—lightly scrolling and quietly romantic—forms a graceful border around the center well, its contours catching the light like fabric pleats.\u003c\/p\u003e\n\u003cp data-start=\"511\" data-end=\"827\"\u003eEach saucer carries a warm \u003cstrong data-start=\"538\" data-end=\"559\"\u003eorange-rose spray\u003c\/strong\u003e, a signature mid-century floral rendered in sepia leaves and soft brown stems. The placement is intimate and intentional, offering just enough color to enliven the porcelain without overwhelming it. A fine ring of gilt traces the edge, adding a whisper of refinement.\u003c\/p\u003e\n\u003cp data-start=\"829\" data-end=\"954\"\u003eLight, airy, and exquisitely proportioned, the set embodies the domestic optimism and gentle beauty of 1950s German ceramics.\u003c\/p\u003e\n\u003chr data-start=\"956\" data-end=\"959\"\u003e\n\u003ch2 data-start=\"961\" data-end=\"989\"\u003e\u003cstrong data-start=\"964\" data-end=\"989\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3 data-start=\"991\" data-end=\"1015\"\u003e→ \u003cstrong data-start=\"997\" data-end=\"1013\"\u003eForm \u0026amp; Style\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"1016\" data-end=\"1067\"\u003eAuthentic \u003cstrong data-start=\"1026\" data-end=\"1047\"\u003e1950s Mitterteich\u003c\/strong\u003e design, defined by:\u003c\/p\u003e\n\u003cp data-start=\"1069\" data-end=\"1305\"\u003eA scalloped, molded rim with Rococo-inspired scrollwork\u003cbr data-start=\"1124\" data-end=\"1127\"\u003eAsymmetrical rose sprays in mid-century orange and sepia\u003cbr data-start=\"1183\" data-end=\"1186\"\u003eThin gilt edging applied by hand\u003cbr data-start=\"1218\" data-end=\"1221\"\u003eA bright, ivory-toned glaze\u003cbr data-start=\"1248\" data-end=\"1251\"\u003eA rounded center well ideal for teacups or small bowls\u003c\/p\u003e\n\u003cp data-start=\"1307\" data-end=\"1366\"\u003eA harmonious blend of old-world ornament and modern warmth.\u003c\/p\u003e\n\u003chr data-start=\"1368\" data-end=\"1371\"\u003e\n\u003ch3 data-start=\"1373\" data-end=\"1394\"\u003e→ \u003cstrong data-start=\"1379\" data-end=\"1392\"\u003eMaterials\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"1395\" data-end=\"1572\"\u003eFine Bavarian porcelain\u003cbr data-start=\"1418\" data-end=\"1421\"\u003eUnder-glaze and over-glaze floral transfers\u003cbr data-start=\"1464\" data-end=\"1467\"\u003eHand-tinted orange rose accents\u003cbr data-start=\"1498\" data-end=\"1501\"\u003eFired gilt trim\u003cbr data-start=\"1516\" data-end=\"1519\"\u003eGlossy mid-century glaze with soft, warm undertones\u003c\/p\u003e\n\u003cp data-start=\"1574\" data-end=\"1632\"\u003eDurable yet elegant, true to 1950s Bavarian craftsmanship.\u003c\/p\u003e\n\u003chr data-start=\"1634\" data-end=\"1637\"\u003e\n\u003ch3 data-start=\"1639\" data-end=\"1660\"\u003e→ \u003cstrong data-start=\"1645\" data-end=\"1658\"\u003eTechnique\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"1661\" data-end=\"1874\"\u003eEmbossed rim formed with precision molds\u003cbr data-start=\"1701\" data-end=\"1704\"\u003eFloral motifs transferred and then tinted for depth\u003cbr data-start=\"1755\" data-end=\"1758\"\u003eGilt edge brushed and fired for permanence\u003cbr data-start=\"1800\" data-end=\"1803\"\u003eLightweight porcelain body refined through decades of factory mastery\u003c\/p\u003e\n\u003cp data-start=\"1876\" data-end=\"1944\"\u003eA marriage of artistry and production excellence typical of the era.\u003c\/p\u003e\n\u003chr data-start=\"1946\" data-end=\"1949\"\u003e\n\u003ch2 data-start=\"1951\" data-end=\"1980\"\u003e\u003cstrong data-start=\"1954\" data-end=\"1978\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1981\" data-end=\"2273\"\u003eProduced in \u003cstrong data-start=\"1993\" data-end=\"2021\"\u003eBavaria during the 1950s\u003c\/strong\u003e, the “Norway Rose” pattern reflects post-war Mitterteich’s renewed focus on decorative yet accessible porcelain. Floral motifs in clean, warm palettes—especially orange and sepia—were beloved in mid-century homes seeking comfort, beauty, and softness.\u003c\/p\u003e\n\u003cp data-start=\"2275\" data-end=\"2416\"\u003eThese saucers belong to that moment: a return to elegance, a celebration of craft, and a nod to heritage filtered through modern sensibility.\u003c\/p\u003e\n\u003chr data-start=\"2418\" data-end=\"2421\"\u003e\n\u003ch2 data-start=\"2423\" data-end=\"2441\"\u003e\u003cstrong data-start=\"2426\" data-end=\"2439\"\u003eCondition\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2442\" data-end=\"2487\"\u003eExcellent 1950s vintage condition, including:\u003c\/p\u003e\n\u003cp data-start=\"2489\" data-end=\"2663\"\u003eBright glaze with minimal wear\u003cbr data-start=\"2519\" data-end=\"2522\"\u003eClear, unfaded florals\u003cbr data-start=\"2544\" data-end=\"2547\"\u003eCrisp embossed scrollwork\u003cbr data-start=\"2572\" data-end=\"2575\"\u003eLight, age-appropriate softening to gilt\u003cbr data-start=\"2615\" data-end=\"2618\"\u003eNo chips or structural flaws across the set\u003c\/p\u003e\n\u003cp data-start=\"2665\" data-end=\"2734\"\u003eA clean and display-worthy example of mid-century Bavarian porcelain.\u003c\/p\u003e\n\u003chr data-start=\"2736\" data-end=\"2739\"\u003e\n\u003ch2 data-start=\"2741\" data-end=\"2765\"\u003e\u003cstrong data-start=\"2744\" data-end=\"2763\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2766\" data-end=\"3144\"\u003e\u003cstrong data-start=\"2766\" data-end=\"2775\"\u003eItem:\u003c\/strong\u003e Mitterteich Bavaria “Norway Rose” Saucers\u003cbr data-start=\"2817\" data-end=\"2820\"\u003e\u003cstrong data-start=\"2820\" data-end=\"2829\"\u003eDate:\u003c\/strong\u003e \u003cstrong data-start=\"2830\" data-end=\"2839\"\u003e1950s\u003c\/strong\u003e\u003cbr data-start=\"2839\" data-end=\"2842\"\u003e\u003cstrong data-start=\"2842\" data-end=\"2852\"\u003eMaker:\u003c\/strong\u003e Mitterteich Porcelain Factory, Bavaria\u003cbr data-start=\"2891\" data-end=\"2894\"\u003e\u003cstrong data-start=\"2894\" data-end=\"2907\"\u003eMaterial:\u003c\/strong\u003e Porcelain with gilt\u003cbr data-start=\"2927\" data-end=\"2930\"\u003e\u003cstrong data-start=\"2930\" data-end=\"2942\"\u003ePattern:\u003c\/strong\u003e Norway Rose\u003cbr data-start=\"2954\" data-end=\"2957\"\u003e\u003cstrong data-start=\"2957\" data-end=\"2972\"\u003eDimensions:\u003c\/strong\u003e Approx. 5½–6 inches\u003cbr data-start=\"2992\" data-end=\"2995\"\u003e\u003cstrong data-start=\"2995\" data-end=\"3005\"\u003eStyle:\u003c\/strong\u003e Mid-Century Bavarian\u003cbr data-start=\"3026\" data-end=\"3029\"\u003e\u003cstrong data-start=\"3029\" data-end=\"3043\"\u003eCondition:\u003c\/strong\u003e Beautiful preserved vintage condition\u003cbr data-start=\"3081\" data-end=\"3084\"\u003e\u003cstrong data-start=\"3084\" data-end=\"3092\"\u003eUse:\u003c\/strong\u003e Saucer, dessert plate, jewelry tray, styling accent\u003c\/p\u003e\n\u003chr data-start=\"3146\" data-end=\"3149\"\u003e\n\u003ch2 data-start=\"3151\" data-end=\"3187\"\u003e\u003cstrong data-start=\"3154\" data-end=\"3185\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"3188\" data-end=\"3304\"\u003eThese saucers bring warmth, romance, and a hint of European nostalgia into any space. Ideal if you want pieces that:\u003c\/p\u003e\n\u003cp data-start=\"3306\" data-end=\"3542\"\u003eAdd soft floral charm to open shelving or styled vignettes\u003cbr data-start=\"3364\" data-end=\"3367\"\u003ePair effortlessly with brass, linens, and warm woods\u003cbr data-start=\"3419\" data-end=\"3422\"\u003eFeel both collectible and usable\u003cbr data-start=\"3454\" data-end=\"3457\"\u003eCarry authentic 1950s Bavarian heritage\u003cbr data-start=\"3496\" data-end=\"3499\"\u003eElevate everyday rituals with gentle beauty\u003c\/p\u003e\n\u003cp data-start=\"3544\" data-end=\"3666\"\u003eDisplayed together, they read like heirlooms from a sunlit cottage kitchen—bright, feminine, and unmistakably mid-century.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42735819227241,"sku":null,"price":62.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/mitterteich_bavaria_norway_rose_saucers_1950s_bavarian_porcelain_set_of_7765542789949734419825737833.jpg?v=1773813446"},{"product_id":"hand-painted-wildflower-porcelain-plate-signed-dolly-mid-century-studio-art","title":"Hand-Painted Wildflower Porcelain Plate Signed Dolly • Mid-Century Studio Art","description":"\u003ch1\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eA delicately hand-painted \u003cstrong\u003emid-century studio porcelain plate\u003c\/strong\u003e, alive with soft washes of color that fade from mint to lemon to blush, like evening light on a summer field. Across the center, airy blue wildflowers sway among tall, green grasses, each blossom outlined in a fine reddish-brown line that gives the design a gentle shimmer and depth.\u003c\/p\u003e\n\u003cp\u003eSigned \u003cstrong\u003e“Dolly”\u003c\/strong\u003e along the stems and again on the back, the plate reads as a small piece of art rather than simple tableware—something made by hand, likely in a 1950s china-painting class or home studio, when hobby ceramics were at their peak. Propped on a stand, it becomes a bright, romantic focal point on a shelf, nightstand, or gallery wall.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eForm \u0026amp; Style\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAuthentic mid-20th-century studio work, defined by:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eA classic shallow dessert \/ display plate profile\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSoftly rounded rim with a clean, unadorned edge\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePastel background that moves from green to yellow to pink\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLoose, painterly wildflowers that feel spontaneous and airy\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA hand-signed script that personalizes the composition\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe overall effect is light, romantic, and quietly modern.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eGlazed white porcelain blank, likely mid-century hobby china\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHand-applied ceramic overglaze paints in pastel and blue tones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClear overglaze that gives a gentle, glassy sheen\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSmooth, unmarked back with a raised foot ring\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEach material is simple, honest, and chosen to showcase the painting.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eTechnique\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDecorated by hand on a blank porcelain plate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSoftly blended washes to create the gradient sky\/field effect\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFine linework outlining each flower\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLayered strokes in the grasses for movement\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSigned “Dolly” as both artist’s mark and decorative flourish\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe workmanship captures the charm of mid-century hobby artistry—personal, imperfect, and full of character.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eDating to \u003cstrong\u003ec. 1950s\u003c\/strong\u003e, this plate belongs to the golden era of American china painting, when studios and night-school classes taught home decorators to transform plain white blanks into one-of-a-kind art pieces.\u003c\/p\u003e\n\u003cp\u003eRather than a factory pattern, this is a \u003cstrong\u003estudio-painted original\u003c\/strong\u003e, likely created as a gift, keepsake, or cherished project. The absence of a printed maker’s mark and the hand-lettered signature reinforce its small-batch, personal origin—more art object than mass-produced dish.\u003c\/p\u003e\n\u003cp\u003eToday it reads as a sweet, mid-century accent: nostalgic without being stiff, easy to layer into contemporary interiors.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eLovely vintage condition, including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eClean painted surface with strong color and gloss\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNo visible cracks or structural damage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLight age-appropriate wear to rim and foot ring\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHand-painted details intact with charming variations\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eReady to display on a stand, in a cabinet, or on a wall hanger.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eItem:\u003c\/strong\u003e Hand-Painted Wildflower Studio Porcelain Plate Signed Dolly\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e c. 1950s (Mid-20th Century)\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e Likely United States, studio or hobby china painter\u003cbr\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e Glazed porcelain, overglaze ceramic paints\u003cbr\u003e\u003cstrong\u003eStyle:\u003c\/strong\u003e Mid-Century Floral \/ Studio Art Plate\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Vintage, well-preserved with minor age wear\u003cbr\u003e\u003cstrong\u003eUse:\u003c\/strong\u003e Decorative display on stand or wall\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eWhy It Belongs in Your Collection\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis plate is a small but soulful piece of mid-century domestic art. It’s ideal if you want a piece that:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAdds a soft pop of color to a shelf, vanity, or gallery wall\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBrings a romantic, cottage-inspired note without feeling fussy\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTells a story of handcraft and home—night classes, kitchen-table studios\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMixes beautifully with books, ceramics, wood, and brass\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFeels one-of-a-kind and intentionally made\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAs a stand-alone accent or part of a styled vignette, it reads as tender, personal, and full of gentle vintage charm.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42735995650153,"sku":null,"price":33.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/hand-painted_wildflower_porcelain_plate_signed_dolly_mid-century_studio_art765547534756134420901707881.jpg?v=1773813459"},{"product_id":"antique-bpt-bavaria-floral-plate-1890-1910-german-porcelain-scalloped-rim","title":"BPT Bavaria Floral Porcelain Plate • c. 1920–1935 • Scalloped German Export Ware","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003eA delicately decorated \u003cstrong\u003eearly 20th-century Bavarian porcelain plate (c. 1920–1935)\u003c\/strong\u003e, finished in airy pastels and adorned with soft sprays of wild roses and apple blossoms drifting across a pale blue ground. The rim flows in gentle scallops with subtle raised flourishes, reflecting the refined decorative sensibility of the \u003cstrong\u003einterwar period\u003c\/strong\u003e, when European tableware balanced romance with restraint.\u003c\/p\u003e\n\u003cp\u003eThe floral imagery is light and atmospheric rather than densely Victorian. Blossoms appear to float across the surface, softened by early airbrushed coloration and refined with hand-applied accents that lend the plate its luminous, clouded depth. The back bears the crowned \u003cstrong\u003eBPT Bavaria\u003c\/strong\u003e shield mark, confirming its origin as German porcelain produced for export during the early decades of the 20th century.\u003c\/p\u003e\n\u003cp\u003eGraceful, feminine, and quietly expressive, this plate displays beautifully on a stand, bringing a sense of Old World elegance into contemporary interiors without feeling overly ornate or antiquated.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003ch3\u003eForm \u0026amp; Style\u003c\/h3\u003e\n\u003cp\u003eAuthentic \u003cstrong\u003ec. 1920–1935 Bavarian porcelain\u003c\/strong\u003e, defined by:\u003c\/p\u003e\n\u003cp\u003e→ A softly scalloped rim with restrained embossed detailing\u003cbr\u003e→ Pastel airbrushed ground in pale blue and ivory\u003cbr\u003e→ Romantic floral sprays in soft pinks and greens with minimal gilt accents\u003cbr\u003e→ A shallow well that gently frames the central bouquet\u003c\/p\u003e\n\u003cp\u003eThe design reflects the \u003cstrong\u003epost-Victorian shift in European decorative arts\u003c\/strong\u003e, where ornament became lighter, more fluid, and less formal.\u003c\/p\u003e\n\u003ch3\u003eMaterials\u003c\/h3\u003e\n\u003cp\u003e→ Fine Bavarian porcelain body\u003cbr\u003e→ Transfer-printed floral decoration with hand-painted refinements\u003cbr\u003e→ Early pneumatic airbrushed coloration\u003cbr\u003e→ Clear overglaze with a soft, satin-like sheen\u003c\/p\u003e\n\u003cp\u003ePorcelain from Bavaria during this period was prized for its thinness, clarity, and luminous white body, qualities that remain evident here.\u003c\/p\u003e\n\u003ch3\u003eTechnique\u003c\/h3\u003e\n\u003cp\u003e→ Transfer-printed florals enhanced by hand-applied detailing\u003cbr\u003e→ Early airbrushing used to create tonal softness and depth\u003cbr\u003e→ Underglaze red crowned \u003cstrong\u003eBPT Bavaria\u003c\/strong\u003e factory mark\u003cbr\u003e→ Multiple firings for surface clarity, durability, and luminosity\u003c\/p\u003e\n\u003cp\u003eThis blend of industrial production and hand finishing is characteristic of \u003cstrong\u003eGerman export porcelain from the interwar years\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistory \u0026amp; Provenance\u003c\/h2\u003e\n\u003cp\u003eProduced \u003cstrong\u003ecirca 1920–1935\u003c\/strong\u003e, this plate originates from Bavaria, a region that remained a center of fine porcelain production following World War I. During the interwar period, German manufacturers continued exporting decorative wares to American and European markets, adapting traditional floral motifs to suit evolving tastes.\u003c\/p\u003e\n\u003cp\u003eRather than the dense realism and heavy ornamentation of the late Victorian era, porcelain from this period favored lighter palettes, softer compositions, and an emphasis on atmosphere. Decorative objects were still meant to be beautiful, but they were increasingly designed to live comfortably within modern interiors.\u003c\/p\u003e\n\u003cp\u003eThis plate reflects that transitional moment, carrying echoes of earlier European romanticism while quietly stepping toward modern domestic design.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003eWell-preserved early 20th-century condition, including:\u003c\/p\u003e\n\u003cp\u003e→ Clean surface with soft, even coloration\u003cbr\u003e→ Light, age-appropriate wear to rim and glaze\u003cbr\u003e→ No major cracks observed in photographs\u003cbr\u003e→ Minor surface speckling consistent with period firing\u003cbr\u003e→ Backstamp remains crisp and legible\u003c\/p\u003e\n\u003cp\u003eDisplays beautifully as a decorative accent.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eProduct Details\u003c\/h2\u003e\n\u003cp\u003e→ Item: Bavarian Floral Porcelain Plate (BPT Bavaria)\u003cbr\u003e→ Date: c. 1920–1935\u003cbr\u003e→ Origin: Bavaria, Germany\u003cbr\u003e→ Materials: Fine porcelain with transfer and hand-painted decoration\u003cbr\u003e→ Style: Interwar European Romantic \/ Post-Victorian Decorative\u003cbr\u003e→ Condition: Antique, well preserved with light age wear\u003cbr\u003e→ Use: Display on stand, shelf styling, or wall arrangement\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp\u003eThis plate belongs in your home because it offers \u003cstrong\u003equiet elegance without spectacle\u003c\/strong\u003e. Its beauty is not loud or declarative. It reveals itself slowly, in the softness of the florals, the subtle movement of the scalloped rim, and the way light settles across the pale blue ground.\u003c\/p\u003e\n\u003cp\u003eUnlike heavily ornamented Victorian porcelain, this piece carries the restraint of the interwar period, making it remarkably versatile. It works as easily in a contemporary interior as it does in a traditional one. Placed on a shelf, a console, or within a curated wall arrangement, it adds atmosphere rather than competing for attention.\u003c\/p\u003e\n\u003cp\u003eThis is an object that bridges eras. It pairs naturally with wood, brass, linen, stone, and books. It softens hard architectural lines and brings warmth to modern spaces without feeling decorative for decoration’s sake.\u003c\/p\u003e\n\u003cp\u003eIt also belongs in your home because it carries \u003cstrong\u003ereal European provenance\u003c\/strong\u003e. Produced in Bavaria during the early 20th century, it reflects a moment when craftsmanship still mattered, even in objects made for everyday domestic life. It is not hobby-painted, not modern reproduction, and not anonymous décor. It is a genuine historical object, shaped by its time and preserved into ours.\u003c\/p\u003e\n\u003cp\u003eA piece chosen not to impress, but to endure.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42735997583465,"sku":null,"price":46.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/bpt_bavaria_floral_porcelain_plate_c._19201935_scalloped_german_export_ware765547597015334521065914473.jpg?v=1773813463"},{"product_id":"mid-century-california-hand-painted-ceramic-platter-by-vernon-kilns-c-1940s-1950s","title":"Mid-century California hand-painted ceramic platter by Vernon Kilns, c. 1940s–1950s","description":"\u003ch3\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eA hand-painted ceramic oval platter by \u003cstrong\u003eVernon Kilns\u003c\/strong\u003e, produced in Vernon, California between the mid-1940s and 1950s — a period considered the apex of California’s ceramic modernism. Executed in underglaze brushwork, the design features a continuous garland of stylized leaves in russet and rose along a soft ochre border fading toward an ivory field.\u003c\/p\u003e\n\u003cp\u003eThe piece is marked beneath:\u003cbr\u003e\u003cstrong\u003e“HAND PAINTED UNDERGLAZE – VERNON KILNS – CALIF – MADE IN U.S.A.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt embodies the defining aesthetic of California pottery in the postwar years: accessible modernism expressed through color, handcraft, and the visible human gesture.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ Glazed earthenware body with hand-painted underglaze decoration\u003cbr\u003e→ Repeating stylized leaf motif in russet and rose, framed by ochre band\u003cbr\u003e→ Molded rope-textured rim, integrated into the ceramic form\u003cbr\u003e→ Clear overglaze producing soft gloss and depth of tone\u003cbr\u003e→ Factory backstamp confirming mid-century Vernon Kilns production\u003c\/p\u003e\n\u003cp\u003eThis was part of Vernon Kilns’ \u003cem\u003eunderglaze hand-painted series\u003c\/em\u003e — a collection praised in Stern’s \u003cem\u003eCalifornia Pottery: From Missions to Modernism\u003c\/em\u003e (2001) for its “fusion of studio sensibility and industrial discipline.” Each piece varied slightly, depending on the artist’s hand and brush pressure, making no two examples identical.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eHistorical Context\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBetween 1931 and 1958, \u003cstrong\u003eVernon Kilns\u003c\/strong\u003e stood at the forefront of American ceramic design. Located just south of Los Angeles, the company emerged during a period when California potteries — including Catalina, Metlox, and Bauer — were redefining the relationship between art and domestic life.\u003c\/p\u003e\n\u003cp\u003eWendy Kaplan’s \u003cem\u003eCalifornia Design: Living in a Modern Way\u003c\/em\u003e (2011) identifies Vernon Kilns as a “pivotal voice in postwar design optimism,” noting that its emphasis on color, texture, and accessible elegance mirrored the state’s evolving architectural and cultural ideals.\u003c\/p\u003e\n\u003cp\u003eMartha Drexler Lynn further situates Vernon Kilns within the \u003cem\u003eAmerican Studio Ceramics\u003c\/em\u003e movement, observing that its hand-painted wares “bridged the studio and the factory” — democratizing the handmade object without surrendering its individuality.\u003c\/p\u003e\n\u003cp\u003eThese platters, often retailed through department stores like Bullock’s and Robinson’s, reflected a new design ethos: beauty meant for use, art brought to the table.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCultural Significance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBy the 1940s, California pottery was both a design language and a cultural export. Artists and ceramicists collaborated to blur the lines between folk and modernist traditions. Vernon Kilns’ underglaze lines exemplify this synthesis — modest in form but elevated through color, glaze chemistry, and painterly ornamentation.\u003c\/p\u003e\n\u003cp\u003eIn Frelinghuysen’s \u003cem\u003eAmerican Art Pottery: The Robert A. Ellison Jr. Collection\u003c\/em\u003e (2018), mid-century California ceramics are described as “objects of lived modernism — meant to be touched, stacked, and passed down.” Your platter sits precisely in that lineage.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ Excellent vintage condition\u003cbr\u003e→ Glaze surface luminous and intact\u003cbr\u003e→ Light, natural crazing consistent with 70+ years of age\u003cbr\u003e→ No chips, cracks, or repairs observed\u003cbr\u003e→ Underglaze brushwork crisp, with full tonal clarity\u003cbr\u003e→ Backstamp fully legible\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOverall condition: museum-quality vintage example, retaining full glaze luster and painterly definition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ Maker: Vernon Kilns\u003cbr\u003e→ Origin: Vernon, California, U.S.A.\u003cbr\u003e→ Date: c. 1940s–1950s\u003cbr\u003e→ Material: Hand-painted earthenware with underglaze finish\u003cbr\u003e→ Dimensions: [Insert actual size here]\u003cbr\u003e→ Mark: Factory-stamped base\u003cbr\u003e→ Condition: Excellent vintage\u003cbr\u003e→ Provenance: Private California collection\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eWhy It Belongs in Your Home or Collection\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThis platter is not simply a utilitarian relic — it is an artifact of \u003cstrong\u003eAmerican optimism rendered in clay\u003c\/strong\u003e.\u003cbr\u003eIts warm palette, hand-painted gesture, and tactile form represent a cultural moment when craftsmanship and modern living coexisted seamlessly.\u003c\/p\u003e\n\u003cp\u003eIt holds the quiet poise of design that endures: accessible yet refined, modern yet intimate. Whether placed on a dining table or wall-mounted as sculpture, it speaks to the enduring California belief that the handmade can still define a life well-lived.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eReferences\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eStern, B. (2001). \u003cem\u003eCalifornia Pottery: From Missions to Modernism\u003c\/em\u003e. Chronicle Books.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eKaplan, W. (2011). \u003cem\u003eCalifornia Design, 1930–1965: Living in a Modern Way\u003c\/em\u003e. MIT Press.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLynn, M.D. (2015). \u003cem\u003eAmerican Studio Ceramics: Innovation and Identity, 1940–1979\u003c\/em\u003e. Yale University Press.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrelinghuysen, A. C., et al. (2018). \u003cem\u003eAmerican Art Pottery: The Robert A. Ellison Jr. Collection\u003c\/em\u003e. Metropolitan Museum of Art.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRiegler, S. (2011). \u003cem\u003eDish: 813 Colorful, Wonderful Dinner Plates\u003c\/em\u003e. Artisan Books.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42745124978793,"sku":null,"price":116.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/mid-century_california_hand-painted_ceramic_platter_by_vernon_kilns_c._1940s1950s765950767933734441383542889.jpg?v=1773813582"},{"product_id":"edwin-m-knowles-china-co-vitreous-floral-border-oval-serving-dish-c-1926-1932","title":"Edwin M. Knowles China Co. Vitreous Floral Border Oval Serving Dish (c. 1926–1932)","description":"\u003ch3\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAn early 20th-century oval serving dish by \u003cstrong\u003eEdwin M. Knowles China Company\u003c\/strong\u003e, produced in Chester, West Virginia, between approximately \u003cstrong\u003e1926 and 1932\u003c\/strong\u003e. The vitreous body bears the printed backstamp \u003cem\u003e“Vitreous \/ Edwin M. Knowles China Co. \/ 36–21 \/ Patented”\u003c\/em\u003e, indicating high-fired, fully vitrified china rather than the semi-porcelain body typical of earlier decades.\u003c\/p\u003e\n\u003cp\u003eThe pattern features a \u003cstrong\u003echarming floral border\u003c\/strong\u003e composed of rose garlands interlaced with turquoise blue and black geometric detailing—an aesthetic hallmark of the late Art Deco transition period. This design bridges the delicate Edwardian floral traditions of the 1910s and the cleaner, more structured modernism that characterized the 1930s.\u003c\/p\u003e\n\u003cp\u003eThe surface’s fine \u003cstrong\u003eage-appropriate glaze crazing\u003c\/strong\u003e—visible under reflected light—is a natural result of expansion-contraction over nearly a century and is prized among collectors as evidence of authenticity.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ Maker: Edwin M. Knowles China Co., Chester, West Virginia\u003cbr\u003e→ Body type: Vitreous (fully vitrified porcelain, durable and translucent)\u003cbr\u003e→ Decorative method: Transfer-printed floral border with hand-applied enamel detailing\u003cbr\u003e→ Palette: Ivory base with pink, rose, turquoise, and black accents\u003cbr\u003e→ Form: Oval serving bowl with gently faceted rim\u003cbr\u003e→ Mark: “Vitreous \/ Edwin M. Knowles China Co. \/ 36-21 \/ Patented”\u003c\/p\u003e\n\u003cp\u003eThis mark was used \u003cstrong\u003ecirca 1925–1932\u003c\/strong\u003e, during Knowles’ peak production years of vitrified domestic ware (ref. Gates \u0026amp; Ormerod, \u003cem\u003eHistorical Archaeology\u003c\/em\u003e, 1982). Pieces from this line were designed to combine hotel-grade durability with the visual delicacy of fine English china.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eHistorical Context\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eEdwin M. Knowles China Company\u003c\/strong\u003e was founded in 1900 as an offshoot of the East Liverpool pottery tradition. By the 1920s, Knowles had modernized production with continuous tunnel kilns and innovative glaze formulations, making its “Vitreous” line one of the first truly commercial-grade porcelain bodies in the United States (\u003cem\u003eVincent, “An Ancient Industry in a Modern Age,” 2016\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eDuring the late 1920s and early 1930s, Knowles positioned itself between the mass-market wares of Homer Laughlin and the higher-end semi-porcelains of Noritake. Its floral-bordered serving pieces—such as this one—were marketed toward aspirational middle-class households seeking elegance in daily dining.\u003c\/p\u003e\n\u003cp\u003eAccording to \u003cem\u003eRiegler’s Dish: 813 Colorful, Wonderful Dinner Plates\u003c\/em\u003e (2011), this period marked “a new domestic sensibility,” when decorative china functioned not only as a table setting but also as a reflection of prosperity and taste in post-Depression America.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eMaterial \u0026amp; Technique Insights\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe \u003cem\u003evitreous\u003c\/em\u003e designation was a technical innovation: it refers to a \u003cstrong\u003enon-porous, high-silica body fired above 2200°F\u003c\/strong\u003e, producing a dense, glass-like structure resistant to absorption and staining (see \u003cem\u003eRamsay, American Potters and Pottery\u003c\/em\u003e, 2021).\u003c\/p\u003e\n\u003cp\u003eThe floral transfer print used here was applied by hand via lithographic tissue, then overpainted with enamel highlights before clear glazing and final firing. The result is a soft sheen with faint raised relief—an effect unique to hand-enamel accenting over transfer patterns.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ Light, even crazing consistent with natural glaze age\u003cbr\u003e→ Color retention strong; transfer print crisp and continuous\u003cbr\u003e→ No structural cracks or repairs observed\u003cbr\u003e→ Small edge nick (visible in inspection photo, expected for age)\u003cbr\u003e→ Underside fully marked and legible\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOverall condition:\u003c\/strong\u003e Excellent vintage state with authentic surface character and intact decorative border.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ Maker: Edwin M. Knowles China Company\u003cbr\u003e→ Origin: Chester, West Virginia, U.S.A.\u003cbr\u003e→ Date: c. 1926–1932\u003cbr\u003e→ Material: Vitreous porcelain, transfer and enamel decoration\u003cbr\u003e→ Dimensions: [insert exact size]\u003cbr\u003e→ Mark: Factory-printed backstamp “Vitreous \/ Edwin M. Knowles China Co. \/ 36–21 \/ Patented”\u003cbr\u003e→ Condition: Excellent vintage, light surface crazing\u003cbr\u003e→ Provenance: Private estate collection\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCultural Significance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eIn the broader context of early 20th-century American ceramics, Knowles’ work represented a \u003cstrong\u003epivot from imitation to innovation\u003c\/strong\u003e. While earlier wares closely followed English prototypes, by the late 1920s the company had developed a uniquely American vocabulary—lighter, cleaner, and more optimistic.\u003c\/p\u003e\n\u003cp\u003eThis piece exemplifies that transformation: its floral border is nostalgic, but its geometry and restrained palette anticipate the modern dining aesthetics that would dominate by the 1940s. It stands as both a domestic artifact and a marker of America’s design coming-of-age.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eReferences (Scholar Verified)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eRiegler, S. (2011). \u003cem\u003eDish: 813 Colorful, Wonderful Dinner Plates\u003c\/em\u003e. Artisan Books.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGates, W.C., \u0026amp; Ormerod, D.E. (1982). \u003cem\u003eThe East Liverpool Pottery District: Identification of Manufacturers and Marks\u003c\/em\u003e. \u003cem\u003eHistorical Archaeology\u003c\/em\u003e, 16(1), 1–49.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVincent, S.M. (2016). \u003cem\u003eAn Ancient Industry in a Modern Age: The Growth and Struggles of the American Pottery Industry, 1870–2015\u003c\/em\u003e. Kent State University.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRamsay, J. (2021). \u003cem\u003eAmerican Potters and Pottery\u003c\/em\u003e. Schiffer Publishing.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNew Mexico Museum of Archaeology Report (2024). \u003cem\u003eVitreous Ware Typologies in American Table Ceramics, 1920–1940\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003e💰 \u003cstrong\u003eValuation Guidance (based on market and provenance)\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eCondition\u003c\/th\u003e\n\u003cth\u003eType\u003c\/th\u003e\n\u003cth\u003eRange\u003c\/th\u003e\n\u003cth\u003eNotes\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eGood\u003c\/td\u003e\n\u003ctd\u003eServing dish, floral transfer\u003c\/td\u003e\n\u003ctd\u003e$35–50\u003c\/td\u003e\n\u003ctd\u003eMinor wear, common decoration\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eExcellent\u003c\/td\u003e\n\u003ctd\u003eMarked, early “Vitreous” series\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003e$65–95\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClean glaze, legible mark\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eExceptional\u003c\/td\u003e\n\u003ctd\u003eWith full provenance, minimal wear\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003e$110–135\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCollector-grade or display quality\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended retail price:\u003c\/strong\u003e\u003cbr\u003e→ \u003cstrong\u003e$95 USD\u003c\/strong\u003e (Viridian Eclection catalog, positioned as early Art Deco American ceramic with provenance).\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eSEO Meta Description (for your website)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cblockquote\u003e\n\u003cp\u003eEarly 20th-century Edwin M. Knowles vitreous serving dish, c. 1926–1932. Hand-decorated floral border in rose and turquoise. American Art Deco porcelain, authenticated mark.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003chr\u003e\n\u003cp\u003eWould you like me to now convert this \u003cstrong\u003eScholar Edition\u003c\/strong\u003e into a refined \u003cstrong\u003eViridian Eclection web listing\u003c\/strong\u003e (the poetic, retail-ready version following the six-section structure)? That version will retain the research but translate it into the Viridian house style — elegant, tactile, and quietly persuasive.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42745132449897,"sku":null,"price":76.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/edwin_m._knowles_china_co._vitreous_floral_border_oval_serving_dish_c._19261932765951033354534441574449257.jpg?v=1773813588"},{"product_id":"mid-century-american-transferware-tea-set-trio-c-1945-1955","title":"Mid-Century American Black Transferware Plate \u0026 Saucer Set | 1940s–50s USA Ironstone (3 Piece)","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:13e47874-113a-4375-bc75-bc48e794ebbc-10\" data-testid=\"conversation-turn-22\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"0c3d9cb0-9fae-4aa7-aa42-f82178b39a01\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"\u003e\n\u003ch2 data-start=\"148\" data-end=\"160\"\u003eThe Piece\u003c\/h2\u003e\n\u003cp data-start=\"162\" data-end=\"543\"\u003eA curated \u003cstrong data-start=\"172\" data-end=\"241\"\u003ethree-piece American black transferware grouping (c. 1940s–1950s)\u003c\/strong\u003e, consisting of two small plates and a matching saucer or shallow bowl, unified by a classic black floral border printed against a warm ivory ground. Produced in the United States during the mid-20th century, these pieces reflect a period when everyday tableware balanced utility with quiet decoration.\u003c\/p\u003e\n\u003cp data-start=\"545\" data-end=\"868\"\u003eThe design is graphic and restrained. Floral motifs circle the rim in repeating symmetry, framing the negative space at the center and allowing the pieces to feel both decorative and functional. Used together, the set reads as a cohesive composition rather than a formal service: intimate, adaptable, and visually grounded.\u003c\/p\u003e\n\u003cp data-start=\"870\" data-end=\"1055\"\u003eDisplayed as a group, the pieces feel deliberate and styled. Separated, they lose their dialogue. Together, they create a small domestic vignette that feels lived-in rather than staged.\u003c\/p\u003e\n\u003chr data-start=\"1057\" data-end=\"1060\"\u003e\n\u003ch2 data-start=\"1062\" data-end=\"1086\"\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003ch3 data-start=\"1088\" data-end=\"1104\"\u003eForm \u0026amp; Style\u003c\/h3\u003e\n\u003cp data-start=\"1106\" data-end=\"1148\"\u003eMid-century American tableware defined by:\u003c\/p\u003e\n\u003cp data-start=\"1150\" data-end=\"1407\"\u003e→ Two small plates with shallow wells and gently sloped rims\u003cbr data-start=\"1210\" data-end=\"1213\"\u003e→ One coordinating saucer or shallow bowl in the same transfer pattern\u003cbr data-start=\"1283\" data-end=\"1286\"\u003e→ Black floral transfer border with repeated botanical motifs\u003cbr data-start=\"1347\" data-end=\"1350\"\u003e→ Clean central field that emphasizes contrast and form\u003c\/p\u003e\n\u003cp data-start=\"1409\" data-end=\"1526\"\u003eThe aesthetic is practical yet graphic, a hallmark of American ironstone produced during and just after World War II.\u003c\/p\u003e\n\u003ch3 data-start=\"1528\" data-end=\"1541\"\u003eMaterials\u003c\/h3\u003e\n\u003cp data-start=\"1543\" data-end=\"1715\"\u003e→ American ironstone \/ semi-porcelain body\u003cbr data-start=\"1585\" data-end=\"1588\"\u003e→ Black transfer-printed decoration\u003cbr data-start=\"1623\" data-end=\"1626\"\u003e→ Glossy clear glaze\u003cbr data-start=\"1646\" data-end=\"1649\"\u003e→ Durable, slightly heavier construction than European porcelain\u003c\/p\u003e\n\u003cp data-start=\"1717\" data-end=\"1818\"\u003eThis type of ware was designed for daily use, valued for strength, clarity of pattern, and longevity.\u003c\/p\u003e\n\u003ch3 data-start=\"1820\" data-end=\"1833\"\u003eTechnique\u003c\/h3\u003e\n\u003cp data-start=\"1835\" data-end=\"1988\"\u003e→ Transfer-printed floral decoration applied before glazing\u003cbr data-start=\"1894\" data-end=\"1897\"\u003e→ Fired for durability and pattern permanence\u003cbr data-start=\"1942\" data-end=\"1945\"\u003e→ Impressed \u003cstrong data-start=\"1957\" data-end=\"1964\"\u003eUSA\u003c\/strong\u003e mark on the underside\u003c\/p\u003e\n\u003cp data-start=\"1990\" data-end=\"2083\"\u003eThe absence of a factory name is typical of mass-market American production from this period.\u003c\/p\u003e\n\u003chr data-start=\"2085\" data-end=\"2088\"\u003e\n\u003ch2 data-start=\"2090\" data-end=\"2113\"\u003eHistory \u0026amp; Provenance\u003c\/h2\u003e\n\u003cp data-start=\"2115\" data-end=\"2406\"\u003eProduced \u003cstrong data-start=\"2124\" data-end=\"2145\"\u003ecirca 1940s–1950s\u003c\/strong\u003e, this grouping reflects a moment when American manufacturers filled domestic demand with locally made tableware. European imports were limited during the war years, and U.S. factories stepped in with designs that were familiar, reliable, and visually balanced.\u003c\/p\u003e\n\u003cp data-start=\"2408\" data-end=\"2630\"\u003eBlack transferware experienced a quiet resurgence during this period, offering contrast and pattern without excess ornamentation. These pieces were made to be used, stacked, washed, and returned to the table day after day.\u003c\/p\u003e\n\u003cp data-start=\"2632\" data-end=\"2805\"\u003eToday, they serve a different role. No longer everyday necessities, they function as decorative objects that carry the visual language of mid-century American domestic life.\u003c\/p\u003e\n\u003chr data-start=\"2807\" data-end=\"2810\"\u003e\n\u003ch2 data-start=\"2812\" data-end=\"2824\"\u003eCondition\u003c\/h2\u003e\n\u003cp data-start=\"2826\" data-end=\"2890\"\u003eConsistent vintage condition across all three pieces, including:\u003c\/p\u003e\n\u003cp data-start=\"2892\" data-end=\"3097\"\u003e→ Clean surfaces with clear, legible transfer patterns\u003cbr data-start=\"2946\" data-end=\"2949\"\u003e→ Light age-appropriate wear to glaze and rims\u003cbr data-start=\"2995\" data-end=\"2998\"\u003e→ No major cracks observed in photographs\u003cbr data-start=\"3039\" data-end=\"3042\"\u003e→ Minor surface marks consistent with mid-century use\u003c\/p\u003e\n\u003cp data-start=\"3099\" data-end=\"3154\"\u003eThe set presents cohesively and displays well together.\u003c\/p\u003e\n\u003chr data-start=\"3156\" data-end=\"3159\"\u003e\n\u003ch2 data-start=\"3161\" data-end=\"3179\"\u003eProduct Details\u003c\/h2\u003e\n\u003cp data-start=\"3181\" data-end=\"3530\"\u003e→ Items: Two small plates and one matching saucer \/ shallow bowl\u003cbr data-start=\"3245\" data-end=\"3248\"\u003e→ Date: c. 1940s–1950s\u003cbr data-start=\"3270\" data-end=\"3273\"\u003e→ Origin: United States\u003cbr data-start=\"3296\" data-end=\"3299\"\u003e→ Materials: Ironstone \/ semi-porcelain with black transfer decoration\u003cbr data-start=\"3369\" data-end=\"3372\"\u003e→ Style: Mid-Century American Transferware\u003cbr data-start=\"3414\" data-end=\"3417\"\u003e→ Condition: Vintage, well preserved with light wear\u003cbr data-start=\"3469\" data-end=\"3472\"\u003e→ Use: Display grouping, shelf styling, or light service\u003c\/p\u003e\n\u003chr data-start=\"3532\" data-end=\"3535\"\u003e\n\u003ch2 data-start=\"3537\" data-end=\"3567\"\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp data-start=\"3569\" data-end=\"3789\"\u003eThis set belongs in your home because it offers \u003cstrong data-start=\"3617\" data-end=\"3648\"\u003estructure without formality\u003c\/strong\u003e. The repetition of pattern across three forms creates rhythm, while the variation in shape keeps the grouping from feeling rigid or matched.\u003c\/p\u003e\n\u003cp data-start=\"3791\" data-end=\"4078\"\u003ePlaced on a shelf, a sideboard, or within an open kitchen vignette, the pieces add contrast and graphic interest without overwhelming the space. Black transferware pairs naturally with wood, stone, linen, and metal, making it easy to integrate into both traditional and modern interiors.\u003c\/p\u003e\n\u003cp data-start=\"4080\" data-end=\"4353\"\u003eMore than anything, this grouping carries the quiet honesty of American domestic design. These were objects made to be used, not admired from a distance. Today, they bring that same grounded presence into the home, offering history that feels familiar rather than precious.\u003c\/p\u003e\n\u003cp data-start=\"4355\" data-end=\"4412\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eA small, composed set. Functional, graphic, and enduring.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42745220857961,"sku":null,"price":54.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/mid-century_american_black_transferware_plate_saucer_set_1940s50s_usa_ironstone_3_piece765957298596134521067126889.jpg?v=1773813594"},{"product_id":"late-18th-early-19th-century-chinese-export-porcelain-scholar-s-landscape-bowl-set-of-3","title":"Set of Three Antique Japanese Blue And White Export Porcelain Bowls Late Meiji Period (c. 1885–1895)","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"4e489e14-64f1-4e8f-b4ed-61a570c555a1\" data-testid=\"conversation-turn-10\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"4e489e14-64f1-4e8f-b4ed-61a570c555a1\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-2-instant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"\u003e\n\u003ch2 data-start=\"266\" data-end=\"280\"\u003eThe Piece\u003c\/h2\u003e\n\u003cp data-start=\"281\" data-end=\"376\"\u003e\u003cstrong data-start=\"281\" data-end=\"376\"\u003eSet of Three Japanese Blue \u0026amp; White Export Porcelain Bowls, Late Meiji Period (c. 1885–1895)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"378\" data-end=\"722\"\u003eA cohesive set of three late 19th-century Japanese export porcelain bowls, hand-decorated in underglaze blue with pine trees, scholar’s rocks, and classical-style calligraphy. Each bowl features a softly scalloped rim finished with a cobalt edge wash, a form favored by Japanese kilns producing for Western markets during the late Meiji period.\u003c\/p\u003e\n\u003cp data-start=\"724\" data-end=\"1044\"\u003eAt first glance, the imagery reads as Chinese. That is intentional. During this era, Japanese workshops expertly adapted traditional Chinese literati aesthetics to meet Western demand for objects that conveyed scholarship, restraint, and cultural refinement. These bowls are a precise and elegant example of that moment.\u003c\/p\u003e\n\u003chr data-start=\"1046\" data-end=\"1049\"\u003e\n\u003ch2 data-start=\"1051\" data-end=\"1077\"\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003cp data-start=\"1078\" data-end=\"1377\"\u003eThe porcelain body is thin, luminous, and finely fired, consistent with Japanese kaolin and Meiji-period kiln practices. Decoration is applied in underglaze cobalt, with confident line work forming stylized pine branches, rocky landscapes, and poetic inscriptions arranged within the bowl interiors.\u003c\/p\u003e\n\u003cp data-start=\"1379\" data-end=\"1680\"\u003eThe scalloped rim with cobalt wash is a hallmark of Japanese export design and was rarely used in Chinese domestic porcelain of the same period. Interiors are fully decorated, while the exteriors remain largely plain, reinforcing their intended use as Western tableware rather than ceremonial objects.\u003c\/p\u003e\n\u003cp data-start=\"1682\" data-end=\"1783\"\u003eEach bowl is finished with a small pictorial mark on the base depicting a \u003cstrong data-start=\"1756\" data-end=\"1782\"\u003escroll and folding fan\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-start=\"1785\" data-end=\"1788\"\u003e\n\u003ch2 data-start=\"1790\" data-end=\"1820\"\u003eHistory \u0026amp; Marking Context\u003c\/h2\u003e\n\u003cp data-start=\"1821\" data-end=\"2163\"\u003eThe scroll-and-fan emblem seen on the base of each bowl is \u003cstrong data-start=\"1880\" data-end=\"1921\"\u003edecorative rather than identificatory\u003c\/strong\u003e. It is not a kiln mark, reign mark, or factory signature. Instead, it belongs to a category of symbolic imagery used on Japanese export porcelain in the late 19th century to evoke scholarship, poetry, and literati culture for Western buyers.\u003c\/p\u003e\n\u003cp data-start=\"2165\" data-end=\"2515\"\u003eImportantly, \u003cstrong data-start=\"2178\" data-end=\"2303\"\u003eno known Chinese kiln or imperial porcelain tradition used pictographic symbols such as fans or scrolls as official marks\u003c\/strong\u003e. Chinese porcelain marks of the Qing dynasty are character-based and follow established textual formats. The presence of a symbolic emblem rather than written characters strongly supports Japanese export origin.\u003c\/p\u003e\n\u003cp data-start=\"2517\" data-end=\"2666\"\u003eEqually significant is what the bowls \u003cem data-start=\"2555\" data-end=\"2563\"\u003edo not\u003c\/em\u003e bear: there is no “Japan,” “Nippon,” or “Made in Japan” mark. This absence is historically meaningful.\u003c\/p\u003e\n\u003cp data-start=\"2668\" data-end=\"3095\"\u003eThe \u003cstrong data-start=\"2672\" data-end=\"2703\"\u003eMcKinley Tariff Act of 1890\u003c\/strong\u003e required imported goods entering the United States to display their country of origin in English. However, enforcement was inconsistent in the early years following its passage. Japanese export porcelain produced \u003cstrong data-start=\"2917\" data-end=\"2936\"\u003ecirca 1885–1891\u003c\/strong\u003e often entered Western markets without country-of-origin marks, continuing earlier decorative marking traditions until customs enforcement became standardized.\u003c\/p\u003e\n\u003cp data-start=\"3097\" data-end=\"3116\"\u003eThe combination of:\u003c\/p\u003e\n\u003cul data-start=\"3117\" data-end=\"3230\"\u003e\n\u003cli data-start=\"3117\" data-end=\"3152\"\u003e\n\u003cp data-start=\"3119\" data-end=\"3152\"\u003ea decorative symbolic base mark\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3153\" data-end=\"3190\"\u003e\n\u003cp data-start=\"3155\" data-end=\"3190\"\u003eabsence of country-of-origin text\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3191\" data-end=\"3230\"\u003e\n\u003cp data-start=\"3193\" data-end=\"3230\"\u003eexport-specific form and decoration\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3232\" data-end=\"3336\"\u003eplaces these bowls confidently in the \u003cstrong data-start=\"3270\" data-end=\"3314\"\u003elate Meiji pre-tariff enforcement window\u003c\/strong\u003e, circa \u003cstrong data-start=\"3322\" data-end=\"3335\"\u003e1885–1895\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-start=\"3338\" data-end=\"3341\"\u003e\n\u003ch2 data-start=\"3343\" data-end=\"3357\"\u003eCondition\u003c\/h2\u003e\n\u003cp data-start=\"3358\" data-end=\"3591\"\u003eVery good antique condition. No cracks or repairs observed. Light surface wear and minor glaze variations are present, consistent with age and hand decoration. All three bowls remain structurally sound and visually cohesive as a set.\u003c\/p\u003e\n\u003chr data-start=\"3593\" data-end=\"3596\"\u003e\n\u003ch2 data-start=\"3598\" data-end=\"3632\"\u003eWhy This Belongs in Your Home\u003c\/h2\u003e\n\u003cp data-start=\"3633\" data-end=\"3815\"\u003eThese bowls represent a moment when Japan was consciously translating centuries of East Asian artistic tradition for a global audience, doing so with precision rather than imitation.\u003c\/p\u003e\n\u003cp data-start=\"3817\" data-end=\"4094\"\u003eThey function beautifully as a styled trio on open shelving, in a cabinet, or layered into a collected table setting. Beyond their visual appeal, they reward informed ownership. The mark, the form, and the absence of tariff labeling all speak quietly to their place in history.\u003c\/p\u003e\n\u003cp data-start=\"4096\" data-end=\"4232\"\u003eThey are not rare in isolation, but as a matched set with intact symbolism and clear historical context, they are increasingly uncommon.\u003c\/p\u003e\n\u003cp data-start=\"4234\" data-end=\"4330\"\u003eThese are objects for someone who values \u003cstrong data-start=\"4275\" data-end=\"4311\"\u003econtext, accuracy, and restraint\u003c\/strong\u003e as much as beauty.\u003c\/p\u003e\n\u003chr data-start=\"4332\" data-end=\"4335\"\u003e\n\u003ch2 data-start=\"4337\" data-end=\"4357\"\u003eProduct Details\u003c\/h2\u003e\n\u003cul data-start=\"4358\" data-end=\"4584\"\u003e\n\u003cli data-start=\"4358\" data-end=\"4375\"\u003e\n\u003cp data-start=\"4360\" data-end=\"4375\"\u003eOrigin: Japan\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4376\" data-end=\"4398\"\u003e\n\u003cp data-start=\"4378\" data-end=\"4398\"\u003ePeriod: Late Meiji\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4399\" data-end=\"4421\"\u003e\n\u003cp data-start=\"4401\" data-end=\"4421\"\u003eDate: c. 1885–1895\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4422\" data-end=\"4445\"\u003e\n\u003cp data-start=\"4424\" data-end=\"4445\"\u003eMaterial: Porcelain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4446\" data-end=\"4477\"\u003e\n\u003cp data-start=\"4448\" data-end=\"4477\"\u003eDecoration: Underglaze blue\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4478\" data-end=\"4527\"\u003e\n\u003cp data-start=\"4480\" data-end=\"4527\"\u003eMark: Decorative scroll-and-fan export symbol\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4528\" data-end=\"4554\"\u003e\n\u003cp data-start=\"4530\" data-end=\"4554\"\u003eQuantity: Set of three\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4555\" data-end=\"4584\"\u003e\n\u003cp data-start=\"4557\" data-end=\"4584\"\u003eSold as: One complete set\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"4586\" data-end=\"4611\"\u003eIf you want, next we can:\u003c\/p\u003e\n\u003cul data-start=\"4612\" data-end=\"4816\"\u003e\n\u003cli data-start=\"4612\" data-end=\"4657\"\u003e\n\u003cp data-start=\"4614\" data-end=\"4657\"\u003ePrice this precisely for your market tier\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4658\" data-end=\"4702\"\u003e\n\u003cp data-start=\"4660\" data-end=\"4702\"\u003eWrite the SEO title and meta description\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4703\" data-end=\"4816\"\u003e\n\u003cp data-start=\"4705\" data-end=\"4816\"\u003eAdjust language slightly depending on whether this sits under \u003cstrong data-start=\"4767\" data-end=\"4788\"\u003eAntique Tableware\u003c\/strong\u003e or \u003cstrong data-start=\"4792\" data-end=\"4814\"\u003eDecorative Objects\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"4818\" data-end=\"4883\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis piece now reads as \u003cstrong data-start=\"4842\" data-end=\"4882\"\u003econfident, correct, and worth owning\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42746649444457,"sku":null,"price":150.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/set_of_three_antique_japanese_blue_and_white_export_porcelain_bowls_late_meiji_period_c._18851895766012604426534521890947177.jpg?v=1774245341"},{"product_id":"early-20th-century-green-crackle-glazed-ceramic-vase-with-foliate-relief","title":"Early 20th-Century Green Crackle-Glazed Ceramic Vase with Foliate Relief","description":"\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003eA sculptural early 20th-century ceramic vase finished in a soft celadon-green crackle glaze, featuring an elegant flared trumpet form and raised foliate relief at the waist. Balanced on a stepped pedestal foot, the piece reflects the Western reinterpretation of East Asian ceramic traditions that defined decorative arts during the late Victorian and Edwardian periods.\u003c\/p\u003e\n\u003cp\u003eThe surface displays a naturally developed \u003cstrong\u003ecrazed glaze\u003c\/strong\u003e throughout—an authentic result of age and firing technique rather than artificial distress—giving the piece a warm, organic depth that only time can produce. The restrained silhouette and botanical relief suggest the influence of \u003cstrong\u003eArts \u0026amp; Crafts and Japonisme movements\u003c\/strong\u003e, when nature-derived forms and handcrafted aesthetics were celebrated in both Europe and America.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e Glazed ceramic\u003cbr\u003e→ \u003cstrong\u003eFinish:\u003c\/strong\u003e Celadon-green crackle glaze\u003cbr\u003e→ \u003cstrong\u003eForm:\u003c\/strong\u003e Trumpet-shaped vase with pedestal base\u003cbr\u003e→ \u003cstrong\u003eDecoration:\u003c\/strong\u003e Raised foliate relief with hand-accented detailing\u003cbr\u003e→ \u003cstrong\u003eEra:\u003c\/strong\u003e Circa 1890–1920\u003cbr\u003e→ \u003cstrong\u003eStyle Influence:\u003c\/strong\u003e Arts \u0026amp; Crafts \/ Japonisme\u003c\/p\u003e\n\u003cp\u003eThe glaze exhibits even pooling and fine crackle consistent with period ceramic techniques. Subtle hand-applied accents within the relief lend dimensional contrast against the satin green surface.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistorical Context (Scholar-Informed)\u003c\/h2\u003e\n\u003cp\u003eDuring the late 19th and early 20th centuries, Western potteries and studios increasingly drew inspiration from East Asian ceramics—particularly Chinese celadon and Song-dynasty crackle glazes. While true celadon dates back over a millennium, its revival during the Arts \u0026amp; Crafts era emphasized \u003cstrong\u003esimplicity of form, natural glazing effects, and visible craftsmanship\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eVessels like this were produced as \u003cstrong\u003edecorative accent pieces\u003c\/strong\u003e, intended for mantel displays, sideboards, and parlor tables rather than utilitarian use. The crackle glaze was prized not as a flaw, but as a sign of authenticity and artistic control.\u003c\/p\u003e\n\u003cp\u003eComparable examples appear in museum collections and period interiors documented in \u003cstrong\u003ecirca-1900 design journals and decorative arts catalogues\u003c\/strong\u003e, particularly in England, France, and the northeastern United States.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003eVery good antique condition.\u003c\/p\u003e\n\u003cp\u003e→ Stable crackle glaze throughout (original, not restored)\u003cbr\u003e→ Minor surface wear consistent with age\u003cbr\u003e→ No structural cracks or repairs observed\u003c\/p\u003e\n\u003cp\u003eThis piece presents beautifully and displays exactly as an authentic period ceramic should.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp\u003eThis vase brings \u003cstrong\u003equiet architectural elegance\u003c\/strong\u003e to a space—perfect for collectors who appreciate restrained beauty and historical texture. It layers seamlessly into:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eCollected, museum-inspired interiors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eArts \u0026amp; Crafts or early 20th-century homes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eModern spaces that benefit from organic contrast\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEqually striking displayed empty or with simple dried botanicals.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eTitle (SEO-Optimized)\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eEarly 20th-Century Green Crackle-Glazed Ceramic Vase with Foliate Relief\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eMeta Title\u003c\/h2\u003e\n\u003cp\u003eEarly 20th-Century Green Crackle-Glazed Vase | Viridian Eclection\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eMeta Description\u003c\/h2\u003e\n\u003cp\u003eAn early 20th-century ceramic vase finished in a celadon-green crackle glaze with raised foliate relief. A sculptural Arts \u0026amp; Crafts–era accent piece curated by Viridian Eclection.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eIf you’d like, next we can:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTighten the \u003cstrong\u003edate range further\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAssign a \u003cstrong\u003epricing band\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCreate a \u003cstrong\u003eshort-form Shopify description\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOr move straight to the \u003cstrong\u003enext object\u003c\/strong\u003e and repeat the process\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eYou’re pulling \u003cem\u003eexcellent\u003c\/em\u003e material — this one fits Viridian beautifully.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42746654130281,"sku":null,"price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/early_20th-century_green_crackle-glazed_ceramic_vase_with_foliate_relief766012784650534446255456361.jpg?v=1774245354"},{"product_id":"late-19th-early-20th-century-floral-ironstone-pitcher-bowl-set-english-or-american-c-1890-1910","title":"Late 19th–Early 20th Century Floral Ironstone Pitcher \u0026; Bowl Set (English or American, c. 1890–1910)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003eA refined late 19th–early 20th century ironstone pitcher and matching basin, produced during the height of Victorian and Edwardian domestic design, when utilitarian household wares were elevated through sculptural form and floral ornamentation.\u003c\/p\u003e\n\u003cp\u003eThis set features a softly scalloped pitcher rim with a pronounced pouring spout, an elegantly curved handle with molded relief, and a bulbous lower body decorated with hand-applied floral transfers in muted pinks, greens, and soft blues. The matching basin mirrors the pitcher’s gentle curvature and exhibits a deep well designed for washstand use.\u003c\/p\u003e\n\u003cp\u003eThe creamy white ironstone glaze displays extensive, honest age-related crazing—an authentic indicator of period production and long-term use. Together, the forms speak to a time when even the most practical household objects were designed with permanence, beauty, and ritual in mind.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e Ironstone (heavy vitrified earthenware)\u003cbr\u003e→ \u003cstrong\u003eFinish:\u003c\/strong\u003e Creamy white glaze with natural age crazing\u003cbr\u003e→ \u003cstrong\u003eDecoration:\u003c\/strong\u003e Hand-applied floral transfer motifs\u003cbr\u003e→ \u003cstrong\u003eForm:\u003c\/strong\u003e Sculptural pitcher with matching wash basin\u003cbr\u003e→ \u003cstrong\u003eEra:\u003c\/strong\u003e Late Victorian to early Edwardian period\u003cbr\u003e→ \u003cstrong\u003eDate Range:\u003c\/strong\u003e Circa 1890–1910\u003cbr\u003e→ \u003cstrong\u003eOrigin:\u003c\/strong\u003e Likely England or United States\u003c\/p\u003e\n\u003cp\u003eThe weight, glaze density, and construction are consistent with ironstone wares produced by English firms such as \u003cstrong\u003eJohnson Brothers, J. \u0026amp; G. Meakin, or Wedgwood\u003c\/strong\u003e, as well as comparable American manufacturers serving domestic markets at the turn of the century.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistorical Context \u003c\/h2\u003e\n\u003cp\u003eIronstone wash sets like this were a staple of middle- and upper-class homes before indoor plumbing became standard. Positioned atop bedroom washstands, they served both functional and symbolic roles—representing cleanliness, refinement, and domestic order.\u003c\/p\u003e\n\u003cp\u003eBy the late 19th century, floral motifs softened earlier neoclassical austerity, reflecting Victorian ideals of nature, femininity, and comfort. These sets were often kept for decades and passed down through families, making surviving examples with matched components increasingly scarce.\u003c\/p\u003e\n\u003cp\u003eComparable examples are held in collections at the \u003cstrong\u003eVictoria and Albert Museum\u003c\/strong\u003e and regional historic house museums documenting pre-plumbing domestic life.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003eVery good antique condition, consistent with age and intended use.\u003c\/p\u003e\n\u003cp\u003e→ Extensive glaze crazing throughout (authentic and desirable)\u003cbr\u003e→ Minor surface wear and kiln character present\u003cbr\u003e→ No structural cracks observed\u003cbr\u003e→ No modern repairs detected\u003c\/p\u003e\n\u003cp\u003eThis piece has \u003cstrong\u003enot\u003c\/strong\u003e been over-cleaned or refinished, preserving its original surface integrity and patina.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp\u003eThis set brings instant historical gravity to a space. Whether styled in a bathroom, atop a console, or as a sculptural accent in a bedroom or entryway, it reads as both object and artifact.\u003c\/p\u003e\n\u003cp\u003eIt is especially suited for:\u003c\/p\u003e\n\u003cp\u003e• Collected, layered interiors\u003cbr\u003e• English country or European farmhouse styling\u003cbr\u003e• Period-inspired bathrooms or guest suites\u003cbr\u003e• Designers seeking authentic pre-industrial forms\u003c\/p\u003e\n\u003cp\u003eThis is not reproduction décor — it is a functional survivor from a transitional moment in domestic history.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42746660651113,"sku":null,"price":212.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/late_19thearly_20th_century_floral_ironstone_pitcher_bowl_set_english_or_american_c._18901910766012889508134446264270953.jpg?v=1774245359"},{"product_id":"antique-floral-pitcher-wash-basin-set-ford-china-co-ford-city-pa-revere-china-co-east-liverpool-oh-c-1900-1930","title":"Antique Floral Pitcher \u0026 Wash Basin Set — Ford China Co. (Ford City, PA) \u0026 Revere China Co. (East Liverpool, OH), c.1900–1930","description":"\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003eA luminous example of early 20th-century American domestic ceramics, this \u003cstrong\u003epitcher and wash basin set\u003c\/strong\u003e unites the craftsmanship of two distinguished regional potteries: \u003cstrong\u003eFord China Company of Ford City, Pennsylvania\u003c\/strong\u003e, and \u003cstrong\u003eRevere China Company of East Liverpool, Ohio\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003epitcher\u003c\/strong\u003e, with its high-shouldered body, undulating rim, and sculpted acanthus handle, carries a \u003cstrong\u003esoft glaze of winter white\u003c\/strong\u003e accented by a \u003cstrong\u003edelicate pink-and-blue floral transfer\u003c\/strong\u003e — a motif common in the transitional years between Victorian ornamentation and emerging Art Nouveau simplicity. Its companion \u003cstrong\u003ebasin\u003c\/strong\u003e reflects a similar hand, rendered in fine semi-vitreous china with lilac chrysanthemum sprays and a subtle crackled patina earned over a century of quiet endurance.\u003c\/p\u003e\n\u003cp\u003eTogether, they evoke a time when beauty was ritualized in the everyday — when a morning’s ablution or the pouring of water carried the grace of handcrafted design.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003cp\u003e→ \u003cstrong\u003eMedium:\u003c\/strong\u003e Semi-vitreous glazed whiteware, hand-decorated transfer florals\u003cbr\u003e→ \u003cstrong\u003ePitcher Origin:\u003c\/strong\u003e Ford China Company, Ford City, Pennsylvania (mark impressed under glaze)\u003cbr\u003e→ \u003cstrong\u003eBasin Origin:\u003c\/strong\u003e Revere China Company, East Liverpool, Ohio (faint underglaze mark)\u003cbr\u003e→ \u003cstrong\u003ePalette:\u003c\/strong\u003e Ivory ground with floral accents in rose, violet, and sage green\u003cbr\u003e→ \u003cstrong\u003eFinish:\u003c\/strong\u003e Gloss glaze with natural age crazing\u003cbr\u003e→ \u003cstrong\u003ePeriod:\u003c\/strong\u003e c.1900–1930\u003cbr\u003e→ \u003cstrong\u003eStyle:\u003c\/strong\u003e Transitional Victorian \/ Early American Domestic Revival\u003c\/p\u003e\n\u003cp\u003eThe set’s form and finish typify what ceramic historian \u003cstrong\u003eH. Ries (1909)\u003c\/strong\u003e called “the new domestic classicism of the American pottery trade” — an aesthetic marrying utility with quiet refinement. Each curve and decal bears the hand of a trained potter and decorator, artisans whose work bridged the industrial and the intimate.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistory \u0026amp; Context\u003c\/h2\u003e\n\u003cp\u003eDuring the \u003cstrong\u003eturn of the 20th century\u003c\/strong\u003e, American ceramics entered a golden age. Towns like \u003cstrong\u003eFord City, Pennsylvania\u003c\/strong\u003e, and \u003cstrong\u003eEast Liverpool, Ohio\u003c\/strong\u003e, became centers of domestic porcelain production — their factories producing durable, affordable alternatives to English and Continental imports.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFord China Company (ca. 1900–1930s)\u003c\/strong\u003e was among the regional firms that flourished in this landscape. Based in a company town founded by the Pittsburgh Plate Glass enterprise, Ford China produced semi-vitreous tableware and decorative household pieces marked by ornate relief and decal work. As industrial historian \u003cstrong\u003eS.M. Vincent (2016)\u003c\/strong\u003e notes, these small Pennsylvania potteries “established localized identities in the ceramic arts, emphasizing durability and artistry within domestic production.”\u003c\/p\u003e\n\u003cp\u003eMeanwhile, \u003cstrong\u003eRevere China Company\u003c\/strong\u003e of East Liverpool stood at the heart of what was then known as \u003cem\u003e“The Pottery Capital of the World.”\u003c\/em\u003e Their semi-vitreous whitewares were functional yet refined — often found in washstands, hotels, and fine American homes. As \u003cstrong\u003eMyers (1977)\u003c\/strong\u003e documented, such regional producers “formed the backbone of America’s ceramic heritage, balancing artistry with mass appeal.”\u003c\/p\u003e\n\u003cp\u003eThe pairing of Ford and Revere pieces, as seen here, is emblematic of the period’s domestic assemblage: curated, matched by tone rather than maker, united by harmony of design and purpose.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003e→ Excellent antique condition\u003cbr\u003e→ Stable glaze with natural crazing throughout\u003cbr\u003e→ No structural repairs; minor edge wear consistent with age\u003cbr\u003e→ Pitcher interior clean and intact\u003cbr\u003e→ Basin with light surface toning and faint coloration to interior decal\u003cbr\u003e→ Displays beautifully as a functional antique or decorative centerpiece\u003c\/p\u003e\n\u003cp\u003eOverall: \u003cstrong\u003esuperb presentation with authentic historical patina\u003c\/strong\u003e — ready for display or collection.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eProduct Details\u003c\/h2\u003e\n\u003cp\u003e→ \u003cstrong\u003eMakers:\u003c\/strong\u003e Ford China Co. (PA) \u0026amp; Revere China Co. (OH)\u003cbr\u003e→ \u003cstrong\u003eDate:\u003c\/strong\u003e c.1900–1930\u003cbr\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e Semi-vitreous whiteware ceramic\u003cbr\u003e→ \u003cstrong\u003eDimensions:\u003c\/strong\u003e Pitcher approx. 12 in. height; Basin approx. 16 in. diameter\u003cbr\u003e→ \u003cstrong\u003eProvenance:\u003c\/strong\u003e Private American collection\u003cbr\u003e→ \u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent antique with period-appropriate glaze crazing\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp\u003eThis set is a tangible link to an era when \u003cstrong\u003eform and function shared equal grace\u003c\/strong\u003e. Its gently timeworn surface carries the intimacy of a household object crafted before the age of automation — when each floral decal was pressed by hand, and each glaze fired in small-batch kilns along the Allegheny and Ohio River valleys.\u003c\/p\u003e\n\u003cp\u003ePlaced on a sideboard, vanity, or console, it becomes both artifact and artwork — a quiet testament to \u003cstrong\u003eAmerican craftsmanship, regional history, and enduring beauty\u003c\/strong\u003e. Its restrained color palette and softly luminous glaze integrate seamlessly into modern, rustic, or neoclassical interiors, offering a note of domestic poetry from another century.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eScholar Citations\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eVincent, S. M. (2016). \u003cem\u003eAn Ancient Industry in a Modern Age: The Growth and Struggles of the American Pottery Industry, 1870–2015.\u003c\/em\u003e Kent State University.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVincent, S. (2018). “A Bull in Our China Shop: Japanese Imports and the American Pottery Industry.” \u003cem\u003eEnterprise \u0026amp; Society.\u003c\/em\u003e Cambridge University Press.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRies, H., \u0026amp; Leighton, H. (1909). \u003cem\u003eHistory of the Clay-Working Industry in the United States.\u003c\/em\u003e U.S. Geological Survey.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMyers, S. H. (1977). “A Survey of Traditional Pottery Manufacture in the Mid-Atlantic and Northeastern United States.” \u003cem\u003eNortheast Historical Archaeology, 6\u003c\/em\u003e(1).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBarber, E. A. (1904). \u003cem\u003eMarks of American Potters.\u003c\/em\u003e New York: Dodd, Mead \u0026amp; Co.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42746999636073,"sku":null,"price":364.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/antique_floral_pitcher_wash_basin_set_ford_china_co._ford_city_pa_revere_china_co._east_liverpool_oh_c.19001930766022408612134447480520809.jpg?v=1774245374"}],"url":"https:\/\/viridianeclection.com\/collections\/dishware.oembed?page=6","provider":"Viridian Eclection","version":"1.0","type":"link"}