{"title":"Serving Platters","description":"","products":[{"product_id":"imperial-glass-company-candlewick-rectangular-covered-butter-dish-bellaire-ohio-circa-1946-1949","title":"Imperial Glass Company “Candlewick” Rectangular Covered Butter Dish — Bellaire, Ohio, Circa 1946–-1949","description":"\u003ch2 data-end=\"134\" data-start=\"114\"\u003eThe Butter Dish\u003c\/h2\u003e\n\u003cp data-end=\"544\" data-start=\"135\"\u003eA luminous example of postwar American pressed glass, this \u003cstrong data-end=\"229\" data-start=\"194\"\u003erectangular covered butter dish\u003c\/strong\u003e was produced by the \u003cstrong data-end=\"276\" data-start=\"250\"\u003eImperial Glass Company\u003c\/strong\u003e of Bellaire, Ohio, between \u003cstrong data-end=\"321\" data-start=\"304\"\u003e1946 and 1953\u003c\/strong\u003e. Part of the company’s renowned \u003cem data-end=\"366\" data-start=\"354\"\u003eCandlewick\u003c\/em\u003e line, it perfectly captures the transition from Depression-era practicality to the refinement of mid-century American design—where industrial precision met handcrafted beauty.\u003c\/p\u003e\n\u003cp data-end=\"718\" data-start=\"546\"\u003eIntroduced as part of Imperial’s postwar expansion of the \u003cem data-end=\"616\" data-start=\"604\"\u003eCandlewick\u003c\/em\u003e pattern, this covered butter represents one of the most collectible and enduring forms in the line.\u003c\/p\u003e\n\u003chr data-end=\"723\" data-start=\"720\"\u003e\n\u003ch3 data-end=\"752\" data-start=\"725\"\u003eDesign \u0026amp; Construction\u003c\/h3\u003e\n\u003cp data-end=\"988\" data-start=\"753\"\u003e→ \u003cstrong data-end=\"767\" data-start=\"755\"\u003ePattern:\u003c\/strong\u003e Featuring Imperial’s hallmark \u003cem data-end=\"810\" data-start=\"798\"\u003eCandlewick\u003c\/em\u003e motif—rows of hand-applied glass beads encircling the base tray—the piece embodies the elegant geometry that made the pattern one of America’s most recognizable glass designs.\u003c\/p\u003e\n\u003cp data-end=\"1288\" data-start=\"990\"\u003e→ \u003cstrong data-end=\"1001\" data-start=\"992\"\u003eForm:\u003c\/strong\u003e The \u003cstrong data-end=\"1031\" data-start=\"1006\"\u003erectangular domed lid\u003c\/strong\u003e is topped with a ribbed \u003cstrong data-end=\"1075\" data-start=\"1056\"\u003eteardrop finial\u003c\/strong\u003e, a distinctive feature of late-1940s to early-1950s production. Earlier Candlewick lids were rounded or knobbed; this finial’s vertical ribbing and oval shape help date the piece precisely to the postwar years.\u003c\/p\u003e\n\u003cp data-end=\"1520\" data-start=\"1290\"\u003e→ \u003cstrong data-end=\"1308\" data-start=\"1292\"\u003eTray Design:\u003c\/strong\u003e The \u003cstrong data-end=\"1355\" data-start=\"1313\"\u003erectangular base with radiused corners\u003c\/strong\u003e and continuous beaded edge was first catalogued in Imperial’s 1946 marketing materials as part of their \"complete table service\" additions to the Candlewick line.\u003c\/p\u003e\n\u003cp data-end=\"1810\" data-start=\"1522\"\u003e→ \u003cstrong data-end=\"1537\" data-start=\"1524\"\u003eMaterial:\u003c\/strong\u003e Made of \u003cstrong data-end=\"1587\" data-start=\"1546\"\u003epressed crystal-clear soda-lime glass\u003c\/strong\u003e, fire-polished to achieve Imperial’s signature luster. Each bead around the tray was individually applied by hand before annealing—an exacting process that gave \u003cem data-end=\"1761\" data-start=\"1749\"\u003eCandlewick\u003c\/em\u003e its tactile brilliance and collectible appeal.\u003c\/p\u003e\n\u003chr data-end=\"1815\" data-start=\"1812\"\u003e\n\u003ch3 data-end=\"1833\" data-start=\"1817\"\u003eDimensions\u003c\/h3\u003e\n\u003cp data-end=\"1915\" data-start=\"1834\"\u003eLength: 7¼\"\u003cbr data-end=\"1848\" data-start=\"1845\"\u003eWidth: 4\"\u003cbr data-end=\"1860\" data-start=\"1857\"\u003eHeight (with lid): 4½\"\u003cbr data-end=\"1885\" data-start=\"1882\"\u003e(Measurements within ¼ inch)\u003c\/p\u003e\n\u003chr data-end=\"1920\" data-start=\"1917\"\u003e\n\u003ch3 data-end=\"1948\" data-start=\"1922\"\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp data-end=\"2162\" data-start=\"1949\"\u003eFounded in \u003cstrong data-end=\"1986\" data-start=\"1960\"\u003e1901 in Bellaire, Ohio\u003c\/strong\u003e, the \u003cstrong data-end=\"2018\" data-start=\"1992\"\u003eImperial Glass Company\u003c\/strong\u003e quickly became one of the foremost American glass manufacturers, known for the clarity and quality of their handmade pressed and blown glass.\u003c\/p\u003e\n\u003cp data-end=\"2593\" data-start=\"2164\"\u003eThe \u003cem data-end=\"2180\" data-start=\"2168\"\u003eCandlewick\u003c\/em\u003e pattern debuted in \u003cstrong data-end=\"2208\" data-start=\"2200\"\u003e1936\u003c\/strong\u003e, but it wasn’t until after World War II that Imperial expanded the line to include new serveware—such as butter dishes, creamers, and center bowls—to appeal to the growing suburban home market. These additions, produced roughly \u003cstrong data-end=\"2450\" data-start=\"2437\"\u003e1946–1953\u003c\/strong\u003e, feature heavier glass and more refined fire-polishing than earlier pieces, distinguishing them as the pinnacle of Imperial’s craftsmanship.\u003c\/p\u003e\n\u003cp data-end=\"2760\" data-start=\"2595\"\u003eThe pattern remained in production until the company’s closure in the 1980s and remains one of the most recognizable and beloved designs in American glass history.\u003c\/p\u003e\n\u003chr data-end=\"2765\" data-start=\"2762\"\u003e\n\u003ch3 data-end=\"2782\" data-start=\"2767\"\u003eCondition\u003c\/h3\u003e\n\u003cp data-end=\"3032\" data-start=\"2783\"\u003eIn \u003cstrong data-end=\"2817\" data-start=\"2786\"\u003eexcellent vintage condition\u003c\/strong\u003e, showing no chips, cracks, or discoloration. The glass is clear and bright with only minor base wear consistent with age. The beads remain crisp and well-defined—a hallmark of early production Candlewick quality.\u003c\/p\u003e\n\u003cp data-end=\"3528\" data-start=\"3149\"\u003eAmong collectors, the rectangular \u003cem data-end=\"3195\" data-start=\"3183\"\u003eCandlewick\u003c\/em\u003e butter dish is prized for its rarity and balanced proportions. For designers, it serves as a sculptural accent piece—equally at home in a farmhouse kitchen, a glass cabinet vignette, or a minimalist table setting. Its clarity, symmetry, and historical significance make it an enduring icon of American mid-century domestic design.\u003c\/p\u003e\n\u003chr data-end=\"3533\" data-start=\"3530\"\u003e\n\u003ch3 data-end=\"3556\" data-start=\"3535\"\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\" data-end=\"4123\" data-start=\"3557\"\u003e\n\u003cthead data-end=\"3594\" data-start=\"3557\"\u003e\n\u003ctr data-end=\"3594\" data-start=\"3557\"\u003e\n\u003cth data-col-size=\"sm\" data-end=\"3573\" data-start=\"3557\"\u003e\u003cstrong data-end=\"3572\" data-start=\"3559\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-col-size=\"md\" data-end=\"3594\" data-start=\"3573\"\u003e\u003cstrong data-end=\"3590\" data-start=\"3575\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-end=\"4123\" data-start=\"3634\"\u003e\n\u003ctr data-end=\"3674\" data-start=\"3634\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3646\" data-start=\"3634\"\u003e\u003cstrong data-end=\"3645\" data-start=\"3636\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3674\" data-start=\"3646\" data-col-size=\"md\"\u003eImperial Glass Company\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3713\" data-start=\"3675\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3688\" data-start=\"3675\"\u003e\u003cstrong data-end=\"3687\" data-start=\"3677\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3713\" data-start=\"3688\" data-col-size=\"md\"\u003eBellaire, Ohio, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3746\" data-start=\"3714\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3725\" data-start=\"3714\"\u003e\u003cstrong data-end=\"3724\" data-start=\"3716\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3746\" data-start=\"3725\" data-col-size=\"md\"\u003eCirca 1946–1953\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3777\" data-start=\"3747\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3761\" data-start=\"3747\"\u003e\u003cstrong data-end=\"3760\" data-start=\"3749\"\u003ePattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3777\" data-start=\"3761\" data-col-size=\"md\"\u003eCandlewick\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3838\" data-start=\"3778\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3790\" data-start=\"3778\"\u003e\u003cstrong data-end=\"3789\" data-start=\"3780\"\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3838\" data-start=\"3790\" data-col-size=\"md\"\u003ePostwar American \/ Mid-Century Traditional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3879\" data-start=\"3839\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3854\" data-start=\"3839\"\u003e\u003cstrong data-end=\"3853\" data-start=\"3841\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3879\" data-start=\"3854\" data-col-size=\"md\"\u003ePressed clear glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3947\" data-start=\"3880\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3896\" data-start=\"3880\"\u003e\u003cstrong data-end=\"3895\" data-start=\"3882\"\u003eTechnique\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3947\" data-start=\"3896\" data-col-size=\"md\"\u003eHand-applied beaded rim, fire-polished finish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"3991\" data-start=\"3948\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"3965\" data-start=\"3948\"\u003e\u003cstrong data-end=\"3964\" data-start=\"3950\"\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"3991\" data-start=\"3965\" data-col-size=\"md\"\u003e7¼” L × 4” W × 4½” H\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"4046\" data-start=\"3992\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"4008\" data-start=\"3992\"\u003e\u003cstrong data-end=\"4007\" data-start=\"3994\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"4046\" data-start=\"4008\" data-col-size=\"md\"\u003eExcellent, no damage or clouding\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"4123\" data-start=\"4047\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"4064\" data-start=\"4047\"\u003e\u003cstrong data-end=\"4063\" data-start=\"4049\"\u003eProvenance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"4123\" data-start=\"4064\" data-col-size=\"md\"\u003ePostwar Imperial production, 1946–1953 expansion line\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-end=\"4128\" data-start=\"4125\"\u003e\n\u003ch3 data-end=\"4152\" data-start=\"4130\"\u003eWhy It’s Special\u003c\/h3\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"4566\" data-start=\"4153\"\u003eThis \u003cem data-end=\"4170\" data-start=\"4158\"\u003eCandlewick\u003c\/em\u003e butter dish represents the peak of Imperial Glass craftsmanship—a perfect marriage of function, ornament, and light. Its postwar design details—the ribbed finial, beaded edge, and hand-finished polish—capture the optimism and artistry of American domestic design in the late 1940s. Whether used as serveware or displayed as glass sculpture, it stands as a timeless piece of mid-century elegance.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42613140324457,"sku":"VE-0084","price":88.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/imperial_glass_company_candlewick_rectangular_covered_butter_dish_bellaire_ohio_circa_1946-1949762305278781734151382614121.jpg?v=1773722633"},{"product_id":"warwick-china-oval-serving-platter-warwick-china-co-wheeling-west-virginia-circa-1940-1951","title":"Warwick China Oval Serving Platter — Warwick China Co., Wheeling, West Virginia — Circa 1925–1945","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-68e9f565-1404-8332-ba59-50c11e986fc5-19\" data-testid=\"conversation-turn-52\" data-scroll-anchor=\"false\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"5d91179a-59d5-4373-ab87-b496ec9439d6\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003ch2 data-start=\"110\" data-end=\"126\"\u003eThe Platter\u003c\/h2\u003e\n\u003cp data-start=\"127\" data-end=\"519\"\u003eA refined example of early 20th-century American restaurantware, this \u003cstrong data-start=\"197\" data-end=\"221\"\u003eoval serving platter\u003c\/strong\u003e was produced by the \u003cstrong data-start=\"242\" data-end=\"267\"\u003eWarwick China Company\u003c\/strong\u003e of \u003cstrong data-start=\"271\" data-end=\"298\"\u003eWheeling, West Virginia\u003c\/strong\u003e, between \u003cstrong data-start=\"308\" data-end=\"325\"\u003e1925 and 1945\u003c\/strong\u003e. The platter’s clean form, durable construction, and understated decoration reflect the transitional era of American ceramics—when craftsmanship met the growing demand for industrial utility.\u003c\/p\u003e\n\u003cp data-start=\"521\" data-end=\"734\"\u003eBearing the \u003cstrong data-start=\"533\" data-end=\"577\"\u003egreen underglaze “WARWICK WHEELING” mark\u003c\/strong\u003e, this piece belongs to the company’s later production period, when Warwick simplified its branding and focused on vitrified hotel and institutional china.\u003c\/p\u003e\n\u003chr data-start=\"736\" data-end=\"739\"\u003e\n\u003ch3 data-start=\"741\" data-end=\"768\"\u003eDesign \u0026amp; Construction\u003c\/h3\u003e\n\u003cp data-start=\"769\" data-end=\"911\"\u003e→ \u003cstrong data-start=\"771\" data-end=\"784\"\u003eMaterial:\u003c\/strong\u003e Heavy \u003cstrong data-start=\"791\" data-end=\"814\"\u003evitrified porcelain\u003c\/strong\u003e, fired to high temperatures for superior chip resistance—a hallmark of Warwick’s service ware.\u003c\/p\u003e\n\u003cp data-start=\"913\" data-end=\"1173\"\u003e→ \u003cstrong data-start=\"915\" data-end=\"930\"\u003eDecoration:\u003c\/strong\u003e A minimalist \u003cstrong data-start=\"944\" data-end=\"966\"\u003edouble-line border\u003c\/strong\u003e in soft gray-blue encircles the rim, typical of American restaurantware from the interwar period. The design’s restraint speaks to the move away from ornate Victorian patterns toward modernist simplicity.\u003c\/p\u003e\n\u003cp data-start=\"1175\" data-end=\"1334\"\u003e→ \u003cstrong data-start=\"1177\" data-end=\"1186\"\u003eForm:\u003c\/strong\u003e The oval profile features a slightly recessed center well for serving entrées or sides, with raised rolled edges for strength and clean handling.\u003c\/p\u003e\n\u003cp data-start=\"1336\" data-end=\"1561\"\u003e→ \u003cstrong data-start=\"1338\" data-end=\"1350\"\u003eMarking:\u003c\/strong\u003e The backstamp, printed in green, reads \u003cem data-start=\"1390\" data-end=\"1412\"\u003e“WARWICK \/ WHEELING”\u003c\/em\u003e—a post-1920s mark used after the company discontinued its earlier “helmet and crossed swords” emblem, confirming production between 1925 and 1945.\u003c\/p\u003e\n\u003chr data-start=\"1563\" data-end=\"1566\"\u003e\n\u003ch3 data-start=\"1568\" data-end=\"1584\"\u003eDimensions\u003c\/h3\u003e\n\u003cp data-start=\"1585\" data-end=\"1643\"\u003eLength: 13½\"\u003cbr data-start=\"1597\" data-end=\"1600\"\u003eWidth: 9¾\"\u003cbr data-start=\"1610\" data-end=\"1613\"\u003e(Measurements within ¼ inch)\u003c\/p\u003e\n\u003chr data-start=\"1645\" data-end=\"1648\"\u003e\n\u003ch3 data-start=\"1650\" data-end=\"1674\"\u003eHistorical Context\u003c\/h3\u003e\n\u003cp data-start=\"1675\" data-end=\"2017\"\u003eFounded in \u003cstrong data-start=\"1686\" data-end=\"1694\"\u003e1887\u003c\/strong\u003e, the \u003cstrong data-start=\"1700\" data-end=\"1725\"\u003eWarwick China Company\u003c\/strong\u003e became one of West Virginia’s major ceramic producers, specializing in \u003cstrong data-start=\"1797\" data-end=\"1841\"\u003esemi-porcelain and vitrified hotel china\u003c\/strong\u003e. Early pieces featured romantic and floral transfers, while later lines—such as this platter—adopted modern industrial styling suited for restaurants, railroads, and hotels.\u003c\/p\u003e\n\u003cp data-start=\"2019\" data-end=\"2295\"\u003eBy the \u003cstrong data-start=\"2026\" data-end=\"2041\"\u003e1930s–1940s\u003c\/strong\u003e, Warwick’s aesthetic aligned with the streamlined American modern movement: clean, functional, and purpose-built. This platter exemplifies that shift, bridging the decorative ideals of the early 1900s with the efficiency-driven design of the WWII era.\u003c\/p\u003e\n\u003cp data-start=\"2297\" data-end=\"2411\"\u003eThe company ceased operations in \u003cstrong data-start=\"2330\" data-end=\"2338\"\u003e1951\u003c\/strong\u003e, making this example part of Warwick’s final generation of production.\u003c\/p\u003e\n\u003chr data-start=\"2413\" data-end=\"2416\"\u003e\n\u003ch3 data-start=\"2418\" data-end=\"2433\"\u003eCondition\u003c\/h3\u003e\n\u003cp data-start=\"2434\" data-end=\"2630\"\u003eIn \u003cstrong data-start=\"2437\" data-end=\"2468\"\u003eexcellent vintage condition\u003c\/strong\u003e, with a glossy glaze surface, intact border lines, and minimal utensil wear. No cracks, chips, or discoloration. The underglaze mark remains crisp and legible.\u003c\/p\u003e\n\u003chr data-start=\"2632\" data-end=\"2635\"\u003e\n\u003ch3 data-start=\"2637\" data-end=\"2665\"\u003eValue \u0026amp; Collectibility\u003c\/h3\u003e\n\u003cp data-start=\"2666\" data-end=\"2745\"\u003e→ \u003cstrong data-start=\"2668\" data-end=\"2695\"\u003eCollector Market Value:\u003c\/strong\u003e $25–$40\u003cbr data-start=\"2703\" data-end=\"2706\"\u003e→ \u003cstrong data-start=\"2708\" data-end=\"2735\"\u003eDesign \/ Styling Value:\u003c\/strong\u003e $45–$65\u003c\/p\u003e\n\u003cp data-start=\"2747\" data-end=\"3096\"\u003ePieces from Warwick’s later production period are appreciated both by collectors of \u003cstrong data-start=\"2831\" data-end=\"2858\"\u003eAmerican restaurantware\u003c\/strong\u003e and by interior stylists who value their \u003cstrong data-start=\"2900\" data-end=\"2925\"\u003eindustrial minimalism\u003c\/strong\u003e and \u003cstrong data-start=\"2930\" data-end=\"2955\"\u003eculinary authenticity\u003c\/strong\u003e. Their weight, clarity, and subtle decoration make them equally suited for display or use in contemporary farmhouse and heritage kitchens.\u003c\/p\u003e\n\u003chr data-start=\"3098\" data-end=\"3101\"\u003e\n\u003ch3 data-start=\"3103\" data-end=\"3124\"\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"3125\" data-end=\"3654\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"3125\" data-end=\"3162\"\u003e\n\u003ctr data-start=\"3125\" data-end=\"3162\"\u003e\n\u003cth data-start=\"3125\" data-end=\"3141\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3127\" data-end=\"3140\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"3141\" data-end=\"3162\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"3143\" data-end=\"3158\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3202\" data-end=\"3654\"\u003e\n\u003ctr data-start=\"3202\" data-end=\"3237\"\u003e\n\u003ctd data-start=\"3202\" data-end=\"3214\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3204\" data-end=\"3213\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3214\" data-end=\"3237\" data-col-size=\"md\"\u003eWarwick China Co.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3238\" data-end=\"3285\"\u003e\n\u003ctd data-start=\"3238\" data-end=\"3251\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3240\" data-end=\"3250\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3251\" data-end=\"3285\"\u003eWheeling, West Virginia, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3286\" data-end=\"3318\"\u003e\n\u003ctd data-start=\"3286\" data-end=\"3297\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3288\" data-end=\"3296\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3297\" data-end=\"3318\" data-col-size=\"md\"\u003eCirca 1925–1945\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3319\" data-end=\"3359\"\u003e\n\u003ctd data-start=\"3319\" data-end=\"3334\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3321\" data-end=\"3333\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3334\" data-end=\"3359\"\u003eVitrified porcelain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3360\" data-end=\"3419\"\u003e\n\u003ctd data-start=\"3360\" data-end=\"3372\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3362\" data-end=\"3371\"\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3372\" data-end=\"3419\"\u003eInterwar American \/ Restaurantware Modern\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3420\" data-end=\"3468\"\u003e\n\u003ctd data-start=\"3420\" data-end=\"3437\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3422\" data-end=\"3436\"\u003eDecoration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3437\" data-end=\"3468\"\u003eDouble gray-blue line rim\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3469\" data-end=\"3504\"\u003e\n\u003ctd data-start=\"3469\" data-end=\"3482\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3471\" data-end=\"3481\"\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3482\" data-end=\"3504\"\u003eHigh-gloss glaze\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3505\" data-end=\"3542\"\u003e\n\u003ctd data-start=\"3505\" data-end=\"3522\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3507\" data-end=\"3521\"\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3522\" data-end=\"3542\"\u003e13½” L × 9¾” W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3543\" data-end=\"3601\"\u003e\n\u003ctd data-start=\"3543\" data-end=\"3554\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3545\" data-end=\"3553\"\u003eMark\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3554\" data-end=\"3601\"\u003eGreen “WARWICK WHEELING” underglaze stamp\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3602\" data-end=\"3654\"\u003e\n\u003ctd data-start=\"3602\" data-end=\"3618\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3604\" data-end=\"3617\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3618\" data-end=\"3654\"\u003eExcellent, light age wear only\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"3656\" data-end=\"3659\"\u003e\n\u003ch3 data-start=\"3661\" data-end=\"3683\"\u003eWhy It’s Special\u003c\/h3\u003e\n\u003cp data-start=\"3684\" data-end=\"4045\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis platter represents the \u003cstrong data-start=\"3712\" data-end=\"3753\"\u003eintersection of design and durability\u003c\/strong\u003e that defined America’s interwar ceramics. Produced at a time when elegance met efficiency, its restrained decoration and robust craftsmanship make it both a collectible artifact and a timelessly usable piece of design—echoing the quiet sophistication of 20th-century American dining culture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42613156053097,"sku":"VE-0088","price":46.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/warwick_china_oval_serving_platter_warwick_china_co._wheeling_west_virginia_circa_19251945762305826007334151538557033.jpg?v=1773722655"},{"product_id":"mid-century-colonial-homestead-oval-serving-platter-by-royal-china-usa-c-1950s","title":"Mid-Century “Colonial Homestead” Oval Serving Platter by Royal China (USA), c. 1950s","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"1c10ddb0-be40-4c05-af69-5809591d1b21\" data-testid=\"conversation-turn-30\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"dd6eb524-296c-4d38-8065-2cd7a3ae9cff\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-thinking\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words light markdown-new-styling\"\u003e\n\u003cp data-start=\"0\" data-end=\"503\"\u003e\u003cstrong data-start=\"0\" data-end=\"13\"\u003eThe Piece\u003c\/strong\u003e\u003cbr data-start=\"13\" data-end=\"16\"\u003eA classic mid-century \u003cstrong data-start=\"38\" data-end=\"95\"\u003eRoyal China “Colonial Homestead” oval serving platter\u003c\/strong\u003e (Sebring, Ohio), finished in warm ivory with scalloped rim grips and hand-applied gilt flourishes at the terminals. The creamy glaze shows a beautiful field of allover crazing and tea-toned patina—exactly the kind of honest age that turns utilitarian stoneware into display-worthy décor. Equally at home on a farmhouse table or styled upright on a shelf, it delivers history and warmth in one generous form.\u003c\/p\u003e\n\u003chr data-start=\"505\" data-end=\"508\"\u003e\n\u003cp data-start=\"510\" data-end=\"829\"\u003e\u003cstrong data-start=\"510\" data-end=\"535\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003cbr data-start=\"535\" data-end=\"538\"\u003e→ \u003cstrong data-start=\"540\" data-end=\"557\"\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr data-start=\"557\" data-end=\"560\"\u003eBroad oval well with subtle cavetto, scalloped rim notches for handling, and restrained line bands circling the interior. Black-and-gold foliate scrolls accent the “grips,” a mid-century interpretation of Colonial-era ornament that Royal China popularized in the 1950s.\u003c\/p\u003e\n\u003cp data-start=\"831\" data-end=\"1014\"\u003e→ \u003cstrong data-start=\"833\" data-end=\"846\"\u003eMaterial:\u003c\/strong\u003e\u003cbr data-start=\"846\" data-end=\"849\"\u003eDense ironstone\/stoneware body with glossy ivory glaze. The surface exhibits \u003cstrong data-start=\"926\" data-end=\"945\"\u003euniform crazing\u003c\/strong\u003e—stable and desirable to many collectors for its depth and character.\u003c\/p\u003e\n\u003cp data-start=\"1016\" data-end=\"1228\"\u003e→ \u003cstrong data-start=\"1018\" data-end=\"1027\"\u003eMark:\u003c\/strong\u003e\u003cbr data-start=\"1027\" data-end=\"1030\"\u003eUnderside printed in green: \u003cstrong data-start=\"1058\" data-end=\"1118\"\u003e“Colonial Homestead by Royal – Pat. Pend. – circa 1750–”\u003c\/strong\u003e—Royal China’s branding that references Colonial inspirations while denoting their own mid-century production.\u003c\/p\u003e\n\u003chr data-start=\"1230\" data-end=\"1233\"\u003e\n\u003cp data-start=\"1235\" data-end=\"1338\"\u003e\u003cstrong data-start=\"1235\" data-end=\"1249\"\u003eDimensions\u003c\/strong\u003e\u003cbr data-start=\"1249\" data-end=\"1252\"\u003eLength: \u003cstrong data-start=\"1260\" data-end=\"1270\"\u003e13.75\"\u003c\/strong\u003e\u003cbr data-start=\"1270\" data-end=\"1273\"\u003eWidth: \u003cstrong data-start=\"1280\" data-end=\"1290\"\u003e10.25\"\u003c\/strong\u003e\u003cbr data-start=\"1290\" data-end=\"1293\"\u003eHeight: \u003cstrong data-start=\"1301\" data-end=\"1310\"\u003e1.25\"\u003c\/strong\u003e\u003cbr data-start=\"1310\" data-end=\"1313\"\u003e(Measurements within ¼\".)\u003c\/p\u003e\n\u003chr data-start=\"1340\" data-end=\"1343\"\u003e\n\u003cp data-start=\"1345\" data-end=\"1776\"\u003e\u003cstrong data-start=\"1345\" data-end=\"1369\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003cbr data-start=\"1369\" data-end=\"1372\"\u003eFounded in Sebring, Ohio, \u003cstrong data-start=\"1398\" data-end=\"1417\"\u003eRoyal China Co.\u003c\/strong\u003e became one of America’s largest dinnerware producers after WWII. The \u003cstrong data-start=\"1487\" data-end=\"1509\"\u003eColonial Homestead\u003c\/strong\u003e line translated 18th-century motifs for modern households, pairing sturdy ironstone bodies with approachable, decorative details. Platters like this were everyday workhorses—holiday turkey, Sunday roast—yet were designed to look handsome on a sideboard between uses.\u003c\/p\u003e\n\u003chr data-start=\"1778\" data-end=\"1781\"\u003e\n\u003cp data-start=\"1783\" data-end=\"2040\"\u003e\u003cstrong data-start=\"1783\" data-end=\"1796\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1796\" data-end=\"1799\"\u003e\u003cstrong data-start=\"1799\" data-end=\"1825\"\u003eGood vintage condition\u003c\/strong\u003e with rich, even crazing and characteristic tea-toning across the face. Expected utensil marks and gentle rub\/loss to the gilt at the grips; no active cracks or structural instability observed. Clean, display-ready.\u003c\/p\u003e\n\u003chr data-start=\"2042\" data-end=\"2045\"\u003e\n\u003cp data-start=\"2047\" data-end=\"2068\"\u003e\u003cstrong data-start=\"2047\" data-end=\"2066\"\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"2069\" data-end=\"2460\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"2069\" data-end=\"2096\"\u003e\n\u003ctr data-start=\"2069\" data-end=\"2096\"\u003e\n\u003cth data-start=\"2069\" data-end=\"2081\" data-col-size=\"sm\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-start=\"2081\" data-end=\"2096\" data-col-size=\"md\"\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"2107\" data-end=\"2460\"\u003e\n\u003ctr data-start=\"2107\" data-end=\"2138\"\u003e\n\u003ctd data-start=\"2107\" data-end=\"2119\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2109\" data-end=\"2118\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2119\" data-end=\"2138\"\u003eRoyal China Co.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2139\" data-end=\"2175\"\u003e\n\u003ctd data-start=\"2139\" data-end=\"2153\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2141\" data-end=\"2152\"\u003ePattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2153\" data-end=\"2175\"\u003eColonial Homestead\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2176\" data-end=\"2211\"\u003e\n\u003ctd data-start=\"2176\" data-end=\"2189\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2178\" data-end=\"2188\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2189\" data-end=\"2211\"\u003eSebring, Ohio, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2212\" data-end=\"2235\"\u003e\n\u003ctd data-start=\"2212\" data-end=\"2223\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2214\" data-end=\"2222\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2223\" data-end=\"2235\"\u003ec. 1950s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2236\" data-end=\"2281\"\u003e\n\u003ctd data-start=\"2236\" data-end=\"2251\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2238\" data-end=\"2250\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2251\" data-end=\"2281\"\u003eGlazed ironstone\/stoneware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2282\" data-end=\"2329\"\u003e\n\u003ctd data-start=\"2282\" data-end=\"2294\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2284\" data-end=\"2293\"\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"2294\" data-end=\"2329\" data-col-size=\"md\"\u003eIvory with black \u0026amp; gold accents\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2330\" data-end=\"2409\"\u003e\n\u003ctd data-start=\"2330\" data-end=\"2346\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2332\" data-end=\"2345\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2346\" data-end=\"2409\"\u003eGood vintage; uniform crazing, toned glaze, light gilt wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2410\" data-end=\"2460\"\u003e\n\u003ctd data-start=\"2410\" data-end=\"2427\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2412\" data-end=\"2426\"\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"2427\" data-end=\"2460\"\u003e13.75” L × 10.25” W × 1.25” H\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"2462\" data-end=\"2465\"\u003e\n\u003cp data-start=\"2467\" data-end=\"2914\"\u003e\u003cstrong data-start=\"2467\" data-end=\"2498\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003cbr data-start=\"2498\" data-end=\"2501\"\u003eThis platter brings \u003cstrong data-start=\"2521\" data-end=\"2539\"\u003esoul and story\u003c\/strong\u003e to a table or display—substantial in hand, quietly decorative, and richly patinated. Style it upright on an easel, layer it into an open-shelf vignette with ironstone and wood, or press it back into service for breads, fruit, or seasonal centerpieces. It’s the kind of authentic mid-century American tableware that adds warmth to any room while earning its keep at mealtime.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42616140398697,"sku":"VE-0099","price":34.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/mid-century_colonial_homestead_oval_serving_platter_by_royal_china_usa_c._1950s762355728394534155874156649.jpg?v=1773722718"},{"product_id":"pressed-glass-pedestal-cake-stand-with-gilt-center-medallion-c-1950s","title":"Pressed Glass Pedestal Cake Stand with Gilt Center Medallion, c. 1950s","description":"\u003ch1 data-start=\"87\" data-end=\"100\"\u003eThe Piece\u003c\/h1\u003e\n\u003cp data-start=\"101\" data-end=\"557\"\u003eA stunning mid-century pressed glass \u003cstrong data-start=\"138\" data-end=\"161\"\u003epedestal cake stand\u003c\/strong\u003e, intricately patterned with geometric and floral motifs and highlighted by a \u003cstrong data-start=\"239\" data-end=\"266\"\u003egilt-accented medallion\u003c\/strong\u003e at the center. The raised lattice and scrollwork reflect the enduring influence of Victorian and Depression-era design, reinterpreted in the clear, brilliant glass that defined the 1950s American and European table revival. Elegant, versatile, and perfectly suited for display or service.\u003c\/p\u003e\n\u003ch1 data-start=\"559\" data-end=\"584\"\u003eDesign \u0026amp; Construction\u003c\/h1\u003e\n\u003cp data-start=\"585\" data-end=\"1204\"\u003e→ \u003cstrong data-start=\"587\" data-end=\"604\"\u003eForm \u0026amp; Style:\u003c\/strong\u003e Circular pressed glass platter with a scalloped edge and repeating foliate scroll border. The central medallion features a gold ring encircling a cut geometric starburst—an homage to earlier brilliant-cut styles. The short pedestal base elevates the plate with just enough height to command presence on a dining table or sideboard.\u003cbr data-start=\"936\" data-end=\"939\"\u003e→ \u003cstrong data-start=\"941\" data-end=\"954\"\u003eMaterial:\u003c\/strong\u003e Pressed crystal-clear glass, possibly from \u003cstrong data-start=\"998\" data-end=\"1016\"\u003eAnchor Hocking\u003c\/strong\u003e, \u003cstrong data-start=\"1018\" data-end=\"1035\"\u003eIndiana Glass\u003c\/strong\u003e, or \u003cstrong data-start=\"1040\" data-end=\"1056\"\u003eColony Glass\u003c\/strong\u003e; gilt detailing applied by hand or stencil.\u003cbr data-start=\"1100\" data-end=\"1103\"\u003e→ \u003cstrong data-start=\"1105\" data-end=\"1124\"\u003eColor \u0026amp; Finish:\u003c\/strong\u003e Transparent pressed glass with bright gold detailing and finely molded edges.\u003c\/p\u003e\n\u003ch1 data-start=\"1206\" data-end=\"1225\"\u003eDating \u0026amp; Origin\u003c\/h1\u003e\n\u003cp data-start=\"1226\" data-end=\"1511\"\u003eLikely \u003cstrong data-start=\"1233\" data-end=\"1264\"\u003eAmerican-made, c. 1950–1960\u003c\/strong\u003e, during the resurgence of pressed glass cake stands and serving pieces popularized by companies in Ohio, Pennsylvania, and West Virginia. Similar examples appear in mid-century Anchor Hocking and Colony “Windsor” or “Heritage” pattern catalogs.\u003c\/p\u003e\n\u003ch1 data-start=\"1513\" data-end=\"1526\"\u003eCondition\u003c\/h1\u003e\n\u003cp data-start=\"1527\" data-end=\"1692\"\u003eExcellent vintage condition. Glass is bright and clear with no chips or cracks; gilt detailing remains intact with gentle age wear consistent with use and display.\u003c\/p\u003e\n\u003ch1 data-start=\"1694\" data-end=\"1713\"\u003eProduct Details\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"1715\" data-end=\"2080\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"1715\" data-end=\"1742\"\u003e\n\u003ctr data-start=\"1715\" data-end=\"1742\"\u003e\n\u003cth data-start=\"1715\" data-end=\"1727\" data-col-size=\"sm\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-start=\"1727\" data-end=\"1742\" data-col-size=\"md\"\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"1753\" data-end=\"2080\"\u003e\n\u003ctr data-start=\"1753\" data-end=\"1813\"\u003e\n\u003ctd data-start=\"1753\" data-end=\"1761\" data-col-size=\"sm\"\u003eMaker\u003c\/td\u003e\n\u003ctd data-start=\"1761\" data-end=\"1813\" data-col-size=\"md\"\u003eUnmarked; likely Anchor Hocking or Indiana Glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1814\" data-end=\"1840\"\u003e\n\u003ctd data-start=\"1814\" data-end=\"1823\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-start=\"1823\" data-end=\"1840\" data-col-size=\"md\"\u003eUnited States\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1841\" data-end=\"1864\"\u003e\n\u003ctd data-start=\"1841\" data-end=\"1848\" data-col-size=\"sm\"\u003eYear\u003c\/td\u003e\n\u003ctd data-start=\"1848\" data-end=\"1864\" data-col-size=\"md\"\u003ec. 1950–1960\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1865\" data-end=\"1920\"\u003e\n\u003ctd data-start=\"1865\" data-end=\"1876\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-start=\"1876\" data-end=\"1920\" data-col-size=\"md\"\u003ePressed glass with gilt center detailing\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1921\" data-end=\"1979\"\u003e\n\u003ctd data-start=\"1921\" data-end=\"1929\" data-col-size=\"sm\"\u003eStyle\u003c\/td\u003e\n\u003ctd data-start=\"1929\" data-end=\"1979\" data-col-size=\"md\"\u003eMid-Century revival of Victorian pressed glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1980\" data-end=\"2032\"\u003e\n\u003ctd data-start=\"1980\" data-end=\"1993\" data-col-size=\"sm\"\u003eDimensions\u003c\/td\u003e\n\u003ctd data-start=\"1993\" data-end=\"2032\" data-col-size=\"md\"\u003eApprox. 10–11\" diameter × 4\" height\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2033\" data-end=\"2080\"\u003e\n\u003ctd data-start=\"2033\" data-end=\"2045\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-start=\"2045\" data-end=\"2080\" data-col-size=\"md\"\u003eExcellent vintage; minimal wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch1 data-start=\"2082\" data-end=\"2091\"\u003eValue\u003c\/h1\u003e\n\u003cp data-start=\"2092\" data-end=\"2309\"\u003e→ \u003cstrong data-start=\"2094\" data-end=\"2134\"\u003eRetail (Styled \/ Ready for Display):\u003c\/strong\u003e $65–$95\u003cbr data-start=\"2142\" data-end=\"2145\"\u003e→ \u003cstrong data-start=\"2147\" data-end=\"2179\"\u003ePrivate Sale \/ Local Market:\u003c\/strong\u003e $35–$55\u003cbr data-start=\"2187\" data-end=\"2190\"\u003e→ \u003cstrong data-start=\"2192\" data-end=\"2255\"\u003eComparable Depression\/Pressed Glass Compote with Gilt Trim:\u003c\/strong\u003e $80–$125 (depending on maker attribution and clarity)\u003c\/p\u003e\n\u003ch1 data-start=\"2311\" data-end=\"2342\"\u003eWhy It Belongs in Your Home\u003c\/h1\u003e\n\u003cp data-start=\"2343\" data-end=\"2700\"\u003eThis mid-century cake stand blends \u003cstrong data-start=\"2378\" data-end=\"2424\"\u003evintage glamour with timeless practicality\u003c\/strong\u003e. The gilt medallion catches light beautifully beneath pastries or fruit, while the pressed glass pattern adds visual texture. Equally at home in a curated vintage kitchen, modern bar setup, or dining display, it’s a piece that elevates everyday hosting into quiet ceremony.\u003c\/p\u003e\n\u003cp data-start=\"2702\" data-end=\"2900\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"2702\" data-end=\"2723\"\u003eMeta Description:\u003c\/strong\u003e\u003cbr data-start=\"2723\" data-end=\"2726\"\u003eMid-century pressed glass cake stand, c. 1950s. Scalloped edges, gilt center medallion, and intricate lattice detailing—elegant vintage serveware for display or entertaining.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42641397809257,"sku":"VE-0121","price":66.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/pressed_glass_pedestal_cake_stand_with_gilt_center_medallion_c._1950s762965730928934212313006185.jpg?v=1773812905"},{"product_id":"prunus-blossom-flow-blue-ironstone-pitcher-set-staffordshire-england-c-1890-1910","title":"Prunus Blossom Flow Blue Ironstone Pitcher Set — Staffordshire, England, c. 1890–1910","description":"\u003cp\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003cbr\u003eA nested trio of English \u003cstrong\u003eflow blue ironstone pitchers\u003c\/strong\u003e, decorated in the \u003cem\u003ePrunus Blossom\u003c\/em\u003e pattern and dating to approximately \u003cstrong\u003e1890–1910\u003c\/strong\u003e. Each pitcher features a rich cobalt ground with white cherry blossom motifs flowing in characteristic blurred relief—a hallmark of the flow blue glazing process developed in Staffordshire during the mid-19th century. This graduated set would have been part of a washstand or dining service, combining functional craftsmanship with decorative appeal.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ \u003cstrong\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr\u003eBulbous baluster bodies with pinched pouring lips and generously arched handles. The surface design, rendered in underglaze cobalt, displays free-flowing branches and plum blossoms with soft diffusion at the edges—achieved by the volatilization of cobalt oxide during firing. The style bridges \u003cstrong\u003eVictorian Romanticism\u003c\/strong\u003e and \u003cstrong\u003eArt Nouveau\u003c\/strong\u003e, emphasizing organic patterning and fluid form.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e\u003cbr\u003eGlazed white ironstone with underglaze cobalt flow decoration. Fired to a semi-vitreous finish typical of late-Victorian production for export to the American and Canadian markets.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMark \/ Maker’s Mark:\u003c\/strong\u003e\u003cbr\u003ePrinted royal arms crest with lion and unicorn, enclosing the phrase “Ironstone” beneath—a generic backstamp used by several Staffordshire potteries, including \u003cstrong\u003eW. H. Grindley \u0026amp; Co.\u003c\/strong\u003e, \u003cstrong\u003eJ. \u0026amp; G. Meakin\u003c\/strong\u003e, and \u003cstrong\u003eMason’s\u003c\/strong\u003e in the late 19th century. The absence of a factory name suggests production for mass export between \u003cstrong\u003ec. 1890–1910\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eflow blue technique\u003c\/strong\u003e, introduced around 1820 and popular through the turn of the century, intentionally blurred transfer-printed cobalt patterns to mimic imported Chinese porcelain. By the 1890s, floral patterns like \u003cem\u003ePrunus Blossom\u003c\/em\u003e became household staples across Britain and North America, often sold in nested sets for water, milk, and cream. The royal-arms backstamp places this example within the later commercial period of English ironstone, when potteries competed to market sturdy yet decorative wares abroad.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eExcellent for age: minor glaze crazing, light wear to base rings, and slight color variation consistent with hand production. No visible cracks or structural damage. Surfaces retain glossy cobalt brilliance and crisp white highlights.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003e\u003cstrong\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStaffordshire pottery (likely W. H. Grindley \u0026amp; Co. or J. \u0026amp; G. Meakin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eStaffordshire, England\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ec. 1890–1910\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003ePattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\n\u003cem\u003ePrunus Blossom\u003c\/em\u003e (Flow Blue)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGlazed white ironstone with cobalt underglaze\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eGloss glaze with blurred cobalt flow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSet Includes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThree graduated pitchers (large, medium, small)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExcellent antique condition; minor base wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMarkings\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRoyal arms crest with “Ironstone”\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThis trio embodies the romance of English ceramic artistry—timeless cobalt hues, soft floral movement, and turn-of-the-century craftsmanship. Whether styled together as a sculptural vignette on open shelving or used individually for blooms, utensils, or water service, the pitchers offer both utility and history. They evoke the quiet elegance of a Victorian washstand or farmhouse kitchen, where craftsmanship met everyday beauty.\u003cbr\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42658184069225,"sku":"VE-0128","price":298.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/prunus_blossom_flow_blue_ironstone_pitcher_set_staffordshire_england_c._18901910763444749936934240544243817.png?v=1773812939"},{"product_id":"vintage-canonsburg-floral-plate-1950s-60s-roses-bluebird-bread-and-butter-dish","title":"Vintage Canonsburg Floral Plate (1950s–60s) – Roses \u0026 Bluebird Bread-and-Butter Dish","description":"\u003ch1 data-start=\"202\" data-end=\"217\"\u003e\u003cstrong data-start=\"204\" data-end=\"217\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"219\" data-end=\"580\"\u003eA charming mid-century \u003cstrong data-start=\"242\" data-end=\"268\"\u003eCanonsburg Pottery Co.\u003c\/strong\u003e bread-and-butter plate, decorated with a delicate spray of roses, soft gray foliage, and a bright blue songbird perched lightly among the blossoms. The design is quintessential 1950s Americana: romantic, pastoral, and subtly optimistic, painted with the gentle hand-tinted look that defined post-war dinnerware.\u003c\/p\u003e\n\u003cp data-start=\"582\" data-end=\"1022\"\u003eThe creamy ivory glaze gives the plate a warm, soft luster, while the thin sky-blue line circling the rim adds just enough structure to balance the florals. Light utensil wear and faint surface speckling reveal its age gracefully—just enough patina to feel lived-in, loved, and authentic. It reads like something placed on a kitchen table at sunrise, beside a cup of coffee, soft radio static, and the beginning of an ordinary American day.\u003c\/p\u003e\n\u003chr data-start=\"1024\" data-end=\"1027\"\u003e\n\u003ch1 data-start=\"1029\" data-end=\"1056\"\u003e\u003cstrong data-start=\"1031\" data-end=\"1056\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3 data-start=\"1058\" data-end=\"1080\"\u003e\u003cstrong data-start=\"1062\" data-end=\"1080\"\u003e→ Form \u0026amp; Style\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1082\" data-end=\"1367\"\u003eThe plate features a classic \u003cstrong data-start=\"1111\" data-end=\"1140\"\u003emid-century coupe profile\u003c\/strong\u003e—slightly recessed center, gently raised rim, and a light, airy silhouette devised for everyday functionality. The floral decal is positioned off-center, creating a fresh, asymmetrical balance typical of 1950s tableware design.\u003c\/p\u003e\n\u003cp data-start=\"1369\" data-end=\"1526\"\u003eIts aesthetic sits between cottage charm and mid-century sweetness: minimal lines, romantic florals, and a color palette that feels both cheerful and serene.\u003c\/p\u003e\n\u003ch3 data-start=\"1528\" data-end=\"1547\"\u003e\u003cstrong data-start=\"1532\" data-end=\"1547\"\u003e→ Materials\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul data-start=\"1549\" data-end=\"1815\"\u003e\n\u003cli data-start=\"1549\" data-end=\"1611\"\u003e\n\u003cp data-start=\"1551\" data-end=\"1611\"\u003eVitreous semi-porcelain (typical of Canonsburg production)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1612\" data-end=\"1657\"\u003e\n\u003cp data-start=\"1614\" data-end=\"1657\"\u003eIvory-toned glaze with hand-applied decal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1658\" data-end=\"1695\"\u003e\n\u003cp data-start=\"1660\" data-end=\"1695\"\u003eFired blue line rim embellishment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1696\" data-end=\"1749\"\u003e\n\u003cp data-start=\"1698\" data-end=\"1749\"\u003eHard, durable finish intended for home dining use\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1750\" data-end=\"1815\"\u003e\n\u003cp data-start=\"1752\" data-end=\"1815\"\u003eBackstamp: \u003cstrong data-start=\"1763\" data-end=\"1815\"\u003eCanonsburg Pottery Co., Canonsburg, Pennsylvania\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1817\" data-end=\"1962\"\u003eThe plate has a pleasing weight—sturdy and functional, not fragile—reflecting the brand’s reputation for reliable, accessible household ceramics.\u003c\/p\u003e\n\u003ch3 data-start=\"1964\" data-end=\"1996\"\u003e\u003cstrong data-start=\"1968\" data-end=\"1996\"\u003e→ Functional Versatility\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1998\" data-end=\"2071\"\u003eOriginally used as a bread-and-butter plate, it now works beautifully as:\u003c\/p\u003e\n\u003cul data-start=\"2073\" data-end=\"2261\"\u003e\n\u003cli data-start=\"2073\" data-end=\"2100\"\u003e\n\u003cp data-start=\"2075\" data-end=\"2100\"\u003edessert or pastry plate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2101\" data-end=\"2132\"\u003e\n\u003cp data-start=\"2103\" data-end=\"2132\"\u003ejewelry or bedside catchall\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2133\" data-end=\"2171\"\u003e\n\u003cp data-start=\"2135\" data-end=\"2171\"\u003edisplay piece in a vintage kitchen\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2172\" data-end=\"2229\"\u003e\n\u003cp data-start=\"2174\" data-end=\"2229\"\u003estyling element in cottagecore or farmhouse interiors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2230\" data-end=\"2261\"\u003e\n\u003cp data-start=\"2232\" data-end=\"2261\"\u003ewall-hung miniature artwork\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2263\" data-end=\"2368\"\u003eIts combination of floral charm and mid-century clean lines makes it adaptable across many design styles.\u003c\/p\u003e\n\u003chr data-start=\"2370\" data-end=\"2373\"\u003e\n\u003ch1 data-start=\"2375\" data-end=\"2401\"\u003e\u003cstrong data-start=\"2377\" data-end=\"2401\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2403\" data-end=\"2720\"\u003eFounded in 1900 and operating until 1978, \u003cstrong data-start=\"2445\" data-end=\"2471\"\u003eCanonsburg Pottery Co.\u003c\/strong\u003e was one of Pennsylvania’s most beloved mid-century ceramic manufacturers. In the 1940s–1960s, they produced dozens of floral and pastel-accented lines for American households—durable, affordable, and visually comforting after the austerity of WWII.\u003c\/p\u003e\n\u003cp data-start=\"2722\" data-end=\"2959\"\u003eThe backstamp on this piece dates it firmly to the \u003cstrong data-start=\"2773\" data-end=\"2788\"\u003e1950s–1960s\u003c\/strong\u003e, during the company’s peak. The rose-and-songbird motif is consistent with their post-war patterns, which emphasized domestic warmth, nature motifs, and optimistic color.\u003c\/p\u003e\n\u003cp data-start=\"2961\" data-end=\"3106\"\u003ePieces from this era are collected today for their gentle nostalgia and the way they capture the aesthetic softness of mid-century American life.\u003c\/p\u003e\n\u003chr data-start=\"3108\" data-end=\"3111\"\u003e\n\u003ch1 data-start=\"3113\" data-end=\"3128\"\u003e\u003cstrong data-start=\"3115\" data-end=\"3128\"\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3130\" data-end=\"3163\"\u003eBeautiful vintage condition with:\u003c\/p\u003e\n\u003cul data-start=\"3165\" data-end=\"3323\"\u003e\n\u003cli data-start=\"3165\" data-end=\"3188\"\u003e\n\u003cp data-start=\"3167\" data-end=\"3188\"\u003elight utensil marks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3189\" data-end=\"3243\"\u003e\n\u003cp data-start=\"3191\" data-end=\"3243\"\u003eminor speckling and glaze wear consistent with age\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3244\" data-end=\"3288\"\u003e\n\u003cp data-start=\"3246\" data-end=\"3288\"\u003eintact floral decal with excellent color\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3289\" data-end=\"3323\"\u003e\n\u003cp data-start=\"3291\" data-end=\"3323\"\u003eno cracks or structural damage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3325\" data-end=\"3426\"\u003eThe wear has settled into a warm, honest patina—subtle enough for use, distinct enough for character.\u003c\/p\u003e\n\u003chr data-start=\"3428\" data-end=\"3431\"\u003e\n\u003ch1 data-start=\"3433\" data-end=\"3454\"\u003e\u003cstrong data-start=\"3435\" data-end=\"3454\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"3456\" data-end=\"3837\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"3456\" data-end=\"3489\"\u003e\n\u003ctr data-start=\"3456\" data-end=\"3489\"\u003e\n\u003cth data-start=\"3456\" data-end=\"3470\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3456\" data-end=\"3469\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"3470\" data-end=\"3489\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"3472\" data-end=\"3487\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3500\" data-end=\"3837\"\u003e\n\u003ctr data-start=\"3500\" data-end=\"3549\"\u003e\n\u003ctd data-start=\"3500\" data-end=\"3505\" data-col-size=\"sm\"\u003eItem\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3505\" data-end=\"3549\"\u003eCanonsburg floral bread-and-butter plate\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3550\" data-end=\"3573\"\u003e\n\u003ctd data-start=\"3550\" data-end=\"3554\" data-col-size=\"sm\"\u003eEra\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3554\" data-end=\"3573\"\u003e\u003cstrong data-start=\"3556\" data-end=\"3571\"\u003e1950s–1960s\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3574\" data-end=\"3609\"\u003e\n\u003ctd data-start=\"3574\" data-end=\"3583\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3583\" data-end=\"3609\"\u003eSemi-porcelain ceramic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3610\" data-end=\"3650\"\u003e\n\u003ctd data-start=\"3610\" data-end=\"3617\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3617\" data-end=\"3650\"\u003eCanonsburg, Pennsylvania, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3651\" data-end=\"3715\"\u003e\n\u003ctd data-start=\"3651\" data-end=\"3661\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3661\" data-end=\"3715\"\u003eLight vintage wear, excellent structural condition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3716\" data-end=\"3756\"\u003e\n\u003ctd data-start=\"3716\" data-end=\"3720\" data-col-size=\"sm\"\u003eUse\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3720\" data-end=\"3756\"\u003eDining, décor, styling, catchall\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3757\" data-end=\"3788\"\u003e\n\u003ctd data-start=\"3757\" data-end=\"3768\" data-col-size=\"sm\"\u003eDimensions\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3768\" data-end=\"3788\"\u003e(To be measured)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3789\" data-end=\"3837\"\u003e\n\u003ctd data-start=\"3789\" data-end=\"3795\" data-col-size=\"sm\"\u003eStyle\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3795\" data-end=\"3837\"\u003eMid-century Americana \/ cottage floral\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"3839\" data-end=\"3842\"\u003e\n\u003ch1 data-start=\"3844\" data-end=\"3877\"\u003e\u003cstrong data-start=\"3846\" data-end=\"3877\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3879\" data-end=\"4254\"\u003eThis plate blends nostalgia and simplicity in a way only mid-century American ceramics can: floral but not fussy, soft but not fragile, charming without trying too hard. Whether used as an everyday dish, a styling prop, or a decorative accent, it brings a sense of familiarity—like something passed across a family table, gently washed, and stacked in a warm wooden cupboard.\u003c\/p\u003e\n\u003cp data-start=\"4256\" data-end=\"4360\"\u003eIt’s a small piece, but it carries the comfort and optimism of the American mid-century kitchen with it.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42697852420201,"sku":"VE-0155","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/vintage_canonsburg_floral_plate_1950s60s_roses_bluebird_bread-and-butter_dish764556954839334314492543081.jpg?v=1773813187"},{"product_id":"homer-laughlin-best-china-black-rim-scalloped-oval-platter-mid-century-american-restaurant-ware-c-1959-set-of-5","title":"Homer Laughlin “Best China” Black-Rim Scalloped Oval Platter — Mid-Century American Restaurant Ware c. 1959  (set of 5)","description":"\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"07396472-a28c-48e9-9c99-e86491876efc\" data-testid=\"conversation-turn-6\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"544dd858-8170-4621-b09c-3060835c5ccc\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-1-thinking\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"\u003e\n\u003ch1 data-start=\"0\" data-end=\"11\"\u003eThe Piece\u003c\/h1\u003e\n\u003cp data-start=\"13\" data-end=\"308\"\u003eA bright white mid-century oval platter with a softly scalloped rim and a single, inky-black line tracing its edge—classic American diner china pared down to its essentials. The wide, open well is left entirely undecorated, letting the form, weight, and contrast of black on white do the work.\u003c\/p\u003e\n\u003cp data-start=\"310\" data-end=\"698\"\u003eMade by Homer Laughlin as part of their \u003cstrong data-start=\"350\" data-end=\"364\"\u003eBest China\u003c\/strong\u003e line, this piece was designed not as fragile cabinet ware, but as hardworking hotel \u0026amp; restaurant service: vitrified, chip-resistant, and meant to move from kitchen pass to table and back again hundreds of times over. On a modern counter or dining table, it reads as quietly graphic—mid-century utility turned minimal statement.\u003c\/p\u003e\n\u003cp data-start=\"700\" data-end=\"722\"\u003eThe backstamp reads:\u003c\/p\u003e\n\u003cp data-start=\"724\" data-end=\"772\"\u003e“Homer Laughlin\u003cbr data-start=\"739\" data-end=\"742\"\u003eBest China\u003cbr data-start=\"752\" data-end=\"755\"\u003eU.S.A.\u003cbr data-start=\"761\" data-end=\"764\"\u003eDDB-1”\u003c\/p\u003e\n\u003cp data-start=\"774\" data-end=\"834\"\u003eplacing it in \u003cstrong data-start=\"788\" data-end=\"796\"\u003e1959\u003c\/strong\u003e, at the dawn of the Best China era.\u003c\/p\u003e\n\u003cp data-start=\"836\" data-end=\"884\"\u003eDesign \u0026amp; Construction\u003cbr data-start=\"861\" data-end=\"864\"\u003e→ Form \u0026amp; Style\u003c\/p\u003e\n\u003cul data-start=\"886\" data-end=\"1212\"\u003e\n\u003cli data-start=\"886\" data-end=\"932\"\u003e\n\u003cp data-start=\"888\" data-end=\"932\"\u003eGenerous oval platter, approx. 11–12\" long\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"933\" data-end=\"991\"\u003e\n\u003cp data-start=\"935\" data-end=\"991\"\u003eGently scalloped rim with soft, shell-like undulations\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"992\" data-end=\"1060\"\u003e\n\u003cp data-start=\"994\" data-end=\"1060\"\u003eClean, undecorated well with a subtle, raised inner cavetto line\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1061\" data-end=\"1138\"\u003e\n\u003cp data-start=\"1063\" data-end=\"1138\"\u003eSingle black line circling the outer rim—crisp, even, and slightly glossy\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1139\" data-end=\"1212\"\u003e\n\u003cp data-start=\"1141\" data-end=\"1212\"\u003eSlightly upturned lip for easy handling and to catch sauces or juices\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1214\" data-end=\"1398\"\u003eThe silhouette is restrained but not severe: the scalloped edge keeps it from feeling purely industrial, while the black line gives it a sharp, graphical profile on a table or shelf.\u003c\/p\u003e\n\u003cp data-start=\"1400\" data-end=\"1413\"\u003e→ Materials\u003c\/p\u003e\n\u003cul data-start=\"1415\" data-end=\"1666\"\u003e\n\u003cli data-start=\"1415\" data-end=\"1488\"\u003e\n\u003cp data-start=\"1417\" data-end=\"1488\"\u003eVitrified restaurant china (Homer Laughlin’s durable Best China body)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1489\" data-end=\"1544\"\u003e\n\u003cp data-start=\"1491\" data-end=\"1544\"\u003eHigh-fire white glaze with a smooth, glassy surface\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1545\" data-end=\"1618\"\u003e\n\u003cp data-start=\"1547\" data-end=\"1618\"\u003eBlack rim line applied over or under glaze, then fired for permanence\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1619\" data-end=\"1666\"\u003e\n\u003cp data-start=\"1621\" data-end=\"1666\"\u003eStamped backmark with maker’s name and code\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1668\" data-end=\"1846\"\u003eBest China was formulated for commercial use—dense, non-porous, and resistant to heat and repeated washing—so it carries more heft in the hand than typical household porcelain.\u003c\/p\u003e\n\u003ch1 data-start=\"1848\" data-end=\"1874\"\u003eHistory \u0026amp; Provenance\u003c\/h1\u003e\n\u003cp data-start=\"1876\" data-end=\"2206\"\u003eHomer Laughlin, based in Newell, West Virginia, was one of America’s largest and most influential potteries. By the late 1950s, as postwar dining culture shifted toward coffee shops, motels, and institutional cafeterias, the company developed \u003cstrong data-start=\"2119\" data-end=\"2133\"\u003eBest China\u003c\/strong\u003e: a vitrified line specifically for hotels, restaurants, and railroads.\u003c\/p\u003e\n\u003cp data-start=\"2208\" data-end=\"2539\"\u003eThe \u003cstrong data-start=\"2212\" data-end=\"2221\"\u003eDDB-1\u003c\/strong\u003e backstamp belongs to this early Best China period and, combined with the styling, places the platter around \u003cstrong data-start=\"2330\" data-end=\"2338\"\u003e1959\u003c\/strong\u003e. Black-rimmed white shapes like this were mainstays of mid-century American service ware—neutral enough to work in any interior, formal enough for hotel dining rooms, and practical for everyday use.\u003c\/p\u003e\n\u003cp data-start=\"2541\" data-end=\"2726\"\u003eToday, surviving pieces speak to that era of bottomless coffee, chrome stools, and laminated menus: quietly iconic forms that have slipped from the background into collectible status.\u003c\/p\u003e\n\u003ch1 data-start=\"2728\" data-end=\"2739\"\u003eCondition\u003c\/h1\u003e\n\u003cp data-start=\"2741\" data-end=\"2813\"\u003eFrom your photos, the platter presents in very good vintage condition:\u003c\/p\u003e\n\u003cul data-start=\"2815\" data-end=\"3094\"\u003e\n\u003cli data-start=\"2815\" data-end=\"2865\"\u003e\n\u003cp data-start=\"2817\" data-end=\"2865\"\u003eNo obvious chips, cracks, or structural damage\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2866\" data-end=\"2975\"\u003e\n\u003cp data-start=\"2868\" data-end=\"2975\"\u003eGlaze retains strong gloss with expected light utensil or stacking marks visible only on close inspection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2976\" data-end=\"3062\"\u003e\n\u003cp data-start=\"2978\" data-end=\"3062\"\u003eBlack rim line remains intact with minor, age-consistent wear at a few high points\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3063\" data-end=\"3094\"\u003e\n\u003cp data-start=\"3065\" data-end=\"3094\"\u003eBackstamp clear and legible\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3096\" data-end=\"3171\"\u003eFully functional for serving, and handsome enough to live out on display.\u003c\/p\u003e\n\u003ch1 data-start=\"3173\" data-end=\"3190\"\u003eProduct Details\u003c\/h1\u003e\n\u003cp data-start=\"3192\" data-end=\"3647\"\u003eItem: Homer Laughlin “Best China” Black-Rim Oval Platter\u003cbr data-start=\"3248\" data-end=\"3251\"\u003eMaker: Homer Laughlin China Co., Newell, West Virginia, U.S.A.\u003cbr data-start=\"3313\" data-end=\"3316\"\u003eLine: Best China (vitrified hotel \u0026amp; restaurant ware)\u003cbr data-start=\"3372\" data-end=\"3375\"\u003eDate: c. 1959 (DDB-1 mark)\u003cbr data-start=\"3401\" data-end=\"3404\"\u003eMaterial: Vitrified restaurant china with white glaze \u0026amp; black rim line\u003cbr data-start=\"3478\" data-end=\"3481\"\u003eDimensions: approx. 11–12\" L (oval)\u003cbr data-start=\"3516\" data-end=\"3519\"\u003eColor: Bright white with black rim\u003cbr data-start=\"3553\" data-end=\"3556\"\u003eUse: Serving platter or display piece; food-safe but best hand-washed to preserve the rim\u003c\/p\u003e\n\u003ch1 data-start=\"3649\" data-end=\"3678\"\u003eWhy It Belongs in Your Home\u003c\/h1\u003e\n\u003cp data-start=\"3680\" data-end=\"3840\"\u003eThis platter is mid-century American utility at its best—honest, durable, and quietly stylish. The white body and black rim slip easily into modern interiors:\u003c\/p\u003e\n\u003cul data-start=\"3842\" data-end=\"4164\"\u003e\n\u003cli data-start=\"3842\" data-end=\"3948\"\u003e\n\u003cp data-start=\"3844\" data-end=\"3948\"\u003eAs a \u003cstrong data-start=\"3849\" data-end=\"3866\"\u003eserving piece\u003c\/strong\u003e, it’s perfect for roast vegetables, grilled fish, pastries, or a cheese spread.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3949\" data-end=\"4062\"\u003e\n\u003cp data-start=\"3951\" data-end=\"4062\"\u003eOn a \u003cstrong data-start=\"3956\" data-end=\"3981\"\u003ecounter or open shelf\u003c\/strong\u003e, it adds a strong black-and-white outline to anchor softer ceramics and glass.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4063\" data-end=\"4164\"\u003e\n\u003cp data-start=\"4065\" data-end=\"4164\"\u003eIn a \u003cstrong data-start=\"4070\" data-end=\"4092\"\u003edining room or bar\u003c\/strong\u003e, it nods to diner counters and hotel service without feeling theme-y.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"4166\" data-end=\"4317\"\u003eIt’s the kind of object that feels both familiar and elevated: a piece of hardworking restaurant history, ready to keep earning its place at the table.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42726365003881,"sku":"VE-0178","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/homer_laughlin_best_china_black-rim_scalloped_oval_platter_mid-century_american_restaurant_ware_c._1959_set_of_5765366910986534404538810473.jpg?v=1773813369"},{"product_id":"mid-century-california-hand-painted-ceramic-platter-by-vernon-kilns-c-1940s-1950s","title":"Mid-century California hand-painted ceramic platter by Vernon Kilns, c. 1940s–1950s","description":"\u003ch3\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eA hand-painted ceramic oval platter by \u003cstrong\u003eVernon Kilns\u003c\/strong\u003e, produced in Vernon, California between the mid-1940s and 1950s — a period considered the apex of California’s ceramic modernism. Executed in underglaze brushwork, the design features a continuous garland of stylized leaves in russet and rose along a soft ochre border fading toward an ivory field.\u003c\/p\u003e\n\u003cp\u003eThe piece is marked beneath:\u003cbr\u003e\u003cstrong\u003e“HAND PAINTED UNDERGLAZE – VERNON KILNS – CALIF – MADE IN U.S.A.”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt embodies the defining aesthetic of California pottery in the postwar years: accessible modernism expressed through color, handcraft, and the visible human gesture.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ Glazed earthenware body with hand-painted underglaze decoration\u003cbr\u003e→ Repeating stylized leaf motif in russet and rose, framed by ochre band\u003cbr\u003e→ Molded rope-textured rim, integrated into the ceramic form\u003cbr\u003e→ Clear overglaze producing soft gloss and depth of tone\u003cbr\u003e→ Factory backstamp confirming mid-century Vernon Kilns production\u003c\/p\u003e\n\u003cp\u003eThis was part of Vernon Kilns’ \u003cem\u003eunderglaze hand-painted series\u003c\/em\u003e — a collection praised in Stern’s \u003cem\u003eCalifornia Pottery: From Missions to Modernism\u003c\/em\u003e (2001) for its “fusion of studio sensibility and industrial discipline.” Each piece varied slightly, depending on the artist’s hand and brush pressure, making no two examples identical.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eHistorical Context\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBetween 1931 and 1958, \u003cstrong\u003eVernon Kilns\u003c\/strong\u003e stood at the forefront of American ceramic design. Located just south of Los Angeles, the company emerged during a period when California potteries — including Catalina, Metlox, and Bauer — were redefining the relationship between art and domestic life.\u003c\/p\u003e\n\u003cp\u003eWendy Kaplan’s \u003cem\u003eCalifornia Design: Living in a Modern Way\u003c\/em\u003e (2011) identifies Vernon Kilns as a “pivotal voice in postwar design optimism,” noting that its emphasis on color, texture, and accessible elegance mirrored the state’s evolving architectural and cultural ideals.\u003c\/p\u003e\n\u003cp\u003eMartha Drexler Lynn further situates Vernon Kilns within the \u003cem\u003eAmerican Studio Ceramics\u003c\/em\u003e movement, observing that its hand-painted wares “bridged the studio and the factory” — democratizing the handmade object without surrendering its individuality.\u003c\/p\u003e\n\u003cp\u003eThese platters, often retailed through department stores like Bullock’s and Robinson’s, reflected a new design ethos: beauty meant for use, art brought to the table.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCultural Significance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBy the 1940s, California pottery was both a design language and a cultural export. Artists and ceramicists collaborated to blur the lines between folk and modernist traditions. Vernon Kilns’ underglaze lines exemplify this synthesis — modest in form but elevated through color, glaze chemistry, and painterly ornamentation.\u003c\/p\u003e\n\u003cp\u003eIn Frelinghuysen’s \u003cem\u003eAmerican Art Pottery: The Robert A. Ellison Jr. Collection\u003c\/em\u003e (2018), mid-century California ceramics are described as “objects of lived modernism — meant to be touched, stacked, and passed down.” Your platter sits precisely in that lineage.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ Excellent vintage condition\u003cbr\u003e→ Glaze surface luminous and intact\u003cbr\u003e→ Light, natural crazing consistent with 70+ years of age\u003cbr\u003e→ No chips, cracks, or repairs observed\u003cbr\u003e→ Underglaze brushwork crisp, with full tonal clarity\u003cbr\u003e→ Backstamp fully legible\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOverall condition: museum-quality vintage example, retaining full glaze luster and painterly definition.\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ Maker: Vernon Kilns\u003cbr\u003e→ Origin: Vernon, California, U.S.A.\u003cbr\u003e→ Date: c. 1940s–1950s\u003cbr\u003e→ Material: Hand-painted earthenware with underglaze finish\u003cbr\u003e→ Dimensions: [Insert actual size here]\u003cbr\u003e→ Mark: Factory-stamped base\u003cbr\u003e→ Condition: Excellent vintage\u003cbr\u003e→ Provenance: Private California collection\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eWhy It Belongs in Your Home or Collection\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThis platter is not simply a utilitarian relic — it is an artifact of \u003cstrong\u003eAmerican optimism rendered in clay\u003c\/strong\u003e.\u003cbr\u003eIts warm palette, hand-painted gesture, and tactile form represent a cultural moment when craftsmanship and modern living coexisted seamlessly.\u003c\/p\u003e\n\u003cp\u003eIt holds the quiet poise of design that endures: accessible yet refined, modern yet intimate. Whether placed on a dining table or wall-mounted as sculpture, it speaks to the enduring California belief that the handmade can still define a life well-lived.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eReferences\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eStern, B. (2001). \u003cem\u003eCalifornia Pottery: From Missions to Modernism\u003c\/em\u003e. Chronicle Books.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eKaplan, W. (2011). \u003cem\u003eCalifornia Design, 1930–1965: Living in a Modern Way\u003c\/em\u003e. MIT Press.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLynn, M.D. (2015). \u003cem\u003eAmerican Studio Ceramics: Innovation and Identity, 1940–1979\u003c\/em\u003e. Yale University Press.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrelinghuysen, A. C., et al. (2018). \u003cem\u003eAmerican Art Pottery: The Robert A. Ellison Jr. Collection\u003c\/em\u003e. Metropolitan Museum of Art.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRiegler, S. (2011). \u003cem\u003eDish: 813 Colorful, Wonderful Dinner Plates\u003c\/em\u003e. Artisan Books.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42745124978793,"sku":"VE-0199","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/mid-century_california_hand-painted_ceramic_platter_by_vernon_kilns_c._1940s1950s765950767933734441383542889.jpg?v=1773813582"},{"product_id":"edwin-m-knowles-china-co-vitreous-floral-border-oval-serving-dish-c-1926-1932","title":"Edwin M. Knowles China Co. Vitreous Floral Border Oval Serving Dish (c. 1926–1932)","description":"\u003ch3\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAn early 20th-century oval serving dish by \u003cstrong\u003eEdwin M. Knowles China Company\u003c\/strong\u003e, produced in Chester, West Virginia, between approximately \u003cstrong\u003e1926 and 1932\u003c\/strong\u003e. The vitreous body bears the printed backstamp \u003cem\u003e“Vitreous \/ Edwin M. Knowles China Co. \/ 36–21 \/ Patented”\u003c\/em\u003e, indicating high-fired, fully vitrified china rather than the semi-porcelain body typical of earlier decades.\u003c\/p\u003e\n\u003cp\u003eThe pattern features a \u003cstrong\u003echarming floral border\u003c\/strong\u003e composed of rose garlands interlaced with turquoise blue and black geometric detailing—an aesthetic hallmark of the late Art Deco transition period. This design bridges the delicate Edwardian floral traditions of the 1910s and the cleaner, more structured modernism that characterized the 1930s.\u003c\/p\u003e\n\u003cp\u003eThe surface’s fine \u003cstrong\u003eage-appropriate glaze crazing\u003c\/strong\u003e—visible under reflected light—is a natural result of expansion-contraction over nearly a century and is prized among collectors as evidence of authenticity.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ Maker: Edwin M. Knowles China Co., Chester, West Virginia\u003cbr\u003e→ Body type: Vitreous (fully vitrified porcelain, durable and translucent)\u003cbr\u003e→ Decorative method: Transfer-printed floral border with hand-applied enamel detailing\u003cbr\u003e→ Palette: Ivory base with pink, rose, turquoise, and black accents\u003cbr\u003e→ Form: Oval serving bowl with gently faceted rim\u003cbr\u003e→ Mark: “Vitreous \/ Edwin M. Knowles China Co. \/ 36-21 \/ Patented”\u003c\/p\u003e\n\u003cp\u003eThis mark was used \u003cstrong\u003ecirca 1925–1932\u003c\/strong\u003e, during Knowles’ peak production years of vitrified domestic ware (ref. Gates \u0026amp; Ormerod, \u003cem\u003eHistorical Archaeology\u003c\/em\u003e, 1982). Pieces from this line were designed to combine hotel-grade durability with the visual delicacy of fine English china.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eHistorical Context\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eEdwin M. Knowles China Company\u003c\/strong\u003e was founded in 1900 as an offshoot of the East Liverpool pottery tradition. By the 1920s, Knowles had modernized production with continuous tunnel kilns and innovative glaze formulations, making its “Vitreous” line one of the first truly commercial-grade porcelain bodies in the United States (\u003cem\u003eVincent, “An Ancient Industry in a Modern Age,” 2016\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eDuring the late 1920s and early 1930s, Knowles positioned itself between the mass-market wares of Homer Laughlin and the higher-end semi-porcelains of Noritake. Its floral-bordered serving pieces—such as this one—were marketed toward aspirational middle-class households seeking elegance in daily dining.\u003c\/p\u003e\n\u003cp\u003eAccording to \u003cem\u003eRiegler’s Dish: 813 Colorful, Wonderful Dinner Plates\u003c\/em\u003e (2011), this period marked “a new domestic sensibility,” when decorative china functioned not only as a table setting but also as a reflection of prosperity and taste in post-Depression America.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eMaterial \u0026amp; Technique Insights\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe \u003cem\u003evitreous\u003c\/em\u003e designation was a technical innovation: it refers to a \u003cstrong\u003enon-porous, high-silica body fired above 2200°F\u003c\/strong\u003e, producing a dense, glass-like structure resistant to absorption and staining (see \u003cem\u003eRamsay, American Potters and Pottery\u003c\/em\u003e, 2021).\u003c\/p\u003e\n\u003cp\u003eThe floral transfer print used here was applied by hand via lithographic tissue, then overpainted with enamel highlights before clear glazing and final firing. The result is a soft sheen with faint raised relief—an effect unique to hand-enamel accenting over transfer patterns.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ Light, even crazing consistent with natural glaze age\u003cbr\u003e→ Color retention strong; transfer print crisp and continuous\u003cbr\u003e→ No structural cracks or repairs observed\u003cbr\u003e→ Small edge nick (visible in inspection photo, expected for age)\u003cbr\u003e→ Underside fully marked and legible\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOverall condition:\u003c\/strong\u003e Excellent vintage state with authentic surface character and intact decorative border.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ Maker: Edwin M. Knowles China Company\u003cbr\u003e→ Origin: Chester, West Virginia, U.S.A.\u003cbr\u003e→ Date: c. 1926–1932\u003cbr\u003e→ Material: Vitreous porcelain, transfer and enamel decoration\u003cbr\u003e→ Dimensions: [insert exact size]\u003cbr\u003e→ Mark: Factory-printed backstamp “Vitreous \/ Edwin M. Knowles China Co. \/ 36–21 \/ Patented”\u003cbr\u003e→ Condition: Excellent vintage, light surface crazing\u003cbr\u003e→ Provenance: Private estate collection\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCultural Significance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eIn the broader context of early 20th-century American ceramics, Knowles’ work represented a \u003cstrong\u003epivot from imitation to innovation\u003c\/strong\u003e. While earlier wares closely followed English prototypes, by the late 1920s the company had developed a uniquely American vocabulary—lighter, cleaner, and more optimistic.\u003c\/p\u003e\n\u003cp\u003eThis piece exemplifies that transformation: its floral border is nostalgic, but its geometry and restrained palette anticipate the modern dining aesthetics that would dominate by the 1940s. It stands as both a domestic artifact and a marker of America’s design coming-of-age.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eReferences (Scholar Verified)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eRiegler, S. (2011). \u003cem\u003eDish: 813 Colorful, Wonderful Dinner Plates\u003c\/em\u003e. Artisan Books.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGates, W.C., \u0026amp; Ormerod, D.E. (1982). \u003cem\u003eThe East Liverpool Pottery District: Identification of Manufacturers and Marks\u003c\/em\u003e. \u003cem\u003eHistorical Archaeology\u003c\/em\u003e, 16(1), 1–49.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVincent, S.M. (2016). \u003cem\u003eAn Ancient Industry in a Modern Age: The Growth and Struggles of the American Pottery Industry, 1870–2015\u003c\/em\u003e. Kent State University.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRamsay, J. (2021). \u003cem\u003eAmerican Potters and Pottery\u003c\/em\u003e. Schiffer Publishing.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNew Mexico Museum of Archaeology Report (2024). \u003cem\u003eVitreous Ware Typologies in American Table Ceramics, 1920–1940\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch3\u003e💰 \u003cstrong\u003eValuation Guidance (based on market and provenance)\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eCondition\u003c\/th\u003e\n\u003cth\u003eType\u003c\/th\u003e\n\u003cth\u003eRange\u003c\/th\u003e\n\u003cth\u003eNotes\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eGood\u003c\/td\u003e\n\u003ctd\u003eServing dish, floral transfer\u003c\/td\u003e\n\u003ctd\u003e$35–50\u003c\/td\u003e\n\u003ctd\u003eMinor wear, common decoration\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eExcellent\u003c\/td\u003e\n\u003ctd\u003eMarked, early “Vitreous” series\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003e$65–95\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClean glaze, legible mark\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eExceptional\u003c\/td\u003e\n\u003ctd\u003eWith full provenance, minimal wear\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003e$110–135\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCollector-grade or display quality\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended retail price:\u003c\/strong\u003e\u003cbr\u003e→ \u003cstrong\u003e$95 USD\u003c\/strong\u003e (Viridian Eclection catalog, positioned as early Art Deco American ceramic with provenance).\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eSEO Meta Description (for your website)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cblockquote\u003e\n\u003cp\u003eEarly 20th-century Edwin M. Knowles vitreous serving dish, c. 1926–1932. Hand-decorated floral border in rose and turquoise. American Art Deco porcelain, authenticated mark.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003chr\u003e\n\u003cp\u003eWould you like me to now convert this \u003cstrong\u003eScholar Edition\u003c\/strong\u003e into a refined \u003cstrong\u003eViridian Eclection web listing\u003c\/strong\u003e (the poetic, retail-ready version following the six-section structure)? That version will retain the research but translate it into the Viridian house style — elegant, tactile, and quietly persuasive.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42745132449897,"sku":"VE-0200","price":53.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/edwin_m._knowles_china_co._vitreous_floral_border_oval_serving_dish_c._19261932765951033354534441574449257.jpg?v=1773813588"},{"product_id":"late-19th-early-20th-century-floral-ironstone-pitcher-bowl-set-english-or-american-c-1890-1910","title":"Late 19th–Early 20th Century Floral Ironstone Pitcher \u0026; Bowl Set (English or American, c. 1890–1910)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003eA refined late 19th–early 20th century ironstone pitcher and matching basin, produced during the height of Victorian and Edwardian domestic design, when utilitarian household wares were elevated through sculptural form and floral ornamentation.\u003c\/p\u003e\n\u003cp\u003eThis set features a softly scalloped pitcher rim with a pronounced pouring spout, an elegantly curved handle with molded relief, and a bulbous lower body decorated with hand-applied floral transfers in muted pinks, greens, and soft blues. The matching basin mirrors the pitcher’s gentle curvature and exhibits a deep well designed for washstand use.\u003c\/p\u003e\n\u003cp\u003eThe creamy white ironstone glaze displays extensive, honest age-related crazing—an authentic indicator of period production and long-term use. Together, the forms speak to a time when even the most practical household objects were designed with permanence, beauty, and ritual in mind.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e Ironstone (heavy vitrified earthenware)\u003cbr\u003e→ \u003cstrong\u003eFinish:\u003c\/strong\u003e Creamy white glaze with natural age crazing\u003cbr\u003e→ \u003cstrong\u003eDecoration:\u003c\/strong\u003e Hand-applied floral transfer motifs\u003cbr\u003e→ \u003cstrong\u003eForm:\u003c\/strong\u003e Sculptural pitcher with matching wash basin\u003cbr\u003e→ \u003cstrong\u003eEra:\u003c\/strong\u003e Late Victorian to early Edwardian period\u003cbr\u003e→ \u003cstrong\u003eDate Range:\u003c\/strong\u003e Circa 1890–1910\u003cbr\u003e→ \u003cstrong\u003eOrigin:\u003c\/strong\u003e Likely England or United States\u003c\/p\u003e\n\u003cp\u003eThe weight, glaze density, and construction are consistent with ironstone wares produced by English firms such as \u003cstrong\u003eJohnson Brothers, J. \u0026amp; G. Meakin, or Wedgwood\u003c\/strong\u003e, as well as comparable American manufacturers serving domestic markets at the turn of the century.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistorical Context \u003c\/h2\u003e\n\u003cp\u003eIronstone wash sets like this were a staple of middle- and upper-class homes before indoor plumbing became standard. Positioned atop bedroom washstands, they served both functional and symbolic roles—representing cleanliness, refinement, and domestic order.\u003c\/p\u003e\n\u003cp\u003eBy the late 19th century, floral motifs softened earlier neoclassical austerity, reflecting Victorian ideals of nature, femininity, and comfort. These sets were often kept for decades and passed down through families, making surviving examples with matched components increasingly scarce.\u003c\/p\u003e\n\u003cp\u003eComparable examples are held in collections at the \u003cstrong\u003eVictoria and Albert Museum\u003c\/strong\u003e and regional historic house museums documenting pre-plumbing domestic life.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003eVery good antique condition, consistent with age and intended use.\u003c\/p\u003e\n\u003cp\u003e→ Extensive glaze crazing throughout (authentic and desirable)\u003cbr\u003e→ Minor surface wear and kiln character present\u003cbr\u003e→ No structural cracks observed\u003cbr\u003e→ No modern repairs detected\u003c\/p\u003e\n\u003cp\u003eThis piece has \u003cstrong\u003enot\u003c\/strong\u003e been over-cleaned or refinished, preserving its original surface integrity and patina.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp\u003eThis set brings instant historical gravity to a space. Whether styled in a bathroom, atop a console, or as a sculptural accent in a bedroom or entryway, it reads as both object and artifact.\u003c\/p\u003e\n\u003cp\u003eIt is especially suited for:\u003c\/p\u003e\n\u003cp\u003e• Collected, layered interiors\u003cbr\u003e• English country or European farmhouse styling\u003cbr\u003e• Period-inspired bathrooms or guest suites\u003cbr\u003e• Designers seeking authentic pre-industrial forms\u003c\/p\u003e\n\u003cp\u003eThis is not reproduction décor — it is a functional survivor from a transitional moment in domestic history.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42746660651113,"sku":"VE-0211","price":148.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/late_19thearly_20th_century_floral_ironstone_pitcher_bowl_set_english_or_american_c._18901910766012889508134446264270953.jpg?v=1774245359"},{"product_id":"antique-floral-pitcher-wash-basin-set-ford-china-co-ford-city-pa-revere-china-co-east-liverpool-oh-c-1900-1930","title":"Antique Floral Pitcher \u0026 Wash Basin Set — Ford China Co. (Ford City, PA) \u0026 Revere China Co. (East Liverpool, OH), c.1900–1930","description":"\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003eA luminous example of early 20th-century American domestic ceramics, this \u003cstrong\u003epitcher and wash basin set\u003c\/strong\u003e unites the craftsmanship of two distinguished regional potteries: \u003cstrong\u003eFord China Company of Ford City, Pennsylvania\u003c\/strong\u003e, and \u003cstrong\u003eRevere China Company of East Liverpool, Ohio\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003epitcher\u003c\/strong\u003e, with its high-shouldered body, undulating rim, and sculpted acanthus handle, carries a \u003cstrong\u003esoft glaze of winter white\u003c\/strong\u003e accented by a \u003cstrong\u003edelicate pink-and-blue floral transfer\u003c\/strong\u003e — a motif common in the transitional years between Victorian ornamentation and emerging Art Nouveau simplicity. Its companion \u003cstrong\u003ebasin\u003c\/strong\u003e reflects a similar hand, rendered in fine semi-vitreous china with lilac chrysanthemum sprays and a subtle crackled patina earned over a century of quiet endurance.\u003c\/p\u003e\n\u003cp\u003eTogether, they evoke a time when beauty was ritualized in the everyday — when a morning’s ablution or the pouring of water carried the grace of handcrafted design.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003cp\u003e→ \u003cstrong\u003eMedium:\u003c\/strong\u003e Semi-vitreous glazed whiteware, hand-decorated transfer florals\u003cbr\u003e→ \u003cstrong\u003ePitcher Origin:\u003c\/strong\u003e Ford China Company, Ford City, Pennsylvania (mark impressed under glaze)\u003cbr\u003e→ \u003cstrong\u003eBasin Origin:\u003c\/strong\u003e Revere China Company, East Liverpool, Ohio (faint underglaze mark)\u003cbr\u003e→ \u003cstrong\u003ePalette:\u003c\/strong\u003e Ivory ground with floral accents in rose, violet, and sage green\u003cbr\u003e→ \u003cstrong\u003eFinish:\u003c\/strong\u003e Gloss glaze with natural age crazing\u003cbr\u003e→ \u003cstrong\u003ePeriod:\u003c\/strong\u003e c.1900–1930\u003cbr\u003e→ \u003cstrong\u003eStyle:\u003c\/strong\u003e Transitional Victorian \/ Early American Domestic Revival\u003c\/p\u003e\n\u003cp\u003eThe set’s form and finish typify what ceramic historian \u003cstrong\u003eH. Ries (1909)\u003c\/strong\u003e called “the new domestic classicism of the American pottery trade” — an aesthetic marrying utility with quiet refinement. Each curve and decal bears the hand of a trained potter and decorator, artisans whose work bridged the industrial and the intimate.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistory \u0026amp; Context\u003c\/h2\u003e\n\u003cp\u003eDuring the \u003cstrong\u003eturn of the 20th century\u003c\/strong\u003e, American ceramics entered a golden age. Towns like \u003cstrong\u003eFord City, Pennsylvania\u003c\/strong\u003e, and \u003cstrong\u003eEast Liverpool, Ohio\u003c\/strong\u003e, became centers of domestic porcelain production — their factories producing durable, affordable alternatives to English and Continental imports.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFord China Company (ca. 1900–1930s)\u003c\/strong\u003e was among the regional firms that flourished in this landscape. Based in a company town founded by the Pittsburgh Plate Glass enterprise, Ford China produced semi-vitreous tableware and decorative household pieces marked by ornate relief and decal work. As industrial historian \u003cstrong\u003eS.M. Vincent (2016)\u003c\/strong\u003e notes, these small Pennsylvania potteries “established localized identities in the ceramic arts, emphasizing durability and artistry within domestic production.”\u003c\/p\u003e\n\u003cp\u003eMeanwhile, \u003cstrong\u003eRevere China Company\u003c\/strong\u003e of East Liverpool stood at the heart of what was then known as \u003cem\u003e“The Pottery Capital of the World.”\u003c\/em\u003e Their semi-vitreous whitewares were functional yet refined — often found in washstands, hotels, and fine American homes. As \u003cstrong\u003eMyers (1977)\u003c\/strong\u003e documented, such regional producers “formed the backbone of America’s ceramic heritage, balancing artistry with mass appeal.”\u003c\/p\u003e\n\u003cp\u003eThe pairing of Ford and Revere pieces, as seen here, is emblematic of the period’s domestic assemblage: curated, matched by tone rather than maker, united by harmony of design and purpose.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003e→ Excellent antique condition\u003cbr\u003e→ Stable glaze with natural crazing throughout\u003cbr\u003e→ No structural repairs; minor edge wear consistent with age\u003cbr\u003e→ Pitcher interior clean and intact\u003cbr\u003e→ Basin with light surface toning and faint coloration to interior decal\u003cbr\u003e→ Displays beautifully as a functional antique or decorative centerpiece\u003c\/p\u003e\n\u003cp\u003eOverall: \u003cstrong\u003esuperb presentation with authentic historical patina\u003c\/strong\u003e — ready for display or collection.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eProduct Details\u003c\/h2\u003e\n\u003cp\u003e→ \u003cstrong\u003eMakers:\u003c\/strong\u003e Ford China Co. (PA) \u0026amp; Revere China Co. (OH)\u003cbr\u003e→ \u003cstrong\u003eDate:\u003c\/strong\u003e c.1900–1930\u003cbr\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e Semi-vitreous whiteware ceramic\u003cbr\u003e→ \u003cstrong\u003eDimensions:\u003c\/strong\u003e Pitcher approx. 12 in. height; Basin approx. 16 in. diameter\u003cbr\u003e→ \u003cstrong\u003eProvenance:\u003c\/strong\u003e Private American collection\u003cbr\u003e→ \u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent antique with period-appropriate glaze crazing\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp\u003eThis set is a tangible link to an era when \u003cstrong\u003eform and function shared equal grace\u003c\/strong\u003e. Its gently timeworn surface carries the intimacy of a household object crafted before the age of automation — when each floral decal was pressed by hand, and each glaze fired in small-batch kilns along the Allegheny and Ohio River valleys.\u003c\/p\u003e\n\u003cp\u003ePlaced on a sideboard, vanity, or console, it becomes both artifact and artwork — a quiet testament to \u003cstrong\u003eAmerican craftsmanship, regional history, and enduring beauty\u003c\/strong\u003e. Its restrained color palette and softly luminous glaze integrate seamlessly into modern, rustic, or neoclassical interiors, offering a note of domestic poetry from another century.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eScholar Citations\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eVincent, S. M. (2016). \u003cem\u003eAn Ancient Industry in a Modern Age: The Growth and Struggles of the American Pottery Industry, 1870–2015.\u003c\/em\u003e Kent State University.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eVincent, S. (2018). “A Bull in Our China Shop: Japanese Imports and the American Pottery Industry.” \u003cem\u003eEnterprise \u0026amp; Society.\u003c\/em\u003e Cambridge University Press.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRies, H., \u0026amp; Leighton, H. (1909). \u003cem\u003eHistory of the Clay-Working Industry in the United States.\u003c\/em\u003e U.S. Geological Survey.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMyers, S. H. (1977). “A Survey of Traditional Pottery Manufacture in the Mid-Atlantic and Northeastern United States.” \u003cem\u003eNortheast Historical Archaeology, 6\u003c\/em\u003e(1).\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBarber, E. A. (1904). \u003cem\u003eMarks of American Potters.\u003c\/em\u003e New York: Dodd, Mead \u0026amp; Co.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42746999636073,"sku":"VE-0212","price":255.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/antique_floral_pitcher_wash_basin_set_ford_china_co._ford_city_pa_revere_china_co._east_liverpool_oh_c.19001930766022408612134447480520809.jpg?v=1774245374"},{"product_id":"antique-late-victorian-rococo-revival-white-porcelain-butter-pat-dish-c-1880-1910","title":"Antique Late Victorian Rococo Revival White Porcelain Butter Pat Dish (c.1880–1910)","description":"\u003ch2 data-start=\"160\" data-end=\"172\"\u003eThe Piece\u003c\/h2\u003e\n\u003cp data-start=\"174\" data-end=\"377\"\u003eA single antique white porcelain dish, small in scale yet richly expressive, its surface animated by fluid, hand-molded scrollwork that curls and dissolves along the rim like ornament caught mid-thought.\u003c\/p\u003e\n\u003cp data-start=\"379\" data-end=\"748\"\u003eUnlike rigidly symmetrical factory wares, this piece feels almost improvisational. The raised decoration along the edge moves in loose, Rococo-inspired flourishes — soft waves, looping curves, and irregular accents that give the dish a sense of motion rather than pattern. The center remains calm and undecorated, a quiet field that allows the border to do the talking.\u003c\/p\u003e\n\u003cp data-start=\"750\" data-end=\"1065\"\u003eThere is an intimacy to its size and form. This was never meant to dominate a table. It was meant to \u003cem data-start=\"851\" data-end=\"858\"\u003eserve\u003c\/em\u003e — to hold something small and personal: a butter pat, a sweet, a ring removed before washing hands. Over time, it has transitioned naturally from utility to object, from service ware to sculptural fragment.\u003c\/p\u003e\n\u003cp data-start=\"1067\" data-end=\"1140\"\u003eIt feels collected, not curated. Found, not staged. Exactly as it should.\u003c\/p\u003e\n\u003chr data-start=\"1142\" data-end=\"1145\"\u003e\n\u003ch2 data-start=\"1147\" data-end=\"1171\"\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003cp data-start=\"1173\" data-end=\"1191\"\u003e→ \u003cstrong data-start=\"1175\" data-end=\"1191\"\u003eForm \u0026amp; Style\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1193\" data-end=\"1235\"\u003eAn antique porcelain small dish featuring:\u003c\/p\u003e\n\u003cul data-start=\"1236\" data-end=\"1418\"\u003e\n\u003cli data-start=\"1236\" data-end=\"1299\"\u003e\n\u003cp data-start=\"1238\" data-end=\"1299\"\u003eFree-flowing raised scroll and foliate relief along the rim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1300\" data-end=\"1336\"\u003e\n\u003cp data-start=\"1302\" data-end=\"1336\"\u003eSmooth, undecorated central well\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1337\" data-end=\"1384\"\u003e\n\u003cp data-start=\"1339\" data-end=\"1384\"\u003eGently scalloped edge with irregular rhythm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1385\" data-end=\"1418\"\u003e\n\u003cp data-start=\"1387\" data-end=\"1418\"\u003eCompact, balanced proportions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1420\" data-end=\"1646\"\u003eThe style draws from \u003cstrong data-start=\"1441\" data-end=\"1459\"\u003eRococo Revival\u003c\/strong\u003e influences popular in the late 19th century, softened here into something lighter and more domestic. The ornamentation is expressive rather than formal — decorative, but not disciplined.\u003c\/p\u003e\n\u003cp data-start=\"1648\" data-end=\"1663\"\u003e→ \u003cstrong data-start=\"1650\" data-end=\"1663\"\u003eMaterials\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1665\" data-end=\"1866\"\u003e\n\u003cli data-start=\"1665\" data-end=\"1691\"\u003e\n\u003cp data-start=\"1667\" data-end=\"1691\"\u003eGlazed white porcelain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1692\" data-end=\"1749\"\u003e\n\u003cp data-start=\"1694\" data-end=\"1749\"\u003eSmooth-bodied ceramic with subtle warmth to the glaze\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1750\" data-end=\"1814\"\u003e\n\u003cp data-start=\"1752\" data-end=\"1814\"\u003eRelief decoration formed directly from the body, not applied\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1815\" data-end=\"1866\"\u003e\n\u003cp data-start=\"1817\" data-end=\"1866\"\u003eFully glazed surface, including raised elements\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"1868\" data-end=\"1968\"\u003eThe porcelain is refined but not fragile, intended for everyday handling rather than ceremonial use.\u003c\/p\u003e\n\u003cp data-start=\"1970\" data-end=\"1985\"\u003e→ \u003cstrong data-start=\"1972\" data-end=\"1985\"\u003eTechnique\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1987\" data-end=\"2181\"\u003e\n\u003cli data-start=\"1987\" data-end=\"2020\"\u003e\n\u003cp data-start=\"1989\" data-end=\"2020\"\u003eMolded porcelain construction\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2021\" data-end=\"2070\"\u003e\n\u003cp data-start=\"2023\" data-end=\"2070\"\u003eRaised rim decoration pressed prior to firing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2071\" data-end=\"2111\"\u003e\n\u003cp data-start=\"2073\" data-end=\"2111\"\u003eKiln-fired and glazed for durability\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2112\" data-end=\"2181\"\u003e\n\u003cp data-start=\"2114\" data-end=\"2181\"\u003eSlight irregularities in relief consistent with period production\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2183\" data-end=\"2316\"\u003eThese variations are not flaws. They are the signature of early decorative tableware, when efficiency had not yet erased personality.\u003c\/p\u003e\n\u003chr data-start=\"2318\" data-end=\"2321\"\u003e\n\u003ch2 data-start=\"2323\" data-end=\"2346\"\u003eHistory \u0026amp; Provenance\u003c\/h2\u003e\n\u003cp data-start=\"2348\" data-end=\"2674\"\u003eLikely produced between \u003cstrong data-start=\"2372\" data-end=\"2389\"\u003e1880 and 1910\u003c\/strong\u003e, this dish reflects the late Victorian appetite for decorative detail in even the smallest household objects. European porcelain manufacturers — particularly in \u003cstrong data-start=\"2551\" data-end=\"2583\"\u003eFrance, Germany, and England\u003c\/strong\u003e — produced countless variations of these small plates for tea services and table settings.\u003c\/p\u003e\n\u003cp data-start=\"2676\" data-end=\"2873\"\u003eUnmarked examples such as this were common, especially for secondary pieces that were not intended to carry a maker’s identity. Their purpose was visual pleasure and utility, not brand recognition.\u003c\/p\u003e\n\u003cp data-start=\"2875\" data-end=\"3013\"\u003eWhat remains now is a fragment of that domestic world — an object that once blended seamlessly into daily life, and now stands on its own.\u003c\/p\u003e\n\u003chr data-start=\"3015\" data-end=\"3018\"\u003e\n\u003ch2 data-start=\"3020\" data-end=\"3032\"\u003eCondition\u003c\/h2\u003e\n\u003cp data-start=\"3034\" data-end=\"3057\"\u003eGood antique condition.\u003c\/p\u003e\n\u003cul data-start=\"3059\" data-end=\"3235\"\u003e\n\u003cli data-start=\"3059\" data-end=\"3101\"\u003e\n\u003cp data-start=\"3061\" data-end=\"3101\"\u003eGlaze intact with age-appropriate wear\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3102\" data-end=\"3145\"\u003e\n\u003cp data-start=\"3104\" data-end=\"3145\"\u003eMinor surface marks consistent with use\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3146\" data-end=\"3178\"\u003e\n\u003cp data-start=\"3148\" data-end=\"3178\"\u003eNo chips or repairs observed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3179\" data-end=\"3235\"\u003e\n\u003cp data-start=\"3181\" data-end=\"3235\"\u003eRelief decoration remains expressive and dimensional\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"3237\" data-end=\"3281\"\u003eStable, sound, and ready for decorative use.\u003c\/p\u003e\n\u003chr data-start=\"3283\" data-end=\"3286\"\u003e\n\u003ch2 data-start=\"3288\" data-end=\"3306\"\u003eProduct Details\u003c\/h2\u003e\n\u003cp data-start=\"3308\" data-end=\"3606\"\u003e\u003cstrong data-start=\"3308\" data-end=\"3317\"\u003eItem:\u003c\/strong\u003e Antique White Porcelain Small Dish \/ Butter Pat\u003cbr data-start=\"3365\" data-end=\"3368\"\u003e\u003cstrong data-start=\"3368\" data-end=\"3377\"\u003eDate:\u003c\/strong\u003e c.1880–1910\u003cbr data-start=\"3389\" data-end=\"3392\"\u003e\u003cstrong data-start=\"3392\" data-end=\"3403\"\u003eOrigin:\u003c\/strong\u003e Europe (likely France, Germany, or England)\u003cbr data-start=\"3447\" data-end=\"3450\"\u003e\u003cstrong data-start=\"3450\" data-end=\"3463\"\u003eMaterial:\u003c\/strong\u003e Glazed porcelain\u003cbr data-start=\"3480\" data-end=\"3483\"\u003e\u003cstrong data-start=\"3483\" data-end=\"3497\"\u003eTechnique:\u003c\/strong\u003e Molded and kiln-fired\u003cbr data-start=\"3519\" data-end=\"3522\"\u003e\u003cstrong data-start=\"3522\" data-end=\"3536\"\u003eCondition:\u003c\/strong\u003e Good antique condition\u003cbr data-start=\"3559\" data-end=\"3562\"\u003e\u003cstrong data-start=\"3562\" data-end=\"3572\"\u003eStyle:\u003c\/strong\u003e Rococo Revival \/ Late Victorian\u003c\/p\u003e\n\u003chr data-start=\"3608\" data-end=\"3611\"\u003e\n\u003ch2 data-start=\"3613\" data-end=\"3643\"\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp data-start=\"3645\" data-end=\"3698\"\u003eBecause small objects often carry the most character.\u003c\/p\u003e\n\u003cp data-start=\"3700\" data-end=\"3854\"\u003eThis dish doesn’t need to announce itself. It adds texture, softness, and history in a way that feels natural rather than styled. It works beautifully as:\u003c\/p\u003e\n\u003cul data-start=\"3855\" data-end=\"4009\"\u003e\n\u003cli data-start=\"3855\" data-end=\"3881\"\u003e\n\u003cp data-start=\"3857\" data-end=\"3881\"\u003eA jewelry or ring dish\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3882\" data-end=\"3925\"\u003e\n\u003cp data-start=\"3884\" data-end=\"3925\"\u003eA small catchall on a bedside or vanity\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3926\" data-end=\"3967\"\u003e\n\u003cp data-start=\"3928\" data-end=\"3967\"\u003eA layering piece on shelves or tables\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"3968\" data-end=\"4009\"\u003e\n\u003cp data-start=\"3970\" data-end=\"4009\"\u003eA quiet accent in a composed vignette\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"4011\" data-end=\"4054\"\u003eIt’s ideal if you’re drawn to objects that:\u003c\/p\u003e\n\u003cul data-start=\"4055\" data-end=\"4215\"\u003e\n\u003cli data-start=\"4055\" data-end=\"4097\"\u003e\n\u003cp data-start=\"4057\" data-end=\"4097\"\u003eFeel discovered rather than decorative\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4098\" data-end=\"4136\"\u003e\n\u003cp data-start=\"4100\" data-end=\"4136\"\u003eShow age honestly and attractively\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4137\" data-end=\"4180\"\u003e\n\u003cp data-start=\"4139\" data-end=\"4180\"\u003eAdd movement and detail without clutter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4181\" data-end=\"4215\"\u003e\n\u003cp data-start=\"4183\" data-end=\"4215\"\u003eCarry history at a human scale\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"4217\" data-end=\"4316\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis is the kind of piece that doesn’t shout for attention — and somehow ends up getting it anyway.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42752393281641,"sku":"VE-0231","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/3B73C967-4BA1-4FDF-8F71-D01243F8D673_1_105_c.jpg?v=1765857742"},{"product_id":"milk-glass-pedestal-compote-with-rose-motif-c-1940-1955","title":"Milk Glass Pedestal Compote with Rose Motif, c. 1940–1955","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eMilk Glass Pedestal Compote with Rose Motif, mid-20th century\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA refined vintage milk glass compote elevated on a clear pressed-glass pedestal, featuring a delicately rendered pink rose motif at the center well. The piece balances softness and structure, combining opaque milk glass with a faceted transparent stem to create a form that is both functional and ornamental.\u003c\/p\u003e\n\u003cp\u003eProduced during the mid-20th century, this compote reflects a period when domestic objects were designed to be beautiful without excess—intended for everyday use, yet thoughtfully styled. It reads as quietly decorative rather than overtly formal.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003ch3\u003eBowl\u003c\/h3\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e Milk glass\u003cbr\u003e→ \u003cstrong\u003eForm:\u003c\/strong\u003e Shallow circular dish\u003cbr\u003e→ \u003cstrong\u003eDecoration:\u003c\/strong\u003e Central floral transfer depicting blush-toned roses with green foliage\u003c\/p\u003e\n\u003cp\u003eThe milk glass surface is smooth and evenly opaque, providing a clean backdrop for the floral motif. The rose decoration is restrained in scale and placement, avoiding the heaviness common in earlier Victorian floral wares.\u003c\/p\u003e\n\u003ch3\u003ePedestal Base\u003c\/h3\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e Clear pressed glass\u003cbr\u003e→ \u003cstrong\u003eForm:\u003c\/strong\u003e Faceted stem with octagonal foot\u003cbr\u003e→ \u003cstrong\u003eConstruction:\u003c\/strong\u003e Mold-pressed, consistent with mid-century production\u003c\/p\u003e\n\u003cp\u003eThe transparent pedestal introduces lightness and contrast, visually lifting the bowl and giving the piece its compote silhouette. The faceting adds subtle geometry without drawing attention away from the bowl.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistorical Context\u003c\/h2\u003e\n\u003cp\u003eMilk glass experienced renewed popularity in the mid-20th century as manufacturers blended traditional forms with simplified decoration. Floral motifs remained common, but were increasingly pared back to suit evolving tastes that favored clarity, cleanliness, and versatility.\u003c\/p\u003e\n\u003cp\u003ePedestal compotes such as this were often used for fruit, sweets, or table accents, but were equally at home on vanities or sideboards—objects that moved fluidly between utility and display.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003e→ Very good vintage condition\u003cbr\u003e→ No visible cracks or chips observed\u003cbr\u003e→ Light surface wear consistent with gentle use\u003cbr\u003e→ Floral decoration remains intact and unfaded\u003cbr\u003e→ Glass structure is stable and well-balanced\u003c\/p\u003e\n\u003cp\u003eCondition supports both decorative display and light functional use.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp\u003eThis is a piece that \u003cstrong\u003esoftens a space without demanding attention\u003c\/strong\u003e. It introduces height, translucency, and warmth in a single object, making it ideal for layered interiors.\u003c\/p\u003e\n\u003cp\u003eIt brings:\u003cbr\u003e→ Subtle elegance\u003cbr\u003e→ Material contrast\u003cbr\u003e→ Practical beauty\u003c\/p\u003e\n\u003cp\u003ePerfect for styling shelves, coffee tables, vanities, or dining surfaces where restraint matters more than statement. It complements both traditional and modern interiors without feeling era-bound.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42789888360553,"sku":"VE-0295","price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/MilkGlassPedestalCompotewithRoseMotif.jpg?v=1767486315"},{"product_id":"paden-city-pottery-oval-serving-platter-c-1925-1940-antique-american-floral-china","title":"Paden City Pottery Oval Serving Platter c.1925–1940 | Antique American Floral China","description":"\u003ch2\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eEarly 20th-Century American Oval Serving Platter\u003cbr\u003e\u003cstrong\u003ePaden City Pottery\u003c\/strong\u003e\u003cbr\u003eSemi-vitreous china, USA\u003cbr\u003ec.1925–1940\u003c\/p\u003e\n\u003cp\u003eAn early 20th-century oval serving platter produced by Paden City Pottery, a West Virginia manufacturer active during the peak of American mass-market ceramic production between the First and Second World Wars. The platter is decorated with floral transfer prints, black scrollwork, and restrained gilt accents, reflecting a transitional decorative style common to American tableware of the interwar period.\u003c\/p\u003e\n\u003cp\u003eThe form is utilitarian and deliberate: a wide rim for handling, a shallow well for presentation, and an oval silhouette intended for shared service rather than individual place settings. Decoration is concentrated along the rim, leaving the center visually open so that food remained the focal point when in use.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e→ Manufacturer: Paden City Pottery\u003cbr\u003e→ Location: Paden City, West Virginia, USA\u003cbr\u003e→ Material: Semi-vitreous china\u003cbr\u003e→ Form: Oval serving platter\u003cbr\u003e→ Decoration: Floral transfer print with black scrollwork and light gilt\u003cbr\u003e→ Date: Circa 1925–1940\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eHistorical Context\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003ePaden City Pottery was founded in \u003cstrong\u003e1917\u003c\/strong\u003e in Paden City, West Virginia, part of the Ohio River Valley pottery region that supplied much of the United States with domestic tableware in the early 20th century. Unlike larger conglomerates such as Homer Laughlin, Paden City remained a mid-scale manufacturer, producing decorated household ceramics aimed at middle-class American consumers.\u003c\/p\u003e\n\u003cp\u003eDuring the \u003cstrong\u003e1920s and 1930s\u003c\/strong\u003e, American potteries shifted away from heavily ornate Victorian patterns toward lighter palettes and simplified decoration. Floral transfers remained popular, but they were increasingly paired with cleaner layouts and limited gilt, as manufacturers balanced visual appeal with cost efficiency and durability.\u003c\/p\u003e\n\u003cp\u003eGilt was still used during this period, but sparingly. After the onset of World War II, gilt decoration declined sharply due to material restrictions and changes in taste. The presence of remaining gilt on this platter supports a \u003cstrong\u003epre-war\u003c\/strong\u003e production date.\u003c\/p\u003e\n\u003cp\u003ePlatters like this were central to domestic dining before the widespread adoption of disposable or single-use serving ware. They were designed to withstand frequent use, washing, and storage, which makes intact examples increasingly uncommon.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eCondition + Updates\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eGood vintage condition.\u003c\/p\u003e\n\u003cp\u003eThe platter shows surface wear consistent with age and use, including light utensil marks and partial loss of gilt decoration. No cracks, chips, or structural damage are observed. The transfer decoration remains intact and legible, and the glaze retains a consistent sheen.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis piece represents American domestic history rather than ornament alone.\u003c\/p\u003e\n\u003cp\u003eIt functions as a serving platter, display base, or decorative anchor within a kitchen or dining space. The oval form introduces variation among round tableware, while the subdued floral decoration integrates easily into both traditional and contemporary interiors.\u003c\/p\u003e\n\u003cp\u003eIt was made to be used, not admired from a distance—and it still can be.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eFrom Viridian Eclection\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eViridian Eclection curates objects that reflect how people lived, ate, and gathered. This Paden City Pottery platter carries the material history of early 20th-century American dining—preserved with accuracy, context, and respect for its original purpose.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42852347576425,"sku":"VE-0449","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/C429BC74-F0EB-4964-9B6C-85D791F57C33_1_105_c.jpg?v=1769418781"},{"product_id":"antique-german-relief-molded-ceramic-pitcher-c-1900-1920","title":"Antique German Relief-Molded Ceramic Pitcher, c. 1900–1920","description":"\u003ch3 data-start=\"1100\" data-end=\"1113\"\u003eThe Piece\u003c\/h3\u003e\n\u003cp data-start=\"1114\" data-end=\"1255\"\u003ePeriod ceramic pitcher.\u003cbr data-start=\"1137\" data-end=\"1140\"\u003eGerman maker, unidentified.\u003cbr data-start=\"1167\" data-end=\"1170\"\u003eRelief-molded earthenware with crackle glaze.\u003cbr data-start=\"1215\" data-end=\"1218\"\u003eBlue underglaze maker’s mark on base.\u003c\/p\u003e\n\u003cp data-start=\"1257\" data-end=\"1612\"\u003e\u003cstrong data-start=\"1257\" data-end=\"1280\"\u003ePrimary Description\u003c\/strong\u003e\u003cbr data-start=\"1280\" data-end=\"1283\"\u003eThis pitcher is formed from molded earthenware with continuous relief decoration wrapping the body. The upper register depicts pastoral figures in period dress engaged in rural activity, rendered in raised, hand-tinted glazes over a crackled ground. The handle and rim are integrated into the mold rather than applied separately.\u003c\/p\u003e\n\u003cp data-start=\"1614\" data-end=\"1864\"\u003eThe lower body transitions into a bulbous base encircled by molded portrait medallions framed with floral motifs. The glaze palette is restrained but varied, with matte and glossy passages emphasizing depth and texture rather than surface perfection.\u003c\/p\u003e\n\u003chr data-start=\"1866\" data-end=\"1869\"\u003e\n\u003ch3 data-start=\"1871\" data-end=\"1893\"\u003eHistorical Context\u003c\/h3\u003e\n\u003cp data-start=\"1894\" data-end=\"2261\"\u003eRelief-molded ceramic wares of this type were widely produced in Germany in the late 19th and early 20th centuries for export to Britain and the United States. These objects reflected a romanticized view of rural life at a time of rapid industrialization, serving as domestic table or display pieces that signaled nostalgia and cultural continuity rather than luxury.\u003c\/p\u003e\n\u003cp data-start=\"2263\" data-end=\"2524\"\u003eSuch pitchers were often purchased as decorative objects rather than functional vessels, valued for their narrative surfaces and tactile presence. They occupy a space between folk tradition and industrial production, intentionally accessible but visually dense.\u003c\/p\u003e\n\u003chr data-start=\"2526\" data-end=\"2529\"\u003e\n\u003ch3 data-start=\"2531\" data-end=\"2577\"\u003eProduct Details \/ Materials \u0026amp; Presentation\u003c\/h3\u003e\n\u003cp data-start=\"2578\" data-end=\"2812\"\u003e→ \u003cstrong data-start=\"2580\" data-end=\"2591\"\u003eMedium:\u003c\/strong\u003e Glazed earthenware\u003cbr data-start=\"2610\" data-end=\"2613\"\u003e→ \u003cstrong data-start=\"2615\" data-end=\"2632\"\u003eConstruction:\u003c\/strong\u003e Multi-part mold with integrated handle and spout\u003cbr data-start=\"2681\" data-end=\"2684\"\u003e→ \u003cstrong data-start=\"2686\" data-end=\"2699\"\u003eMarkings:\u003c\/strong\u003e Blue underglaze maker’s mark on base (partially worn)\u003cbr data-start=\"2753\" data-end=\"2756\"\u003e→ \u003cstrong data-start=\"2758\" data-end=\"2769\"\u003eFinish:\u003c\/strong\u003e Crackle glaze with hand-applied coloration\u003c\/p\u003e\n\u003chr data-start=\"2814\" data-end=\"2817\"\u003e\n\u003ch3 data-start=\"2819\" data-end=\"2842\"\u003eCondition + Updates\u003c\/h3\u003e\n\u003cp data-start=\"2843\" data-end=\"3070\"\u003eOverall condition is stable and intact.\u003cbr data-start=\"2882\" data-end=\"2885\"\u003eCrackle glaze is present throughout and consistent with age.\u003cbr data-start=\"2945\" data-end=\"2948\"\u003eMinor surface wear and glaze pooling visible in recessed areas.\u003cbr data-start=\"3011\" data-end=\"3014\"\u003eNo structural cracks, repairs, or restorations observed.\u003c\/p\u003e\n\u003chr data-start=\"3072\" data-end=\"3075\"\u003e\n\u003ch3 data-start=\"3077\" data-end=\"3108\"\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp data-start=\"3109\" data-end=\"3475\"\u003eThe scale and visual density make this piece suited to shelving, sideboards, or open cabinets where surface detail can be appreciated at close range. Its palette works comfortably with wood, stone, and neutral interiors, and its form reads as sculptural even when not grouped with other objects. This is a piece that holds attention quietly rather than demanding it.\u003c\/p\u003e\n\u003chr data-start=\"3477\" data-end=\"3480\"\u003e\n\u003ch3 data-start=\"3482\" data-end=\"3509\"\u003eFrom Viridian Eclection\u003c\/h3\u003e\n\u003cp data-start=\"3510\" data-end=\"3747\"\u003eViridian Eclection collects objects shaped by use, production, and restraint. Each piece is selected for material integrity and historical clarity, not novelty. We favor objects that sit comfortably in time rather than chasing relevance.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42853877579881,"sku":"VE-0457","price":140.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/2F1FED14-1396-4A31-97C8-EC6C7C6F419F_1_201_a.jpg?v=1769478022"},{"product_id":"1947-wm-rogers-marigold-silverplate-presentation-platter-knoxville-tennessee","title":"1947 Wm. Rogers Marigold Silverplate Presentation Platter, Knoxville Tennessee","description":"\u003ch2 data-start=\"2920\" data-end=\"2932\"\u003eThe Piece\u003c\/h2\u003e\n\u003cp data-start=\"2934\" data-end=\"3096\"\u003eMid-20th-century presentation platter\u003cbr data-start=\"2971\" data-end=\"2974\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eWm. Rogers\u003c\/span\u003e\u003c\/span\u003e, Marigold pattern\u003cbr data-start=\"3029\" data-end=\"3032\"\u003eSilver-plated metal with pierced rim\u003cbr data-start=\"3068\" data-end=\"3071\"\u003eUnited States, dated 1947\u003c\/p\u003e\n\u003chr data-start=\"3098\" data-end=\"3101\"\u003e\n\u003ch2 data-start=\"3103\" data-end=\"3125\"\u003ePrimary Description\u003c\/h2\u003e\n\u003cp data-start=\"3127\" data-end=\"3388\"\u003eThis silver-plated presentation platter is formed in the Marigold pattern by Wm. Rogers, featuring a scalloped edge and pierced floral scrollwork around the rim. The platter retains hand-engraved inscriptions commemorating a competitive award presented in 1947.\u003c\/p\u003e\n\u003cp data-start=\"3390\" data-end=\"3641\"\u003eThe front is engraved \u003cstrong data-start=\"3412\" data-end=\"3463\"\u003e“BEST TOY TVKE 1947 – CH. SIR IUS OF THE HILL,”\u003c\/strong\u003e while the reverse reads \u003cstrong data-start=\"3488\" data-end=\"3531\"\u003e“Knoxville Tennessee – October 22 ’47.”\u003c\/strong\u003e Surface wear, scratching, and darkened patina are consistent with age, use, and repeated polishing over time.\u003c\/p\u003e\n\u003chr data-start=\"3643\" data-end=\"3646\"\u003e\n\u003ch2 data-start=\"3648\" data-end=\"3666\"\u003eAbout the Maker\u003c\/h2\u003e\n\u003cp data-start=\"3668\" data-end=\"3962\"\u003eWm. Rogers was one of the most prolific American silver manufacturers of the 19th and 20th centuries, producing both sterling and silver-plated wares. Their silverplate presentation pieces were widely used for awards, commemorations, and formal events throughout the early- to mid-20th century.\u003c\/p\u003e\n\u003cp data-start=\"3964\" data-end=\"4082\"\u003eThe Marigold pattern, with its floral scrollwork and pierced rim, was particularly popular during the 1930s and 1940s.\u003c\/p\u003e\n\u003chr data-start=\"4084\" data-end=\"4087\"\u003e\n\u003ch2 data-start=\"4089\" data-end=\"4110\"\u003eHistorical Context\u003c\/h2\u003e\n\u003cp data-start=\"4112\" data-end=\"4366\"\u003eDuring the mid-20th century, engraved silverplate platters were commonly awarded at dog shows, agricultural fairs, and sporting competitions. These objects served as permanent records of achievement, often bearing the event location, date, and recipient.\u003c\/p\u003e\n\u003cp data-start=\"4368\" data-end=\"4540\"\u003eThis platter documents a \u003cstrong data-start=\"4393\" data-end=\"4425\"\u003eToy Group championship award\u003c\/strong\u003e presented in Knoxville, Tennessee, in 1947, preserving a specific moment in post-war American competitive culture.\u003c\/p\u003e\n\u003chr data-start=\"4542\" data-end=\"4545\"\u003e\n\u003ch2 data-start=\"4547\" data-end=\"4565\"\u003eProduct Details\u003c\/h2\u003e\n\u003cul data-start=\"4567\" data-end=\"4925\"\u003e\n\u003cli data-start=\"4567\" data-end=\"4592\"\u003e\n\u003cp data-start=\"4569\" data-end=\"4592\"\u003eOrigin: United States\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4593\" data-end=\"4607\"\u003e\n\u003cp data-start=\"4595\" data-end=\"4607\"\u003eDate: 1947\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4608\" data-end=\"4629\"\u003e\n\u003cp data-start=\"4610\" data-end=\"4629\"\u003eMaker: Wm. Rogers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4630\" data-end=\"4651\"\u003e\n\u003cp data-start=\"4632\" data-end=\"4651\"\u003ePattern: Marigold\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4652\" data-end=\"4685\"\u003e\n\u003cp data-start=\"4654\" data-end=\"4685\"\u003eMaterial: Silver-plated metal\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4686\" data-end=\"4733\"\u003e\n\u003cp data-start=\"4688\" data-end=\"4733\"\u003eForm: Presentation platter with pierced rim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4734\" data-end=\"4778\"\u003e\n\u003cp data-start=\"4736\" data-end=\"4778\"\u003eMarkings: “Marigold – Wm. Rogers – 7421”\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4779\" data-end=\"4834\"\u003e\n\u003cp data-start=\"4781\" data-end=\"4834\"\u003eEngraving: Dated award inscriptions, front and back\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"4835\" data-end=\"4925\"\u003e\n\u003cp data-start=\"4837\" data-end=\"4925\"\u003eCondition: Good vintage condition with heavy surface wear and patina consistent with age\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-start=\"4927\" data-end=\"4930\"\u003e\n\u003ch2 data-start=\"4932\" data-end=\"4962\"\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp data-start=\"4964\" data-end=\"5198\"\u003eThis piece carries a documented past. Its wear is not decorative—it is evidence of use, handling, and significance. Displayed on a wall, shelf, or table, it functions as an artifact of American social history rather than serving ware.\u003c\/p\u003e\n\u003cp data-start=\"5200\" data-end=\"5251\"\u003eIt is singular, dated, and impossible to replicate.\u003c\/p\u003e\n\u003chr data-start=\"5253\" data-end=\"5256\"\u003e\n\u003ch2 data-start=\"5258\" data-end=\"5284\"\u003eFrom Viridian Eclection\u003c\/h2\u003e\n\u003cp data-start=\"5286\" data-end=\"5506\"\u003eViridian selects objects that preserve material honesty and historical specificity. This platter was chosen for its engraved provenance and its reflection of mid-century American competitive and commemorative traditions.\u003c\/p\u003e\n\u003chr data-start=\"5508\" data-end=\"5511\"\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42884838293609,"sku":"VE-0498","price":126.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/244AFCFA-9808-40F9-9830-3A163E110A8D.jpg?v=1770192088"},{"product_id":"mid-century-stafford-porcelain-warming-stand-japan","title":"Mid-Century Stafford Porcelain Warming Stand, Japan","description":"\u003ch2 data-start=\"243\" data-end=\"255\"\u003eThe Piece\u003c\/h2\u003e\n\u003cp data-start=\"257\" data-end=\"623\"\u003eThis Stafford porcelain warming stand was produced in Japan in the mid-20th century, during a period when Japanese workshops were supplying finely made domestic wares to Western markets. Square in form with softened edges, the piece combines practical function with gentle decorative detail, balancing utility and ornament in a way that feels distinctly of its time.\u003c\/p\u003e\n\u003cp data-start=\"625\" data-end=\"977\"\u003eThe exterior is decorated with hand-applied florals and birds rendered in muted greens, warm rusts, and soft creams. A thin gilt line traces the upper edge, adding restraint rather than flourish. At the center, a circular opening is designed to cradle a small vessel above a candle or heat source, allowing warmth to rise evenly without direct contact.\u003c\/p\u003e\n\u003cp data-start=\"979\" data-end=\"1079\"\u003eIt’s an object made for ritual use. Tea kept warm on a side table. A quiet pause built into the day.\u003c\/p\u003e\n\u003chr data-start=\"1081\" data-end=\"1084\"\u003e\n\u003ch2 data-start=\"1086\" data-end=\"1108\"\u003ePrimary Description\u003c\/h2\u003e\n\u003cp data-start=\"1110\" data-end=\"1453\"\u003eThe porcelain body is finished in a creamy white glaze with a smooth interior basin. The square top features radiating molded ridges that lead the eye toward the central opening, adding subtle texture without overwhelming the form. Each side panel carries botanical and bird motifs, applied with a light hand and framed by soft negative space.\u003c\/p\u003e\n\u003cp data-start=\"1455\" data-end=\"1586\"\u003eThe base bears the Stafford Japan mark, consistent with export porcelain produced for the mid-century American and European market.\u003c\/p\u003e\n\u003chr data-start=\"1588\" data-end=\"1591\"\u003e\n\u003ch2 data-start=\"1593\" data-end=\"1614\"\u003eMaterial and Craft\u003c\/h2\u003e\n\u003cp data-start=\"1616\" data-end=\"1899\"\u003eMade from glazed porcelain and fired for durability, the piece reflects commercial production standards of the post-war period while retaining decorative handwork in the applied imagery. The glaze is even and intact, with minor age-appropriate wear along edges and interior surfaces.\u003c\/p\u003e\n\u003chr data-start=\"1901\" data-end=\"1904\"\u003e\n\u003ch2 data-start=\"1906\" data-end=\"1927\"\u003eHistorical Context\u003c\/h2\u003e\n\u003cp data-start=\"1929\" data-end=\"2277\"\u003eFollowing World War II, Japanese porcelain manufacturers became major suppliers of household wares abroad. Brands like Stafford focused on adaptable, decorative pieces that fit comfortably into Western interiors. Warming stands such as this were common companions to teapots and serving vessels, supporting slower, more deliberate domestic rituals.\u003c\/p\u003e\n\u003chr data-start=\"2279\" data-end=\"2282\"\u003e\n\u003ch2 data-start=\"2284\" data-end=\"2302\"\u003eProduct Details\u003c\/h2\u003e\n\u003cul data-start=\"2304\" data-end=\"2552\"\u003e\n\u003cli data-start=\"2304\" data-end=\"2323\"\u003e\n\u003cp data-start=\"2306\" data-end=\"2323\"\u003eMaker: Stafford\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2324\" data-end=\"2341\"\u003e\n\u003cp data-start=\"2326\" data-end=\"2341\"\u003eOrigin: Japan\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2342\" data-end=\"2368\"\u003e\n\u003cp data-start=\"2344\" data-end=\"2368\"\u003eDate: Mid-20th century\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2369\" data-end=\"2392\"\u003e\n\u003cp data-start=\"2371\" data-end=\"2392\"\u003eMaterial: Porcelain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2393\" data-end=\"2444\"\u003e\n\u003cp data-start=\"2395\" data-end=\"2444\"\u003eDecoration: Hand-applied floral and bird motifs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2445\" data-end=\"2475\"\u003e\n\u003cp data-start=\"2447\" data-end=\"2475\"\u003eMarkings: Stafford \/ Japan\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2476\" data-end=\"2552\"\u003e\n\u003cp data-start=\"2478\" data-end=\"2552\"\u003eCondition: Very good vintage condition with light wear consistent with age\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr data-start=\"2554\" data-end=\"2557\"\u003e\n\u003ch2 data-start=\"2559\" data-end=\"2589\"\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp data-start=\"2591\" data-end=\"2816\"\u003eThis piece works beautifully beyond its original purpose. It can serve as a candle stand, a display base, or a sculptural object on its own. Its square form grounds a vignette, while the decoration adds warmth without excess.\u003c\/p\u003e\n\u003cp data-start=\"2818\" data-end=\"2870\"\u003eIt’s functional history. Useful, but never ordinary.\u003c\/p\u003e\n\u003chr data-start=\"2872\" data-end=\"2875\"\u003e\n\u003ch2 data-start=\"2877\" data-end=\"2903\"\u003eFrom Viridian Eclection\u003c\/h2\u003e\n\u003cp data-start=\"2905\" data-end=\"3104\"\u003eViridian selects pieces that feel lived with, not staged. This warming stand was chosen for its balance of form, restraint, and quiet charm—an object that earns its place without demanding attention.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42885242978409,"sku":"VE-0505","price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/22B6A10F-C957-4E46-A934-FE3A2284CE6D_1_201_a.jpg?v=1770204141"},{"product_id":"gotham-silver-on-copper-covered-serving-dish-no-202-c-1930s-1950s","title":"Gotham Silver on Copper Covered Serving Dish  No. 202 | c. 1930s–1950s","description":"\u003ch3 data-start=\"318\" data-end=\"335\"\u003e\u003cstrong data-start=\"322\" data-end=\"335\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"336\" data-end=\"593\"\u003eA vintage covered serving dish crafted by \u003cstrong data-start=\"378\" data-end=\"419\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGotham Silver\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e, marked \u003cem data-start=\"428\" data-end=\"446\"\u003eSilver on Copper\u003c\/em\u003e and numbered \u003cstrong data-start=\"460\" data-end=\"467\"\u003e202\u003c\/strong\u003e. This piece features a warm copper base plated in silver, giving it a richer tone and heavier feel than standard silverplate.\u003c\/p\u003e\n\u003cp data-start=\"595\" data-end=\"879\"\u003eThe oval form is framed by a restrained floral-and-garland border, with fixed side handles and its original hinged lid intact. Elegant but unfussy, this is table silver designed to be both functional and presentable—equally at home as a serving piece or styled as a decorative accent.\u003c\/p\u003e\n\u003ch3 data-start=\"881\" data-end=\"907\"\u003e\u003cstrong data-start=\"885\" data-end=\"907\"\u003eHistorical Context\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"908\" data-end=\"1268\"\u003eGotham Silver operated during the early-to-mid 20th century, producing quality American silver-on-copper tableware that bridged the gap between formal sterling and mass-produced hotel plate. Silver-on-copper pieces were prized for their durability, warmth of tone, and substantial weight, making them popular for household entertaining through the 1930s–1950s.\u003c\/p\u003e\n\u003cp data-start=\"1270\" data-end=\"1440\"\u003eThis form reflects a transitional aesthetic: softer than Edwardian ornament, but not yet modernist—an ideal match for both traditional and layered contemporary interiors.\u003c\/p\u003e\n\u003ch3 data-start=\"1442\" data-end=\"1465\"\u003e\u003cstrong data-start=\"1446\" data-end=\"1465\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv class=\"TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"group TyagGW_tableWrapper flex flex-col-reverse w-fit\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"1467\" data-end=\"1832\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"1467\" data-end=\"1494\"\u003e\n\u003ctr data-start=\"1467\" data-end=\"1494\"\u003e\n\u003cth data-start=\"1467\" data-end=\"1479\" data-col-size=\"sm\" class=\"\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-start=\"1479\" data-end=\"1494\" data-col-size=\"sm\" class=\"\"\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"1519\" data-end=\"1832\"\u003e\n\u003ctr data-start=\"1519\" data-end=\"1544\"\u003e\n\u003ctd data-start=\"1519\" data-end=\"1527\" data-col-size=\"sm\"\u003eMaker\u003c\/td\u003e\n\u003ctd data-start=\"1527\" data-end=\"1544\" data-col-size=\"sm\"\u003eGotham Silver\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1545\" data-end=\"1571\"\u003e\n\u003ctd data-start=\"1545\" data-end=\"1554\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-start=\"1554\" data-end=\"1571\" data-col-size=\"sm\"\u003eUnited States\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1572\" data-end=\"1597\"\u003e\n\u003ctd data-start=\"1572\" data-end=\"1579\" data-col-size=\"sm\"\u003eDate\u003c\/td\u003e\n\u003ctd data-start=\"1579\" data-end=\"1597\" data-col-size=\"sm\"\u003ec. 1930s–1950s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1598\" data-end=\"1636\"\u003e\n\u003ctd data-start=\"1598\" data-end=\"1609\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-start=\"1609\" data-end=\"1636\" data-col-size=\"sm\"\u003eSilverplate over copper\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1637\" data-end=\"1680\"\u003e\n\u003ctd data-start=\"1637\" data-end=\"1644\" data-col-size=\"sm\"\u003eForm\u003c\/td\u003e\n\u003ctd data-start=\"1644\" data-end=\"1680\" data-col-size=\"sm\"\u003eCovered serving \/ vegetable dish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1681\" data-end=\"1713\"\u003e\n\u003ctd data-start=\"1681\" data-end=\"1691\" data-col-size=\"sm\"\u003eHandles\u003c\/td\u003e\n\u003ctd data-start=\"1691\" data-end=\"1713\" data-col-size=\"sm\"\u003eFixed side handles\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1714\" data-end=\"1743\"\u003e\n\u003ctd data-start=\"1714\" data-end=\"1720\" data-col-size=\"sm\"\u003eLid\u003c\/td\u003e\n\u003ctd data-start=\"1720\" data-end=\"1743\" data-col-size=\"sm\"\u003eOriginal hinged lid\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1744\" data-end=\"1788\"\u003e\n\u003ctd data-start=\"1744\" data-end=\"1755\" data-col-size=\"sm\"\u003eMarkings\u003c\/td\u003e\n\u003ctd data-start=\"1755\" data-end=\"1788\" data-col-size=\"sm\"\u003e“Gotham Silver on Copper 202”\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1789\" data-end=\"1832\"\u003e\n\u003ctd data-start=\"1789\" data-end=\"1801\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-start=\"1801\" data-end=\"1832\" data-col-size=\"sm\"\u003eVery good vintage condition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3 data-start=\"1834\" data-end=\"1857\"\u003e\u003cstrong data-start=\"1838\" data-end=\"1857\"\u003eCondition Notes\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1858\" data-end=\"2123\"\u003eThe dish retains its original lid and handles with no dents or warping observed. Light surface wear and fine scratches are consistent with age and use. No visible plate loss to copper on primary surfaces. Interior is clean and suitable for display or light serving.\u003c\/p\u003e\n\u003ch3 data-start=\"2125\" data-end=\"2160\"\u003e\u003cstrong data-start=\"2129\" data-end=\"2160\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2161\" data-end=\"2514\"\u003eThis is the kind of piece that adds weight and intention to a space. On a dining table, it reads as classic American hospitality. On open shelving or a sideboard, it functions as sculptural metalwork with warmth and restraint. It pairs beautifully with darker woods, stone, and collected tableware—quietly elevating the room without demanding attention.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ch3 data-start=\"147\" data-end=\"178\"\u003e\u003cstrong data-start=\"151\" data-end=\"178\"\u003eFrom Viridian Eclection\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"179\" data-end=\"492\"\u003eAt Viridian, we curate objects that carry both presence and purpose—pieces that feel collected over time rather than acquired all at once. This Gotham Silver serving dish exemplifies that balance. The warmth of silver over copper, the restrained ornament, and the honest signs of age give it depth without excess.\u003c\/p\u003e\n\u003cp data-start=\"494\" data-end=\"706\"\u003eIt’s not precious for the sake of being precious. It’s substantial, usable, and quietly elegant—exactly the kind of object that anchors a table or shelf and makes a space feel lived-in, intentional, and complete.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42895397585001,"sku":"VE-0529","price":62.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/5BFDF839-CF3E-4F38-BADC-441B33644369_4_5005_c.jpg?v=1770595682"},{"product_id":"set-of-4-calif-usa-c613-shell-serving-dishes-vintage-white","title":"Set of 4 Calif USA C613 Shell Serving Dishes Vintage White","description":"\u003ch1 data-start=\"390\" data-end=\"403\"\u003eThe Piece\u003c\/h1\u003e\n\u003cp data-start=\"405\" data-end=\"484\"\u003e\u003cstrong data-start=\"405\" data-end=\"456\"\u003eSet of Four Calif USA C613 Shell Serving Dishes\u003c\/strong\u003e\u003cbr data-start=\"456\" data-end=\"459\"\u003eCalifornia, Mid-Century\u003c\/p\u003e\n\u003cp data-start=\"486\" data-end=\"609\"\u003eA sculptural set of four white ceramic serving dishes in a stylized shell form, marked \u003cstrong data-start=\"573\" data-end=\"591\"\u003eCALIF USA C613\u003c\/strong\u003e on the underside.\u003c\/p\u003e\n\u003cp data-start=\"611\" data-end=\"692\"\u003eClean lines. Soft gloss glaze. Classic mid-century California pottery silhouette.\u003c\/p\u003e\n\u003chr data-start=\"694\" data-end=\"697\"\u003e\n\u003ch1 data-start=\"699\" data-end=\"722\"\u003ePrimary Description\u003c\/h1\u003e\n\u003cp data-start=\"724\" data-end=\"850\"\u003eThis set consists of four matching ceramic serving dishes produced in California, likely mid-20th century (circa 1940s–1960s).\u003c\/p\u003e\n\u003cp data-start=\"852\" data-end=\"872\"\u003eDetails that matter:\u003c\/p\u003e\n\u003cp data-start=\"874\" data-end=\"996\"\u003e→ Molded shell \/ fan form\u003cbr data-start=\"899\" data-end=\"902\"\u003e→ Gloss white glaze\u003cbr data-start=\"921\" data-end=\"924\"\u003e→ Marked “CALIF USA C613”\u003cbr data-start=\"949\" data-end=\"952\"\u003e→ Raised footed base\u003cbr data-start=\"972\" data-end=\"975\"\u003e→ Stack beautifully\u003c\/p\u003e\n\u003cp data-start=\"998\" data-end=\"1130\"\u003eThe sculpted ribbing radiates outward in a fan formation, giving the dishes a strong visual presence despite their minimalist color.\u003c\/p\u003e\n\u003cp data-start=\"1132\" data-end=\"1308\"\u003eThe underside marking indicates California production, part of the broader mid-century California pottery movement known for sculptural tableware and decorative serving pieces.\u003c\/p\u003e\n\u003chr data-start=\"1310\" data-end=\"1313\"\u003e\n\u003ch1 data-start=\"1315\" data-end=\"1343\"\u003eAbout California Pottery\u003c\/h1\u003e\n\u003cp data-start=\"1345\" data-end=\"1552\"\u003eFrom the 1930s through the 1960s, California was a major hub for ceramic production. Companies like Bauer, Vernon Kilns, Metlox, and numerous smaller studios produced functional but design-forward tableware.\u003c\/p\u003e\n\u003cp data-start=\"1554\" data-end=\"1603\"\u003eCalifornia pottery characteristics often include:\u003c\/p\u003e\n\u003cp data-start=\"1605\" data-end=\"1749\"\u003e→ Sculptural organic forms\u003cbr data-start=\"1631\" data-end=\"1634\"\u003e→ Clean glazes (white, pastel, matte, or glossy)\u003cbr data-start=\"1682\" data-end=\"1685\"\u003e→ Simple impressed base marks\u003cbr data-start=\"1714\" data-end=\"1717\"\u003e→ Mid-century modern influence\u003c\/p\u003e\n\u003cp data-start=\"1751\" data-end=\"1763\"\u003eFor context:\u003c\/p\u003e\n\u003cp data-start=\"1765\" data-end=\"1868\"\u003eCalifornia Historical Society – California Pottery Movement\u003cbr data-start=\"1824\" data-end=\"1827\"\u003e\u003ca data-start=\"1827\" data-end=\"1866\" rel=\"noopener\" class=\"decorated-link cursor-pointer\"\u003ehttps:\/\/californiahistoricalsociety.org\u003cspan aria-hidden=\"true\" class=\"ms-0.5 inline-block align-middle leading-none\"\u003e\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"20\" height=\"20\" aria-hidden=\"true\" data-rtl-flip=\"\" class=\"block h-[0.75em] w-[0.75em] stroke-current stroke-[0.75]\"\u003e\u003cuse fill=\"currentColor\" href=\"\/cdn\/assets\/sprites-core-ikipmley.svg#304883\"\u003e\u003c\/use\u003e\u003c\/svg\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-start=\"1870\" data-end=\"1957\"\u003eThe Marks Project – Guide to American Ceramic Marks\u003cbr data-start=\"1921\" data-end=\"1924\"\u003e\u003ca data-start=\"1924\" data-end=\"1955\" rel=\"noopener\" class=\"decorated-link\" href=\"https:\/\/www.themarksproject.org\"\u003ehttps:\/\/www.themarksproject.org\u003cspan aria-hidden=\"true\" class=\"ms-0.5 inline-block align-middle leading-none\"\u003e\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"20\" height=\"20\" aria-hidden=\"true\" data-rtl-flip=\"\" class=\"block h-[0.75em] w-[0.75em] stroke-current stroke-[0.75]\"\u003e\u003cuse fill=\"currentColor\" href=\"\/cdn\/assets\/sprites-core-ikipmley.svg#304883\"\u003e\u003c\/use\u003e\u003c\/svg\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-start=\"1959\" data-end=\"2136\"\u003eWhile “Calif USA” pieces were sometimes produced by smaller regional makers rather than the major houses, they remain collectible within the broader California pottery category.\u003c\/p\u003e\n\u003chr data-start=\"2138\" data-end=\"2141\"\u003e\n\u003ch1 data-start=\"2143\" data-end=\"2162\"\u003eProduct Details\u003c\/h1\u003e\n\u003cp data-start=\"2164\" data-end=\"2331\"\u003eMaker: Calif USA\u003cbr data-start=\"2180\" data-end=\"2183\"\u003eModel: C613\u003cbr data-start=\"2194\" data-end=\"2197\"\u003eOrigin: California, United States\u003cbr data-start=\"2230\" data-end=\"2233\"\u003eEra: Mid-Century (c. 1940s–1960s)\u003cbr data-start=\"2266\" data-end=\"2269\"\u003eMaterial: Glazed ceramic\u003cbr data-start=\"2293\" data-end=\"2296\"\u003eColor: White\u003cbr data-start=\"2308\" data-end=\"2311\"\u003eQuantity: Set of 4\u003c\/p\u003e\n\u003chr data-start=\"2333\" data-end=\"2336\"\u003e\n\u003ch1 data-start=\"2338\" data-end=\"2351\"\u003eCondition\u003c\/h1\u003e\n\u003cp data-start=\"2353\" data-end=\"2381\"\u003eVery good vintage condition.\u003c\/p\u003e\n\u003cp data-start=\"2383\" data-end=\"2499\"\u003e→ No cracks\u003cbr data-start=\"2394\" data-end=\"2397\"\u003e→ No visible chips\u003cbr data-start=\"2415\" data-end=\"2418\"\u003e→ Minor glaze irregularities consistent with age and firing\u003cbr data-start=\"2477\" data-end=\"2480\"\u003e→ Light base wear\u003c\/p\u003e\n\u003cp data-start=\"2501\" data-end=\"2542\"\u003eThey present clean and cohesive as a set.\u003c\/p\u003e\n\u003chr data-start=\"2544\" data-end=\"2547\"\u003e\n\u003ch1 data-start=\"2549\" data-end=\"2580\"\u003eWhy It Belongs in Your Home\u003c\/h1\u003e\n\u003cp data-start=\"2582\" data-end=\"2638\"\u003eBecause white sculptural ceramics never go out of style.\u003c\/p\u003e\n\u003cp data-start=\"2640\" data-end=\"2653\"\u003eUse them for:\u003c\/p\u003e\n\u003cp data-start=\"2655\" data-end=\"2751\"\u003e→ Nuts, olives, or small sides\u003cbr data-start=\"2685\" data-end=\"2688\"\u003e→ Jewelry catchalls\u003cbr data-start=\"2707\" data-end=\"2710\"\u003e→ Soap dishes\u003cbr data-start=\"2723\" data-end=\"2726\"\u003e→ Layered shelf styling\u003c\/p\u003e\n\u003cp data-start=\"2753\" data-end=\"2818\"\u003eStacked, they read architectural.\u003cbr data-start=\"2786\" data-end=\"2789\"\u003eSeparated, they read curated.\u003c\/p\u003e\n\u003cp data-start=\"2820\" data-end=\"2898\"\u003eThey’re subtle but not boring — which is harder to pull off than people think.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42927740715113,"sku":"VE-0557","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/0B43DA93-5EC5-4B30-A722-8BE2691BBEB1.jpg?v=1771597967"},{"product_id":"antique-warwick-china-serving-platters-floral-border-usa","title":"Antique Warwick China Serving Platters Floral Border USA","description":"\u003ch1 data-start=\"695\" data-end=\"708\"\u003eThe Piece\u003c\/h1\u003e\n\u003cp data-start=\"710\" data-end=\"793\"\u003e\u003cstrong data-start=\"710\" data-end=\"744\"\u003eWarwick China Serving Platters\u003c\/strong\u003e\u003cbr data-start=\"744\" data-end=\"747\"\u003eWheeling, West Virginia\u003cbr data-start=\"770\" data-end=\"773\"\u003eEarly 20th Century\u003c\/p\u003e\n\u003cp data-start=\"795\" data-end=\"947\"\u003eA matched pair of oval serving platters produced by the Warwick China Company, featuring a delicate pink floral motif framed by a geometric gilt border.\u003c\/p\u003e\n\u003cp data-start=\"949\" data-end=\"990\"\u003eSubtle, structured, and quietly American.\u003c\/p\u003e\n\u003chr data-start=\"992\" data-end=\"995\"\u003e\n\u003ch1 data-start=\"997\" data-end=\"1020\"\u003ePrimary Description\u003c\/h1\u003e\n\u003cp data-start=\"1022\" data-end=\"1202\"\u003eThese oval serving platters are marked with the red \u003cstrong data-start=\"1074\" data-end=\"1085\"\u003eWarwick\u003c\/strong\u003e backstamp featuring a knight’s helmet crest—used by the Warwick China Company in the late 1800s through early 1900s.\u003c\/p\u003e\n\u003cp data-start=\"1204\" data-end=\"1415\"\u003eThe design blends restrained floral detailing with a repeating geometric border, edged in fine gold linework. The silhouette has a gentle scalloped contour, giving the form softness without excess ornamentation.\u003c\/p\u003e\n\u003cp data-start=\"1417\" data-end=\"1570\"\u003eThe porcelain body is semi-vitreous china—durable, slightly heavier than fine bone china, and typical of American tableware production during the period.\u003c\/p\u003e\n\u003cp data-start=\"1572\" data-end=\"1612\"\u003eThis was made for use. Not for cabinets.\u003c\/p\u003e\n\u003chr data-start=\"1614\" data-end=\"1617\"\u003e\n\u003ch1 data-start=\"1619\" data-end=\"1642\"\u003eAbout Warwick China\u003c\/h1\u003e\n\u003cp data-start=\"1644\" data-end=\"1862\"\u003eThe Warwick China Company operated in Wheeling, West Virginia, beginning in the late 19th century. They were known for producing semi-vitreous china and hotelware, as well as decorative table services for domestic use.\u003c\/p\u003e\n\u003cp data-start=\"1864\" data-end=\"1942\"\u003eThe red knight-helmet mark places production in the early 20th century period.\u003c\/p\u003e\n\u003cp data-start=\"1944\" data-end=\"1969\"\u003eFor historical reference:\u003c\/p\u003e\n\u003cp data-start=\"1971\" data-end=\"2048\"\u003eThe Marks Project – Warwick China Company\u003cbr data-start=\"2012\" data-end=\"2015\"\u003e\u003ca data-start=\"2015\" data-end=\"2046\" rel=\"noopener\" class=\"decorated-link\" href=\"https:\/\/www.themarksproject.org\"\u003ehttps:\/\/www.themarksproject.org\u003cspan aria-hidden=\"true\" class=\"ms-0.5 inline-block align-middle leading-none\"\u003e\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"20\" height=\"20\" aria-hidden=\"true\" data-rtl-flip=\"\" class=\"block h-[0.75em] w-[0.75em] stroke-current stroke-[0.75]\"\u003e\u003cuse fill=\"currentColor\" href=\"\/cdn\/assets\/sprites-core-ikipmley.svg#304883\"\u003e\u003c\/use\u003e\u003c\/svg\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-start=\"2050\" data-end=\"2127\"\u003eWest Virginia Encyclopedia – Warwick China\u003cbr data-start=\"2092\" data-end=\"2095\"\u003e\u003ca data-start=\"2095\" data-end=\"2125\" rel=\"noopener\" class=\"decorated-link\" href=\"https:\/\/www.wvencyclopedia.org\"\u003ehttps:\/\/www.wvencyclopedia.org\u003cspan aria-hidden=\"true\" class=\"ms-0.5 inline-block align-middle leading-none\"\u003e\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"20\" height=\"20\" aria-hidden=\"true\" data-rtl-flip=\"\" class=\"block h-[0.75em] w-[0.75em] stroke-current stroke-[0.75]\"\u003e\u003cuse fill=\"currentColor\" href=\"\/cdn\/assets\/sprites-core-ikipmley.svg#304883\"\u003e\u003c\/use\u003e\u003c\/svg\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-start=\"2129\" data-end=\"2212\"\u003eWarwick pieces are collected more for historic American production than for rarity.\u003c\/p\u003e\n\u003chr data-start=\"2214\" data-end=\"2217\"\u003e\n\u003ch1 data-start=\"2219\" data-end=\"2232\"\u003eCondition\u003c\/h1\u003e\n\u003cp data-start=\"2234\" data-end=\"2277\"\u003eGood antique condition consistent with age.\u003c\/p\u003e\n\u003cp data-start=\"2279\" data-end=\"2288\"\u003eObserved:\u003c\/p\u003e\n\u003cul data-start=\"2290\" data-end=\"2414\"\u003e\n\u003cli data-start=\"2290\" data-end=\"2320\"\u003e\n\u003cp data-start=\"2292\" data-end=\"2320\"\u003eLight surface utensil wear\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2321\" data-end=\"2353\"\u003e\n\u003cp data-start=\"2323\" data-end=\"2353\"\u003eMinor edge wear to gilt trim\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2354\" data-end=\"2386\"\u003e\n\u003cp data-start=\"2356\" data-end=\"2386\"\u003eNo visible structural cracks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2387\" data-end=\"2414\"\u003e\n\u003cp data-start=\"2389\" data-end=\"2414\"\u003eNo major chips observed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2416\" data-end=\"2458\"\u003eThey present well and remain fully usable.\u003c\/p\u003e\n\u003chr data-start=\"2460\" data-end=\"2463\"\u003e\n\u003ch1 data-start=\"2465\" data-end=\"2496\"\u003eWhy It Belongs in Your Home\u003c\/h1\u003e\n\u003cp data-start=\"2498\" data-end=\"2574\"\u003eBecause early American tableware carries weight. Literally and historically.\u003c\/p\u003e\n\u003cp data-start=\"2576\" data-end=\"2612\"\u003eThese platters work beautifully for:\u003c\/p\u003e\n\u003cul data-start=\"2614\" data-end=\"2744\"\u003e\n\u003cli data-start=\"2614\" data-end=\"2632\"\u003e\n\u003cp data-start=\"2616\" data-end=\"2632\"\u003eHoliday tables\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2633\" data-end=\"2659\"\u003e\n\u003cp data-start=\"2635\" data-end=\"2659\"\u003eLayered vintage dining\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2660\" data-end=\"2694\"\u003e\n\u003cp data-start=\"2662\" data-end=\"2694\"\u003eDisplayed upright in a cabinet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"2695\" data-end=\"2744\"\u003e\n\u003cp data-start=\"2697\" data-end=\"2744\"\u003ePaired with neutral linens and brass flatware\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-start=\"2746\" data-end=\"2788\"\u003eThey bring heritage without feeling fussy.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42935516266601,"sku":"VE-0561","price":113.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/2B0DD25B-99FA-44F6-82DC-A05B91E05D71.jpg?v=1771825777"},{"product_id":"hoenig-of-california-sculptural-divided-dish-mid-century-modern-art-pottery-c-1948-1955","title":"Hoenig of California Sculptural Divided Dish Mid-Century Modern Art Pottery, c. 1948–1955","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA sculptural, asymmetrical divided serving dish in glazed ceramic by Hoenig of California, made at the height of postwar American studio pottery. The form is bold and unapologetically mid century.\u003c\/p\u003e\n\u003cp\u003eTwo sweeping curved compartments intersect in a composition where a crescent meets a fan. One side is ribbed with radiating relief lines that echo shell motifs, the other curves into a smooth, elongated channel. The silhouette reads biomorphic, almost atomic in its movement.\u003c\/p\u003e\n\u003cp\u003eThe glaze carries the character. Finished in a soft ivory to blush tone with subtle surface crazing, the dish has warmth without ornament. The crackle pattern across the glaze is consistent with mid century California art pottery and reflects age rather than damage. A small glaze flaw sits on one ridge, visible on close inspection, reading as a kiln or handling mark rather than later damage, and it does not compromise the structure.\u003c\/p\u003e\n\u003cp\u003eThis is not minimalist work. It is sculptural utility.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe dish is marked to Hoenig of California and dates to roughly 1948 to 1955, the late 1940s to the middle 1950s.\u003c\/p\u003e\n\u003cp\u003eHoenig of California operated during the golden era of California art pottery, when postwar optimism met experimental form. Unlike the formal china of the East Coast, West Coast ceramics embraced organic silhouettes, asymmetry and sculptural serving ware.\u003c\/p\u003e\n\u003cp\u003ePieces of this type were designed for cocktail culture, buffet service and entertaining, reflecting the new American modern lifestyle, informal and social and design forward. The biomorphic curves and the radiating shell detail place this dish firmly within the early atomic era aesthetic, where function and form were equal priorities.\u003c\/p\u003e\n\u003cp\u003eHoenig pieces are less common than the larger California names such as Bauer or Metlox, which gives them a quiet collector appeal among mid century pottery enthusiasts.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1948 to 1955, late 1940s to mid 1950s\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eHoenig of California\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eCalifornia, United States\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eAsymmetrical divided serving dish, one ribbed compartment with radiating relief, one smooth elongated channel\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eGlazed ceramic\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eIvory to pale blush glaze with natural age related crazing\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eTo be confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good vintage condition with minor glaze imperfections consistent with age. Surface crazing throughout, consistent with mid century California art pottery. Small glaze flaw to one ridge, visible on close inspection, not structural\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eMid century California ceramics are about confidence in form, and this dish is expressive without being loud. It references the atomic era without tipping into cartoon nostalgia, and it brings curvature and softness to a structured interior.\u003c\/p\u003e\n\u003cp\u003eIt is more versatile than most divided dishes. It serves olives, nuts or citrus at a cocktail hour, works as a catchall on a console or credenza, reads as sculpture rather than utility when used as a jewelry tray, stands alone as an art object on open shelving, and layers into a neutral ceramic collection as an accent.\u003c\/p\u003e\n\u003cp\u003eBecause of the asymmetry it does not sit flat visually. It creates movement, and it anchors a surface without bulk. This is an original mid century form with weight, presence and history, not a contemporary copy.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42950304923753,"sku":"VE-0596","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/8DDE34C8-2969-45CF-A2EB-871242D2CAFC_1_105_c.jpg?v=1772088927"},{"product_id":"vintage-noritake-golden-cove-7719-gravy-boat-with-underplate-fine-china-japan-c-1950-50s","title":"Vintage Noritake Golden Cove 7719 Gravy Boat with Underplate Fine China Japan c 1950-60s","description":"\u003ch1 data-section-id=\"t72x6t\" data-start=\"853\" data-end=\"864\"\u003eThe Piece\u003c\/h1\u003e\n\u003cp data-start=\"866\" data-end=\"963\"\u003eNoritake “Golden Cove” Gravy Boat with Attached Underplate\u003cbr data-start=\"926\" data-end=\"929\"\u003ePattern 7719 – Fine China, Japan\u003c\/p\u003e\n\u003cp data-start=\"965\" data-end=\"1152\"\u003eThis elegant gravy boat and underplate set comes from Noritake’s Golden Cove pattern (7719), a refined mid-century design known for its minimal decoration and subtle platinum banding.\u003c\/p\u003e\n\u003cp data-start=\"1154\" data-end=\"1367\"\u003eProduced in Japan by Noritake, one of the most respected porcelain manufacturers in the world, the piece reflects the restrained sophistication that defined formal dining tableware during the mid-20th century.\u003c\/p\u003e\n\u003chr data-start=\"1369\" data-end=\"1372\"\u003e\n\u003ch1 data-section-id=\"some3w\" data-start=\"1374\" data-end=\"1395\"\u003ePrimary Description\u003c\/h1\u003e\n\u003cp data-start=\"1397\" data-end=\"1657\"\u003eUnlike heavily decorated china of earlier decades, Noritake’s Golden Cove pattern embraces simplicity. The clean white porcelain body is accented by delicate platinum trim and a subtle geometric motif near the rim, giving the piece an understated elegance.\u003c\/p\u003e\n\u003cp data-start=\"1659\" data-end=\"1948\"\u003eThe gravy boat’s sculpted lip allows for smooth pouring, while the attached oval underplate provides stability and catches drips during serving. Its form is both functional and visually balanced, reflecting the thoughtful design typical of Noritake’s mid-century tableware collections.\u003c\/p\u003e\n\u003cp data-start=\"1950\" data-end=\"2115\"\u003ePieces like this were originally sold as part of larger formal dinner services and would typically appear at holiday meals, formal gatherings, or wedding registries.\u003c\/p\u003e\n\u003chr data-start=\"2117\" data-end=\"2120\"\u003e\n\u003ch1 data-section-id=\"peaggy\" data-start=\"2122\" data-end=\"2139\"\u003eAbout the Maker\u003c\/h1\u003e\n\u003cp data-start=\"2141\" data-end=\"2275\"\u003eNoritake was founded in 1904 in Nagoya, Japan and quickly became one of the most influential porcelain producers in the world.\u003c\/p\u003e\n\u003cp data-start=\"2277\" data-end=\"2538\"\u003eBy the mid-20th century, Noritake china was exported globally and became a staple of formal dining tables across North America and Europe. Known for its precision manufacturing and elegant designs, the company’s dinnerware lines remain highly collectible today.\u003c\/p\u003e\n\u003cp data-start=\"2540\" data-end=\"2677\"\u003ePatterns like Golden Cove (7719) reflect the shift toward cleaner, more modern aesthetics in tableware design during the 1950s–1960s.\u003c\/p\u003e\n\u003chr data-start=\"2679\" data-end=\"2682\"\u003e\n\u003ch1 data-section-id=\"1rz45ad\" data-start=\"2684\" data-end=\"2704\"\u003eHistorical Context\u003c\/h1\u003e\n\u003cp data-start=\"2706\" data-end=\"2974\"\u003eFollowing World War II, Japanese porcelain production surged as international demand for affordable yet high-quality china grew rapidly. Companies like Noritake refined manufacturing techniques to produce durable fine china while maintaining traditional craftsmanship.\u003c\/p\u003e\n\u003cp data-start=\"2976\" data-end=\"3157\"\u003eDuring the 1960s, many dinnerware designs moved toward understated elegance, replacing colorful florals with platinum trim, embossed textures, and minimalist patterns.\u003c\/p\u003e\n\u003cp data-start=\"3159\" data-end=\"3314\"\u003eGolden Cove belongs to this period, combining traditional porcelain craftsmanship with the sleek design sensibilities of mid-century modern dining culture.\u003c\/p\u003e\n\u003chr data-start=\"3316\" data-end=\"3319\"\u003e\n\u003ch1 data-section-id=\"h6h7an\" data-start=\"3321\" data-end=\"3338\"\u003eProduct Details\u003c\/h1\u003e\n\u003cp data-start=\"3340\" data-end=\"3470\"\u003eMaker: Noritake\u003cbr data-start=\"3359\" data-end=\"3362\"\u003ePattern: Golden Cove\u003cbr data-start=\"3386\" data-end=\"3389\"\u003ePattern Number: 7719\u003cbr data-start=\"3413\" data-end=\"3416\"\u003eOrigin: Japan\u003cbr data-start=\"3433\" data-end=\"3436\"\u003eMaterial: Fine porcelain china\u003c\/p\u003e\n\u003cp data-start=\"3472\" data-end=\"3481\"\u003eIncludes:\u003c\/p\u003e\n\u003cp data-start=\"3483\" data-end=\"3524\"\u003e→ Gravy boat\u003cbr data-start=\"3495\" data-end=\"3498\"\u003e→ Attached oval underplate\u003c\/p\u003e\n\u003cp data-start=\"3526\" data-end=\"3583\"\u003eFeatures platinum trim and minimalist decorative banding.\u003c\/p\u003e\n\u003chr data-start=\"3585\" data-end=\"3588\"\u003e\n\u003ch1 data-section-id=\"vf7i8s\" data-start=\"3590\" data-end=\"3611\"\u003eCondition + Updates\u003c\/h1\u003e\n\u003cp data-start=\"3613\" data-end=\"3641\"\u003eVery good vintage condition.\u003c\/p\u003e\n\u003cp data-start=\"3643\" data-end=\"3822\"\u003e→ No visible cracks or repairs\u003cbr data-start=\"3673\" data-end=\"3676\"\u003e→ Light wear consistent with age\u003cbr data-start=\"3708\" data-end=\"3711\"\u003e→ Platinum trim remains well preserved\u003cbr data-start=\"3749\" data-end=\"3752\"\u003e→ Minor utensil or storage marks may be visible under close inspection\u003c\/p\u003e\n\u003cp data-start=\"3824\" data-end=\"3869\"\u003eThe porcelain body remains bright and glossy.\u003c\/p\u003e\n\u003chr data-start=\"3871\" data-end=\"3874\"\u003e\n\u003ch1 data-section-id=\"1db9pkq\" data-start=\"3876\" data-end=\"3905\"\u003eWhy It Belongs in Your Home\u003c\/h1\u003e\n\u003cp data-start=\"3907\" data-end=\"4124\"\u003eServing pieces like this are the quiet survivors of formal dining culture. While full china services often disappear over time, individual pieces such as gravy boats remain because they are both decorative and useful.\u003c\/p\u003e\n\u003cp data-start=\"4126\" data-end=\"4279\"\u003eDisplayed on a shelf, placed in a cabinet, or used during holiday meals, this piece brings the craftsmanship of mid-century porcelain into everyday life.\u003c\/p\u003e\n\u003cp data-start=\"4281\" data-end=\"4433\"\u003eAnd frankly, gravy boats are oddly satisfying objects. Humans invented a dedicated vessel solely to transport liquid flavor to meat. Admirably specific.\u003c\/p\u003e\n\u003chr data-start=\"4435\" data-end=\"4438\"\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42970920878185,"sku":"VE-0657","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/vintage_noritake_golden_cove_7719_gravy_boat_with_underplate_fine_china_japan_c_1950-60s772481020733735039902793833.jpg?v=1774756593"},{"product_id":"victorian-burgess-amp-leigh-floral-transferware-pitcher-english-staffordshire-jug-c-1890-1910","title":"Victorian Burgess \u0026amp; Leigh Floral Transferware Pitcher – English Staffordshire Jug (c 1890-1910)","description":"\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003eA charming \u003cstrong\u003eVictorian-era English transferware pitcher\u003c\/strong\u003e produced by \u003cstrong\u003eBurgess \u0026amp; Leigh (Burleigh Pottery)\u003c\/strong\u003e in Stoke-on-Trent, England. The tall octagonal form is decorated with delicate floral transfer motifs in pink, green, and plum tones, framed by an ornate border band near the rim.\u003c\/p\u003e\n\u003cp\u003eThe faceted body gives the pitcher sculptural structure while the floral pattern softens the form with flowing botanical detail. Its proportions suggest use as a water jug, milk pitcher, or table serving vessel in late Victorian households.\u003c\/p\u003e\n\u003cp\u003eMarked on the underside with the \u003cstrong\u003eB \u0026amp; K crown stamp\u003c\/strong\u003e, identifying production by \u003cstrong\u003eBurgess \u0026amp; Leigh\u003c\/strong\u003e, one of the historic Staffordshire potteries still operating today.\u003c\/p\u003e\n\u003cp\u003eThe piece reflects the refined decorative ceramics produced in England during the late 19th century when transfer printing allowed intricate designs to be applied efficiently to fine earthenware.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003cp\u003e→ \u003cstrong\u003eForm \u0026amp; Style\u003c\/strong\u003e\u003cbr\u003eTall \u003cstrong\u003eoctagonal pitcher\u003c\/strong\u003e with faceted sides, gently flared lip, and angular handle. The geometric body contrasts with the soft floral transfer decoration, creating a balanced Victorian aesthetic.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial\u003c\/strong\u003e\u003cbr\u003eGlazed English \u003cstrong\u003eearthenware with transfer-printed decoration\u003c\/strong\u003e, a hallmark of Staffordshire pottery production during the Victorian period.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eDecoration\u003c\/strong\u003e\u003cbr\u003eMulticolor floral transfer featuring roses, berries, and vine motifs accented by a decorative border band at the rim.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaker’s Mark\u003c\/strong\u003e\u003cbr\u003eStamped underside \u003cstrong\u003ecrown mark with “B \u0026amp; K”\u003c\/strong\u003e, attributed to \u003cstrong\u003eBurgess \u0026amp; Leigh (Burleigh Pottery), Stoke-on-Trent, England\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistory \u0026amp; Provenance\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eBurgess \u0026amp; Leigh\u003c\/strong\u003e, founded in \u003cstrong\u003e1851\u003c\/strong\u003e, became one of the most respected Staffordshire ceramic manufacturers.\u003c\/p\u003e\n\u003cp\u003eThe pottery later became known internationally as \u003cstrong\u003eBurleigh\u003c\/strong\u003e, producing transferware ceramics recognized for their durability and detailed decoration.\u003c\/p\u003e\n\u003cp\u003eStaffordshire potteries dominated English ceramic production throughout the \u003cstrong\u003eVictorian and Edwardian periods\u003c\/strong\u003e, exporting tableware across Europe and North America.\u003c\/p\u003e\n\u003cp\u003eTransfer printing allowed intricate patterns to be applied consistently across large production runs, making decorated ceramics accessible to middle-class households.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003ecrown B\u0026amp;K mark\u003c\/strong\u003e seen on this pitcher corresponds to the late 19th to early 20th century production period.\u003c\/p\u003e\n\u003cp\u003eToday, early Burgess \u0026amp; Leigh pieces are collected both for their historical significance and for their timeless decorative appeal.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003eVery good antique condition.\u003c\/p\u003e\n\u003cp\u003eThe glaze remains bright with clear transfer decoration. Minor age-related wear and small imperfections consistent with Victorian-era earthenware production.\u003c\/p\u003e\n\u003cp\u003eNo major cracks or structural damage observed from the photographs.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eProduct Details\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eAttribute\u003c\/th\u003e\n\u003cth\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eBurgess \u0026amp; Leigh (Burleigh Pottery)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eStoke-on-Trent, England\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDate\u003c\/td\u003e\n\u003ctd\u003ec. 1890–1910\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eGlazed earthenware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDecoration\u003c\/td\u003e\n\u003ctd\u003eFloral transferware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eOctagonal pitcher\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMarkings\u003c\/td\u003e\n\u003ctd\u003eCrown mark with “B \u0026amp; K”\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good antique condition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eVictorian \/ Edwardian\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr\u003e\n\u003ch2\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp\u003eVictorian transferware carries a kind of quiet elegance that modern ceramics rarely capture. The combination of hand-applied decoration and traditional pottery forms creates pieces that feel both refined and approachable.\u003c\/p\u003e\n\u003cp\u003eThis pitcher works beautifully as:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003ea \u003cstrong\u003etable centerpiece\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ea \u003cstrong\u003eflower vase\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ea \u003cstrong\u003ekitchen display piece\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eor part of a curated antique ceramic collection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe octagonal shape gives it sculptural presence while the floral decoration keeps the piece light and decorative.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42983657799785,"sku":"VE-0697","price":68.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/victorian_burgess_amp_leigh_floral_transferware_pitcher_english_staffordshire_jug_c_1890-1910772711265085735059539050601.jpg?v=1774756199"},{"product_id":"c-1960s-indiana-glass-avocado-green-banana-split-dishes-set-of-6","title":"c.1960s Indiana Glass Avocado Green Banana Split Dishes (Set of 6)","description":"\u003ch1 data-section-id=\"155c0sl\" data-start=\"578\" data-end=\"593\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"580\" data-end=\"593\"\u003eThe Piece\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp data-start=\"595\" data-end=\"665\"\u003eThere’s something unapologetically specific about a banana split dish.\u003c\/p\u003e\n\u003cp data-start=\"667\" data-end=\"917\"\u003eLong, low, and slightly theatrical in form, these Indiana Glass examples lean into that identity with quiet confidence. Rendered in a rich avocado green, the glass catches and diffuses light in a way that feels both nostalgic and surprisingly modern.\u003c\/p\u003e\n\u003cp data-start=\"919\" data-end=\"1193\"\u003eThe silhouette is what carries it—elongated with gently flared ends and a subtle central well, designed to cradle a dessert but just as easily hold fruit, keys, or nothing at all. The edges roll softly, creating a continuous line that feels more sculptural than utilitarian.\u003c\/p\u003e\n\u003cp data-start=\"1195\" data-end=\"1340\"\u003eStacked together, they become even more compelling. The repetition of form and color creates depth, turning a simple set into a visual statement.\u003c\/p\u003e\n\u003chr data-start=\"1342\" data-end=\"1345\"\u003e\n\u003ch1 data-section-id=\"1d57i6d\" data-start=\"1347\" data-end=\"1371\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1349\" data-end=\"1371\"\u003eHistorical Context\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp data-start=\"1373\" data-end=\"1548\"\u003eProduced by \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eIndiana Glass Company\u003c\/span\u003e\u003c\/span\u003e, these dishes come from a period when American glassmakers were producing accessible, design-forward pieces for everyday use.\u003c\/p\u003e\n\u003cp data-start=\"1550\" data-end=\"1833\"\u003eBy the 1950s and 1960s, colored pressed glass—particularly in tones like avocado, amber, and smoke—became a staple of mid-century tableware. These pieces were designed to bridge the gap between function and style, offering consumers objects that felt elevated without being precious.\u003c\/p\u003e\n\u003cp data-start=\"1835\" data-end=\"1974\"\u003eIndiana Glass, one of the largest producers in the U.S., became known for exactly this balance: durable, affordable, and visually distinct.\u003c\/p\u003e\n\u003chr data-start=\"1976\" data-end=\"1979\"\u003e\n\u003ch1 data-section-id=\"1rd0vus\" data-start=\"1981\" data-end=\"2000\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1983\" data-end=\"2000\"\u003eDesign \u0026amp; Form\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2002\" data-end=\"2042\"\u003eThe strength here is in the proportions.\u003c\/p\u003e\n\u003cp data-start=\"2044\" data-end=\"2316\"\u003eThe elongated bowl creates a natural rhythm, drawing the eye from end to end, while the gentle curvature prevents it from feeling rigid. The glass itself has enough weight to feel substantial, but not heavy—striking that ideal mid-century balance between utility and form.\u003c\/p\u003e\n\u003cp data-start=\"2318\" data-end=\"2492\"\u003eThe green tone is particularly effective. It reads warm under ambient light and more saturated under direct light, giving the piece versatility across different environments.\u003c\/p\u003e\n\u003cp data-start=\"2494\" data-end=\"2525\"\u003eIt’s not loud. It’s controlled.\u003c\/p\u003e\n\u003chr data-start=\"2527\" data-end=\"2530\"\u003e\n\u003ch1 data-section-id=\"xj3ixm\" data-start=\"2532\" data-end=\"2565\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"2534\" data-end=\"2565\"\u003eWhy It Belongs In Your Home\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2567\" data-end=\"2625\"\u003eYou could use them for dessert. That’s the obvious answer.\u003c\/p\u003e\n\u003cp data-start=\"2627\" data-end=\"2669\"\u003eBut that’s also the least interesting one.\u003c\/p\u003e\n\u003cp data-start=\"2671\" data-end=\"2913\"\u003eThese work just as well styled on a shelf, layered into a tablescape, or used as catch-all trays where you want something with more presence than a standard dish. They bring color without being overwhelming, and shape without trying too hard.\u003c\/p\u003e\n\u003cp data-start=\"2915\" data-end=\"3063\"\u003eAnd unlike a lot of modern glassware, they actually \u003cem data-start=\"2967\" data-end=\"2973\"\u003efeel\u003c\/em\u003e like something—intentional, tactile, and grounded in a specific moment of design history.\u003c\/p\u003e\n\u003chr data-start=\"3065\" data-end=\"3068\"\u003e\n\u003ch1 data-section-id=\"dhd7an\" data-start=\"3070\" data-end=\"3091\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"3072\" data-end=\"3091\"\u003eProduct Details\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3093\" data-end=\"3335\"\u003e→ Era: c.1950s–1960s\u003cbr data-start=\"3113\" data-end=\"3116\"\u003e→ Maker: Indiana Glass Company\u003cbr data-start=\"3146\" data-end=\"3149\"\u003e→ Origin: United States\u003cbr data-start=\"3172\" data-end=\"3175\"\u003e→ Material: Pressed glass\u003cbr data-start=\"3200\" data-end=\"3203\"\u003e→ Color: Avocado \/ Olive green\u003cbr data-start=\"3233\" data-end=\"3236\"\u003e→ Form: Banana split \/ elongated dessert dish\u003cbr data-start=\"3281\" data-end=\"3284\"\u003e→ Quantity: [Insert number in set – looks like 5–6]\u003c\/p\u003e\n\u003chr data-start=\"3337\" data-end=\"3340\"\u003e\n\u003ch1 data-section-id=\"18yszg5\" data-start=\"3342\" data-end=\"3357\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"3344\" data-end=\"3357\"\u003eCondition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3359\" data-end=\"3387\"\u003eVery good vintage condition.\u003c\/p\u003e\n\u003cp data-start=\"3389\" data-end=\"3532\"\u003eNo visible cracks or structural damage. Light surface wear consistent with age. Glass remains clear with strong color and minimal signs of use.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":43051693146217,"sku":"VE-0710","price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/c.1960s_indiana_glass_avocado_green_banana_split_dishes_set_of_6773677449226535128245157993.jpg?v=1774756140"},{"product_id":"vintage-marble-cheese-board-set-c-1970s-1980s","title":"Vintage Marble Cheese Board Set, c.1970s-1980s","description":"\u003ch3\u003eThe Set\u003c\/h3\u003e\n\u003cp\u003eA cheese board of polished stone with a geometric inlay of deep green, blush pink, cream and black marble, cut as a faceted rectangle with beveled edges. Natural veining runs through each stone segment.\u003c\/p\u003e\n\u003cp\u003eIt comes with a matching cheese knife, a stainless blade with a coordinating green marble style handle, and with warm brass tone hardware on the set.\u003c\/p\u003e\n\u003cp\u003eBoth pieces sit in the original fitted black presentation case, which is what gives the set its sense of completeness. It was made to be gifted and brought out for occasions that called for a degree of ceremony.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe set is unmarked, so no maker can be named. The origin is likely late twentieth century export or giftware production.\u003c\/p\u003e\n\u003cp\u003eThe faceted silhouette, the beveled edges and the graphic inlay of contrasting stones belong to a late twentieth century postmodern sensibility, and the dating of about the 1970s into the 1980s rests on that idiom and on the construction of the fitted case.\u003c\/p\u003e\n\u003cp\u003eThe material itself keeps the piece grounded. The inlay is composed of real stone segments rather than printed or applied pattern, so the veining is particular to this board.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1970s to 1980s\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnmarked\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eUnmarked. Likely late twentieth century export or giftware production\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eFaceted rectangular serving board with beveled edges\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eGeometric inlaid marble composition\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eMulti stone marble board, stainless steel blade, stone and composite handle, fitted case\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eDeep green, blush pink, cream and black, with warm brass tone hardware and a black case\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eIncludes\u003c\/td\u003e\n\u003ctd\u003eCheese board, matching cheese knife, original presentation case\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eKnife\u003c\/td\u003e\n\u003ctd\u003eStainless blade with coordinating green marble style handle\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003ePostmodern, late twentieth century entertaining, geometric stoneware\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eUse\u003c\/td\u003e\n\u003ctd\u003eCheese service, charcuterie, barware styling, decorative serving\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eTo be confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good vintage condition. Light surface wear consistent with age and prior use, including minor signs of handling visible on close inspection. The knife is present. The original case remains intact and presents well, with expected light wear from storage and age\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eA serving piece should do more than hold food. This one sets a tone, bringing structure and polish to a table before anything is placed on it.\u003c\/p\u003e\n\u003cp\u003eStyled for a wine and cheese spread, layered into a bar cart vignette, or left out as a sculptural serving piece, it holds its own. Decorative without being fussy, substantial without feeling heavy, and just formal enough to lift the ordinary.\u003c\/p\u003e\n\u003cp\u003eThe original case counts for a great deal. A complete vintage entertaining set, board, knife and box together, is a good deal harder to find than a loose board.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":43106269102185,"sku":"VE-0767","price":84.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/vintage_marble_cheese_board_set_c.1970s-1980s774739699312935228518088809.png?v=1775961144"},{"product_id":"vintage-staffordshire-sandland-ware-covered-butter-dish-bowl-set-c-1940s-1950s","title":"Vintage Staffordshire Sandland Ware Covered Butter Dish, Cream Jug \u0026 Bowl Set (c. 1940s-1950s)","description":"\u003ch3\u003eThe Set\u003c\/h3\u003e\n\u003cp\u003eA Staffordshire Sandland Ware set comprising a lidded butter dish with its tray and a matching open bowl.\u003c\/p\u003e\n\u003cp\u003eEach piece is molded earthenware, glazed to a smooth, glossy finish and decorated by hand. Bold stylized floral motifs are set against a creamy white ground, with silver luster highlights picking out the botanical detail and the rims.\u003c\/p\u003e\n\u003cp\u003eThe butter dish has a domed lid with a handle and sits on its own tray. The bowl repeats the pattern in open form.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe pieces are marked as Sandland Ware, produced by Lancaster \u0026amp; Sandland Ltd. of Hanley, Staffordshire, England, in the pottery district long associated with quality English ceramics.\u003c\/p\u003e\n\u003cp\u003eLancaster \u0026amp; Sandland Ltd. operated in Hanley from 1944 until 1968 and was known for its earthenware under the Sandland Ware name, which became collectible on the strength of its designs and workmanship.\u003c\/p\u003e\n\u003cp\u003eThese pieces date from approximately the late 1940s to the 1950s, from the period when post-war English pottery was made to be both useful and decorative, and when silver luster was a favored way of dressing up a modest earthenware body.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eLancaster \u0026amp; Sandland Ltd., Hanley, Staffordshire\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePattern\u003c\/td\u003e\n\u003ctd\u003eSandland Ware, stylized floral with silver luster\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003eCirca 1940s to 1950s\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eStaffordshire, England\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eCovered butter dish with tray, and matching open bowl\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eEarthenware with silver luster decoration\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eMarked Sandland Ware, Lancaster \u0026amp; Sandland Ltd., Hanley, Staffordshire, England\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eButter dish approximately 5.5 inches square. Bowl approximately 4 inches in diameter\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eExcellent vintage condition with minimal crazing\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eSmall English earthenware of this period is among the most usable antique china there is. It was made for daily service, it is not precious, and a covered butter dish still does exactly what it was made to do.\u003c\/p\u003e\n\u003cp\u003eThe silver luster is what lifts it. Against the cream glaze it reads as a metallic line rather than a color, which lets the set sit beside silver and glass on a table without competing.\u003c\/p\u003e\n\u003cp\u003eDisplayed on open kitchen shelving, in a dresser, or brought out for a table, the set gives a room a note of mid century English domestic life. Collectors of Staffordshire and of luster ware will know the name.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":43122978685033,"sku":"VE-0800","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/DA46E6A2-6A6A-43BF-AF3E-D389228E955E_4_5005_c.jpg?v=1776194277"},{"product_id":"antique-johnson-brothers-ironstone-serving-dish-c-1920s-1940s-reno-nv-antiques","title":"Antique Johnson Brothers Ironstone Serving Dish c. 1920s–1940s | Reno, NV Antiques","description":"\u003cp\u003e\u003cspan\u003eThe Piece\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn early 20th-century \u003c\/span\u003e\u003cspan\u003eironstone serving dish by Johnson Brothers\u003c\/span\u003e\u003cspan\u003e, produced in England and marked “A1.” Defined by its clean, octagonal form and softly beaded rim, this piece reflects a restrained approach to design—where shape and proportion carry more weight than decoration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFinished in a warm cream glaze, the surface has developed an even, natural \u003c\/span\u003e\u003cspan\u003ecrazing throughout\u003c\/span\u003e\u003cspan\u003e, the result of decades of use and age. This subtle crackle softens the otherwise minimal form, giving the dish a depth that new ceramics simply don’t possess.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFree from ornament or pattern, this is a piece grounded in utility—designed to be used daily, yet refined enough to sit comfortably within a more considered interior.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHistorical Context\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFounded in Staffordshire, England, \u003c\/span\u003e\u003cspan\u003eJohnson Brothers\u003c\/span\u003e\u003cspan\u003e became one of the most recognized producers of ironstone ceramics in the late 19th and early 20th centuries. Their wares were known for durability, making them a staple in both domestic kitchens and hospitality settings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring the \u003c\/span\u003e\u003cspan\u003einterwar period (1920s–1940s)\u003c\/span\u003e\u003cspan\u003e, designs shifted toward simplicity and functionality, reflecting broader changes in lifestyle and taste. Pieces like this—unadorned, geometric, and reliable—represent that transition away from Victorian excess toward practical modern living.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe “A1” mark indicates quality grading within their production lines, reinforcing its role as a well-made, everyday object built to last.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduct Details\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"784.0\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eAttribute\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eDetails\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMaker\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eJohnson Brothers\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eOrigin\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eEngland\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eEra\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003ec. 1920s–1940s\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMaterial\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eIronstone\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eColor\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eWarm cream \/ ivory\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eForm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eOctagonal serving dish\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eRim Detail\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eSubtle beaded edge\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eFinish\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eHigh-gloss glaze with natural crazing\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMarkings\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003e“Johnson Brothers \/ Made in England \/ A1”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eVintage wear with consistent crazing and light interior staining\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":43162131431529,"sku":"VE-0845","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/DB77DA07-BDF6-44CD-A39F-50DBDD6E2C5A_7daed77f-c1a0-4a69-9e2d-dba2ef1995d6.png?v=1777284642"},{"product_id":"antique-alfred-meakin-princess-oval-serving-platter-c-1930s-1950s-reno-nv-antiques","title":"Antique Smith-Phillips Princess Semi-Porcelain Serving Platter, c. 1926 | Reno, NV Antiques","description":"\u003cp\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn elegant early 20th-century American serving platter by \u003c\/span\u003e\u003cspan\u003eSmith-Phillips China Company\u003c\/span\u003e\u003cspan\u003e, produced in East Liverpool, Ohio, one of the most important pottery centers in the United States. Marked \u003c\/span\u003e\u003cspan\u003e“Smith-Phillips China Princess”\u003c\/span\u003e\u003cspan\u003e with the code \u003c\/span\u003e\u003cspan\u003eC 26\u003c\/span\u003e\u003cspan\u003e, this oval platter dates most closely to \u003c\/span\u003e\u003cspan\u003ecirca 1926\u003c\/span\u003e\u003cspan\u003e, placing it just a few years before Smith-Phillips merged into the American China Corporation in 1929.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe platter features a softly ivory semi-porcelain body with a refined border in \u003c\/span\u003e\u003cspan\u003ecobalt blue, gilt-tone yellow, black geometric accents, and small rose floral sprays\u003c\/span\u003e\u003cspan\u003e. Its long oval well gives the piece a classic serving form, while the aged glaze crazing and warm surface patina give it the kind of honest antique character people now try to fake with distressing kits, because apparently time itself needed outsourcing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSmith-Phillips specialized in semi-vitreous and semi-porcelain wares, a durable ceramic category widely used for American tableware in the early 1900s. This platter has the weight, glaze depth, and softly rounded molded form typical of domestic dinnerware production from the East Liverpool pottery district.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe border decoration combines early 20th-century decorative revival influences: blue geometric banding, gilt-style scrollwork, and small floral reserves. The result is formal without being overly precious, making it suitable for display, layered table styling, or as a collector’s accent in a traditional, cottage, English country, or collected antique interior.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe visible crazing throughout the glaze is consistent with age and use in semi-porcelain ware from this period. Rather than detracting from the piece, it adds surface depth and confirms the platter’s period character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSmith-Phillips China Company operated out of \u003c\/span\u003e\u003cspan\u003eEast Liverpool, Ohio\u003c\/span\u003e\u003cspan\u003e, historically known as one of America’s major pottery centers. The company was founded in \u003c\/span\u003e\u003cspan\u003e1900\u003c\/span\u003e\u003cspan\u003e and produced decorated semi-porcelain dinnerware, hotel ware, and household ceramics before merging into the American China Corporation in \u003c\/span\u003e\u003cspan\u003e1929\u003c\/span\u003e\u003cspan\u003e. The \u003c\/span\u003e\u003cspan\u003e“C 26”\u003c\/span\u003e\u003cspan\u003e mark on this piece aligns with known 1920s Smith-Phillips date-code practices, supporting a circa \u003c\/span\u003e\u003cspan\u003e1926\u003c\/span\u003e\u003cspan\u003e attribution.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe “Princess” marking appears on multiple decorated Smith-Phillips wares and is best understood as a line\/body designation rather than a single decorative pattern. This makes the platter especially appealing for collectors who appreciate early American tableware, East Liverpool ceramics, or antique serving pieces with identifiable maker history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy This Belongs in Your Home\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis platter brings the softness and utility of early American tableware into a modern collected interior. It works beautifully displayed upright in a plate rack, layered into a dining room hutch, used as a centerpiece tray, or styled beneath candles, books, fruit, or seasonal arrangements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIts value is in the combination of form, age, maker, and surface character: a true early 20th-century American ceramic with a readable mark, decorative border, and the kind of imperfect glaze story that makes antique pieces feel alive instead of sterile. Heaven forbid objects have history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable width=\"1180.3\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cstrong\u003eDetail\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cstrong\u003eInformation\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eItem\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eOval Serving Platter\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMaker\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eSmith-Phillips China Company\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eLine \/ Mark\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003ePrincess\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eOrigin\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eEast Liverpool, Ohio, USA\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eDate\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eCirca 1926\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMarkings\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003e“Smith-Phillips China Princess” with code “C 26”\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMaterial\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eSemi-porcelain \/ semi-vitreous ceramic\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eColor Palette\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eIvory ground with blue, gilt-tone yellow, black, pink, and green border decoration\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eShape\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eOval serving platter\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eDecoration\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eTransfer-style border with geometric blue banding, scrollwork, and floral rose accents\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eAntique condition with visible glaze crazing, age toning, light staining, and surface wear consistent with use\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eApprox. Dimensions\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eSimilar Smith-Phillips platters commonly measure around 15–16 in. long x 11–12 in. wide; measure actual piece before listing live\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eApprox. Weight\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eTypically 2.5–4 lb depending on exact size and body thickness\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eBest Use\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eDisplay platter, dining hutch styling, antique table setting, centerpiece tray, collector’s ceramic accent\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eStyle\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eEarly 20th-century American traditional \/ cottage \/ English country \/ collected antique\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":43162273349737,"sku":"VE-0846","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/FF9AED2A-E838-4116-9F84-E77D33B8A20C.png?v=1777288582"},{"product_id":"vintage-amber-pressed-glass-pedestal-compote-bowl-c-1930s-1940s-reno-nv-antiques","title":"Vintage Amber Pressed Glass Pedestal Compote Bowl c. 1930s–1940s","description":"\u003cp\u003e\u003cspan\u003eThe Piece\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA vintage \u003c\/span\u003e\u003cspan\u003eamber pressed glass pedestal compote\u003c\/span\u003e\u003cspan\u003e, dating to the early-to-mid 20th century. Defined by its flared bowl and elevated footed base, this piece reflects the accessible elegance of Depression-era glassware—designed to bring visual richness into everyday homes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe bowl features a faceted form with molded panels, each adorned with a raised botanical motif. The warm amber tone enhances the relief, catching and diffusing light across the surface to create depth and subtle movement. A gently scalloped rim softens the structure, balancing the geometry of the form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePressed in a multi-part mold, faint seam lines are visible and consistent throughout—an expected and authentic characteristic of production from this period.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is a piece that was meant to be used, displayed, and enjoyed—functional, but quietly decorative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHistorical Context\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDuring the \u003c\/span\u003e\u003cspan\u003e1930s and 1940s\u003c\/span\u003e\u003cspan\u003e, pressed glass became a staple in American households, offering an affordable alternative to cut crystal. Often referred to as \u003c\/span\u003e\u003cspan\u003eDepression glass\u003c\/span\u003e\u003cspan\u003e, these pieces were widely produced and distributed, allowing decorative tableware to reach a broader audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAmber glass, in particular, gained popularity for its warmth and ability to mimic the richness of more expensive materials. Compote bowls like this were commonly used for fruit, desserts, or as centerpieces, serving both practical and decorative roles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eToday, these pieces are valued not for rarity, but for their enduring aesthetic and versatility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduct Details\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"784.0\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eAttribute\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eDetails\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eType\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003ePedestal compote bowl\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eEra\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003ec. 1930s–1940s\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMaterial\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003ePressed glass\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eColor\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eAmber \/ golden\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eForm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eFlared bowl with pedestal base\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eDesign\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMolded botanical relief with faceted panels\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eRim\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eGently scalloped\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eFinish\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eGloss with visible mold seam lines (original)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eGood vintage condition with no visible structural damage\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cspan\u003eCondition Notes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe bowl is in good vintage condition with no visible cracks or structural issues. Light surface wear consistent with age may be present. Mold seam lines are visible and uniform, typical of pressed glass production and not considered defects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhy It Belongs in Your Home\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSome pieces don’t need a story—they just need the right light.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis compote does exactly that. Its amber tone brings warmth into a space, while the raised detailing adds just enough texture to keep it from feeling flat. It works as easily as a centerpiece as it does on a shelf, catching light and adding dimension without overwhelming its surroundings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eideal for fruit, decorative objects, or standalone display\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003epairs naturally with wood, stone, and neutral interiors\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eadds a subtle vintage presence without feeling overly styled\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":43162285604969,"sku":"VE-0847","price":59.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/C3F4338A-A5C6-4064-B185-D8BE40993E25.png?v=1777289605"},{"product_id":"vintage-autumn-maple-leaf-serving-platter-c-1980s-reno-nv-antiques","title":"Vintage Autumn Maple Leaf Serving Platter c. 1980s","description":"\u003cp\u003e\u003cspan\u003eThe Piece\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA vintage \u003c\/span\u003e\u003cspan\u003eceramic serving platter\u003c\/span\u003e\u003cspan\u003e finished in a warm ivory glaze and accented with a seasonal \u003c\/span\u003e\u003cspan\u003eautumn maple leaf motif\u003c\/span\u003e\u003cspan\u003e. Produced in the 1980s, this piece reflects a period when decorative serveware leaned into subtle, nature-inspired design—intended for both use and display.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe oval form is framed by a softly scalloped edge with light metallic detailing, while the surface features scattered maple leaves in tones of red, orange, and muted yellow. The central field remains open and clean, allowing the decorative border to define the piece without overwhelming it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBalanced and understated, it carries a quiet seasonal presence without feeling overly themed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHistorical Context\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBy the \u003c\/span\u003e\u003cspan\u003e1980s\u003c\/span\u003e\u003cspan\u003e, ceramic serveware production had shifted toward accessible decorative pieces designed for home entertaining. Many of these items were produced for department stores and gift markets, blending traditional motifs with simplified forms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSeasonal patterns—particularly autumnal themes—became increasingly popular during this time, offering homeowners a way to rotate décor throughout the year without investing in full table settings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile not tied to a specific maker or region, pieces like this represent the broader trend of \u003c\/span\u003e\u003cspan\u003efunctional décor\u003c\/span\u003e\u003cspan\u003e—objects intended to be used, but styled with presentation in mind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduct Details\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"784.0\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eAttribute\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eDetails\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eType\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eServing platter\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eEra\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003ec. 1980s\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMaterial\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eGlazed ceramic\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eColor\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eIvory with red, orange, and yellow accents\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMotif\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eAutumn maple leaf design\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eForm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eOval\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eRim Detail\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eScalloped edge with metallic accent\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eFinish\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eGloss glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMarkings\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eStylized decorative export mark\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eGood vintage condition with light wear\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCondition Notes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe platter shows light surface wear consistent with use, including minor utensil marks within the center and slight edge wear. A small area of discoloration is visible along the rim. No cracks or structural damage observed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhy It Belongs in Your Home\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNot every piece needs to be permanent—some are meant to show up at the right time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis platter does exactly that. Its seasonal palette and restrained design make it easy to bring out for fall gatherings or incorporate into a rotating display. It adds warmth without dominating a space, and functions just as well as a serving piece as it does styled on a shelf or table.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eideal for seasonal entertaining\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ecomplements wood, linen, and neutral interiors\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eadds a subtle shift in tone without requiring a full redesign\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eIt’s simple, usable, and quietly effective—which is exactly why it works.\u003c\/span\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":43166587617385,"sku":"VE-0852","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/7CE953B9-D1C0-49A0-AC78-DF315080DE79.png?v=1777438114"},{"product_id":"vintage-pressed-glass-three-part-relish-dish-c-1960s","title":"Pressed Glass Three-Part Relish Dish, c. 1960s","description":"\u003cp\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCirca 1960s pressed glass divided relish dish.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eClear molded glass with three interior compartments, scalloped rim, diamond-pattern field, and radiating center motif.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eUnmarked, cut-glass style serving piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis vintage relish dish has a round, shallow form divided into three serving sections, with a molded center flowerburst motif and diamond-point patterning across the base. The outer wall is finished with vertical ribbing and a scalloped sawtooth-style rim, giving the piece the light-catching effect of cut crystal while remaining a molded pressed glass form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe dish is designed for olives, pickles, nuts, candy, cocktail garnishes, condiments, or small tabletop service. It has that very mid-century “we own six dishes for foods that could have shared one bowl” energy, which, irritatingly, is exactly what makes it charming.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition + Updates\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood vintage condition with clear presentation and no obvious large cracks visible in the provided photos. The molded patterning remains sharp, with strong light reflection through the diamond-point field and ribbed outer wall.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs with most pressed glass pieces of this type, the rim and divider edges may show small signs of age or handling. Any minor surface wear, light scratches, or small flea bites would be consistent with use. Overall, the piece presents well as a functional and decorative vintage serving dish.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHistorical Context\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePressed glass serving pieces were widely produced through the mid-20th century as affordable alternatives to hand-cut crystal. By the 1960s, molded glass relish dishes, candy bowls, ashtrays, snack dishes, and divided serving pieces were common in American entertaining culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis piece reflects that era’s practical tableware: decorative enough for holidays and cocktail service, but durable and affordable enough for regular household use. The cut-glass-inspired patterning gave everyday glassware a more formal look, because apparently olives needed architectural presentation and society was better for it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy This Belongs in Your Home\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis dish works beautifully in a bar cart, dining cabinet, holiday table, vanity, or layered tabletop setting. The clear glass keeps it versatile, while the textured pattern catches light and adds dimension beside brass, silverplate, linen, dark wood, or colored glass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt can be used traditionally for olives, pickles, nuts, or candy, or styled as a catchall for jewelry, keys, matches, cocktail picks, or other small objects. It is an easy vintage piece: useful, decorative, affordable, and not so precious that everyone has to whisper around it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable width=\"964.0\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cstrong\u003eDetail\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eObject Type\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eDivided relish dish \/ serving bowl\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eEra\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003ec. 1960s\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eStyle\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eCut-glass style pressed glass\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMaterial\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eClear molded pressed glass\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eShape\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eRound shallow bowl\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eCompartments\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eThree divided sections\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003ePattern\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eDiamond-point field with radiating floral\/fan center\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eRim\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eScalloped \/ sawtooth edge\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eExterior\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eRibbed \/ fluted molded sides\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMaker\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eUnmarked\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eColor\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eClear glass\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eApprox. Dimensions\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003e7–8.5 in. diameter x 1.5–2.25 in. H\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eApprox. Weight\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003e1.5–2.5 lb\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eSuggested Use\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eRelish service, olives, nuts, candy, cocktail garnishes, vanity styling \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":43253949890665,"sku":"VE-1061","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/FC46B775-F096-4B69-A0AB-92E7ABC72574.jpg?v=1780046221"},{"product_id":"vintage-mid-century-california-pottery-olive-green-covered-serving-dish-c-1950s-1960s","title":"Vintage Mid Century California Pottery Olive Green Covered Serving Dish, c. 1950s–1960s","description":"\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003eA striking vintage California pottery covered serving dish in a rich olive-green glaze, marked \u003cstrong\u003eCALIF USA 71-E\u003c\/strong\u003e on the base and attributed to \u003cstrong\u003eMiramar of California\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe form is low, rounded, and beautifully balanced, with a fitted domed lid decorated in a raised geometric floral pattern. A sculptural triangular handle finishes the piece with just the right amount of mid-century drama.\u003c\/p\u003e\n\u003cp\u003eThe glaze shifts between olive, golden chartreuse, and warm ochre depending on the light, giving the dish depth, warmth, and a distinctly collected presence. It is functional enough for the table, beautiful enough for display, and unusual enough to feel like something you will not see twice.\u003c\/p\u003e\n\u003ch2\u003eHistory\u003c\/h2\u003e\n\u003cp\u003eCalifornia pottery became a defining part of American interiors during the mid-20th century, known for its bold glazes, useful forms, and expressive decorative details. This piece belongs beautifully to that tradition.\u003c\/p\u003e\n\u003cp\u003eMarked \u003cstrong\u003eCALIF USA 71-E\u003c\/strong\u003e, this covered dish is attributed to \u003cstrong\u003eMiramar of California\u003c\/strong\u003e, a maker associated with colorful vintage ceramic serveware and decorative home pieces. Its saturated glaze, molded lid design, and sculptural handle reflect the easy confidence of 1950s–1960s California design: practical, warm, and unmistakably stylish.\u003c\/p\u003e\n\u003ch2\u003eProduct Details\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eAttribute\u003c\/th\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eCovered serving dish \/ lidded casserole\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eCalifornia, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eAttributed to Miramar of California\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePeriod\u003c\/td\u003e\n\u003ctd\u003ec. 1950s–1960s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMarkings\u003c\/td\u003e\n\u003ctd\u003eCALIF USA 71-E\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eGlazed ceramic pottery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eOlive green \/ golden chartreuse\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eRaised geometric floral lid with triangular handle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVintage condition with light surface wear, glaze variation, and age-appropriate character\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBest Use\u003c\/td\u003e\n\u003ctd\u003eServing dish, kitchen display, dining room styling, open shelving, collected California pottery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003eWhy It Belongs In Your Home\u003c\/h2\u003e\n\u003cp\u003eThis is the kind of piece that makes a kitchen or dining room feel layered, warm, and intentional. The olive glaze pairs beautifully with walnut, brass, marble, ironstone, dark wood, and collected vintage tableware.\u003c\/p\u003e\n\u003cp\u003eUse it as a covered serving dish for gatherings, style it on open kitchen shelving, place it on a sideboard, or let it live as a sculptural ceramic accent. Its color is bold without being loud, and its form feels refined without losing charm.\u003c\/p\u003e\n\u003cp\u003eA beautiful vintage California pottery piece with presence, utility, and unmistakable mid-century character.\u003c\/p\u003e\n\u003cp\u003eOnly one available.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47699366051945,"sku":"VE-1136","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/DSC00835.jpg?v=1781529444"},{"product_id":"early-20th-century-silver-overlay-glass-tazza-gilt-rimmed-footed-compote-c-1910s-1930s","title":"Early 20th-Century Silver Overlay Glass Tazza, Gilt-Rimmed Footed Compote, c. 1910s–1930s","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eAn early twentieth century glass tazza in a shallow footed form, with gilt banding and an ornate silver overlay border around the rim.\u003c\/p\u003e\n\u003cp\u003eThe piece is defined by its restraint. A low pedestal base, a flared bowl and delicate gilt rings give it a graceful silhouette, while the raised silver overlay border introduces a layer of old world ornament without overwhelming the glass.\u003c\/p\u003e\n\u003cp\u003eThe rim carries scrolling foliate detail and shield like cartouches, which resolve into a lace like pattern seen from above or held to direct light. The clear glass body catches shadow and reflection, and the decorative rim lends a formal, almost ceremonial edge to a light, architectural object.\u003c\/p\u003e\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe maker is unknown. No mark or signature is recorded, and the attribution rests on material and idiom.\u003c\/p\u003e\n\u003cp\u003eThe piece appears to be clear glass with gilt banding and applied silver overlay decoration, a combination current in the decorative glass trade of the early twentieth century, which places it circa 1910s to 1930s.\u003c\/p\u003e\n\u003cp\u003eCondition is consistent with age and use, and the wear itself is part of the record. The gilt shows the expected rubbing and the silver overlay has areas of patina, darkening and minor loss, the ordinary history of applied silver on glass.\u003c\/p\u003e\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eObject\u003c\/td\u003e\n\u003ctd\u003eFooted compote or tazza\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003eEarly twentieth century, c. 1910s to 1930s\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnknown\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eClear glass with gilt banding and silver overlay decoration\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eShallow flared bowl on a low pedestal foot\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDecoration\u003c\/td\u003e\n\u003ctd\u003eScrolling foliate silver overlay border with shield like cartouches, and gilt rings\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eTo be confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eConsistent with age and use. Light surface wear to the glass, expected rubbing to the gilt details, and areas of patina, darkening and minor loss to the silver overlay. No major structural damage is visible\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eThis is a small scale statement piece with genuine atmosphere. The silver overlay catches light well, and the low footed shape gives it enough structure to stand alone without needing to be filled or heavily styled.\u003c\/p\u003e\n\u003cp\u003eUse it for wrapped candies, jewelry, keys, matchbooks or dried citrus, or leave it empty where the light can move through it.\u003c\/p\u003e\n\u003cp\u003eIt works as a table centerpiece, a vanity catchall, an entryway vessel, or a quiet decorative object on a shelf or console.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47714336800873,"sku":"VE-1156","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/early_20th-century_silver_overlay_glass_tazza_gilt-rimmed_footed_compote_c._1910s1930s937115084400935765033631849.jpg?v=1782884020"},{"product_id":"recommended-price-48-for-the-set-of-3-lane-amp-co-van-nuys-california-ceramic-shell-serving-dishes-c-1960s","title":"Lane \u0026 Co. Van Nuys California Ceramic Shell Serving Dishes, c. 1960s","description":"\u003ch2\u003eThe Design\u003c\/h2\u003e\n\u003cp\u003eA set of three mid-century ceramic serving dishes by \u003cstrong\u003eLane \u0026amp; Co. of Van Nuys, California\u003c\/strong\u003e, formed in a sweeping shell silhouette with ribbed fan-like channels and a soft ivory glaze. Each dish curves dramatically from a narrow tapered end into a scalloped shell rim, giving the set movement, depth, and a sculptural quality beyond ordinary tableware. Miraculous, really, that a serving dish can have more architecture than half the buildings going up now.\u003c\/p\u003e\n\u003cp\u003eThe glaze is warm cream with subtle speckling and age-softened tonal variation. The shell form feels distinctly 1960s California: decorative, organic, and quietly theatrical, equally suited for serving, display, or layered shelf styling.\u003c\/p\u003e\n\u003cp\u003eSold as a \u003cstrong\u003eset of three\u003c\/strong\u003e, the pieces nest and stack beautifully, creating a rhythmic sculptural profile when grouped.\u003c\/p\u003e\n\u003ch2\u003eCondition \u0026amp; Provenance\u003c\/h2\u003e\n\u003cp\u003eMarked \u003cstrong\u003eLane Van Nuys Calif. U.S.A.\u003c\/strong\u003e on the underside, identifying the maker as \u003cstrong\u003eLane \u0026amp; Co.\u003c\/strong\u003e, a California pottery producer associated with mid-century decorative ceramics.\u003c\/p\u003e\n\u003cp\u003eThe set is consistent with \u003cstrong\u003ec. 1960s California pottery\u003c\/strong\u003e, with molded shell forms, glossy ivory glaze, and organic modern styling.\u003c\/p\u003e\n\u003cp\u003eVintage condition with visible crazing, light surface wear, small speckles, and minor age-related glaze variation. At least one piece appears to show a small rim nick or glaze loss. Best suited for decorative use, dry service, or styled tabletop presentation.\u003c\/p\u003e\n\u003ch2\u003eDimensions\u003c\/h2\u003e\n\u003cp\u003ePetite serving dish scale. Exact measurements to be added.\u003c\/p\u003e\n\u003ch2\u003eProduct Details\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eAttribute\u003c\/th\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eLane \u0026amp; Co., Van Nuys, California\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eObject Type\u003c\/td\u003e\n\u003ctd\u003eShell-form serving dishes \/ relish dishes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eQuantity\u003c\/td\u003e\n\u003ctd\u003eSet of 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePeriod\u003c\/td\u003e\n\u003ctd\u003ec. 1960s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eMid-century California pottery \/ organic modern\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eGlazed ceramic pottery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eIvory \/ cream\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMarkings\u003c\/td\u003e\n\u003ctd\u003eLane Van Nuys Calif. U.S.A. underside mark\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVintage; crazing, light surface wear, glaze variation, and minor rim wear visible\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003eWhy It Belongs In Your Home\u003c\/h2\u003e\n\u003cp\u003eThis set brings a distinctly California mid-century softness to the table: curved, organic, and sculptural without feeling overly delicate. The ivory glaze makes the pieces easy to layer with ironstone, brass, dark wood, crystal, linen, or warm-toned ceramics.\u003c\/p\u003e\n\u003cp\u003eUse them for olives, nuts, citrus wedges, cocktail garnishes, soaps, jewelry, wrapped candies, or simply as a nested decorative grouping. Their appeal is in the silhouette: part shell, part fan, part little ceramic flourish that makes a table look intentional instead of merely occupied by bowls.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47765479850089,"sku":"VE-1193","price":109.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/DSC01151.jpg?v=1783422881"},{"product_id":"california-studio-pottery-olive-green-relish-dishes-set-of-three-c-1945-1955","title":"California Studio Pottery Olive Green Relish Dishes, Set of Three, c. 1945-1955","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) pb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\" data-voice-floating-orb-focus-background=\"\"\u003e\n\u003cdiv class=\"flex flex-col text-sm\"\u003e\n\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv data-is-intersecting=\"true\" data-turn-id-container=\"request-6a4768df-f0d4-83e8-a060-bd37c175700e-17\" class=\"\"\u003e\n\u003csection data-turn=\"assistant\" data-testid=\"conversation-turn-130\" data-turn-id-container=\"request-6a4768df-f0d4-83e8-a060-bd37c175700e-17\" data-turn-id=\"request-6a4768df-f0d4-83e8-a060-bd37c175700e-17\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-15 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5\" dir=\"auto\" data-message-id=\"764774c8-4f7b-4181-8009-6569f67a83c5\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003ch3 data-end=\"101\" data-start=\"88\" data-section-id=\"1kyuizp\"\u003eThe Piece\u003c\/h3\u003e\n\u003cp data-end=\"597\" data-start=\"103\"\u003eRich olive glazes, sculptural curves, and unmistakable California craftsmanship define this striking set of three studio pottery relish dishes. Their gently asymmetrical silhouette and flowing, hand-applied glaze embody the organic design philosophy that flourished in California ceramics during the mid-20th century. Whether used for olives, nuts, sauces, jewelry, or simply displayed as sculptural objects, each dish offers the warmth and individuality that only handmade pottery can provide.\u003c\/p\u003e\n\u003cp data-end=\"756\" data-start=\"599\"\u003eThe layered olive glaze transitions from deep forest green to lighter moss tones with natural variation throughout, ensuring no two pieces are exactly alike.\u003c\/p\u003e\n\u003chr data-end=\"761\" data-start=\"758\"\u003e\n\u003ch2 data-end=\"773\" data-start=\"763\" data-section-id=\"1fkf4yv\"\u003eHistory\u003c\/h2\u003e\n\u003cp data-end=\"1152\" data-start=\"775\"\u003eProduced in California during the postwar studio pottery movement, these dishes reflect a period when regional potters blended functional design with artistic expression. Influenced by the Arts \u0026amp; Crafts movement, Japanese ceramics, and the emerging Mid-Century Modern aesthetic, California studios became known for their earthy glazes, organic forms, and handcrafted character.\u003c\/p\u003e\n\u003cp data-end=\"1334\" data-start=\"1154\"\u003eMarked \u003cstrong data-end=\"1186\" data-start=\"1161\"\u003e\"Made in California,\"\u003c\/strong\u003e this set likely dates to \u003cstrong data-end=\"1231\" data-start=\"1212\"\u003ecirca 1945-1955\u003c\/strong\u003e, when studio pottery was becoming a defining element of American decorative arts and modern interiors.\u003c\/p\u003e\n\u003chr data-end=\"1339\" data-start=\"1336\"\u003e\n\u003ch2 data-end=\"1359\" data-start=\"1341\" data-section-id=\"189qedo\"\u003eProduct Details\u003c\/h2\u003e\n\u003cdiv class=\"TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"group TyagGW_tableWrapper flex flex-col-reverse w-fit\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\" data-end=\"1855\" data-start=\"1361\"\u003e\n\u003cthead data-end=\"1383\" data-start=\"1361\"\u003e\n\u003ctr data-end=\"1383\" data-start=\"1361\"\u003e\n\u003cth class=\"last:pe-10\" data-col-size=\"sm\" data-end=\"1373\" data-start=\"1361\"\u003eAttribute\u003c\/th\u003e\n\u003cth class=\"last:pe-10\" data-col-size=\"xl\" data-end=\"1383\" data-start=\"1373\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-end=\"1855\" data-start=\"1407\"\u003e\n\u003ctr data-end=\"1439\" data-start=\"1407\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"1420\" data-start=\"1407\"\u003e\u003cstrong data-end=\"1419\" data-start=\"1409\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"xl\" data-end=\"1439\" data-start=\"1420\"\u003eCalifornia, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"1467\" data-start=\"1440\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"1451\" data-start=\"1440\"\u003e\u003cstrong data-end=\"1450\" data-start=\"1442\"\u003eDate\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"xl\" data-end=\"1467\" data-start=\"1451\"\u003ec. 1945-1955\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"1516\" data-start=\"1468\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"1480\" data-start=\"1468\"\u003e\u003cstrong data-end=\"1479\" data-start=\"1470\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"xl\" data-end=\"1516\" data-start=\"1480\"\u003eUnknown California Studio Potter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"1564\" data-start=\"1517\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"1532\" data-start=\"1517\"\u003e\u003cstrong data-end=\"1531\" data-start=\"1519\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"xl\" data-end=\"1564\" data-start=\"1532\"\u003eHand-thrown glazed stoneware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"1639\" data-start=\"1565\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"1578\" data-start=\"1565\"\u003e\u003cstrong data-end=\"1577\" data-start=\"1567\"\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"xl\" data-end=\"1639\" data-start=\"1578\"\u003eVariegated olive green glaze with natural tonal variation\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"1671\" data-start=\"1640\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"1655\" data-start=\"1640\"\u003e\u003cstrong data-end=\"1654\" data-start=\"1642\"\u003eQuantity\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"xl\" data-end=\"1671\" data-start=\"1655\"\u003eSet of Three\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"1855\" data-start=\"1672\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"1688\" data-start=\"1672\"\u003e\u003cstrong data-end=\"1687\" data-start=\"1674\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"xl\" data-end=\"1855\" data-start=\"1688\"\u003eExcellent vintage condition with light shelf wear and minor kiln imperfections consistent with handcrafted studio pottery. No significant chips or cracks observed.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-end=\"1860\" data-start=\"1857\"\u003e\n\u003ch2 data-end=\"1892\" data-start=\"1862\" data-section-id=\"16j4o9l\"\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp data-end=\"2271\" data-start=\"1894\"\u003eCalifornia studio pottery continues to be appreciated for its balance of utility and sculptural beauty. These dishes are equally suited for entertaining, catch-all trays, or display within a Mid-Century, organic modern, or Arts \u0026amp; Crafts interior. Their handcrafted quality and timeless glaze make them pieces that feel as relevant today as they did more than seventy years ago.\u003c\/p\u003e\n\u003chr data-end=\"2276\" data-start=\"2273\"\u003e\n\u003chr data-end=\"2375\" data-start=\"2372\"\u003e\n\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"2394\" data-start=\"2381\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47808590872681,"sku":"VE-1220","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/DSC01344_c06a1057-3be5-4e6b-b0fe-0f5ce4996600.jpg?v=1784187329"},{"product_id":"allary-french-oak-reclaimed-wine-barrel-lazy-susan","title":"Allary French Oak Reclaimed Wine Barrel Lazy Susan","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv data-is-intersecting=\"true\" data-turn-id-container=\"request-6a4768df-f0d4-83e8-a060-bd37c175700e-20\" class=\"\"\u003e\n\u003csection data-turn=\"assistant\" data-testid=\"conversation-turn-136\" data-turn-id-container=\"request-6a4768df-f0d4-83e8-a060-bd37c175700e-20\" data-turn-id=\"request-6a4768df-f0d4-83e8-a060-bd37c175700e-20\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-15 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" data-conversation-screenshot-content=\"\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-turn-start-message=\"true\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-5\" dir=\"auto\" data-message-id=\"5b384bc3-befb-4111-965f-4c56a6dc24e5\" data-message-author-role=\"assistant\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003ch2 data-end=\"74\" data-start=\"58\" data-section-id=\"xt9ena\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"74\" data-start=\"61\"\u003eThe Piece\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-end=\"484\" data-start=\"76\"\u003eCrafted from reclaimed French oak wine barrel staves, this rotating Lazy Susan brings together the character of traditional cooperage and the warmth of well-aged hardwood. The circular top preserves the natural grain, stave construction, and original barrel markings, including the \u003cstrong data-end=\"390\" data-start=\"358\"\u003eAllary Tonnellerie Française\u003c\/strong\u003e cooperage stamp, offering an authentic connection to one of France's respected barrel makers.\u003c\/p\u003e\n\u003cp data-end=\"815\" data-start=\"486\"\u003eOriginally part of a working French wine barrel, the oak has developed the rich patina, subtle tonal variation, and distinctive texture that only years of use in a cellar can produce. Resting on a concealed rotating mechanism, it transitions effortlessly from a serving piece to a striking centerpiece or elevated retail display.\u003c\/p\u003e\n\u003cp data-end=\"1037\" data-start=\"817\"\u003eEqually at home beneath charcuterie, candles, floral arrangements, or collected objects, this piece celebrates the beauty of reclaimed materials while honoring the craftsmanship of the cooper who first shaped the barrel.\u003c\/p\u003e\n\u003chr data-end=\"1042\" data-start=\"1039\"\u003e\n\u003ch2 data-end=\"1058\" data-start=\"1044\" data-section-id=\"1mjxgbr\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"1058\" data-start=\"1047\"\u003eHistory\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-end=\"1374\" data-start=\"1060\"\u003eThe \u003cstrong data-end=\"1074\" data-start=\"1064\"\u003eAllary\u003c\/strong\u003e name has long been associated with premium French cooperage, producing oak wine barrels for wineries throughout France and abroad. French oak remains the preferred material for many of the world's finest wines because of its tight grain, durability, and ability to impart subtle flavor during aging.\u003c\/p\u003e\n\u003cp data-end=\"1793\" data-start=\"1376\"\u003eThis Lazy Susan was handcrafted from a reclaimed \u003cstrong data-end=\"1435\" data-start=\"1425\"\u003eAllary\u003c\/strong\u003e barrel, preserving the original cooperage branding while giving the oak a second life outside the cellar. The barrel itself bears a \u003cstrong data-end=\"1576\" data-start=\"1568\"\u003e2009\u003c\/strong\u003e cooperage stamp, reflecting its production date before being repurposed into functional home décor. Rather than hiding its previous life, the piece proudly retains the marks, grain, and character that tell its story.\u003c\/p\u003e\n\u003chr data-end=\"1798\" data-start=\"1795\"\u003e\n\u003ch2 data-end=\"1822\" data-start=\"1800\" data-section-id=\"12unya4\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"1822\" data-start=\"1803\"\u003eProduct Details\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"group TyagGW_tableWrapper flex flex-col-reverse w-fit\" tabindex=\"-1\"\u003e\n\u003ctable class=\"w-fit min-w-(--thread-content-width)\" data-end=\"2565\" data-start=\"1824\"\u003e\n\u003cthead data-end=\"1854\" data-start=\"1824\"\u003e\n\u003ctr data-end=\"1854\" data-start=\"1824\"\u003e\n\u003cth class=\"last:pe-10\" data-col-size=\"sm\" data-end=\"1840\" data-start=\"1824\"\u003e\u003cstrong data-end=\"1839\" data-start=\"1826\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth class=\"last:pe-10\" data-col-size=\"xl\" data-end=\"1854\" data-start=\"1840\"\u003e\u003cstrong data-end=\"1852\" data-start=\"1842\"\u003eDetail\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-end=\"2565\" data-start=\"1887\"\u003e\n\u003ctr data-end=\"1931\" data-start=\"1887\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"1899\" data-start=\"1887\"\u003e\u003cstrong data-end=\"1898\" data-start=\"1889\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"xl\" data-end=\"1931\" data-start=\"1899\"\u003eAllary Tonnellerie Française\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"1955\" data-start=\"1932\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"1945\" data-start=\"1932\"\u003e\u003cstrong data-end=\"1944\" data-start=\"1934\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"1955\" data-start=\"1945\" data-col-size=\"xl\"\u003eFrance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2027\" data-start=\"1956\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"1966\" data-start=\"1956\"\u003e\u003cstrong data-end=\"1965\" data-start=\"1958\"\u003eEra\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"xl\" data-end=\"2027\" data-start=\"1966\"\u003eContemporary, crafted from a reclaimed French wine barrel\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2067\" data-start=\"2028\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2043\" data-start=\"2028\"\u003e\u003cstrong data-end=\"2042\" data-start=\"2030\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"xl\" data-end=\"2067\" data-start=\"2043\"\u003eReclaimed French Oak\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2144\" data-start=\"2068\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2087\" data-start=\"2068\"\u003e\u003cstrong data-end=\"2086\" data-start=\"2070\"\u003eConstruction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"2144\" data-start=\"2087\" data-col-size=\"xl\"\u003eSolid oak barrel staves with rotating Lazy Susan base\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2229\" data-start=\"2145\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2158\" data-start=\"2145\"\u003e\u003cstrong data-end=\"2157\" data-start=\"2147\"\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"2229\" data-start=\"2158\" data-col-size=\"xl\"\u003eNatural aged oak with original cooperage branding and barrel patina\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2267\" data-start=\"2230\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2242\" data-start=\"2230\"\u003e\u003cstrong data-end=\"2241\" data-start=\"2232\"\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"xl\" data-end=\"2267\" data-start=\"2242\"\u003eWarm medium-brown oak\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2353\" data-start=\"2268\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2278\" data-start=\"2268\"\u003e\u003cstrong data-end=\"2277\" data-start=\"2270\"\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"2353\" data-start=\"2278\" data-col-size=\"xl\"\u003eCharcuterie, serving tray, centerpiece, kitchen display, retail display\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-end=\"2565\" data-start=\"2354\"\u003e\n\u003ctd data-col-size=\"sm\" data-end=\"2370\" data-start=\"2354\"\u003e\u003cstrong data-end=\"2369\" data-start=\"2356\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-end=\"2565\" data-start=\"2370\" data-col-size=\"xl\"\u003eExcellent vintage condition with expected wear, surface marks, and patina consistent with reclaimed cooperage wood. These characteristics are part of the authenticity and appeal of the piece.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-end=\"2570\" data-start=\"2567\"\u003e\n\u003ch2 data-end=\"2606\" data-start=\"2572\" data-section-id=\"izrlcp\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-end=\"2606\" data-start=\"2575\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-end=\"2944\" data-start=\"2608\"\u003eFew serving pieces carry genuine provenance. This Lazy Susan began its life aging wine inside a French oak barrel before being thoughtfully transformed into a functional object for everyday living. The reclaimed oak offers warmth, history, and texture impossible to reproduce with newly milled wood, making each example entirely unique.\u003c\/p\u003e\n\u003cp data-end=\"3116\" data-start=\"2946\"\u003eWhether styled on a dining table, kitchen island, coffee table, or used for entertaining, it delivers authentic European wine-country character with timeless versatility.\u003c\/p\u003e\n\u003chr data-end=\"3121\" data-start=\"3118\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47809600356457,"sku":"VE-1221","price":314.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/DSC01322.jpg?v=1784226762"},{"product_id":"anthropomorphic-orange-cream-pitcher-c-1950s-1960s-hand-painted-pottery","title":"Anthropomorphic Orange Cream Pitcher, c. 1950s–1960s Hand-Painted Pottery","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-6a4768df-f0d4-83e8-a060-bd37c175700e-27\" data-is-intersecting=\"true\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-6a4768df-f0d4-83e8-a060-bd37c175700e-27\" data-turn-id-container=\"request-6a4768df-f0d4-83e8-a060-bd37c175700e-27\" data-testid=\"conversation-turn-146\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-15 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv data-conversation-screenshot-content=\"\" class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"145e4b5f-b0ef-476a-aa66-b71d7fff0c52\" dir=\"auto\" data-message-model-slug=\"gpt-5-5\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003ch3 data-section-id=\"1uxnezp\" data-start=\"81\" data-end=\"98\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"85\" data-end=\"98\"\u003eThe Piece\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"100\" data-end=\"546\"\u003eWhimsical mid-century ceramics rarely possess the charm of this hand-painted cream pitcher. Featuring a smiling anthropomorphic orange with expressive eyelashes, gloved hands, and lively movement, the design captures the playful aesthetic that defined American novelty kitchenware during the postwar era. A black-accented handle and stylized fruit basket on the reverse complete the composition, giving the piece visual interest from every angle.\u003c\/p\u003e\n\u003cp data-start=\"548\" data-end=\"830\"\u003eIts compact form makes it equally suited for serving cream at breakfast, displaying a small bouquet of flowers, or simply adding personality to an open shelf or vintage kitchen collection. The soft crazing developed over decades of age only enhances its authentic vintage character.\u003c\/p\u003e\n\u003chr data-start=\"832\" data-end=\"835\"\u003e\n\u003ch2 data-section-id=\"1mjxgbr\" data-start=\"837\" data-end=\"851\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"840\" data-end=\"851\"\u003eHistory\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-start=\"853\" data-end=\"1225\"\u003eNovelty pottery flourished throughout the United States during the 1940s through the 1960s as manufacturers embraced cheerful, hand-decorated kitchen accessories inspired by fruits, vegetables, animals, and cartoon-like characters. Creamers such as this were often sold individually or as part of breakfast sets and became staples of family kitchens during the Atomic Age.\u003c\/p\u003e\n\u003cp data-start=\"1227\" data-end=\"1438\"\u003eUnlike factory-perfect contemporary reproductions, vintage examples frequently exhibit hand-painted variations, subtle glaze crazing, and brushwork unique to each piece, making every survivor slightly different.\u003c\/p\u003e\n\u003chr data-start=\"1440\" data-end=\"1443\"\u003e\n\u003ch2 data-section-id=\"12unya4\" data-start=\"1445\" data-end=\"1467\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1448\" data-end=\"1467\"\u003eProduct Details\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"group TyagGW_tableWrapper flex flex-col-reverse w-fit\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"1469\" data-end=\"2079\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"1469\" data-end=\"1491\"\u003e\n\u003ctr data-start=\"1469\" data-end=\"1491\"\u003e\n\u003cth data-start=\"1469\" data-end=\"1481\" data-col-size=\"sm\" class=\"last:pe-10\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-start=\"1481\" data-end=\"1491\" data-col-size=\"xl\" class=\"last:pe-10\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"1517\" data-end=\"2079\"\u003e\n\u003ctr data-start=\"1517\" data-end=\"1557\"\u003e\n\u003ctd data-start=\"1517\" data-end=\"1530\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"1519\" data-end=\"1529\"\u003eObject\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"1530\" data-end=\"1557\" data-col-size=\"xl\"\u003eCream Pitcher \/ Creamer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1558\" data-end=\"1587\"\u003e\n\u003ctd data-start=\"1558\" data-end=\"1569\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"1560\" data-end=\"1568\"\u003eDate\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"1569\" data-end=\"1587\" data-col-size=\"xl\"\u003ec. 1950s–1960s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1588\" data-end=\"1620\"\u003e\n\u003ctd data-start=\"1588\" data-end=\"1601\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"1590\" data-end=\"1600\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"1601\" data-end=\"1620\" data-col-size=\"xl\"\u003eLikely American\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1621\" data-end=\"1666\"\u003e\n\u003ctd data-start=\"1621\" data-end=\"1636\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"1623\" data-end=\"1635\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"1636\" data-end=\"1666\" data-col-size=\"xl\"\u003eGlazed earthenware pottery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1667\" data-end=\"1748\"\u003e\n\u003ctd data-start=\"1667\" data-end=\"1684\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"1669\" data-end=\"1683\"\u003eDecoration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"1684\" data-end=\"1748\" data-col-size=\"xl\"\u003eHand-painted anthropomorphic orange motif with black accents\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1749\" data-end=\"1804\"\u003e\n\u003ctd data-start=\"1749\" data-end=\"1769\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"1751\" data-end=\"1768\"\u003eColor Palette\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"1769\" data-end=\"1804\" data-col-size=\"xl\"\u003eCream, orange, green, and black\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1805\" data-end=\"2004\"\u003e\n\u003ctd data-start=\"1805\" data-end=\"1821\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"1807\" data-end=\"1820\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"1821\" data-end=\"2004\" data-col-size=\"xl\"\u003eVery good vintage condition with age-appropriate glaze crazing, light surface wear, and minor paint wear consistent with decades of use. No significant structural damage observed.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2005\" data-end=\"2079\"\u003e\n\u003ctd data-start=\"2005\" data-end=\"2015\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2007\" data-end=\"2014\"\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"2015\" data-end=\"2079\" data-col-size=\"xl\"\u003eCream pitcher, syrup server, bud vase, or decorative display\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"2081\" data-end=\"2084\"\u003e\n\u003ch2 data-section-id=\"izrlcp\" data-start=\"2086\" data-end=\"2120\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"2089\" data-end=\"2120\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2122\" data-end=\"2453\"\u003eSome vintage pieces are collected because they are rare. Others because they make people smile. This little pitcher does both. Whether displayed in a retro kitchen, added to a fruit-themed pottery collection, or used as a conversation piece during brunch, it brings warmth and personality impossible to replicate with modern décor.\u003c\/p\u003e\n\u003chr data-start=\"2455\" data-end=\"2458\"\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47810134933609,"sku":"VE-1225","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/DSC01347.jpg?v=1784237353"},{"product_id":"wedgwood-edme-square-handled-cake-plate-1958-queens-ware","title":"Wedgwood Edme Square Handled Cake Plate, 1958 Queen's Ware","description":"\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003eOne of the quiet masterpieces of English tableware design: Wedgwood's Edme, in the square handled cake plate form. The warm ivory earthenware rises from a plain square well into a rim of fine radiating ribs — a fluting Wedgwood likened to the ridges of a clamshell, a nod to Josiah Wedgwood's own shell collecting — finished at the corners with subtly modeled braided handles. No printed pattern, no gilt, no color: the entire design is light and shadow moving across the ribs.\u003c\/p\u003e\n\u003cp\u003eThe reverse carries the printed Wedgwood Edme cartouche with \"Made in England,\" alongside impressed factory marks pressed into the clay — the double-marking of Wedgwood's own production, from the pottery that has anchored English ceramics since 1759.\u003c\/p\u003e\n\u003ch2\u003eHistory\u003c\/h2\u003e\n\u003cp\u003eEdme debuted in 1908 and stayed in production for over a century — until 2014 — which tells you everything about the design. Wedgwood created it in the fashionable neoclassical revival taste, executed in the firm's signature cream earthenware: Queen's Ware, the refined creamware body that made Josiah Wedgwood's name when Queen Charlotte endorsed it in the 1760s. Edme became the shape's twentieth-century flagship — beloved on both sides of the Atlantic, collected by generations who wanted English pedigree without formality.\u003c\/p\u003e\n\u003cp\u003eA century of production means Edme pieces span eras — but this plate tells you its year outright. Wedgwood impressed date codes into its earthenware, and the code in this clay reads 1958: pressed, fired, and glazed in Staffordshire the year the transatlantic jet age began. Few makers documented themselves so precisely; it is one of the quiet pleasures of collecting Wedgwood.\u003c\/p\u003e\n\u003ch2\u003eProduct Details\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eAttribute\u003c\/th\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003ePeriod\u003c\/td\u003e\n\u003ctd\u003e1958, per the impressed Wedgwood date code (pattern produced 1908–2014)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eStaffordshire, England\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eWedgwood; printed Edme cartouche and impressed factory marks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eCream earthenware (Queen's Ware)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eNeoclassical \/ English country house\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApprox. 10\" square (to be confirmed)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good vintage condition. Light toning to the well and faint crazing under the glaze, consistent with age; ribs and braided handles crisp, no chips or cracks noted. Condition Guaranteed.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003eWhy It Belongs In Your Home\u003c\/h2\u003e\n\u003cp\u003eEdme is the piece designers reach for when a table needs texture without noise. The ribbed square catches candlelight beautifully under a cake, a cheese course, or a pyramid of clementines — and empty, it's sculpture: prop it on a plate rack or lean it at the back of open shelving and the fluting does the rest. It bridges styles effortlessly, sitting as comfortably beside the Flow Blue and ironstone as under a modern ceramic teapot. A century-long production run is the market's way of saying a design never put a foot wrong. This is that design.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47820938707049,"sku":"VE-1246","price":176.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/DSC01484.jpg?v=1784694118"},{"product_id":"title-pressed-glass-three-part-divided-relish-server-fan-and-diamond-pattern-mid-century-c-1940-60s","title":"Pressed-Glass Three-Part Divided Relish Server, Fan-and-Diamond Pattern, Mid-Century c 1940-60s","description":"\u003ch4 dir=\"ltr\" class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eThe Piece\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eA crisp, light-catching relish server built for a table set with a little ceremony. The round form flares on deep sides cut with tall radiating prisms that throw the light like a struck match, while the interior is divided into three wedge compartments by a raised Y-partition — each section textured in fine diamond-point, radiating out from a starburst rosette at the center. Empty on a shelf it reads as pure cut-glass geometry; filled with olives, nuts, or cornichons it does exactly the quiet, useful work it was made for.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eClear and un-tinted, it has the weight and sparkle of the pressed-glass tradition that dressed mid-century tables in the look of costly cut crystal at a fraction of the price.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\" class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eHistory \u0026amp; Provenance\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThe divided relish dish had its heyday from the 1940s through the 1960s, when the hors-d'oeuvres course was a fixture of American entertaining and every well-run sideboard held a server for olives, pickles, and salted nuts. Pressed glass — molded rather than hand-cut — let manufacturers give the middle-class table the prismatic dazzle of Anglo-Irish cut crystal, and patterns like this fan-and-diamond motif were made in great number by American and European glasshouses alike. It's a small, honest artifact of a more formal way of gathering.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\" class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eProduct Details\u003c\/h4\u003e\n\u003cdiv dir=\"ltr\" class=\"overflow-x-auto w-full px-2 mb-6 print:overflow-x-visible\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eObject\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eThree-part divided relish \/ hors-d'oeuvres server\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003ePressed glass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003ePattern\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eRadiating fan-cut sides, diamond-point wells, starburst center\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eEra\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eMid-20th century (c. 1940s–60s)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e7\" diameter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eBright and clear. Condition Guaranteed.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\u003cstrong\u003eAvailability\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eOne of a Kind — 1 Available\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch4 dir=\"ltr\" class=\"text-text-100 mt-2 -mb-1 text-base font-bold\"\u003eWhy It Belongs in Your Home\u003c\/h4\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eA piece that earns its keep. Set it on a bar cart with olives and a bowl of citrus at cocktail hour, use it on a vanity to corral rings and small treasures, or let it catch afternoon light on an open shelf. It's the kind of unfussy, useful glass that makes a gathering feel considered — a small note of sparkle that belongs to a home that entertains with intention.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47833542262889,"sku":"VE-1248","price":84.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/DSC01581.jpg?v=1785021314"},{"product_id":"hand-thrown-italian-pottery-pitcher-chrome-yellow-with-orange-and-green-bands-marked-italy-c-1955-1975","title":"Hand-Thrown Italian Pottery Pitcher, Chrome Yellow with Orange and Green Bands, Marked Italy, c. 1955–1975","description":"\u003cdiv class=\"mx-auto flex w-full max-w-3xl flex-1 flex-col px-3 md:px-4 pt-1\"\u003e\n\u003cdiv role=\"feed\"\u003e\n\u003cdiv role=\"article\" class=\"rounded-lg focus-visible:shadow-focus focus-visible:outline-hidden\" tabindex=\"0\"\u003e\n\u003cdiv class=\"group group\/message-row\"\u003e\n\u003cdiv class=\"group relative relative pb-[var(--msg-assistant-pb,0.75rem)]\"\u003e\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-[var(--msg-text-inset,0.5rem)] [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-[var(--msg-text-inset,0.5rem)] [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 [\u0026amp;_\u0026gt;_*:last-child]:mb-0 print:block print:[\u0026amp;_\u0026gt;_:where(:not(:first-child))]:mt-3 standard-markdown\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eA cheerful little pitcher with the confidence of hand work all over it. The body is thrown on the wheel in a straight tapering cylinder — a dairy-jug silhouette, honest and unfussy — with a pinched pouring lip and a flat strap handle drawn and applied by hand, tapering to a pointed tail where the potter pressed it home. The exterior is glazed in a saturated chrome yellow, banded low on the body with two broad orange stripes separated by a fine green line, all brushed freehand so the edges waver just slightly around the circumference. The rim is finished in green, pooling and darkening where the glaze ran at the spout.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThe interior is bright white and glossy, with the throwing rings still spiraling clearly up the wall — the potter's fingerprints, essentially, left in the clay. The base is marked \u003cstrong\u003eItaly\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eBanded decoration is one of the oldest ideas in ceramics: the pot turns, the brush is held steady, and the line draws itself. Italian workshops carried that tradition straight through the twentieth century, and from the 1950s onward they shipped enormous quantities of hand-thrown, hand-painted earthenware to the American market — pitchers, cruets, cachepots, and canisters made in the pottery towns of Umbria, Tuscany, and the Amalfi coast and stamped simply \u003cstrong\u003eItaly\u003c\/strong\u003e for export. The palette here is exactly the sunlit color story that made those imports irresistible to a generation redecorating away from brown: chrome yellow, blood orange, and a single green line for discipline.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eAcquired by Viridian Eclection from a private Northern Nevada estate.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\" class=\"overflow-x-auto w-full pl-[var(--msg-block-inset,0.5rem)] pr-2 mb-6 print:overflow-x-visible\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003eField\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eObject\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003ePitcher \/ jug\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eItaly\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eMaterial\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eHand-thrown glazed earthenware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eDecoration\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eChrome yellow ground with two orange bands and green pinstripe; green-trimmed rim; white glazed interior\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eForm\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eTapering cylindrical body with pinched spout and applied strap handle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eEra\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003ec. 1955–1975\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eMarks\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eMarked \"Italy\" to underside\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eCondition\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eVery good. Glaze bright and glossy with no chips, cracks, or crazing observed to rim, spout, handle, or foot. Light scattered glaze specks and minor brush irregularity original to the making. Interior clean. Condition Guaranteed.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eAvailability\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eOne of a Kind — 1 Available\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eYellow this saturated is a commitment, and this pitcher makes it look easy. Fill it with sunflowers, ranunculus, or a fistful of herbs from the garden and set it on a kitchen windowsill; use it on a table for water, sangria, or salad dressing; or park it on an open shelf beside white ironstone and let it be the one loud thing. It's food-safe in spirit and cheerful by design, and it does what all good Italian pottery does — makes an ordinary Tuesday table look like someone thought about it. It layers beautifully with wood.\u003ca class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"https:\/\/www.1stdibs.com\/buy\/italy-pottery-pitcher\/\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47915193991273,"sku":"VE-1309","price":78.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/hand-thrown_italian_pottery_pitcher_chrome_yellow_with_orange_and_green_bands_marked_italy_c._19551975941822473021736219365654633.jpg?v=1787623036"},{"product_id":"wedge-relish-dishes-scalloped-white-glaze-california-pottery-marked-calif-usa-l-48-c-1945-1965","title":"Wedge Relish Dishes, Scalloped White Glaze, California Pottery, Marked CALIF USA L-48, c. 1945–1965","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eA charming set of pie-wedge serving dishes in creamy white pottery, each one a quarter segment with a gently dished well and a boldly scalloped outer rim modeled with a run of raised teardrop bosses. Set side by side they lock together into a complete circle — a sectioned relish tray, meant to sit on a lazy susan or a footed stand at the center of a table.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThe glaze is a soft gloss white, warm rather than clinical, pooling faintly in the scallops so the rim reads as sculptural even from across a room. The undersides are cleanly finished and impressed \u003cstrong\u003eCALIF USA L-48\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eCalifornia was the center of American ceramics for four decades. Cheap clay, cheap fuel, year-round kilns, and the postwar building boom made Southern California the country's pottery capital between roughly 1930 and 1970, and the state's potteries turned out dinnerware, art pottery, and serving ware in staggering volume.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThe sectioned relish set belongs squarely to that moment. Midcentury entertaining ran on the buffet and the cocktail hour, and the divided server — olives here, pickles there, nuts and cheese in the last two — was the piece that made a spread look composed instead of scattered. Sets like this were produced in enormous numbers, mounted on wooden or brass lazy susans and given as wedding and housewarming gifts across the country.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eThe \u003cstrong\u003eCALIF USA\u003c\/strong\u003e stamp with a letter-and-number shape code is the signature of that trade. Many California potteries marked their ware with origin and mold number alone, leaving the firm's name off because the pieces sold through wholesalers rather than under a brand. The \u003cstrong\u003eL-48\u003c\/strong\u003e here is that mold code, placing this set within a numbered production series even without a named maker.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\" class=\"overflow-x-auto w-full pl-[var(--msg-block-inset,0.5rem)] pr-2 mb-6 print:overflow-x-visible\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003eField\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eObject\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eSectioned relish dishes, set of four\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eOrigin\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eCalifornia, United States\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eMaterial\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eGlazed earthenware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eDecoration\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eUndecorated white gloss glaze; molded scalloped rim with raised teardrop bosses\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eForm\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eQuarter-circle wedges assembling to a round server\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eEra\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003ec. 1945–1965\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eMarks\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eImpressed to underside: \"CALIF USA L-48\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eCondition\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eVery good. All pieces solid with no chips, cracks, or crazing observed — including to the scalloped rims, the most vulnerable element on this form. Glaze bright and even; light scattered kiln grit to the unglazed contact points, original to the making. Sold as a set. Condition Guaranteed.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eAvailability\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003eOne of a Kind — 1 Set Available\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eA sectioned server is one of those pieces that quietly makes entertaining easier. Ring them around a lazy susan or a cake stand for olives, cornichons, nuts, and cheese; use them separately as small salad or dessert plates; or fill two with dip and set them at either end of a board. They stack neatly, so they store in the space of a single dish.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003eWhite is what makes them useful. Against a wood board, a linen runner, or a dark table they read as crisp and considered, and they let the food supply all the color. They also group beautifully with other white pottery on an open shelf — the scalloped rim gives a plain white stack real texture, and this is the kind of set that looks far better out than put away.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47922591989865,"sku":"VE-1315","price":116.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/wedge_relish_dishes_scalloped_white_glaze_california_pottery_marked_calif_usa_l-48_c._19451965941947332208936223919030377.jpg?v=1787623002"},{"product_id":"italian-embossed-whiteware-cake-stand-harvest-relief-pedestal-foot-made-in-italy-for-over-and-back-contemporary","title":"Italian Embossed Whiteware Cake Stand, Harvest Relief, Pedestal Foot, Made in Italy for Over and Back, Contemporary","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eA pedestal stand in glossy white Italian ceramic, molded in deep relief: a braided wheat wreath circles the well, ringed by radiating flutes, with an outer border of fruiting garlands slung between ribboned staves. The pedestal repeats the braid at its foot. All of it reads in pure white — ornament carried entirely by shadow, the trick Italian whiteware has been playing since the eighteenth century — and the glaze is bright, even, and unworn.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMade in Italy for Over and Back, the American tableware house that has imported Italian-made whiteware since 1978. The design borrows honestly from the creamware tradition — Leeds and Wedgwood built the vocabulary of braid, flute, and harvest garland in the 1780s, and Italian potteries have kept it in production ever since. This is a contemporary piece in that lineage: made in Italy, molded with real depth, and meant to be used. We're an antiques shop, so we'll say it plainly — this one is modern, priced like it, and included because it earns its place on a table.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003eField\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eObject\u003c\/td\u003e\n\u003ctd\u003ePedestal cake stand\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eMade in Italy for Over and Back, Inc.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003ePrinted backstamp: \"Made in Italy for Over and Back, Inc.\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eCreamware revival\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eGlazed white ceramic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eRound fluted plateau with relief-molded borders on a flared pedestal foot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eItaly\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003eContemporary, c. 2000–2015\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApprox. 12″ diameter × 5½″ high\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eExcellent. No chips, cracks, or crazing. Dishwasher safe per maker. Condition Guaranteed.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAvailability\u003c\/td\u003e\n\u003ctd\u003eOne of a Kind — 1 Available.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBecause cake deserves elevation and white goes with every kitchen ever built. The relief molding does the decorating — layer cake, cheese wheel, a pyramid of clementines, a candle cluster in December — and the glaze shrugs off frosting and knife work because it was made this century to do exactly that. It also plays perfectly beside genuinely old whiteware: set it next to Victorian ironstone and only the backstamp knows the difference.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47957163802729,"sku":"VE-1357","price":46.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/EDB63EC9-2CE1-4F1B-B510-F96D42C6A5C2_1_105_c.jpg?v=1787829015"},{"product_id":"vintage-italian-creamware-platter-serpentine-neoclassical-relief-anthemion-and-greek-key-borders-hand-marked-italy-c-1940-1965","title":"Vintage Italian Creamware Platter, Serpentine Neoclassical Relief, Anthemion and Greek Key Borders, Hand-Marked Italy, c. 1940–1965","description":"\u003cdiv role=\"feed\"\u003e\n\u003cdiv role=\"article\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eA rectangular platter that refuses to hold still: every edge swings in a long serpentine curve, finished with a saw-tooth leaf-tip rim you can read with a fingertip. The border works in three registers — an outer band of molded foliate scrolls, a crisp Greek-key ribbon riding the raised curve, and an inner garland of anthemion fans marching around the well — all of it carried in white on white, ornament by shadow alone, the oldest trick in the creamware book. The well steps down in clean rectangles to a generous flat, and the back carries a single hand-scripted \u003cstrong\u003eItaly\u003c\/strong\u003e in black — brushed on by whoever pulled it from the glaze that day, no stamp, no stencil.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe hand-painted country-of-origin mark is the tell: before the export trade standardized on printed backstamps, Italian workshops marked their wares exactly like this — one word, one brush, mid-century at the latest. The design looks backward on purpose. Anthemion, Greek key, and leaf-tip are the vocabulary of the neoclassical services that Naples and the great creamware houses made in the eighteenth century, and Italian potteries kept the tradition alive for the export market that wanted Continental elegance in a serving piece. The serpentine plan is the ambitious part — those curves fight a mold and warp in the kiln, and this one came through true. It sits dead flat and rings clean.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003eField\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eObject\u003c\/td\u003e\n\u003ctd\u003eRectangular serving platter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnattributed Italian workshop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eHand-scripted \"Italy\" in black overglaze\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eNeoclassical creamware tradition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eWhite-glazed earthenware\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTechnique\u003c\/td\u003e\n\u003ctd\u003eMold-cast with three-register relief border — foliate scroll, Greek key, anthemion — and serrated leaf-tip rim\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eSerpentine rectangle, stepped rectangular well, recessed foot\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eItaly\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1940–1965\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApprox. 15″ × 10½″\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eExcellent. Glaze bright and even, relief crisp, no chips, cracks, or crazing of concern. Sits flat. Condition Guaranteed.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAvailability\u003c\/td\u003e\n\u003ctd\u003eOne of a Kind — 1 Available.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWhite-on-white relief is the most versatile serving language there is — formal under a roast, effortless under a bakery box's worth of pastries, and photogenic empty on a sideboard where the borders catch every candle in the room. The serpentine edge keeps it from reading as just another rectangle, and because the ornament is molded rather than painted, there's nothing to fade, chip off, or clash with the dishes you already own. It plays beautifully against the older whiteware it descends from, and only the brush-written mark on the back gives away which century did the work.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eNotes to you:\u003c\/strong\u003e Price for Shopify: \u003cstrong\u003e$98\u003c\/strong\u003e, appraised value $125. Raw comps on unattributed Italian white platters run $40–90; the serpentine form, three-border molding, and the hand-scripted mark put this solidly in character-piece territory under the new framework. Measure to confirm, and check the four high corners of the rim under raking light — serrated edges take flea bites there first, and I want \"no chips\" verified before it publishes. Natural third piece for the Italian-kitchen photo story with the pasta bowl and the Alfa crock\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003csvg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewbox=\"0 0 100 100\" width=\"32\" height=\"32\" fill=\"var(--cds-clay, #d97757)\"\u003e\u003cpath d=\"m19.6 66.5 19.7-11 .3-1-.3-.5h-1l-3.3-.2-11.2-.3L14 53l-9.5-.5-2.4-.5L0 49l.2-1.5 2-1.3 2.9.2 6.3.5 9.5.6 6.9.4L38 49.1h1.6l.2-.7-.5-.4-.4-.4L29 41l-10.6-7-5.6-4.1-3-2-1.5-2-.6-4.2 2.7-3 3.7.3.9.2 3.7 2.9 8 6.1L37 36l1.5 1.2.6-.4.1-.3-.7-1.1L33 25l-6-10.4-2.7-4.3-.7-2.6c-.3-1-.4-2-.4-3l3-4.2L28 0l4.2.6L33.8 2l2.6 6 4.1 9.3L47 29.9l2 3.8 1 3.4.3 1h.7v-.5l.5-7.2 1-8.7 1-11.2.3-3.2 1.6-3.8 3-2L61 2.6l2 2.9-.3 1.8-1.1 7.7L59 27.1l-1.5 8.2h.9l1-1.1 4.1-5.4 6.9-8.6 3-3.5L77 13l2.3-1.8h4.3l3.1 4.7-1.4 4.9-4.4 5.6-3.7 4.7-5.3 7.1-3.2 5.7.3.4h.7l12-2.6 6.4-1.1 7.6-1.3 3.5 1.6.4 1.6-1.4 3.4-8.2 2-9.6 2-14.3 3.3-.2.1.2.3 6.4.6 2.8.2h6.8l12.6 1 3.3 2 1.9 2.7-.3 2-5.1 2.6-6.8-1.6-16-3.8-5.4-1.3h-.8v.4l4.6 4.5 8.3 7.5L89 80.1l.5 2.4-1.3 2-1.4-.2-9.2-7-3.6-3-8-6.8h-.5v.7l1.8 2.7 9.8 14.7.5 4.5-.7 1.4-2.6 1-2.7-.6-5.8-8-6-9-4.7-8.2-.5.4-2.9 30.2-1.3 1.5-3 1.2-2.5-2-1.4-3 1.4-6.2 1.6-8 1.3-6.4 1.2-7.9.7-2.6v-.2H49L43 72l-9 12.3-7.2 7.6-1.7.7-3-1.5.3-2.8L24 86l10-12.8 6-7.9 4-4.6-.1-.5h-.3L17.2 77.4l-4.7.6-2-2 .2-3 1-1 8-5.5Z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47965378084969,"sku":"VE-1361","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_3202.jpg?v=1788071169"},{"product_id":"small-gilded-dish-with-moulded-scalloped-rim-and-a-smoky-worn-gold-border-stamped-22-karat-gold-over-a-blue-crest-mark","title":"Vintage 22 Karat Gold Scalloped Dish, Worn Gilt, c. 1940–1965","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n  \u003cp\u003eA small white dish with a border that has aged into something nobody designed.\u003c\/p\u003e\n  \u003cp\u003eThe rim is scalloped and lightly moulded, carrying a relief pattern of shallow arches and lobes that catches the light along its edge.\u003c\/p\u003e\n  \u003cp\u003eAround that rim runs a wide band that was once solid gold. What is there now is a dense smoky mottle — charcoal and warm brown shot through with surviving flecks and passages of bright gold, brightest along the extreme outer edge where the rim curls over.\u003c\/p\u003e\n  \u003cp\u003eInside it, a fine gold line rings the well, and the centre is left plain.\u003c\/p\u003e\n  \u003cp\u003eThe body is a clean off-white with a glossy glaze.\u003c\/p\u003e\n  \u003cp\u003eUnderneath are two marks: a stamp in black reading 22 KARAT GOLD, and beneath it a faint blue underglaze device — a circular crest with shield forms set into it, too lightly printed to read.\u003c\/p\u003e\n  \u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n  \u003cp\u003eThe stamp is a sales claim, and it belongs to a particular moment in American kitchens.\u003c\/p\u003e\n  \u003cp\u003eThrough the 1940s and 1950s, gold-decorated dinnerware was a mass-market staple in the United States, and potteries competed on how much gold and what purity. Stamping 22 KARAT GOLD on the back was the argument: not a gold-coloured lustre, not a thin wash, but high-karat gold applied and burnished. Whole services were sold on that line in department stores and by mail order.\u003c\/p\u003e\n  \u003cp\u003eWhat the stamp does not do is name a maker, and the blue crest that would have is too faint to read. Enough survives to see that it is a circular device with shield forms inside it, the kind of pseudo-armorial mark potteries on both sides of the Atlantic used, but not enough to attribute. The dish is offered unattributed, but the gold stamp still dates it. Stating the karat content in English on the underside was a convention of the American china-decorating trade from about 1940 into the middle 1960s, when independent decorating shops bought plain blanks and applied liquid bright gold to them. The stamp names no country, which places that decorating in the United States, where no origin marking was required. On that evidence the dish is offered as c. 1940–1965.\u003c\/p\u003e\n  \u003cp\u003eThe border is worth understanding on its own terms, because it explains what you are looking at. Gold is not laid directly onto porcelain. It goes on over a dark flux, a reddish-brown underlayer that binds it and is then covered and burnished bright. When that gold thins, the flux beneath is what shows, and it reads as smoke — charcoal, plum and brown where the gold has gone, with bright metal surviving wherever a hand or a stacked plate never reached.\u003c\/p\u003e\n  \u003cp\u003eThat is what has happened here, and it is stated plainly rather than described around. The gold on this band is substantially depleted. What is left is the record of the object being used.\u003c\/p\u003e\n  \u003ch3\u003eProduct Details\u003c\/h3\u003e\n  \u003ctable\u003e\u003ctbody\u003e\n  \u003ctr\u003e\n\u003ctd\u003eObject\u003c\/td\u003e\n\u003ctd\u003eSmall shallow glazed dish with a moulded scalloped rim\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApproximately 5½ in across\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eShallow well inside a scalloped rim moulded with a relief band of shallow arches and lobes\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDecoration\u003c\/td\u003e\n\u003ctd\u003eWide gilded rim band, now largely worn to its dark underlayer and reading as a smoky charcoal-and-brown mottle with bright gold surviving along the outer edge and in scattered passages; a fine gold line around the well; plain centre\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eStamped in black to the underside: 22 KARAT GOLD. Beneath it a faint blue underglaze circular crest with shield forms, too lightly printed to identify. No maker named; offered unattributed.\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1940–1965, on the decorator’s stamp. Stating the karat content of the gilding in English on the underside was a convention of the American china-decorating trade through those decades, when independent decorating shops bought plain blanks and applied liquid bright gold to them. The stamp names no country, which places the decorating in the United States, where no origin marking was required. The faint blue underglaze crest beneath it is the blank maker’s mark, applied before the gilding.\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eThe gold border is substantially worn and that is the first thing to know about this dish. What was a solid gold band now reads as a dark smoky mottle, with bright gold surviving only at the extreme outer edge and in scattered patches. The thin gold line at the well is broken in places. The porcelain itself is sound: no chips, no cracks, no crazing and no repairs, the rim smooth all the way round and the moulded relief crisp. The glaze is bright and the body is clean. Sold as a decorative object, priced for the gold loss. Condition Guaranteed.\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAvailability\u003c\/td\u003e\n\u003ctd\u003eOne of a Kind — 1 Available\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\u003c\/table\u003e\n  \u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n  \u003cp\u003eBuy this one for the border it has now, not the one it had.\u003c\/p\u003e\n  \u003cp\u003eA solid gold band is a formal object and it asks for a formal room. What is on this dish instead is smoke — a dark, uneven, warm-toned ring that shades from charcoal to brown and breaks into gold at the edge. It is closer to a fired glaze effect than to trim, and no factory could sell it deliberately.\u003c\/p\u003e\n  \u003cp\u003eThat makes it far easier to place than the piece it started as. Dark and gold against white sits with unpolished brass, old mirror, worn leather, stoneware and dark wood. It does not need the rest of a service around it to make sense.\u003c\/p\u003e\n  \u003cp\u003eThe moulded rim is still doing its job. Shallow arches and lobes in relief carry shadow all the way round, and against the broken dark band the effect is more interesting than it was under solid gilding.\u003c\/p\u003e\n  \u003cp\u003eAt five and a half inches it goes where a plate cannot. On a dresser it takes rings and cufflinks; on a desk, clips and stamps; on a bathroom shelf, a ring and a watch. Under a squat candle, the surviving gold throws light back.\u003c\/p\u003e\n  \u003cp\u003eAnd it is honest. The gold is gone because somebody used this dish for decades, and the piece is priced for that rather than photographed around it. That is a different proposition from a perfect object, and for the right buyer a better one.\u003c\/p\u003e\n  \u003cp\u003eA note on care, and it matters more here than on an intact piece. Never wash it in a dishwasher and never scour the band. What gold remains is thin and sitting on a worn surface; detergent and abrasives will take the rest.\u003c\/p\u003e\n  \u003cp\u003eDo not polish it. There is no solid metal to bring up — polish removes gold rather than brightening it, and the surviving passages are the best thing about the border.\u003c\/p\u003e\n  \u003cp\u003eHand wash in warm water with a soft cloth, dry at once, and keep it out of the microwave; the remaining gold is still metal.\u003c\/p\u003e\n  \u003cp\u003eStack it with a felt pad or paper round between pieces if you stack it at all, and keep it out of direct sun.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":48061148954729,"sku":"VE-1614","price":41.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_4161.jpg?v=1789448011"},{"product_id":"vintage-reed-barton-silver-soldered-hotel-sugar-bowl-c-1915-1940","title":"Vintage Reed \u0026 Barton Silver Soldered Hotel Sugar Bowl, c. 1915–1940","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA covered sugar bowl built low and wide, the body a flattened globe sitting on a stepped pedestal foot, with two plain loop handles springing from the shoulder and flattening where they meet the wall. A pair of reeded bands girdles the body at its widest point and is the only ornament anywhere on it. The lid is flat, drops into a recessed seat so it cannot slide, and carries a small turned reel-and-button finial.\u003c\/p\u003e\n\u003cp\u003eThere is nothing decorative about any of it, and that is the whole character of the piece. No chasing, no piercing, no engraved panel, no applied ornament. Every line is either structural or a place to put a hand.\u003c\/p\u003e\n\u003cp\u003eThe surface has gone a soft grey-brown, with a warm coppery bloom coming through at the handle joints, the rim of the foot and the high points of the reeding where the plate has worn thin. The underside carries a small rectangular pictorial trademark above REED \u0026amp; BARTON, SILVER SOLDERED and the number 3000, together with four blue crayon tally strokes left by some earlier inventory.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eSilver soldered is not a decorative description, it is a construction specification, and it means this bowl was built for commercial service rather than a dining room. Reed \u0026amp; Barton applied that legend to the hollowware it supplied to hotels, restaurants, railroad dining cars, steamships and naval messes. On those pieces the handles and fittings were joined with silver solder rather than soft solder so they would not let go, and the plate was laid on heaviest exactly where a piece gets handled and scrubbed. Domestic plate was never built to that standard because it never had to be.\u003c\/p\u003e\n\u003cp\u003eThe plainness follows from the same logic. A shape with no chasing and no piercing has nowhere for coffee, sugar or a cloth to catch, it survives a commercial wash, and when the plate eventually wears it wears evenly rather than leaving ornament stranded on bare metal. Hotel silver looks the way it looks because every decision was made by someone who had to wash it.\u003c\/p\u003e\n\u003cp\u003eThe dating rests on the mark and the idiom. Reed \u0026amp; Barton produced silver soldered commercial ware from around the turn of the twentieth century into the nineteen-sixties, so that legend sets the floor. The number 3000 is a catalogue model number and carries no date and no statement of silver content. The plain banded form is the Colonial Revival language American institutional hollowware used from the nineteen-tens into the nineteen-forties. The piece does not carry the explicit silverplate legend the firm adopted on commercial goods from mid-century, and that absence gives a ceiling only. On that evidence it is offered as c. 1915 to 1940.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003eVintage, offered as c. 1915 to 1940 on mark and construction evidence\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eReed \u0026amp; Barton, Taunton, Massachusetts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003ePictorial trademark, REED \u0026amp; BARTON, SILVER SOLDERED, model 3000, struck on the underside\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eCovered two-handled sugar bowl on a pedestal foot\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eSilver plate over base metal, silver soldered commercial grade\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eUnpolished. Grey-brown tarnish with copper showing through at the handle joints, foot rim and reeded bands\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApprox. 7 in. across the handles; approx. 3 3\/4 in. high\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eSound and stable, lid seats correctly. Tarnish throughout and plate loss to the base metal at the high points and handle joints. Four blue crayon tally strokes on the underside from earlier inventory. Surface scratching consistent with commercial service.\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eQuantity\u003c\/td\u003e\n\u003ctd\u003eOne, as shown\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eHotel silver is the one silver that looks correct unpolished. Domestic plate wants to be bright or it looks neglected; this was designed as equipment, and grey metal with copper breaking through at the edges reads as use rather than as failure. It sits comfortably next to ironstone, stoneware, raw wood and linen, and it does not ask the room to be formal.\u003c\/p\u003e\n\u003cp\u003eUse it for sugar, for salt at the table, for paperclips on a desk, for matches beside a stove, or for nothing at all on a shelf where the low wide silhouette and the two handles can do their work. It also stacks visually with other hotel silver if you are building a group, which is how most people end up owning more than one.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":48070498386025,"sku":"VE-1647","price":238.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/222C58D2-7374-483E-BE2A-82C9616DFF48.jpg?v=1789626894"},{"product_id":"vintage-f-b-rogers-footed-silverplate-sugar-bowl-c-1905-1930","title":"Vintage F.B. Rogers Footed Silverplate Sugar Bowl, c. 1905–1930","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA covered sugar bowl with a body drawn as a near-perfect sphere, lifted clear of the table on four cast feet that scroll outward from a shaped and pierced apron. The handles are cast rather than formed, each one capped where it meets the shoulder with a curl of acanthus. The lid rises in a high cone and finishes in a cast tulip finial, its petals folded around a small rosette at the base of the bud.\u003c\/p\u003e\n\u003cp\u003eIt is a piece built entirely out of curves. There is not a straight line anywhere on it, and the sphere sitting on four outswept feet gives it the slightly comic dignity of something balanced on tiptoe.\u003c\/p\u003e\n\u003cp\u003eThe plating has worn through across the whole belly and over the crown of the lid, leaving a mottled field of warm copper-gold broken by islands of near-black tarnish, while the cast feet, handles and finial have held their plate and stayed grey. The underside is struck TRADE MARK above a crown flanked by 18 and 83, with F.B. ROGERS SILVER CO beneath it and the model number 1224 below that.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eRogers is the most contested name in American silverplate. The original Rogers brothers of Hartford began electroplating in the eighteen-forties and their name sold so reliably that for the rest of the century firm after firm attached some version of it to their own goods: Wm. Rogers, Rogers \u0026amp; Bro., 1847 Rogers Bros., Rogers Smith. F.B. Rogers was one of those firms, founded at Shelburne Falls, Massachusetts in 1883 and moved to Taunton three years later, where it spent almost two decades trading as the West Silver Company and making goods for yet another Rogers concern. New owners restored the F.B. Rogers name to its own output around 1904. It became a division of the National Silver Company in 1955 and was gone by the two-thousands.\u003c\/p\u003e\n\u003cp\u003eOne thing about the mark is worth stating plainly, because it is misread constantly. The 18 and the 83 flanking the crown are the year the firm was founded, not the year this bowl was made. That device stayed in use for the better part of a century, so a piece carrying it can date from almost anywhere across that span, and any listing that reads the mark as an 1883 manufacture date is wrong.\u003c\/p\u003e\n\u003cp\u003eWhat the mark does give is a firm floor. A bowl struck F.B. ROGERS SILVER CO belongs to the period after the name was restored to the firm's own production around 1904, not to the West Silver years before it. The number 1224 is a catalogue model number and carries no date. Beyond that the evidence thins: the heavily cast feet, handles and finial belong to the ornamented revival hollowware the American plate houses were turning out before the plainer mid-century lines displaced it, which is a softer argument than the floor. On that evidence it is offered as c. 1905 to 1930.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003eVintage, offered as c. 1905 to 1930; floor documentary, ceiling from the ornament\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eF. B. Rogers Silver Co., Taunton, Massachusetts\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eTRADE MARK over a crown flanked by 18 and 83, F.B. ROGERS SILVER CO, model 1224. The 1883 is the firm's founding year, not a date of manufacture\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eCovered two-handled sugar bowl, spherical body on four cast scroll feet, conical lid with cast tulip finial\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eSilver plate over base metal\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eUnpolished and heavily worn. Copper-gold base metal across the belly and lid, grey plate surviving on the cast elements\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApprox. 6 1\/2 in. across the handles; approx. 6 in. high to the finial\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eSound and stable on all four feet, lid seats correctly, finial firm. Plating worn through to the base metal over most of the body and lid, with tarnish and spotting throughout. Sold in this state as a decorative piece; it has not been replated and no food use is represented.\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eQuantity\u003c\/td\u003e\n\u003ctd\u003eOne, as shown\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eThe wear is the reason to buy it. A fully plated example of this bowl is a perfectly ordinary grey object. This one has spent long enough being handled that the silver has gone from the belly and the copper underneath has come up in a mottled gold that no finish could be applied to imitate, and against the black of the remaining tarnish it looks less like tableware than like something excavated.\u003c\/p\u003e\n\u003cp\u003eIt has real presence for its size, because the sphere on four splayed feet takes up visual room that a plain cylinder never would. Put it on a mantel, a bar cart, a bookshelf or a bathroom counter, fill it with matches, cotton, rings or nothing, and it will be the object guests pick up.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":48070498418793,"sku":"VE-1648","price":255.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/FA0E14E0-7993-401E-8910-A623495A5E11.jpg?v=1789626872"},{"product_id":"antique-hand-raised-copper-water-pitcher-13-in-c-1880-1925","title":"Antique Hand-Raised Copper Water Pitcher, 13 in., c. 1880–1925","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA large hand-raised copper water pitcher: a bulbous base drawn up into a long tapering waisted neck, opening into a wide oval mouth that is pulled forward and up into a broad pouring spout. A light flat strap handle loops high from the rim at the back.\u003c\/p\u003e\n\u003cp\u003eThe whole body is covered in planishing, thousands of small overlapping hammer facets from the raising, so the surface breaks the light into a moving pattern rather than reflecting it flat. The base is a separate disc closed in by a lapped seam, the wall folded down over the edge of the disc and hammered tight, and it stands proud as a ridge all the way round. The handle is fixed at the top by two rivets driven through the flat of the rim; their heads sit inside the mouth where you can count them.\u003c\/p\u003e\n\u003cp\u003eThe copper has been cleaned and polished and reads bright and glossy across the outside. Inside is another matter: there is substantial green verdigris through the interior, which has not been touched.\u003c\/p\u003e\n\u003cp\u003eThe handle is riveted at the rim only. Its lower end comes down alongside the shoulder and stops there, unattached, so the whole strap works as a spring and gives under the weight of a full jug instead of loading the joint. It is made that way on purpose; nothing is broken.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eTurn it over and the making is all there. The base is a separate disc closed into the body by a lapped seam, the wall folded down over the edge of the disc and hammered tight, standing proud as a ridge all the way round. There is no solder bead at that joint and no crimping ring. The disc itself is covered in the same dense, irregular, overlapping hammer facets as the body.\u003c\/p\u003e\n\u003cp\u003eWhat is absent matters as much as what is there. Nowhere on this vessel, base included, is there a single concentric lathe ring. Copper hollowware made commercially has been spun on a lathe rather than raised by hand since the closing decades of the nineteenth century, because spinning takes minutes where raising takes a day, and a spun base always carries those rings. This one carries none. It was raised from flat sheet, start to finish, by someone striking it thousands of times.\u003c\/p\u003e\n\u003cp\u003eThe handle says the same thing in a different way. It is riveted at the rim and deliberately free below so the strap flexes, which is an engineering answer to the problem of carrying a full jug of water by hand without tearing the joint out. Nobody builds a sprung handle into an ornament. This vessel was made to be carried, in a household that fetched and poured its own water.\u003c\/p\u003e\n\u003cp\u003eIt carries no country-of-origin mark. United States import rules have required imported merchandise to be marked with its country of origin, in English, since the McKinley Tariff of 1891. A piece with no such mark either came into the country as personal effects rather than merchandise, or predates the requirement, or has simply worn its mark away. That is a lean, not a proof, and it is offered as one.\u003c\/p\u003e\n\u003cp\u003eTaken together, the hand-raised body with no spun element anywhere, the solder-free lapped base seam, the sprung working handle and the absence of any import marking place this well before the industrialised copper trade. On that evidence it is offered as c. 1880–1925. The form belongs to the vernacular water-vessel traditions that run from Anatolia and the Balkans through the Mediterranean, where a jug of this profile is the güğüm, and the interior is bare copper with heavy verdigris and no surviving tin, which is what a century of service and then neglect does to a lining that was meant to be renewed every few years.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eHand-raised copper water pitcher\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTradition\u003c\/td\u003e\n\u003ctd\u003eVernacular Eastern Mediterranean water vessel, the güğüm form\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eCopper, untinned or with the tinning fully worn away\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003eBody raised from sheet, separate base disc on a lapped seam, sprung strap handle riveted at the rim and free at the lower end by design\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1880–1925\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eNone found, including no country-of-origin mark\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHeight\u003c\/td\u003e\n\u003ctd\u003e13 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eBody Diameter\u003c\/td\u003e\n\u003ctd\u003e9 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMouth Diameter\u003c\/td\u003e\n\u003ctd\u003e7 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eSound and complete. The handle is riveted at the rim and deliberately free at its lower end so that it flexes; this is original design, not damage. The interior carries heavy green verdigris throughout and has not been cleaned, so this is not a vessel to put food or drink in without proper attention. The exterior has been cleaned and polished and is bright. Body sound with no splits, holes or dents, seam tight, rim true, rivets firm.\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eBig copper reads as warmth in a way almost nothing else does, and the hammered surface is what makes it work: it catches lamplight in a hundred small points rather than throwing one hard reflection. On a hearth, a kitchen counter or the floor beside a chair it does a lot with no effort.\u003c\/p\u003e\n\u003cp\u003eThe wide mouth takes a big armful of dried stems, branches or pampas without a liner, since nothing here is intended to hold water any more.\u003c\/p\u003e\n","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":48081280958569,"sku":"VE-1668","price":570.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/57EEDFE9-76F4-43C5-A66B-BC324626BFC4.jpg?v=1789748203"},{"product_id":"vintage-johnson-bros-heritage-white-ironstone-platter-c-1968-1990","title":"Vintage Johnson Bros Heritage White Ironstone Platter, c. 1968–1990","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA large octagonal serving platter in white ironstone, Johnson Brothers Heritage White. The shape is the whole argument for it: eight flat panels cut around a deep oval well, the corners chamfered hard rather than eased, and a fine beaded moulding running the full circuit of the rim inside a raised edge. There is no pattern, no colour and no gilding anywhere on it. The form and the glaze do all the work.\u003c\/p\u003e\n\u003cp\u003eThe glaze has aged into the piece rather than off it. The well carries dense all over crazing, a fine web running the whole surface, and the lines have taken up colour over decades of use so that the centre reads amber and tan against the white. Some sellers scrub this out. It has not been scrubbed out here, and the result is a platter that looks its age honestly, in the way collected white ironstone usually does.\u003c\/p\u003e\n\u003cp\u003eThe reverse is clean and lightly glazed, with a broad oval foot and the printed mark: Johnson Brothers, Made in England, A1.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eJohnson Brothers was founded at Hanley in Staffordshire in 1883 and became one of the largest English makers of durable earthenware for the table, selling into America in enormous quantity. Ironstone was the body it built its name on: a dense, hard earthenware developed in the early nineteenth century to give middle class households something that behaved like porcelain and survived a working kitchen.\u003c\/p\u003e\n\u003cp\u003eHeritage White is one of the firm's better known shapes and one of its few undecorated ones. The octagonal form is the identifying feature, and the trade sources are consistent about where it comes from. Chinasearch records the pattern as developed in the late 1960s, its unexpected octagonal shape answering a contemporary appetite for unusual form, and MrPottery places its introduction in the 1970s. That matters, because Heritage White is regularly sold as a mid century piece of about 1950, and it is not. It is a generation later than that.\u003c\/p\u003e\n\u003cp\u003eThis example carries the plain arched mark reading Johnson Brothers, Made in England, with the code A1 beneath. Replacements catalogues the Made in England stamp as a distinct Heritage White backstamp among several used across the pattern's run, and sibling codes such as E1 are recorded on other pieces, so the letter and number read as a works or shape code rather than a date.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1968–1990. The floor comes from the pattern rather than the mark: Heritage White was developed in the late 1960s and introduced around the turn of the decade, so no piece of it predates that, whatever a given listing may say. The ceiling is left open because the Made in England backstamp is one of several used across the run and no dated mark is present\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eJohnson Brothers, Staffordshire, England\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePattern\u003c\/td\u003e\n\u003ctd\u003eHeritage White, undecorated octagonal ironstone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003ePrinted to the reverse: Johnson Brothers, Made in England, A1\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eWhite glazed ironstone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApproximately 14 in. by 11 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eStructurally excellent, cosmetically aged. No chips, cracks, restoration or repair found anywhere on the piece, and the rim and beading are crisp all the way round. Dense all over crazing across the well with amber and tan staining taken up into the crazing lines, heaviest through the centre. Light surface scratching from serving. Reverse clean and the mark crisp. Offered unrestored and uncleaned\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eWhite ironstone is one of the few things that works in almost any room without being asked to match anything, and a platter this size is the piece that anchors a stack of it. Lean it at the back of a dresser, hang it, or put it to work under a roast. The staining is the point rather than the problem: it is what separates a platter that has been on a table for fifty years from one bought new last month, and it is exactly the surface that collectors of white ironstone look for. Anyone who wants it whiter can have it whiter, but it will never get that colour back.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":67540785692777,"sku":"VE-1715","price":114.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/ve-1715-01_e89f8172-05cc-4743-ba7b-d22f8f7c0df0.jpg?v=1790418706"},{"product_id":"vintage-japanese-maple-leaf-porcelain-oval-platter-c-1950-1980","title":"Vintage Japanese Maple Leaf Porcelain Oval Platter, c. 1950–1980","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA Japanese oval porcelain platter, white bodied and thinly potted, painted with maple in autumn. The leaves are momiji, the small sharply lobed Japanese maple, and they are laid across the rim in loose drifts of vermilion and rust, some turned fully red, others caught half green at the base, a few reduced to outline in gilt. They do not sit as a repeating border. They fall the way leaves fall, heavier at two corners of the oval and thinning to almost nothing across the centre, so the eye is carried around the piece rather than stopped by it.\u003c\/p\u003e\n\u003cp\u003eThe rim itself is finished with a narrow scalloped band in black and gold, drawn as a fine ogee that follows the wave of the edge. Inside that the glaze is left entirely bare. Better than two thirds of the surface carries no decoration at all, and the whole design depends on that emptiness.\u003c\/p\u003e\n\u003cp\u003eThe reverse is clean and lightly glazed with a low foot ring. At the centre sits the mark: a red iron oxide seal, square with a soft rounded outline, carrying a single character painted over it in gold.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eMomiji is one of the fixed subjects of Japanese decorative art and it carries a season the way cherry blossom carries spring. Maple viewing, momijigari, is an autumn practice with a literary history running back to the Heian court, and the leaf has been used on lacquer, textiles, prints and porcelain for as long as those trades have existed. A piece decorated with maple is not decorated at random. It is a piece for one part of the year, and in a household that changed its tableware with the season it would have come out in October and gone away again.\u003c\/p\u003e\n\u003cp\u003eThe painting here is hand done rather than transferred. The enamel stands slightly proud where it has been laid thickly at the leaf centres, the gilt outlines wander in the way a brush wanders and a print does not, and no two leaves repeat. That is the useful distinction in this material, because the great bulk of Japanese export porcelain from the twentieth century is printed and only finished by hand.\u003c\/p\u003e\n\u003cp\u003eThe mark is a seal rather than a factory backstamp, and the single gilt character over red is the form a decorator or a small workshop used rather than the form a large export pottery used. It names no firm that can be identified with confidence here, so the piece is offered as hand painted and sealed rather than under an attribution it cannot carry.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1950–1980. Dated on the making rather than a backstamp: a thinly potted white porcelain body with hand painted overglaze enamel and gilt, finished with a painted rim band, and marked only with a decorator's red seal and gilt character rather than a factory or country of origin stamp. No dated mark is present\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eJapanese\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDecoration\u003c\/td\u003e\n\u003ctd\u003eMomiji, Japanese maple leaves, in vermilion, rust and gilt across the rim, with a black and gold scalloped edge band\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eWhite porcelain with overglaze enamel and gilding\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eRed seal to the underside with a single character painted over in gold\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApproximately 14 in. by 10 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eExcellent. No chips, cracks, crazing or restoration found. Glaze clean and bright throughout, enamels strong with no flaking, gilding complete with only the faintest rubbing at the extreme edge. Reverse clean and the seal crisp\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eThis is a platter that works hardest when it is doing nothing. Stood on a plate rail or leaned at the back of a dresser it reads as a painting of autumn, and the bare white centre keeps it from crowding whatever sits in front of it. Bring it down in October for a roast or a plate of fruit and it does the other job just as well. Red and gold on white is a combination that sits against walnut, brass and plain plaster without needing anything else in the room to agree with it.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":67541844557929,"sku":"VE-1722","price":236.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/03_3ade2e5f-211a-436d-b7cb-33f7fbf2093a.jpg?v=1790428609"},{"product_id":"antique-smith-phillips-princess-china-floral-oval-platter-dated-1925","title":"Antique Smith-Phillips Princess China Floral Oval Platter, Dated 1925","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA large oval meat platter in American semi vitreous china, about sixteen inches on the long axis, with a wide flat rim and a gently sloping well. The decoration is a printed and enamelled border laid around the rim in the manner the trade called a chintz or brocade band: a ground of pale ivory carrying a repeating architectural scroll in cobalt and ochre, punctuated at intervals by full blown pink cabbage roses with green foliage, small blue tulip forms, and rows of dotted beadwork. A narrow cobalt line finishes the extreme edge, and a fine line of the same runs where the rim meets the well.\u003c\/p\u003e\n\u003cp\u003eThe body is the warm ivory that the maker sold under its own trade name rather than the hard blue white of later American hotel china, and the glaze carries an even overall craze, the fine network that semi vitreous bodies of this period almost always develop. Scattered through the well are the small brown specks that collectors call crazing spots, where a century of use has worked into the glaze.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe backstamp is the whole story here, and it is unusually generous. It reads Smith-Phillips China, Princess, and beneath the mark is a two part date code, the numeral six over the numeral twenty five.\u003c\/p\u003e\n\u003cp\u003eSmith-Phillips China Company was founded in 1900 at East Liverpool, Ohio, by Josiah T. Smith and William R. Phillips, who bought the plant of the French China Company on Michigan Avenue in the East End of the city. East Liverpool was then the centre of American dinnerware manufacture, and Smith-Phillips made semi vitreous dinnerware, toilet ware and hotel ware for the domestic trade. In the spring of 1929 the firm was one of eight potteries folded into the American Chinaware Corporation, a consolidation that filed for bankruptcy in October 1931. The plant was briefly reorganised as Johnson Pottery and then failed in the Depression. By 1937 the buildings had been split between two unrelated specialty firms, and a fire took part of the site in 1939.\u003c\/p\u003e\n\u003cp\u003ePrincess is not a pattern name, which is a common misreading. It was the company designation for its ivory bodied line, so the word describes the clay rather than the flowers, and many different border prints were issued on Princess bodies.\u003c\/p\u003e\n\u003cp\u003eThe date code is the rare part. Smith-Phillips marked a good deal of its 1920s production with a month and year, and six over twenty five reads as June 1925. Most American dinnerware of the period can only be dated to a spread of years by mark style; this one can be dated to a month. It also places the piece squarely in the firm's last independent decade, four years before the merger that ended it.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003eDated June 1925 from the date code beneath the backstamp, the numeral six over the numeral twenty five, which is the month and year convention Smith-Phillips used on its 1920s production. This is a documentary date rather than a stylistic estimate\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eSmith-Phillips China Company, East Liverpool, Ohio, founded 1900, absorbed into the American Chinaware Corporation 1929\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eLine\u003c\/td\u003e\n\u003ctd\u003ePrincess, the company name for its ivory body rather than a pattern name\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eOval meat or serving platter with wide flat rim\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eSemi vitreous china\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDecoration\u003c\/td\u003e\n\u003ctd\u003ePrinted and enamelled rim border of cobalt and ochre scrollwork with pink roses, blue tulip forms and beaded courses, cobalt edge line\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003ePrinted backstamp, Smith-Phillips China, Princess, with date code 6 over 25\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApproximately 16 in. long by 12 in. wide\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eGood honest antique condition, used and not perfect. No chips or cracks found. Overall fine crazing throughout the glaze, normal for a semi vitreous body of this age. Scattered small brown crazing spots and light staining in the well, visible in the photographs. Border colours strong and unworn. Priced to reflect the surface condition\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eA platter this size stops being tableware and becomes a surface. Stand it on a plate rail or lean it at the back of a dresser and the cobalt and ochre border does the work of a small painting. The crazing and the faint foxing in the well are not damage to apologise for; they are the reason the piece looks like a hundred years of Sunday dinners rather than a reproduction, and they are what a decorator is buying when she chooses old ironstone over new. Used as intended it will take a roast, a whole fish or a crowd of biscuits, and it sits comfortably with blue and white, with brown transferware, and with plain modern white.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":67544869699689,"sku":"VE-1727","price":306.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/01_fad3b956-d6fc-4234-b74c-04e9ccd92084.jpg?v=1790480844"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/collections\/antique_floral_pitcher_wash_basin_set_ford_china_co._ford_city_pa_revere_china_co._east_liverpool_oh_c.19001930766022408612134447480520809.jpg?v=1789258381","url":"https:\/\/viridianeclection.com\/collections\/serving-platters.oembed?page=2","provider":"Viridian Eclection","version":"1.0","type":"link"}