{"title":"Tables","description":"\u003cp\u003eTables in period wood, marble and glass — accent and occasional tables, side tables, coffee tables and dining tables from the Victorian era through the Mid-Century. Joints are checked and tightened before anything is listed; tops are refinished only when the original surface is past saving.\u003c\/p\u003e","products":[{"product_id":"victorian-rococo-revival-carved-wood-side-table-with-cabriole-legs-and-scalloped-top","title":"Victorian Rococo Revival Carved Wood Side Table with Cabriole Legs and Scalloped Top","description":"\u003ch3\u003eThe Furniture\u003c\/h3\u003e\n\u003cp\u003eA small Victorian side table in solid wood, likely oak or walnut, under a rich dark finish.\u003c\/p\u003e\n\u003cp\u003eThe top is cut with a scalloped, serpentine edge, which gives the table a flowing decorative profile rather than a plain flat one. The legs are cabriole, gently curved and tapering downward.\u003c\/p\u003e\n\u003cp\u003eThe legs are joined by ornate carved scrollwork stretchers, which are decorative as much as structural, and a small circular platform shelf sits near the base, adding stability and giving a resting surface for small objects.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe table blends Rococo Revival with the Victorian parlor idiom. The scrollwork and the curves recall Rococo motifs, which were popular through the middle and later nineteenth century, while the cabriole leg is a hallmark of the European inspired furniture of the eighteenth and nineteenth centuries.\u003c\/p\u003e\n\u003cp\u003eThe solid dark wood and the practical small form are consistent with late Victorian and Edwardian decorative furniture made for parlors and drawing rooms. Tables of this kind were marketed as occasional tables or parlor side tables, and were used for lamps, plants, or the display of decorative objects.\u003c\/p\u003e\n\u003cp\u003eOn craftsmanship and style the piece most likely dates from the late nineteenth to the early twentieth century, about 1880 to 1910. In those years furniture makers frequently blended Rococo flourishes with more restrained Edwardian taste, particularly in smaller decorative pieces. The attribution rests on that idiom and on the construction rather than on a mark.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003eLate nineteenth to early twentieth century, c. 1880 to 1910\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eRococo Revival with Victorian parlor and Edwardian influence\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eOccasional or parlor side table, scalloped serpentine top, cabriole legs, carved scrollwork stretchers, circular lower platform shelf\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eSolid wood, likely oak or walnut, with a rich dark finish\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnmarked. Attribution rests on idiom and construction\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eTo be confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eTo be confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eA carved side table of this size is one of the most useful objects in a furnished room. It holds a lamp, a plant, a stack of books or a drink, and the lower shelf takes whatever the top cannot.\u003c\/p\u003e\n\u003cp\u003eThe dark finish and the scrollwork read against plaster, painted paneling or a patterned paper, and the scalloped edge keeps the silhouette from going heavy.\u003c\/p\u003e\n\u003cp\u003eDesigners use small Victorian tables to break up the straight lines of modern seating, where a curved leg and a carved stretcher do the work that no new piece can. It suits a parlor, a drawing room, a bedside, or the end of a sofa.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42571461656681,"sku":"VE-0043","price":434.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_2852.jpg?v=1776053971"},{"product_id":"mahogany-turned-leg-side-table-c-1940s","title":"Mahogany Turned-Leg Side Table, c. 1940s","description":"\u003ch3\u003eThe Furniture\u003c\/h3\u003e\n\u003cp\u003eA graceful Colonial Revival mahogany side table of the mid twentieth century, with a single drawer, brass hardware and a barley twist stretcher base.\u003c\/p\u003e\n\u003cp\u003eIt rests on turned baluster legs joined by the barley twist stretcher and terminating in fluted scroll feet.\u003c\/p\u003e\n\u003cp\u003eThe single drawer retains its original cast brass rosette pulls, framed by a gently molded apron and a beveled top edge. The whole shows the craftsmanship and the restrained ornamentation that defined American furniture design in the 1940s.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eIn the decades after the Depression American makers revived earlier Federal and Sheraton forms, scaling them down for modern interiors.\u003c\/p\u003e\n\u003cp\u003eTables of this kind were produced in workshops such as Mersman, Imperial and Drexel, combining eighteenth century silhouettes with machine precision and warm, hand rubbed mahogany finishes. The origin here is American, likely Mersman or a similar workshop, and the attribution rests on the idiom and the construction rather than on a label.\u003c\/p\u003e\n\u003cp\u003eFunctional as well as elegant, they served as telephone stands, sewing tables and occasional pieces, blending nostalgia with utility. The form places this example at about 1930 to 1950, with the 1940s the most likely decade.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1930 to 1950, Colonial Revival\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eAmerican, likely Mersman or a similar workshop\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eSide table with single drawer, turned baluster legs, barley twist stretcher, fluted scroll feet, molded apron, beveled top edge\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eMahogany veneer on solid birch\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHardware\u003c\/td\u003e\n\u003ctd\u003eOriginal cast brass rosette pulls\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApproximately 28 inches high by 20 inches wide by 14 inches deep\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eExcellent structural integrity, with light finish wear consistent with age\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eThis is a table with balance and poise, and it reads as well in a modern room as in a classic one. It works as an entryway catch all, a bedside companion, or a small writing or lamp table.\u003c\/p\u003e\n\u003cp\u003eThe deep mahogany tone contrasts against matte walls, velvet upholstery and brass accents, bringing a note of quiet refinement and inherited character to a contemporary interior.\u003c\/p\u003e\n\u003cp\u003eIt is well suited to curated vignettes, reading corners, and layered gallery settings where craftsmanship meets restraint, and the barley twist stretcher gives it more interest at knee height than most small tables have.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42605341180009,"sku":"VE-0069","price":312.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/mahogany_turned-leg_side_table_c._1940s762174701578534414323794025.jpg?v=1773693353"},{"product_id":"bridge-tables-novelties-folding-card-table-fox-hunting-scene-c-1940s","title":"Bridge Tables \u0026 Novelties Folding Card Table — Fox Hunting Scene, c. 1940s","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA folding card table with a walnut veneer frame, a lithographic pictorial top and a folding X leg base in hardwood.\u003c\/p\u003e\n\u003cp\u003eThe top carries a vivid fox hunting scene, an equestrian composition in ochre, green and red, mounted beneath varnish and bordered in warm walnut veneer.\u003c\/p\u003e\n\u003cp\u003eThe sculpted X fold base collapses neatly for storage, folding flat.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eProduced by Bridge Tables \u0026amp; Novelties, Inc. of Lowell, Massachusetts, a firm later known as Topper Products. The table dates to the 1930s and 1940s.\u003c\/p\u003e\n\u003cp\u003eBridge Tables \u0026amp; Novelties was among the earliest American companies to turn bridge tables from plain game furniture into decorative, multipurpose accent pieces. Their tables took up the period fascination with British leisure motifs, equestrian hunts, floral still lifes and pastoral scenes, and translated them into accessible home decoration.\u003c\/p\u003e\n\u003cp\u003eEach table made in Lowell combined machine precision with hand finished edges and lacquered surfaces, intended for \u003cem\u003eentertaining and display\u003c\/em\u003e in equal measure.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eBridge Tables \u0026amp; Novelties, Inc., later Topper Products\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eLowell, Massachusetts, USA\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1930s to 1940s\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eFolding card table on a collapsible X frame that folds flat for storage\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eWood veneer with lithographic print under varnish, hardwood folding legs\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDesign\u003c\/td\u003e\n\u003ctd\u003eEquestrian fox hunting scene in vivid tones of ochre, green and red\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good vintage condition. Surface wear and corner lifting consistent with age\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApproximately 26 in. high by 30 in. wide by 30 in. deep, to be confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eA relic of mid century entertaining culture, this table serves as a cocktail stand, an accent surface, or a wall mounted picture when folded.\u003c\/p\u003e\n\u003cp\u003eThe imagery suits equestrian, cottage, English country and mid century eclectic interiors, while the compact form brings a note of Americana to modern rooms.\u003c\/p\u003e\n\u003cp\u003eSet with a decanter set, leather bound books or vintage playing cards, it completes a period vignette.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42605415923817,"sku":"VE-0077","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/bridge_tables_novelties_folding_card_table_fox_hunting_scene_c._1940s762177123133734137146818665.png?v=1773693398"},{"product_id":"antique-oak-round-side-table-english-arts-crafts-movement-circa-1900-1915","title":"Antique Oak Round Side Table — English Arts \u0026 Crafts Movement, Circa 1900–1915","description":"\u003ch2 data-start=\"91\" data-end=\"105\"\u003eThe Table\u003c\/h2\u003e\n\u003cp data-start=\"106\" data-end=\"353\"\u003eThis \u003cstrong data-start=\"111\" data-end=\"141\"\u003esolid oak round side table\u003c\/strong\u003e, dating to the early \u003cstrong data-start=\"163\" data-end=\"197\"\u003e20th century (circa 1900–1915)\u003c\/strong\u003e, is an elegant example of \u003cstrong data-start=\"224\" data-end=\"258\"\u003eArts \u0026amp; Crafts period furniture\u003c\/strong\u003e—a movement defined by honest craftsmanship, natural materials, and architectural simplicity.\u003c\/p\u003e\n\u003cp data-start=\"355\" data-end=\"582\"\u003eThe table’s \u003cstrong data-start=\"367\" data-end=\"391\"\u003eturned baluster legs\u003c\/strong\u003e, circular stretcher base, and warm hand-rubbed patina embody the design ethos of the period: functional beauty, structural integrity, and visible joinery that celebrates the maker’s skill.\u003c\/p\u003e\n\u003chr data-start=\"584\" data-end=\"587\"\u003e\n\u003ch3 data-start=\"589\" data-end=\"616\"\u003eDesign \u0026amp; Construction\u003c\/h3\u003e\n\u003cp data-start=\"617\" data-end=\"851\"\u003e→ \u003cstrong data-start=\"619\" data-end=\"632\"\u003eMaterial:\u003c\/strong\u003e Quarter-sawn \u003cstrong data-start=\"646\" data-end=\"661\"\u003eEnglish oak\u003c\/strong\u003e, known for its striking grain pattern and enduring strength. The rich medium-brown tone and fine surface craquelure indicate early 20th-century finishing oils and natural shellac varnish.\u003c\/p\u003e\n\u003cp data-start=\"853\" data-end=\"1047\"\u003e→ \u003cstrong data-start=\"855\" data-end=\"864\"\u003eForm:\u003c\/strong\u003e A \u003cstrong data-start=\"867\" data-end=\"883\"\u003ecircular top\u003c\/strong\u003e with beveled edge rests on \u003cstrong data-start=\"911\" data-end=\"931\"\u003efour turned legs\u003c\/strong\u003e joined by a \u003cstrong data-start=\"944\" data-end=\"971\"\u003ecircular stretcher ring\u003c\/strong\u003e—a hallmark feature of Arts \u0026amp; Crafts and Edwardian transitional furniture.\u003c\/p\u003e\n\u003cp data-start=\"1049\" data-end=\"1265\"\u003e→ \u003cstrong data-start=\"1051\" data-end=\"1063\"\u003eJoinery:\u003c\/strong\u003e Pegged mortise-and-tenon construction, consistent with handcrafted furniture of the period. The legs are lathe-turned with subtle detailing at the collars and feet, balancing ornament with restraint.\u003c\/p\u003e\n\u003cp data-start=\"1267\" data-end=\"1393\"\u003e→ \u003cstrong data-start=\"1269\" data-end=\"1280\"\u003eFinish:\u003c\/strong\u003e Original hand-applied finish with a luminous aged patina that enhances the natural ray fleck grain of the oak.\u003c\/p\u003e\n\u003chr data-start=\"1395\" data-end=\"1398\"\u003e\n\u003ch3 data-start=\"1400\" data-end=\"1416\"\u003eDimensions\u003c\/h3\u003e\n\u003cp data-start=\"1417\" data-end=\"1483\"\u003eHeight: 24\"\u003cbr data-start=\"1428\" data-end=\"1431\"\u003eDiameter (top): 17\"\u003cbr data-start=\"1450\" data-end=\"1453\"\u003e(Measurements within ¼ inch)\u003c\/p\u003e\n\u003chr data-start=\"1485\" data-end=\"1488\"\u003e\n\u003ch3 data-start=\"1490\" data-end=\"1514\"\u003eHistorical Context\u003c\/h3\u003e\n\u003cp data-start=\"1515\" data-end=\"1839\"\u003eThe \u003cstrong data-start=\"1519\" data-end=\"1545\"\u003eArts \u0026amp; Crafts Movement\u003c\/strong\u003e (circa 1880–1915) emerged in Britain as a reaction to industrial mass production, emphasizing the integrity of handmade craftsmanship and the use of honest materials. Makers such as \u003cstrong data-start=\"1728\" data-end=\"1780\"\u003eLiberty \u0026amp; Co., Heals of London, and Harris Lebus\u003c\/strong\u003e popularized sturdy, timeless oak furniture of this type.\u003c\/p\u003e\n\u003cp data-start=\"1841\" data-end=\"2153\"\u003eBy the early 1900s, small oak side tables like this one became fixtures in English homes—used beside firesides, in libraries, or as decorative plant stands. The circular stretcher provided stability while echoing the natural geometries favored by designers such as \u003cstrong data-start=\"2106\" data-end=\"2123\"\u003eC.F.A. Voysey\u003c\/strong\u003e and \u003cstrong data-start=\"2128\" data-end=\"2150\"\u003eM.H. Baillie Scott\u003c\/strong\u003e.\u003c\/p\u003e\n\u003chr data-start=\"2155\" data-end=\"2158\"\u003e\n\u003ch3 data-start=\"2160\" data-end=\"2175\"\u003eCondition\u003c\/h3\u003e\n\u003cp data-start=\"2176\" data-end=\"2417\"\u003eIn \u003cstrong data-start=\"2179\" data-end=\"2210\"\u003eexcellent antique condition\u003c\/strong\u003e. The oak surface retains its deep original patina, with minor wear and faint marks consistent with over a century of use. Structurally sound and well-preserved, with no significant repairs or instability.\u003c\/p\u003e\n\u003chr data-start=\"2419\" data-end=\"2422\"\u003e\n\u003cp data-start=\"2535\" data-end=\"2807\"\u003eEnglish oak tables from this era remain highly sought after for their timeless proportion and versatility. Their architectural forms suit both \u003cstrong data-start=\"2678\" data-end=\"2700\"\u003eheritage interiors\u003c\/strong\u003e and \u003cstrong data-start=\"2705\" data-end=\"2745\"\u003emodern rustic or minimalist settings\u003c\/strong\u003e, providing warmth and texture without excess ornamentation.\u003c\/p\u003e\n\u003chr data-start=\"2809\" data-end=\"2812\"\u003e\n\u003ch3 data-start=\"2814\" data-end=\"2835\"\u003eProduct Details\u003c\/h3\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"2836\" data-end=\"3393\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"2836\" data-end=\"2873\"\u003e\n\u003ctr data-start=\"2836\" data-end=\"2873\"\u003e\n\u003cth data-start=\"2836\" data-end=\"2852\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2838\" data-end=\"2851\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"2852\" data-end=\"2873\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"2854\" data-end=\"2869\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"2913\" data-end=\"3393\"\u003e\n\u003ctr data-start=\"2913\" data-end=\"2956\"\u003e\n\u003ctd data-start=\"2913\" data-end=\"2925\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2915\" data-end=\"2924\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"2925\" data-end=\"2956\" data-col-size=\"md\"\u003eUnknown English craftsman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2957\" data-end=\"2983\"\u003e\n\u003ctd data-start=\"2957\" data-end=\"2970\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2959\" data-end=\"2969\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"2970\" data-end=\"2983\" data-col-size=\"md\"\u003eEngland\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"2984\" data-end=\"3016\"\u003e\n\u003ctd data-start=\"2984\" data-end=\"2995\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"2986\" data-end=\"2994\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"2995\" data-end=\"3016\" data-col-size=\"md\"\u003eCirca 1900–1915\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3017\" data-end=\"3073\"\u003e\n\u003ctd data-start=\"3017\" data-end=\"3029\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3019\" data-end=\"3028\"\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3029\" data-end=\"3073\" data-col-size=\"md\"\u003eArts \u0026amp; Crafts \/ Edwardian Transitional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3074\" data-end=\"3117\"\u003e\n\u003ctd data-start=\"3074\" data-end=\"3089\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3076\" data-end=\"3088\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3089\" data-end=\"3117\"\u003eSolid quarter-sawn oak\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3118\" data-end=\"3192\"\u003e\n\u003ctd data-start=\"3118\" data-end=\"3137\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3120\" data-end=\"3136\"\u003eConstruction\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3137\" data-end=\"3192\" data-col-size=\"md\"\u003eMortise-and-tenon joinery with circular stretcher\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3193\" data-end=\"3221\"\u003e\n\u003ctd data-start=\"3193\" data-end=\"3206\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3195\" data-end=\"3205\"\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3206\" data-end=\"3221\"\u003e24 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3222\" data-end=\"3256\"\u003e\n\u003ctd data-start=\"3222\" data-end=\"3241\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3224\" data-end=\"3240\"\u003eTop Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3241\" data-end=\"3256\"\u003e17 inches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3257\" data-end=\"3327\"\u003e\n\u003ctd data-start=\"3257\" data-end=\"3273\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3259\" data-end=\"3272\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"3273\" data-end=\"3327\"\u003eExcellent antique condition with original finish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3328\" data-end=\"3393\"\u003e\n\u003ctd data-start=\"3328\" data-end=\"3345\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3330\" data-end=\"3344\"\u003eProvenance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3345\" data-end=\"3393\" data-col-size=\"md\"\u003ePrivate English estate, early 20th century\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"3395\" data-end=\"3398\"\u003e\n\u003ch3 data-start=\"3400\" data-end=\"3422\"\u003eWhy It’s Special\u003c\/h3\u003e\n\u003cp data-start=\"3423\" data-end=\"3743\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis oak side table embodies the \u003cstrong data-start=\"3456\" data-end=\"3481\"\u003ehandcrafted integrity\u003c\/strong\u003e and \u003cstrong data-start=\"3486\" data-end=\"3511\"\u003earchitectural balance\u003c\/strong\u003e that define Arts \u0026amp; Crafts design. Its honest materials, simple geometry, and enduring form make it both a collectible antique and a quietly powerful accent in any interior—an authentic bridge between past and present craftsmanship.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42613163622505,"sku":"VE-0090","price":280.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/antique_oak_round_side_table_english_arts_crafts_movement_circa_19001915762306032445734151566278761.jpg?v=1773722661"},{"product_id":"early-20th-century-frenearly-20th-century-french-provincial-walnut-side-table-with-drawer-amp-lower-shelf-c-1900-1925ch-provincial-side-table-in-walnut","title":"Early 20th-Century French Provincial Walnut Side Table with Drawer \u0026 Lower Shelf, c. 1900–1925ch Provincial Side Table in Walnut","description":"\u003cp data-start=\"63\" data-end=\"575\"\u003e\u003cstrong data-start=\"63\" data-end=\"76\"\u003eThe Piece\u003c\/strong\u003e\u003cbr data-start=\"76\" data-end=\"79\"\u003eAn elegant and understated French Provincial side table, crafted from \u003cstrong data-start=\"149\" data-end=\"165\"\u003esolid walnut\u003c\/strong\u003e with a single drawer and lower shelf, circa \u003cstrong data-start=\"210\" data-end=\"223\"\u003e1900–1925\u003c\/strong\u003e. The piece exemplifies the quiet refinement of rural French cabinetmaking during the Belle Époque and early interwar years—functional, well-proportioned, and finely detailed without ostentation. Its softly chamfered top, tapering legs, and shaped apron lend a graceful vertical rhythm that feels timeless in both traditional and contemporary settings.\u003c\/p\u003e\n\u003cp data-start=\"577\" data-end=\"1008\"\u003e\u003cstrong data-start=\"577\" data-end=\"602\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003cbr data-start=\"602\" data-end=\"605\"\u003e→ \u003cstrong data-start=\"607\" data-end=\"624\"\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr data-start=\"624\" data-end=\"627\"\u003eRectangular top with rounded corners and hand-planed edges, over a deep apron housing a single dovetailed drawer with a \u003cstrong data-start=\"747\" data-end=\"767\"\u003ebronze ring pull\u003c\/strong\u003e in the neoclassical taste. The legs taper gently to the floor and are joined by a shaped lower stretcher shelf with scalloped detail—both structural and aesthetic, reflecting the balance of proportion typical in provincial French furniture.\u003c\/p\u003e\n\u003cp data-start=\"1010\" data-end=\"1343\"\u003e→ \u003cstrong data-start=\"1012\" data-end=\"1025\"\u003eMaterial:\u003c\/strong\u003e\u003cbr data-start=\"1025\" data-end=\"1028\"\u003eSolid walnut throughout, with a medium chestnut finish that highlights the shimmering grain and soft undulations of hand-planed surfaces. The drawer sides and bottom are of pine or poplar, typical of the period. The hardware appears original, with subtle oxidation on the bronze pull adding warmth and authenticity.\u003c\/p\u003e\n\u003cp data-start=\"1345\" data-end=\"1729\"\u003e\u003cstrong data-start=\"1345\" data-end=\"1368\"\u003eProvenance \u0026amp; Period\u003c\/strong\u003e\u003cbr data-start=\"1368\" data-end=\"1371\"\u003eLikely crafted in \u003cstrong data-start=\"1389\" data-end=\"1419\"\u003enorthern or central France\u003c\/strong\u003e during the first quarter of the 20th century, when local artisans continued hand-making domestic furniture inspired by 18th-century Louis XV provincial forms. The table’s simplicity and integrity of construction suggest it was built for everyday use in a household of means—perhaps a writing or bedside table.\u003c\/p\u003e\n\u003cp data-start=\"1731\" data-end=\"2016\"\u003e\u003cstrong data-start=\"1731\" data-end=\"1754\"\u003ePlacement \u0026amp; Styling\u003c\/strong\u003e\u003cbr data-start=\"1754\" data-end=\"1757\"\u003ePerfect as a side table, nightstand, or entry accent. The warm walnut tone pairs beautifully with both antiques and modern interiors—especially alongside linen upholstery, blackened metal, or marble. A piece that offers understated charm and enduring utility.\u003cstrong data-start=\"2018\" data-end=\"2033\"\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42641336959081,"sku":"VE-0112","price":434.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_1188.jpg?v=1761364482"},{"product_id":"early-american-console-with-book-trough-c-1948-1955-serpentine-top-turned-legs-two-tone-charm","title":"Early American Console with Book Trough (c. 1948–1955) — Serpentine Top, Turned Legs, Two-Tone Charm","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex overflow-hidden\"\u003e\n\u003cdiv class=\"relative h-full\"\u003e\n\u003cdiv class=\"flex h-full flex-col overflow-y-auto thread-xl:pt-(--header-height) [scrollbar-gutter:stable_both-edges]\"\u003e\n\u003cdiv class=\"flex flex-col text-sm thread-xl:pt-header-height pb-25\"\u003e\n\u003carticle class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"0229d9b4-e482-4a2b-8c90-e303ed3a4393\" data-testid=\"conversation-turn-20\" data-scroll-anchor=\"true\" data-turn=\"assistant\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] thread-sm:[--thread-content-margin:--spacing(6)] thread-lg:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] thread-lg:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"b6f035e7-fe49-489b-93ae-b2a8392d9215\" dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" data-message-model-slug=\"gpt-5-thinking\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full break-words dark markdown-new-styling\"\u003e\n\u003ch1 data-start=\"115\" data-end=\"128\"\u003eThe Piece\u003c\/h1\u003e\n\u003cp data-start=\"129\" data-end=\"589\"\u003eMeet your new “do-everything” console. Born in the post-war years \u003cstrong data-start=\"195\" data-end=\"213\"\u003e(c. 1948–1955)\u003c\/strong\u003e, this Early American–revival table brings warm curves and practical storage in one graceful silhouette. The softly serpentine top invites a lamp and a vignette; the center \u003cstrong data-start=\"386\" data-end=\"401\"\u003ebook trough\u003c\/strong\u003e corrals magazines or records; the full lower shelf handles baskets, barware, or extra blankets. It’s compact, hardworking, and quietly handsome—perfect for entry, living room, or hallway.\u003c\/p\u003e\n\u003ch1 data-start=\"591\" data-end=\"616\"\u003eDesign \u0026amp; Construction\u003c\/h1\u003e\n\u003cp data-start=\"617\" data-end=\"1122\"\u003e→ \u003cstrong data-start=\"619\" data-end=\"636\"\u003eForm \u0026amp; Style:\u003c\/strong\u003e A molded “cookie-edge” top floats over baluster-turned legs; side panels rise to cradle the center trough; a full base shelf grounds the piece.\u003cbr data-start=\"780\" data-end=\"783\"\u003e→ \u003cstrong data-start=\"785\" data-end=\"799\"\u003eMaterials:\u003c\/strong\u003e Maple\/birch frame with veneered top and shelves—classic post-war construction—refreshed in a \u003cstrong data-start=\"893\" data-end=\"912\"\u003etwo-tone finish\u003c\/strong\u003e: walnut-stained wood surfaces + antique-cream base.\u003cbr data-start=\"964\" data-end=\"967\"\u003e→ \u003cstrong data-start=\"969\" data-end=\"993\"\u003eDetails You’ll Love:\u003c\/strong\u003e The gentle wave of the top edge, the tactile turnings, and proportions made for modern living (narrow depth, just-right height).\u003c\/p\u003e\n\u003ch1 data-start=\"1124\" data-end=\"1143\"\u003eHow to Style It\u003c\/h1\u003e\n\u003cul data-start=\"1144\" data-end=\"1439\"\u003e\n\u003cli data-start=\"1144\" data-end=\"1235\"\u003e\n\u003cp data-start=\"1146\" data-end=\"1235\"\u003e\u003cstrong data-start=\"1146\" data-end=\"1159\"\u003eEntryway:\u003c\/strong\u003e Lamp + catch-all tray up top, keys and mail in the trough, baskets below.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1236\" data-end=\"1350\"\u003e\n\u003cp data-start=\"1238\" data-end=\"1350\"\u003e\u003cstrong data-start=\"1238\" data-end=\"1254\"\u003eLiving Room:\u003c\/strong\u003e Spin your favorite vinyl—the trough fits records; style books and a plant on the lower shelf.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1351\" data-end=\"1439\"\u003e\n\u003cp data-start=\"1353\" data-end=\"1439\"\u003e\u003cstrong data-start=\"1353\" data-end=\"1364\"\u003eDining:\u003c\/strong\u003e Park a tray for decanters and glassware above; linens and serveware below.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch1 data-start=\"1441\" data-end=\"1454\"\u003eCondition\u003c\/h1\u003e\n\u003cp data-start=\"1455\" data-end=\"1592\"\u003eStructurally tight and sturdy. Professionally refinished two-tone surfaces with light, tasteful patina to edges—ready to place and enjoy.\u003c\/p\u003e\n\u003ch1 data-start=\"1594\" data-end=\"1611\"\u003eProduct Details\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"1613\" data-end=\"2005\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"1613\" data-end=\"1640\"\u003e\n\u003ctr data-start=\"1613\" data-end=\"1640\"\u003e\n\u003cth data-start=\"1613\" data-end=\"1625\" data-col-size=\"sm\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-start=\"1625\" data-end=\"1640\" data-col-size=\"md\"\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"1651\" data-end=\"2005\"\u003e\n\u003ctr data-start=\"1651\" data-end=\"1677\"\u003e\n\u003ctd data-start=\"1651\" data-end=\"1660\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"1660\" data-end=\"1677\"\u003eUnited States\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1678\" data-end=\"1705\"\u003e\n\u003ctd data-start=\"1678\" data-end=\"1685\" data-col-size=\"sm\"\u003eYear\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"1685\" data-end=\"1705\"\u003e\u003cstrong data-start=\"1687\" data-end=\"1703\"\u003ec. 1948–1955\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1706\" data-end=\"1751\"\u003e\n\u003ctd data-start=\"1706\" data-end=\"1714\" data-col-size=\"sm\"\u003eStyle\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"1714\" data-end=\"1751\"\u003eEarly American \/ Colonial Revival\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1752\" data-end=\"1809\"\u003e\n\u003ctd data-start=\"1752\" data-end=\"1764\" data-col-size=\"sm\"\u003eMaterials\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"1764\" data-end=\"1809\"\u003eMaple\/birch frame; veneered top \u0026amp; shelves\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1810\" data-end=\"1873\"\u003e\n\u003ctd data-start=\"1810\" data-end=\"1819\" data-col-size=\"sm\"\u003eFinish\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"1819\" data-end=\"1873\"\u003eTwo-tone: walnut shelves \u0026amp; top; antique-cream base\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1874\" data-end=\"1960\"\u003e\n\u003ctd data-start=\"1874\" data-end=\"1885\" data-col-size=\"sm\"\u003eFeatures\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"1885\" data-end=\"1960\"\u003eSerpentine molded top; \u003cstrong data-start=\"1910\" data-end=\"1945\"\u003eintegrated book\/magazine trough\u003c\/strong\u003e; turned legs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"1961\" data-end=\"2005\"\u003e\n\u003ctd data-start=\"1961\" data-end=\"1973\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"1973\" data-end=\"2005\"\u003eExcellent restored condition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-start=\"2007\" data-end=\"2223\"\u003e \u003c\/p\u003e\n\u003ch1 data-start=\"2527\" data-end=\"2558\"\u003eWhy It Belongs in Your Home\u003c\/h1\u003e\n\u003cp data-start=\"2559\" data-end=\"2842\"\u003eBlending early 20th-century charm with a modern neutral palette, this console table suits both traditional and transitional interiors. Perfect in an entryway, dining room, or guest suite, it provides layered storage and warmth—proof that practical pieces can also be quietly elegant.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42641350033513,"sku":"VE-0117","price":248.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_1221_abc49bfd-be4c-41db-8877-7a9736bd8b85.jpg?v=1761365108"},{"product_id":"mid-century-queen-anne-revival-mahogany-coffee-table-with-beveled-glass-insets-c-1950-1955","title":"Mid-Century Queen Anne Revival Mahogany Coffee Table with Beveled Glass Insets, c.1950–1955","description":"\u003ch3\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eA refined mid-century Queen Anne revival coffee table, American, c. 1950–1955, crafted in rich mahogany and featuring three inset beveled glass panels. The design gracefully merges early 18th-century English influences with postwar modern craftsmanship—elegant, symmetrical, and durable. Its carved cabriole legs terminate in stylized pad feet, with a scalloped apron and central shell motif that nods to classic Queen Anne ornamentation. The glossy, reddish-brown finish captures both light and depth, reflecting the mid-century fascination with traditional luxury in a modern home setting.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ \u003cstrong\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr\u003eRectangular form with triple glass insets framed in molded mahogany, resting on four carved cabriole legs. The apron’s gentle curves and shell medallion create a focal point of subtle sophistication. The interplay between solid wood framing and transparent glass top embodies the transitional sensibility of the 1950s—melding utility with refinement.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e\u003cbr\u003eSolid mahogany or cherry hardwood frame with veneered edges and three original beveled glass panels. The wood displays a rich, warm patina accentuated by a deep lacquer finish, typical of postwar craftsmanship that emphasized durability and sheen.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eJoinery:\u003c\/strong\u003e\u003cbr\u003eMachine-cut joinery with hand-finished detailing. The cabriole legs are integrally joined to corner blocks for structural stability, while the carved shell motif and leg scrolls are hand-applied.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThis form gained popularity during the 1950s Queen Anne revival, when American furniture makers such as Drexel and Ethan Allen reinterpreted classical English styles for contemporary interiors. Combining traditional carved ornament with modern proportions and glass-topped practicality, these tables bridged the gap between antique sensibilities and mid-century living.\u003c\/p\u003e\n\u003cp\u003eThe piece reflects postwar optimism—where design leaned toward tradition but adopted cleaner, more accessible lines for suburban homes.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eExcellent structural integrity. The surface exhibits a smooth, luminous finish with minor age-appropriate wear and light edge rubbing. The glass panels are original, free from cracks or chips. The table is stable, level, and ready for use or display.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003e\u003cstrong\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAmerican manufacture, in the style of Drexel or Ethan Allen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUnited States\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ec. 1950–1955\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSolid mahogany (or cherry) with beveled glass insets\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDeep red-brown lacquer with natural patina\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eJoinery\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMachine-cut frame with hand-carved shell and cabriole leg details\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eQueen Anne revival rectangular coffee table with triple glass top\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExcellent vintage condition; light wear consistent with age\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMarkings\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUnmarked; typical of mid-century American production\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThis table captures the best of two design worlds—historic craftsmanship and mid-century elegance. Its carved shell and cabriole form evoke English tradition, while the glass insets introduce a modern lightness that complements contemporary interiors. Ideal as a centerpiece for a living room or study, it pairs beautifully with both antique upholstery and modern textiles, grounding any space with warmth, sophistication, and timeless appeal.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42660481269865,"sku":"VE-0131","price":241.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/mid-century_queen_anne_revival_mahogany_coffee_table_with_beveled_glass_insets_c.19501955763495723837734243026681961.jpg?v=1773812957"},{"product_id":"queen-anne-revival-mahogany-nightstand-with-slide-out-shelf-c-1955","title":"Queen Anne Revival Mahogany Nightstand with Slide-Out Shelf, c.1955","description":"\u003ch3\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eA refined \u003cstrong\u003eQueen Anne revival nightstand or accent table\u003c\/strong\u003e, American, circa 1950-55 crafted in solid mahogany with a rich, hand-polished lacquer finish. Raised on elegant cabriole legs with a softly scalloped apron, the piece features an open compartment with a \u003cstrong\u003eslide-out shelf\u003c\/strong\u003e fitted with a small brass pull. Blending the formality of 18th-century English furniture with the streamlined efficiency of postwar American design, it reflects the mid-century movement’s reinterpretation of classical elegance for the modern home.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e→ \u003cstrong\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr\u003eGraceful \u003cstrong\u003eQueen Anne revival\u003c\/strong\u003e silhouette characterized by curving cabriole legs, molded top, and a simple apron with subtle concave shaping. The open shelf design offers versatility—serving as a nightstand, side table, or compact media stand—while the slide-out shelf provides additional surface space. This combination of elegance and utility exemplifies postwar furniture design, where ornament met modern function.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e\u003cbr\u003eConstructed from \u003cstrong\u003esolid mahogany and veneered hardwoods\u003c\/strong\u003e, the piece displays a deep reddish-brown hue with warm undertones and visible grain patterning. Brass hardware adds a delicate accent against the polished wood surface.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eJoinery:\u003c\/strong\u003e\u003cbr\u003eMachine-assisted mortise and tenon construction with hand-finished detailing at the apron and legs. The slide-out shelf glides smoothly on wood rails, a detail typical of 1950s craftsmanship that prioritized both durability and refinement.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eProduced in the United States during the mid-20th century, this table aligns with the \u003cstrong\u003eQueen Anne revival movement\u003c\/strong\u003e—a style popularized by manufacturers such as Drexel, Kling, and Ethan Allen in the 1950s. These pieces reintroduced graceful curves and decorative restraint after decades of rigid, industrial design. Their goal was to revive the spirit of handcrafted tradition while making fine furniture accessible to postwar households seeking warmth and familiarity.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eExcellent vintage condition with minor, age-appropriate surface wear. The finish retains a soft gloss and consistent tone. All joints remain tight and stable; shelf mechanism functions properly.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003e\u003cstrong\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAmerican manufacture (Queen Anne revival style, c.1950–1955)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUnited States\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCirca 1955\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSolid mahogany and veneered hardwood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHand-polished lacquer in warm reddish-brown tone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eJoinery\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMortise-and-tenon frame with wood rail sliding shelf\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eForm\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eQueen Anne revival nightstand or accent table with cabriole legs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eExcellent vintage condition with minimal surface wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eHardware\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOriginal brass pull on slide-out shelf\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApprox. 26” H × 18” W × 14” D (typical for form)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThis Queen Anne revival nightstand brings \u003cstrong\u003egraceful proportion and warmth\u003c\/strong\u003e to any interior—equally suited beside a velvet chair, as a bedside table, or as an elegant stand for books or art objects. Its curving cabriole legs and polished mahogany surface evoke the refinement of traditional craftsmanship while maintaining the versatility of modern design. A piece that bridges eras, it adds quiet sophistication and depth to spaces that value history, texture, and timeless form.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42660481532009,"sku":"VE-0132","price":227.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/queen_anne_revival_mahogany_nightstand_with_slide-out_shelf_c.1955763495736944934243027107945.jpg?v=1773812966"},{"product_id":"edwardian-sunburst-two-tier-parlor-table-american-c-1905-1915","title":"Edwardian Sunburst Two-Tier Parlor Table, American c.1905–1915","description":"\u003cp\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003cbr\u003eA delicate two-tier parlor table, likely American, \u003cstrong\u003ecirca 1905–1915\u003c\/strong\u003e, blending late Victorian flourish with the lightness of early Edwardian design. The square serpentine top and matching lower shelf are supported by sculpted S-curve brackets adorned with beaded edges and applied sunburst rosettes, all resting on impossibly slender, tapering legs. Originally used as a lamp, fern, or parlor accent table, this piece captures the transition from heavier 19th-century furniture to the more graceful, vertical silhouettes of the early 20th century.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eDesign \u0026amp; Construction\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e→ Form \u0026amp; Style:\u003c\/strong\u003e\u003cbr\u003eCompact, vertically oriented \u003cstrong\u003etwo-tier side table\u003c\/strong\u003e with a gently undulating, almost “wavy” square top and echoing lower shelf. The four central supports are shaped in bold S-curves, embellished with spool-like beading along the outer edge and round sunburst medallions at the center—classic Aesthetic\/Eastlake motifs softened for the Edwardian era. The apron features subtle cutouts, while the long, stick-like legs give the table a light, “spider-leg” stance ideal for a parlor corner, reading chair, or bedside setting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e→ Material:\u003c\/strong\u003e\u003cbr\u003eConstructed from hardwood with a deep \u003cstrong\u003emahogany stain\u003c\/strong\u003e, likely a combination of solid stock and veneer typical of early 20th-century American factory work. The top and shelf display a rich, reddish-brown tone with natural grain movement, while the supports and legs share a unified finish that emphasizes the carving and slim profile.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e→ Joinery:\u003c\/strong\u003e\u003cbr\u003eFactory-crafted structure using traditional early 20th-century methods: the legs are secured with corner blocks and glue, while the sculpted brackets are applied to the underside of the top and upper shelf. Original nails and slotted screws are likely present on the underside, consistent with \u003cstrong\u003ec.1905–1915\u003c\/strong\u003e production from Midwestern or Northeastern furniture centers such as Grand Rapids or upstate New York.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThis table reflects the \u003cstrong\u003eparlor culture of the Edwardian period\u003c\/strong\u003e, when small accent tables were essential for oil lamps, potted ferns, books, and decorative objects. The combination of Aesthetic-inspired sunburst roundels and beadwork with more attenuated, Edwardian legs places it firmly around \u003cstrong\u003e1905–1915\u003c\/strong\u003e, as American manufacturers moved away from heavy Victorian forms toward lighter, more vertical pieces. It was likely sold through a regional furniture store or mail-order catalog as a “mahogany finish lamp or fern table,” intended for use in a sitting room, front parlor, or bedroom.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eVery good vintage condition with honest age. The finish shows light surface wear and a visible age-related split on the top board, typical for a piece of this era and adding to its character. The structure appears sound, with legs straight and supports secure. Suitable for use as-is in a patina-forward interior, or as an excellent candidate for gentle refinishing or top restoration if a more polished presentation is desired.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eAttribute\u003c\/th\u003e\n\u003cth\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnknown American factory maker\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eUnited States\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eYear\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003ec.1905–1915\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eHardwood with mahogany stain (likely mixed solid and veneer)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eOriginal or early varnish in deep reddish-brown\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eJoinery\u003c\/td\u003e\n\u003ctd\u003eEarly 20th-century factory construction with corner blocks, nails, and screws\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eTwo-tier parlor \/ lamp \/ fern table with sculpted brackets and slender legs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good vintage condition; age-related surface wear and top split consistent with use\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApprox. \u003cstrong\u003e28–30\" H × 18–20\" W × 18–20\" D\u003c\/strong\u003e (estimate; to be confirmed on site)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr\u003e\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eThis early 20th-century parlor table brings a \u003cstrong\u003erefined, slightly eccentric silhouette\u003c\/strong\u003e to any room—perfect beside a reading chair, layered under a table lamp, or styled with books and a small plant. The sunburst medallions and beaded curves offer sculptural detail without feeling heavy, while the tall, slender legs keep the piece visually airy. Whether anchoring a moody corner, complementing a Victorian revival space, or adding character to a modern eclectic interior, it delivers authentic Edwardian-era charm in a compact, highly usable footprint.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42685209051241,"sku":"VE-0136","price":227.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/edwardian_sunburst_two-tier_parlor_table_american_c.19051915764172330608934285586972777.jpg?v=1773813004"},{"product_id":"continental-marquetry-louis-xvi-revival-occasional-table-c-1925-1935","title":"Continental Marquetry Louis XVI Revival Occasional Table, c.1925–1935","description":"\u003ch1 data-start=\"127\" data-end=\"144\"\u003e\u003cstrong data-start=\"129\" data-end=\"142\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"145\" data-end=\"839\"\u003eA refined early 20th-century Continental marquetry occasional table, crafted circa \u003cstrong data-start=\"228\" data-end=\"241\"\u003e1925–1935\u003c\/strong\u003e, blending the grace of Louis XVI revival design with the decorative artistry of interwar European woodcraft. The circular top features a vibrant floral marquetry bouquet framed by an ornate scrolling cartouche, all set within a warm radial-cut veneer border that gives the surface depth and movement. Supported by four slender fluted legs with ebonized channels and turned feet, this table was originally intended as a parlor or salon accent piece—perfect for a vase, lamp, or display object. It embodies the light, elegant aesthetic that defined Continental decorative furniture between the wars.\u003c\/p\u003e\n\u003chr data-start=\"841\" data-end=\"844\"\u003e\n\u003ch1 data-start=\"846\" data-end=\"873\"\u003e\u003cstrong data-start=\"848\" data-end=\"873\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3 data-start=\"875\" data-end=\"900\"\u003e→ \u003cstrong data-start=\"881\" data-end=\"898\"\u003eForm \u0026amp; Style:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"901\" data-end=\"1388\"\u003eA classic neoclassical revival form with a round top, clean apron, and long, tapered legs. The silhouette is airy and vertical, echoing late 18th-century French influences. The floral inlay at center—roses, daisies, and foliage—is framed by a dark scrolling border reminiscent of painted cartouches seen in Italian marquetry of the 1920s–30s. The leg design, with its straight fluting and subtle turning at the top and foot, adds architectural rhythm and gives the piece an elegant lift.\u003c\/p\u003e\n\u003ch3 data-start=\"1390\" data-end=\"1411\"\u003e→ \u003cstrong data-start=\"1396\" data-end=\"1409\"\u003eMaterial:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"1412\" data-end=\"1827\"\u003eConstructed from mixed fruitwoods and walnut veneers over a light hardwood substrate, typical of Italian and Continental production of the period. The top’s surface features multiple species of dyed veneer, giving the florals their rich reds, yellows, and greens, while the scrollwork is executed in darker woods for contrast. The legs are solid or laminated hardwood with ebonized channels emphasizing the fluting.\u003c\/p\u003e\n\u003ch3 data-start=\"1829\" data-end=\"1862\"\u003e→ \u003cstrong data-start=\"1835\" data-end=\"1860\"\u003eProduction Technique:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp data-start=\"1863\" data-end=\"2317\"\u003eThe marquetry was created through a precision veneer-cutting technique where contrasting woods were hand-set into the surface, then sanded flush and finished with a warm shellac or spirit varnish. The radial “pie-slice” veneer border around the perimeter is a hallmark of machine-cut interwar factory work. Turned and fluted legs were produced on early mechanized lathes, making them uniform and consistent—a characteristic of 1920s–30s export furniture.\u003c\/p\u003e\n\u003chr data-start=\"2319\" data-end=\"2322\"\u003e\n\u003ch1 data-start=\"2324\" data-end=\"2352\"\u003e\u003cstrong data-start=\"2326\" data-end=\"2350\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2353\" data-end=\"3065\"\u003eThis style of marquetry table was produced widely in \u003cstrong data-start=\"2406\" data-end=\"2454\"\u003eNorthern Italy, Austria, and parts of France\u003c\/strong\u003e during the interwar decades, when decorative accent furniture became highly popular in parlors, music rooms, and formal sitting areas. The neoclassical revival movement of the 1920s brought back fluted legs, straight lines, and symmetrical ornamentation, while advances in veneer-cutting machinery allowed for increasingly elaborate marquetry work at accessible prices. These tables were commonly sold through upscale department stores and European exporters catering to the American market. Their compact scale and artistic tops made them ideal for adding color and refinement to early 20th-century interiors.\u003c\/p\u003e\n\u003chr data-start=\"3067\" data-end=\"3070\"\u003e\n\u003ch1 data-start=\"3072\" data-end=\"3089\"\u003e\u003cstrong data-start=\"3074\" data-end=\"3087\"\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3090\" data-end=\"3421\"\u003eVery good vintage condition. The marquetry top remains vibrant with no major losses; surface shows minor age-related finish wear consistent with a piece nearly a century old. Legs are sturdy and true, retaining their original ebonized accents. No structural issues noted. A display-ready example with excellent decorative presence.\u003c\/p\u003e\n\u003chr data-start=\"3423\" data-end=\"3426\"\u003e\n\u003ch1 data-start=\"3428\" data-end=\"3449\"\u003e\u003cstrong data-start=\"3430\" data-end=\"3449\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"3451\" data-end=\"4111\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"3451\" data-end=\"3486\"\u003e\n\u003ctr data-start=\"3451\" data-end=\"3486\"\u003e\n\u003cth data-start=\"3451\" data-end=\"3467\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3453\" data-end=\"3466\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"3467\" data-end=\"3486\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"3469\" data-end=\"3484\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3523\" data-end=\"4111\"\u003e\n\u003ctr data-start=\"3523\" data-end=\"3578\"\u003e\n\u003ctd data-start=\"3523\" data-end=\"3535\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3525\" data-end=\"3534\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3535\" data-end=\"3578\" data-col-size=\"md\"\u003eContinental (likely Italian) production\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3579\" data-end=\"3627\"\u003e\n\u003ctd data-start=\"3579\" data-end=\"3591\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3581\" data-end=\"3590\"\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3591\" data-end=\"3627\" data-col-size=\"md\"\u003eLouis XVI Revival \/ Neoclassical\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3628\" data-end=\"3680\"\u003e\n\u003ctd data-start=\"3628\" data-end=\"3641\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3630\" data-end=\"3640\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3641\" data-end=\"3680\" data-col-size=\"md\"\u003eItaly or broader Continental Europe\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3681\" data-end=\"3707\"\u003e\n\u003ctd data-start=\"3681\" data-end=\"3692\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3683\" data-end=\"3691\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3692\" data-end=\"3707\" data-col-size=\"md\"\u003ec.1925–1935\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3708\" data-end=\"3784\"\u003e\n\u003ctd data-start=\"3708\" data-end=\"3723\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3710\" data-end=\"3722\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3723\" data-end=\"3784\" data-col-size=\"md\"\u003eMixed hardwoods with walnut \u0026amp; fruitwood marquetry veneers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3785\" data-end=\"3872\"\u003e\n\u003ctd data-start=\"3785\" data-end=\"3801\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3787\" data-end=\"3800\"\u003eTechnique\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3801\" data-end=\"3872\" data-col-size=\"md\"\u003eHand-set marquetry with radial veneer banding; turned \u0026amp; fluted legs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3873\" data-end=\"3919\"\u003e\n\u003ctd data-start=\"3873\" data-end=\"3884\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3875\" data-end=\"3883\"\u003eForm\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3884\" data-end=\"3919\" data-col-size=\"md\"\u003eRound parlor \/ occasional table\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3920\" data-end=\"3997\"\u003e\n\u003ctd data-start=\"3920\" data-end=\"3936\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"3922\" data-end=\"3935\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"3936\" data-end=\"3997\" data-col-size=\"md\"\u003eVery good vintage condition; age-appropriate surface wear\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3998\" data-end=\"4111\"\u003e\n\u003ctd data-start=\"3998\" data-end=\"4015\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4000\" data-end=\"4014\"\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-start=\"4015\" data-end=\"4111\" data-col-size=\"md\"\u003eTypically 18–22\" diameter; approx. 26–28\" tall (can adjust if you provide exact measurement)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"4113\" data-end=\"4116\"\u003e\n\u003ch1 data-start=\"4118\" data-end=\"4153\"\u003e\u003cstrong data-start=\"4120\" data-end=\"4151\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"4154\" data-end=\"4744\"\u003eThis marquetry table brings a burst of color, artistry, and neoclassical refinement into any room. Its floral inlay makes it a natural focal point, while the slender fluted legs keep it visually light and elegant. Perfect beside a lounge chair, in an entryway vignette, or layered into an eclectic, European-inspired interior, it offers both charm and craftsmanship in a compact footprint. Whether you collect decorative marquetry furniture or simply want a timeless accent piece with character and history, this table offers authenticity, warmth, and old-world beauty in one graceful form.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42688292978793,"sku":"VE-0142","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/continental_marquetry_louis_xvi_revival_occasional_table_c.19251935764233803376934291330449513.jpg?v=1773813034"},{"product_id":"victorian-quadruple-scroll-parlor-table-c-1870-1890","title":"Victorian Quadruple-Scroll Parlor Table (c.1870–1890)","description":"\u003ch1 data-start=\"239\" data-end=\"254\"\u003e\u003cstrong data-start=\"241\" data-end=\"254\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"255\" data-end=\"1002\"\u003eA striking late-Victorian parlor table, American, \u003cstrong data-start=\"305\" data-end=\"324\"\u003ecirca 1870–1890\u003c\/strong\u003e, distinguished by its sculptural quadruple-scroll base and rich, moody presence. Originally designed as a center or lamp table for the formal parlor, this piece embodies the transition from Rococo Revival exuberance into the more architectural Eastlake aesthetic. The oval top is supported by a heavily modeled pedestal with deep S-scroll legs, stepped moldings, and a turned central column terminating in a drop finial. Recently and meticulously refinished, the table now carries a warm, dark mahogany tone that highlights the original 19th-century contours while giving it a modern, atmospheric edge—perfect for dramatic interiors, moody color palettes, and collected spaces.\u003c\/p\u003e\n\u003chr data-start=\"1004\" data-end=\"1007\"\u003e\n\u003ch1 data-start=\"1009\" data-end=\"1036\"\u003e\u003cstrong data-start=\"1011\" data-end=\"1036\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3 data-start=\"1038\" data-end=\"1061\"\u003e\u003cstrong data-start=\"1042\" data-end=\"1061\"\u003e→ Form \u0026amp; Style:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1062\" data-end=\"1682\"\u003eClassic Victorian parlor table form with an \u003cstrong data-start=\"1106\" data-end=\"1130\"\u003eoval overhanging top\u003c\/strong\u003e, molded edge, and a dramatic four-leg pedestal base. The legs sweep outward in thick, double-curved S-scrolls, each defined by \u003cstrong data-start=\"1258\" data-end=\"1289\"\u003etriple-stepped routed edges\u003c\/strong\u003e—a hallmark of late 19th-century machine carving as factories began producing more ornate pieces affordably. The central turned column anchors the composition, its lathe-turned profile echoing the finials and spindles of the era’s high-style furniture. The piece balances \u003cstrong data-start=\"1561\" data-end=\"1589\"\u003eRococo Revival curvature\u003c\/strong\u003e with \u003cstrong data-start=\"1595\" data-end=\"1621\"\u003eEastlake-era precision\u003c\/strong\u003e, giving it both sculptural weight and architectural clarity.\u003c\/p\u003e\n\u003ch3 data-start=\"1684\" data-end=\"1704\"\u003e\u003cstrong data-start=\"1688\" data-end=\"1704\"\u003e→ Materials:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1705\" data-end=\"2156\"\u003eThe top appears to be \u003cstrong data-start=\"1727\" data-end=\"1756\"\u003ewalnut or mahogany veneer\u003c\/strong\u003e laid over a hardwood substrate, a common Victorian technique allowing for stable surfaces with beautifully figured grain. The base and legs are carved from \u003cstrong data-start=\"1913\" data-end=\"1931\"\u003esolid hardwood\u003c\/strong\u003e, likely walnut, then refinished to a dark, saturated mahogany tone. The stepped edges and routed profiles retain excellent crispness, enhanced by the refinishing which brought renewed clarity to the dramatic leg silhouettes.\u003c\/p\u003e\n\u003ch3 data-start=\"2158\" data-end=\"2198\"\u003e\u003cstrong data-start=\"2162\" data-end=\"2198\"\u003e→ Joinery \u0026amp; Construction Detail:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2199\" data-end=\"2720\"\u003eThe pedestal base shows classic \u003cstrong data-start=\"2231\" data-end=\"2262\"\u003e19th-century radial joinery\u003c\/strong\u003e, with each scroll leg fitted into the central column rather than attached with modern brackets. The turned drop finial is integral to the stretcher system, providing both decorative presence and structural cohesion. The underside and construction layout reflect true Victorian manufacturing rather than later revival shortcuts. Though refinished, the craftsmanship remains fully visible in the leg massing, pedestal turning, and molded apron around the top.\u003c\/p\u003e\n\u003chr data-start=\"2722\" data-end=\"2725\"\u003e\n\u003ch1 data-start=\"2727\" data-end=\"2753\"\u003e\u003cstrong data-start=\"2729\" data-end=\"2753\"\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"2754\" data-end=\"3336\"\u003eDuring the late Victorian era (1870–1890), American parlor furniture reached a crescendo of stylistic experimentation, mixing Rococo Revival curves with the emerging Eastlake preference for crisp geometry and machine-tooled detail. Parlor tables like this were centerpieces—used for lamps, flowers, conversation, or simply as showpieces in homes eager to display refinement and prosperity. The quadruple-scroll pedestal became a signature form of the period, blending European influence with American manufacturing advancements that enabled more elaborate shapes and deeper carving.\u003c\/p\u003e\n\u003cp data-start=\"3338\" data-end=\"3630\"\u003eThis table, with its authentic 19th-century construction and silhouette, sits squarely within that moment of aesthetic hybridity. The contemporary refinishing gives it renewed life without compromising its historical structure, making it ideal for both antique collectors and modern stylists.\u003c\/p\u003e\n\u003chr data-start=\"3632\" data-end=\"3635\"\u003e\n\u003ch1 data-start=\"3637\" data-end=\"3652\"\u003e\u003cstrong data-start=\"3639\" data-end=\"3652\"\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"3653\" data-end=\"4209\"\u003eExcellent restored condition. The table has been recently refinished in a rich, dark mahogany tone that enhances the original Victorian detailing. The top is smooth, even, and free of structural issues; minor character marks consistent with age remain beneath the finish, adding quiet authenticity. The base is sturdy, with tight joinery and no wobble, cracks, or losses. Legs retain crisp carved profiles and sit flat to the floor. Ready for immediate use as an accent table, lamp table, plant stand, or statement piece in any moody or collected interior.\u003c\/p\u003e\n\u003chr data-start=\"4211\" data-end=\"4214\"\u003e\n\u003ch1 data-start=\"4216\" data-end=\"4237\"\u003e\u003cstrong data-start=\"4218\" data-end=\"4237\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cdiv class=\"_tableContainer_1rjym_1\"\u003e\n\u003cdiv class=\"group _tableWrapper_1rjym_13 flex w-fit flex-col-reverse\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"4239\" data-end=\"4824\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"4239\" data-end=\"4274\"\u003e\n\u003ctr data-start=\"4239\" data-end=\"4274\"\u003e\n\u003cth data-start=\"4239\" data-end=\"4255\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4241\" data-end=\"4254\"\u003eAttribute\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth data-start=\"4255\" data-end=\"4274\" data-col-size=\"md\"\u003e\u003cstrong data-start=\"4257\" data-end=\"4272\"\u003eDescription\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"4312\" data-end=\"4824\"\u003e\n\u003ctr data-start=\"4312\" data-end=\"4363\"\u003e\n\u003ctd data-start=\"4312\" data-end=\"4324\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4314\" data-end=\"4323\"\u003eMaker\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4324\" data-end=\"4363\"\u003eUnknown American Victorian workshop\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4364\" data-end=\"4394\"\u003e\n\u003ctd data-start=\"4364\" data-end=\"4377\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4366\" data-end=\"4376\"\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4377\" data-end=\"4394\"\u003eUnited States\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4395\" data-end=\"4426\"\u003e\n\u003ctd data-start=\"4395\" data-end=\"4406\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4397\" data-end=\"4405\"\u003eYear\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4406\" data-end=\"4426\"\u003e\u003cstrong data-start=\"4408\" data-end=\"4424\"\u003ec. 1870–1890\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4427\" data-end=\"4500\"\u003e\n\u003ctd data-start=\"4427\" data-end=\"4442\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4429\" data-end=\"4441\"\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4442\" data-end=\"4500\"\u003eWalnut\/mahogany veneer top; solid hardwood carved base\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4501\" data-end=\"4559\"\u003e\n\u003ctd data-start=\"4501\" data-end=\"4514\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4503\" data-end=\"4513\"\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4514\" data-end=\"4559\"\u003eRecently refinished dark mahogany varnish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4560\" data-end=\"4640\"\u003e\n\u003ctd data-start=\"4560\" data-end=\"4574\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4562\" data-end=\"4573\"\u003eJoinery\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4574\" data-end=\"4640\"\u003e19th-century radial pedestal joinery; turned column and finial\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4641\" data-end=\"4714\"\u003e\n\u003ctd data-start=\"4641\" data-end=\"4652\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4643\" data-end=\"4651\"\u003eForm\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4652\" data-end=\"4714\"\u003eVictorian parlor \/ center table with quadruple-scroll base\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4715\" data-end=\"4783\"\u003e\n\u003ctd data-start=\"4715\" data-end=\"4731\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4717\" data-end=\"4730\"\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4731\" data-end=\"4783\"\u003eExcellent restored condition; structurally sound\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4784\" data-end=\"4824\"\u003e\n\u003ctd data-start=\"4784\" data-end=\"4801\" data-col-size=\"sm\"\u003e\u003cstrong data-start=\"4786\" data-end=\"4800\"\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"md\" data-start=\"4801\" data-end=\"4824\"\u003e(Add once measured)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003chr data-start=\"4826\" data-end=\"4829\"\u003e\n\u003ch1 data-start=\"4831\" data-end=\"4864\"\u003e\u003cstrong data-start=\"4833\" data-end=\"4864\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp data-start=\"4865\" data-end=\"5436\"\u003eThis late-Victorian parlor table brings drama, history, and sculptural presence in a compact footprint. Its carved quadruple-scroll base reads like furniture architecture—shadowy, moody, and richly detailed—making it ideal for atmospheric interiors, dark walls, and layered textures. Use it beside a reading chair, as a lamp table, as a pedestal for art, or as a grounding accent in a curated vignette. Its newfound finish gives it versatility in modern settings, while the underlying craftsmanship and 19th-century form bring depth, authenticity, and timeless character.\u003cstrong data-start=\"5445\" data-end=\"5458\"\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42695345504361,"sku":"VE-0144","price":507.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/victorian_quadruple-scroll_parlor_table_c.18701890764472154532134414324449385.jpg?v=1773813111"},{"product_id":"spanish-revival-tile-top-side-table-with-slip-trailed-medallion-hardwood-frame-c-1925-1935","title":"Spanish Revival Tile-Top Side Table with Slip-Trailed Medallion \u0026 Hardwood Frame (c. 1925–1935)","description":"\u003ch1\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eA vibrant Spanish Revival tile-top side table dating to the late 1920s or early 1930s, crowned with a four-tile geometric medallion rendered in brilliant orange, turquoise, and black. The glazed surface forms a continuous Moorish-inspired motif—arched lines, abstracted floral curls, and a star-centered symmetry—alive with the rhythmic energy of the period’s Mediterranean design movement. The tiles sit tightly inset within a shaped hardwood frame whose scalloped corners soften the form and elevate it beyond utilitarian furniture into decorative art.\u003c\/p\u003e\n\u003cp\u003eOnce finished in a deep brown painted stain typical of the era, the table has been thoughtfully restored to reveal the warm grain of the wood, allowing the vivid tilework to command visual attention. The piece reads as both an expressive historical artifact and a functional accent—its compact scale ideal beside a reading chair, in an entryway, or as part of a styled vignette with pottery, books, or greenery.\u003c\/p\u003e\n\u003cp\u003eIt carries the unmistakable character of early 20th-century craftsmanship: handmade tiles with raised slip-trail lines, solid hardwood joinery, and a small, partially surviving paper label on the underside—evidence of its original sale through a regional furniture house nearly a century ago.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch3\u003e\u003cstrong\u003e→ Form \u0026amp; Style\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAn authentic \u003cstrong\u003eSpanish Revival \/ California Arts \u0026amp; Crafts\u003c\/strong\u003e table, defined by:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eA four-tile central medallion forming a unified geometric design\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRich, saturated glazes in burnt orange, turquoise, green, and black\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSlip-trailed outlines creating raised boundaries between colors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA molded hardwood top with gently scalloped edges\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTurned legs characteristic of 1920s–30s decorative furniture\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCompact proportions suited to use as a side table, lamp stand, or plant stand\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe piece embodies the decorative language of early 20th-century Mediterranean-inspired American furniture—expressive, bright, and artisanal.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003e→ Materials\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eHand-glazed ceramic tiles\u003c\/strong\u003e (likely Spanish or California production)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRaised slip-trailing typical of early tile studios\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eSolid hardwood frame\u003c\/strong\u003e (restored to natural finish)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eTurned hardwood legs\u003c\/strong\u003e, originally dark-painted\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEarly \u003cstrong\u003epaper furniture-store label fragment\u003c\/strong\u003e adhered to the underside\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe materials reflect the era’s fascination with bringing handcrafted, Old World–influenced artistry into American interiors.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003e→ Technique\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eFour ceramic tiles arranged to form a single, continuous design\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSlip-trailed outlines separating glaze colors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh-temperature firing producing dimensional glow and pooled color\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHardwood frame cut with decorative edge molding\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJoint construction consistent with early 20th-century mass-crafted furniture\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUnderside labeled by the original furniture retailer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTogether, these techniques situate the table firmly within the artisanal-meets-industrial landscape of 1920s–30s American decorative arts.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eEmerging during the \u003cstrong\u003eSpanish Revival boom of the 1915–1935 period\u003c\/strong\u003e, this table reflects a national architectural and design movement inspired by Mediterranean, Moorish, and Spanish Colonial motifs. In California especially, tile workshops flourished—producing colorful slip-trailed tiles for homes, courtyards, and furniture.\u003c\/p\u003e\n\u003cp\u003eTables like this were typically sold through local furniture stores, pairing imported Spanish tiles or California-made designs with American-made hardwood bases. The remaining label fragment on this piece is characteristic of these small early 20th-century retailers.\u003c\/p\u003e\n\u003cp\u003eThe bold turquoise-and-orange palette echoes the aesthetic of Malibu, Catalina, and similar tile makers of the era—bright, whimsical, and unmistakably expressive. Today, these pieces are sought not only as collectible artifacts of Spanish Revival design, but for the sculptural energy and saturated color they bring into modern interiors.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eBeautiful restored condition with:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eStable, intact tile set with age-related cracks consistent with 90–100 years of use\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFreshly refinished hardwood top with warm grain and smooth sheen\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSolid, sturdy original legs—now repainted in a deep neutral tone\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFirm joinery with no looseness\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePartial surviving original paper label to underside\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eClean surface ready for display\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA well-preserved example of early Spanish Revival decorative furniture, carrying authentic patina while remaining fully functional.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eAttribute\u003c\/th\u003e\n\u003cth\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eItem\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSpanish Revival Slip-Trailed Tile-Top Side Table\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDate\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ec. 1925–1935\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHand-glazed ceramic tiles; solid hardwood frame; turned hardwood legs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUnited States (tiles likely Spanish or California origin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eStyle\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSpanish Revival \/ California Arts \u0026amp; Crafts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRestored vintage; stable tile cracking; excellent structural integrity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eOrange, turquoise, black tilework; warm natural wood; dark legs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSide table, accent table, entryway piece, plant stand, decorative vignette anchor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr\u003e\n\u003ch1\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eThis table is a compact burst of color, pattern, and history—a sculptural accent that commands attention without overwhelming a room. Its tile surface brings lively Old World warmth, while the restored hardwood frame adds grounded authenticity. Whether styled beside a lounge chair, layered with ceramics and books, or used as a functional spot for a lamp or plant, it serves as a conversation piece with nearly a century of character behind it.\u003c\/p\u003e\n\u003cp\u003eIt offers:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003ea rare example of early Spanish Revival tilework\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003evibrant, timeless color that enlivens any palette\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ethe charm of handcrafted glazing with real age and patina\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eversatility in both modern and eclectic interiors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ea connection to a distinct and highly collectible American design era\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt’s both art and furniture—alive with history, rich in texture, and perfectly sized for today’s curated spaces.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42717612507241,"sku":"VE-0173","price":182.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/spanish_revival_tile-top_side_table_with_slip-trailed_medallion_hardwood_frame_c._19251935765063279421734374561103977.jpg?v=1773813333"},{"product_id":"hand-painted-sage-green-nightstand-with-bird-botanical-panels-vintage-bedside-table","title":"Hand-Painted Sage Green Nightstand with Bird Botanical Panels | Vintage Bedside Table","description":"\u003ch2\u003e\u003cspan class=\"s1\"\u003eThe Piece\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s2\"\u003eA one-of-a-kind, artist-refinished nightstand in deep sage green and warm honeyed wood, wrapped in layered botanical detail. Both sides are inset with lush bird-and-floral panels, turning the piece into a little storybook vignette beside the bed. The two drawers are striped with alternating bands of wood grain and coordinating paper, framed in hand-painted green with softly distressed edges and aged brass pulls.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s2\"\u003eCompact but full of character, this nightstand reads like a miniature cabinet of curiosities—perfect for bedrooms, reading nooks, or as a side table where you want color, pattern, and history in a single piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cspan class=\"s1\"\u003eDesign \u0026amp; Construction\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s2\"\u003e→ \u003c\/span\u003e\u003cspan class=\"s3\"\u003eForm \u0026amp; Style\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eClassic late-20th-century nightstand silhouette with stepped base and framed side panels.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRich sage green body contrasted with warm natural wood top, rails, and lower apron.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eBotanical bird panels on each side plus matching striping on the drawer fronts for a cohesive, art-forward look.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s2\"\u003e→ \u003c\/span\u003e\u003cspan class=\"s3\"\u003eMaterials \u0026amp; Finish\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSolid wood case (not flat-pack or particle-board), sanded, cleaned, and refinished.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHand-painted sage green enamel on the case with sealed natural wood top and accents.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHigh-quality botanical paper panels carefully applied and sealed for durability.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eOriginal brass hardware cleaned and retained for a vintage, collected feel.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cspan class=\"s1\"\u003eHistory \u0026amp; Provenance\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s2\"\u003eOriginally a standard wood nightstand, this piece has been fully re-imagined as a one-off Viridian Eclection restoration. The structure is late-20th-century American production, chosen for its solid build and clean lines—an ideal canvas for layered paint, paper, and refinishing work.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan class=\"s1\"\u003eCondition\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s2\"\u003eThis is a vintage-style, artist-refurbished piece:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eStructurally sound with smooth-opening drawers.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRefinished surfaces show intentional brushwork, distressing, and small variations consistent with hand work.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTop, panels, and drawer fronts are sealed for everyday use; light coasters and gentle care recommended for longest life.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003e\u003cspan class=\"s1\"\u003eProduct Details\u003c\/span\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eType:\u003c\/span\u003e\u003cspan class=\"s2\"\u003e Vintage-style artist-refurbished nightstand \/ bedside table\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eColor Palette:\u003c\/span\u003e\u003cspan class=\"s2\"\u003e Sage green, warm honey wood, cream, soft plum, olive, and charcoal accents\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eStorage:\u003c\/span\u003e\u003cspan class=\"s2\"\u003e Two drawers\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHardware:\u003c\/span\u003e\u003cspan class=\"s2\"\u003e Original brass bail pulls, corner accents retained and detailed\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eUse:\u003c\/span\u003e\u003cspan class=\"s2\"\u003e Bedside table, living room side table, reading nook accent\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cspan class=\"s1\"\u003eWhy It Belongs in Your Home\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"p2\"\u003e \u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cspan class=\"s2\"\u003eThis nightstand brings the feeling of a curated boutique hotel into an everyday bedroom. The bird-and-bloom panels make it an instant focal point, while the deep green and natural wood keep it grounded and versatile. Pair it with linen bedding and vintage art for an old-world cottage feel, or style it with a modern lamp and stacked books for a more eclectic, collected look.\u003c\/span\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42738318049385,"sku":"VE-0193","price":226.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/hand-painted_sage_green_nightstand_with_bird_botanical_panels_vintage_bedside_table765656357284134426544390249.jpg?v=1773813494"},{"product_id":"american-renaissance-revival-walnut-extension-dining-table-hand-rubbed-finish-c-1880","title":"American Renaissance Revival Walnut Extension Dining Table – Hand-Rubbed Finish, c.1880","description":"\u003ch2\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eA \u003cstrong\u003elate 19th-century American Renaissance Revival dining table\u003c\/strong\u003e, constructed in solid walnut with a rich hand-rubbed finish, newly restored and polished to reveal the depth of its original grain.\u003cbr\u003eIts robust turned legs, baluster stretchers, and detailed undercarriage reflect the grandeur and mechanical ingenuity of the Gilded Age dining room — an object both architectural and intimate in its design.\u003c\/p\u003e\n\u003cp\u003eThe table extends via a \u003cstrong\u003ehand-cranked metal gear mechanism\u003c\/strong\u003e beneath the top, operated by an iron lever and hook assembly — a hallmark of high-quality 19th-century craftsmanship. When extended, it would have accommodated one or more removable leaves, making it suitable for both family meals and formal gatherings.\u003c\/p\u003e\n\u003cp\u003eNow fully refinished, the surface displays the natural luminescence of aged walnut — a swirling grain that shifts from chocolate to auburn under light, with tight banding along the outer edge that anchors the design in visual balance.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e→ Form \u0026amp; Style\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eRenaissance Revival extending dining table\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRectangular top with rounded corners and molded edge\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFour turned and fluted baluster legs, joined by a stretcher base with balustrade-style gallery\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHidden iron crank mechanism for extension\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLate Victorian mechanical joinery system\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe design synthesizes European architectural motifs with the emerging American love of practicality. The bold leg turnings and stretcher recall Italian Renaissance tables, while the proportions and mechanism align with post–Civil War domestic innovation.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e→ Materials\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003ePrimary wood: \u003cstrong\u003eSolid black walnut\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSecondary wood: \u003cstrong\u003ePoplar and pine support rails (typical of the era)\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHardware: \u003cstrong\u003eOriginal cast-iron crank and locking hook assembly\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFinish: \u003cstrong\u003eRestored shellac and oil blend with hand-burnished wax topcoat\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe combination of walnut’s chatoyance (shimmering grain) and mechanical metalwork embodies the late 19th-century fascination with engineering as beauty — a machine-age philosophy rendered in furniture.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e→ Technique\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eMortise-and-tenon joinery throughout the base\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHand-turned and fluted legs with stepped plinth feet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHand-planed top boards joined by tongue-and-groove construction\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOriginal metal gearing hand-forged and bolted through oak substructure\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOriginal locking hook intact under frame, used to secure table halves during extension\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eEvery joint and turning displays human precision — no machine repetition, only the irregular perfection of handwork.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eHistorical Context\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis table was produced in \u003cstrong\u003ethe final quarter of the 19th century (circa 1875–1895)\u003c\/strong\u003e, during the \u003cstrong\u003eAmerican Renaissance Revival period\u003c\/strong\u003e.\u003cbr\u003eAt that time, furniture makers — particularly in New York, Cincinnati, and Grand Rapids — began blending European historicist motifs with American engineering ingenuity.\u003c\/p\u003e\n\u003cp\u003eExtension tables of this kind represented social mobility and domestic progress: expandable for hosting, mechanically advanced, and ornate enough to signal refinement.\u003cbr\u003eIts design reflects the transition from \u003cstrong\u003eVictorian exuberance\u003c\/strong\u003e to \u003cstrong\u003eEdwardian formality\u003c\/strong\u003e — richly carved but architecturally balanced, functional yet ornamental.\u003c\/p\u003e\n\u003cp\u003eThe Renaissance Revival style emphasized masculine strength and symmetry — seen here in the weighty baluster legs and heavy stretcher base. These pieces were central to 19th-century dining rooms, spaces meant to communicate both hospitality and status.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e→ Excellent restored condition\u003cbr\u003e→ Tabletop refinished and hand-waxed, maintaining visible grain character\u003cbr\u003e→ Original structural integrity preserved\u003cbr\u003e→ Mechanism functional; crank and lock operate smoothly\u003cbr\u003e→ Minor age marks on hardware consistent with use\u003cbr\u003e→ No replacement parts; fully authentic\u003c\/p\u003e\n\u003cp\u003eRestoration work done with respect to the original materials and finish.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eBecause it bridges craft, history, and use.\u003cbr\u003eThis table is more than a surface — it’s a piece of mechanical sculpture: designed to move, to adapt, and to last centuries.\u003cbr\u003eIts warmth, weight, and rhythm anchor a room; its presence recalls an era when utility was designed with reverence.\u003c\/p\u003e\n\u003cp\u003eIt brings:\u003cbr\u003e→ Architectural substance and timeless character\u003cbr\u003e→ The craftsmanship of hand-turned walnut\u003cbr\u003e→ A sense of continuity — history polished, not erased\u003c\/p\u003e\n\u003cp\u003eIdeal for dining rooms, libraries, or galleries where heritage craftsmanship is meant to be seen and felt.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eItem:\u003c\/strong\u003e Renaissance Revival Walnut Extension Dining Table\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e c.1875–1895\u003cbr\u003e\u003cstrong\u003eOrigin:\u003c\/strong\u003e United States (likely East Coast or Midwest workshop)\u003cbr\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Solid walnut, iron, and secondary woods\u003cbr\u003e\u003cstrong\u003eFinish:\u003c\/strong\u003e Hand-rubbed shellac and wax restoration\u003cbr\u003e\u003cstrong\u003eMechanism:\u003c\/strong\u003e Original cast-iron crank extension with hook latch\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Excellent restored antique\u003cbr\u003e\u003cstrong\u003eStyle:\u003c\/strong\u003e Renaissance Revival \/ Late Victorian\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003ePricing \u0026amp; Provenance\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003e\u003cstrong\u003eTier\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth\u003e\u003cstrong\u003eMarket Range (USD)\u003c\/strong\u003e\u003c\/th\u003e\n\u003cth\u003e\u003cstrong\u003eContext\u003c\/strong\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eStandard Antique Extension Table (Unrestored)\u003c\/td\u003e\n\u003ctd\u003e$800 – $1,400\u003c\/td\u003e\n\u003ctd\u003eAuction\/estate level\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eProfessionally Restored 19th-Century Walnut\u003c\/td\u003e\n\u003ctd\u003e$1,800 – $2,800\u003c\/td\u003e\n\u003ctd\u003eHigh-quality retail range\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eViridian Eclection Tier (Curated, Authenticated \u0026amp; Restored)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cstrong\u003e$2,900 – $3,500\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ePremium for craftsmanship, restoration integrity \u0026amp; condition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003e\u003cstrong\u003eRecommended Listing Price:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e$3,200 USD\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eSEO Title\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eAmerican Renaissance Revival Walnut Extension Dining Table – Hand-Rubbed Finish, c.1880\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMeta Description\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eLate 19th-century walnut extension table, c.1880. Renaissance Revival design with turned baluster legs, original iron crank mechanism, and restored finish. Warm patina and architectural craftsmanship.\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eWould you like me to create a \u003cstrong\u003ematching “short-form gallery tag”\u003c\/strong\u003e (around 50 words) for in-room display or online listing?\u003cbr\u003eIt’ll read like your Viridian micro-cards — succinct, poetic, and perfectly matched to this piece’s tone.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42753117028457,"sku":"VE-0234","price":1904.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_8604.jpg?v=1767683491"},{"product_id":"1955-leopold-stickley-cherry-dining-table-refinished-solid-wood-oval-extension-table","title":"1955 Leopold Stickley Cherry Dining Table | Refinished Solid Wood Oval Extension Table","description":"\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003eAn original \u003cstrong\u003e1955 Leopold Stickley cherry extension table\u003c\/strong\u003e, expertly refinished to reveal the striking natural grain of its solid hardwood construction. Designed and crafted during the golden age of American furniture making, this piece bears the unmistakable hallmarks of \u003cstrong\u003eL. \u0026amp; J.G. Stickley Inc.\u003c\/strong\u003e, one of the most respected names in the Arts and Crafts tradition.\u003c\/p\u003e\n\u003cp\u003eUnlike later reproductions, this is a \u003cstrong\u003etrue mid-century original\u003c\/strong\u003e, bearing both the \u003cstrong\u003eLeopold Stickley signature decal\u003c\/strong\u003e and the \u003cstrong\u003ebranded shop mark from Fayetteville, NY\u003c\/strong\u003e. Time and care have only added to its appeal: the table has been professionally restored to enrich its depth of color, clarity of grain, and smoothness of finish — revealing the rich flame and figure of the cherry wood beneath decades of wear.\u003c\/p\u003e\n\u003cp\u003eFunctional, substantial, and quietly elegant, this table speaks in the visual language of heirloom quality: gently tapered legs, a perfectly balanced oval form, and a seamless central leaf that allows the piece to expand with grace.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003ch3\u003e→ Form \u0026amp; Style\u003c\/h3\u003e\n\u003cp\u003eAuthentic \u003cstrong\u003emid-century L. \u0026amp; J.G. Stickley cherry extension table\u003c\/strong\u003e, featuring:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eOval tabletop with \u003cstrong\u003ecenter split for hidden extension leaf\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSubtle mid-century curves and Craftsman influence\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOriginal dated production label: \u003cstrong\u003eJune 28, 1955\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSignature branded shop mark: \u003cstrong\u003e\"Stickley, Fayetteville, Syracuse\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTapered solid wood legs with gently rounded feet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRefinished with hand-rubbed oil or shellac blend to revive grain detail\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis piece reflects Stickley’s transitional period, when mid-century modern clarity met Arts and Crafts integrity — a rare fusion of utility, proportion, and natural beauty.\u003c\/p\u003e\n\u003ch3\u003e→ Materials\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSolid \u003cstrong\u003echerry hardwood\u003c\/strong\u003e, no veneers\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOriginal joinery and pegged construction\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProfessionally refinished to reveal high chatoyance (natural shimmer) and rich reddish-golden tones\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNatural oil-based or shellac-compatible finish, breathable and historically appropriate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOriginal underside instruction label intact\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe use of American cherry lends this table both warmth and strength. Over time, cherry develops a deeper patina, turning richer and more amber — a living wood that only improves with age.\u003c\/p\u003e\n\u003ch3\u003e→ Technique\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eFactory-joined at \u003cstrong\u003eL. \u0026amp; J.G. Stickley’s Syracuse-area workshop\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTabletop made from bookmatched or sequential cherry planks, sanded and finished to a smooth satin sheen\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSeamlessly integrated expansion leaf allows for functional growth without compromising aesthetics\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLegs turned and tapered with restrained craftsmanship — expressive without embellishment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch2\u003eHistory \u0026amp; Provenance\u003c\/h2\u003e\n\u003cp\u003eCrafted on \u003cstrong\u003eJune 28, 1955\u003c\/strong\u003e, this table was part of the post-war revival of traditional American craftsmanship — a period when Leopold Stickley’s firm reasserted the values of quality, longevity, and restraint in the face of mass-produced furniture. Stickley’s approach favored \u003cstrong\u003esolid wood construction\u003c\/strong\u003e, \u003cstrong\u003emortise-and-tenon joinery\u003c\/strong\u003e, and a deep respect for material integrity.\u003c\/p\u003e\n\u003cp\u003eThis piece was likely purchased for a family dining room or parlor, meant to be used daily and passed down. It has now been \u003cstrong\u003erevived with care\u003c\/strong\u003e, not to disguise age, but to reveal the beauty intended by its maker.\u003c\/p\u003e\n\u003cp\u003eToday, it remains an enduring emblem of American design: not just built to last, but built to age beautifully.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003eExcellent, fully restored:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSurface professionally refinished to enhance and protect grain\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTop is smooth and even, with subtle figure visible throughout\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAll joints tight and stable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOriginal branding and labels intact and legible\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMinor age signs retained on underside only\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eReady for immediate use and long-term enjoyment.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eProduct Details\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eItem\u003c\/strong\u003e: Leopold Stickley Cherry Extension Table\u003cbr\u003e\u003cstrong\u003eDate\u003c\/strong\u003e: June 28, 1955\u003cbr\u003e\u003cstrong\u003eMaker\u003c\/strong\u003e: L. \u0026amp; J.G. Stickley Inc., Fayetteville, NY\u003cbr\u003e\u003cstrong\u003eMaterials\u003c\/strong\u003e: Solid cherry wood\u003cbr\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e: Refinished, satin sheen\u003cbr\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: [Insert size closed] – expands with center leaf\u003cbr\u003e\u003cstrong\u003eCondition\u003c\/strong\u003e: Excellent vintage, professionally restored\u003cbr\u003e\u003cstrong\u003eStyle\u003c\/strong\u003e: Mid-century Arts and Crafts \/ Transitional Mission\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp\u003eBecause some furniture is not merely owned — it’s stewarded.\u003c\/p\u003e\n\u003cp\u003eThis table represents a moment when craft triumphed over convenience. Its proportions are generous but not loud. Its lines are clean but not cold. It was made by hands that valued discipline over decoration — and now, restored by hands that understood that vision.\u003c\/p\u003e\n\u003cp\u003ePerfect if you want a piece that:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eEmbodies \u003cstrong\u003eauthentic American craftsmanship\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBalances \u003cstrong\u003emid-century simplicity\u003c\/strong\u003e with warmth\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eServes both everyday function and lasting legacy\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePairs with Stickley, Shaker, Scandinavian, or Craftsman interiors\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUnder the light, the cherry surface glows like embered wood — a quiet reminder that beauty often comes from grain, not gloss.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42756906877033,"sku":"VE-0237","price":1512.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_3863.jpg?v=1778389195"},{"product_id":"victorian-carved-pedestal-table-with-original-painted-finish-c-1870-1890","title":"Victorian Carved Pedestal Table with Original Painted Finish (c. 1870–1890)","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA sculptural Victorian pedestal table of circa 1870 to 1890, of notable proportion and restraint, distinguished by a finely carved base and a calm, architectural presence.\u003c\/p\u003e\n\u003cp\u003eThe circular top has a molded edge profile and rests on opposing carved supports that read as structural rather than decorative, an approach favored in higher quality Victorian furniture where form and balance mattered as much as ornament. The pedestal base is worked with opposing scroll and foliate motifs, and the whole is of solid wood with hand carved detailing.\u003c\/p\u003e\n\u003cp\u003eThe original painted and gilt surface has softened over time, revealing subtle variation and warmth. Areas of light chipping are present, evidence of age and of use rather than neglect.\u003c\/p\u003e\n\u003cp\u003eThe carving remains crisp where it matters most, at the knees, the scrolls and the feet, which indicates skilled handwork rather than mass production. The table is deliberate, stable and resolved from every angle.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003ePedestal tables of this type were produced in the late nineteenth century for formal interiors, entry halls, parlors and sitting rooms, where a single object was expected to stand on its own.\u003c\/p\u003e\n\u003cp\u003eThe painted and gilt surface aligns with period taste, when contrast and sculptural emphasis were favored over the display of raw wood. This table was always meant to be read as an object rather than simply as furniture.\u003c\/p\u003e\n\u003cp\u003eThe table carries no maker's mark on record, so the dating rests on idiom and construction: the molded edge, the opposing scroll and foliate carving, and the quality of the handwork at the knees and feet. Many Victorian tables survive, but fewer retain this clarity of carving alongside this level of structural integrity.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1870 to 1890\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003ePedestal table with circular molded edge top on opposing carved supports\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eSolid wood with hand carved detailing\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eOriginal painted and gilt finish with natural surface wear\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnmarked. Attribution rests on idiom and construction\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eVictorian\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good antique condition. Minor paint loss and surface wear consistent with age. No structural issues. Stable, level and ready to display\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eTo be confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eThe table does not compete with a room. It anchors one, and it holds space without effort.\u003c\/p\u003e\n\u003cp\u003eIt works in traditional interiors, in eclectic rooms, and in modern spaces that need a single historic element to ground the whole. It holds light well, it supports objects without disappearing beneath them, and it stands confidently when left completely bare.\u003c\/p\u003e\n\u003cp\u003eFor a dealer or designer the appeal is the surface. An original painted and gilt finish of this age is not something that can be recreated, and it is what makes the piece an essential rather than a filler.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42794544758889,"sku":"VE-0314","price":1176.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/D2F48E0D-2203-433C-9F39-B1AB66863952_1_105_c.jpg?v=1767683936"},{"product_id":"vintage-marble-pedestal-side-table-with-cast-ornate-base-c-1940s-1950s","title":"Vintage Marble Pedestal Side Table with Cast Ornate Base, c. 1940s–1950s","description":"\u003ch2 data-start=\"407\" data-end=\"423\"\u003e\u003cstrong data-start=\"410\" data-end=\"423\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"425\" data-end=\"719\"\u003eThis vintage marble pedestal side table reflects the enduring appeal of classical form interpreted through mid-century American production. Likely dating to the 1940s–1950s, the table combines traditional architectural detailing with the practicality and scale favored in mid-century interiors.\u003c\/p\u003e\n\u003cp data-start=\"721\" data-end=\"1077\"\u003eThe circular marble top features soft natural veining and a polished edge profile, offering both visual refinement and everyday durability. Beneath, the sculptural pedestal base is richly ornamented with fluted and acanthus-inspired detailing, finished in a softly aged, stone-toned patina that highlights the depth of the casting rather than obscuring it.\u003c\/p\u003e\n\u003cp data-start=\"1079\" data-end=\"1335\"\u003eBalanced, substantial, and quietly decorative, this piece was designed to serve as an accent rather than a focal point—perfectly suited for placement beside an upholstered chair, sofa, or bed, where material quality and proportion speak louder than excess.\u003c\/p\u003e\n\u003chr data-start=\"1337\" data-end=\"1340\"\u003e\n\u003ch2 data-start=\"1342\" data-end=\"1370\"\u003e\u003cstrong data-start=\"1345\" data-end=\"1370\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1372\" data-end=\"1648\"\u003e→ Solid marble circular top with natural veining\u003cbr data-start=\"1420\" data-end=\"1423\"\u003e→ Cast pedestal base with classical relief detailing\u003cbr data-start=\"1475\" data-end=\"1478\"\u003e→ Fluted column form with ornate footed base\u003cbr data-start=\"1522\" data-end=\"1525\"\u003e→ Neutral aged finish that complements both traditional and transitional interiors\u003cbr data-start=\"1607\" data-end=\"1610\"\u003e→ Stable, well-balanced construction\u003c\/p\u003e\n\u003chr data-start=\"1650\" data-end=\"1653\"\u003e\n\u003ch2 data-start=\"1655\" data-end=\"1674\"\u003e\u003cstrong data-start=\"1658\" data-end=\"1674\"\u003eEra \u0026amp; Origin\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1676\" data-end=\"1763\"\u003e→ United States\u003cbr data-start=\"1691\" data-end=\"1694\"\u003e→ Circa 1940s–1950s\u003cbr data-start=\"1713\" data-end=\"1716\"\u003e→ Mid-Century Traditional \/ Classical Revival\u003c\/p\u003e\n\u003chr data-start=\"1765\" data-end=\"1768\"\u003e\n\u003ch2 data-start=\"1770\" data-end=\"1786\"\u003e\u003cstrong data-start=\"1773\" data-end=\"1786\"\u003eCondition\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1788\" data-end=\"2001\"\u003eThe table is in very good vintage condition.\u003cbr data-start=\"1832\" data-end=\"1835\"\u003e→ Marble top shows light surface wear consistent with age\u003cbr data-start=\"1892\" data-end=\"1895\"\u003e→ Base retains its original finish with expected patina and minor wear\u003cbr data-start=\"1965\" data-end=\"1968\"\u003e→ Structurally sound and stable\u003c\/p\u003e\n\u003cp data-start=\"2003\" data-end=\"2119\"\u003eWear present is consistent with age and use and contributes to the piece’s character rather than detracting from it.\u003c\/p\u003e\n\u003chr data-start=\"2121\" data-end=\"2124\"\u003e\n\u003ch2 data-start=\"2126\" data-end=\"2160\"\u003e\u003cstrong data-start=\"2129\" data-end=\"2160\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2162\" data-end=\"2415\"\u003eThis is the kind of piece that anchors a space without demanding attention. Its materials and proportions allow it to move effortlessly between design styles—layered comfortably into traditional interiors, or used to soften and ground more modern rooms.\u003c\/p\u003e\n\u003cp data-start=\"2417\" data-end=\"2507\"\u003eIt offers permanence, texture, and quiet elegance—attributes that never fall out of favor.\u003c\/p\u003e\n\u003chr data-start=\"2509\" data-end=\"2512\"\u003e\n\u003ch2 data-start=\"2514\" data-end=\"2535\"\u003e\u003cstrong data-start=\"2517\" data-end=\"2535\"\u003eSpecifications\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2537\" data-end=\"2636\"\u003e→ Pedestal side \/ accent table\u003cbr data-start=\"2567\" data-end=\"2570\"\u003e→ Marble top\u003cbr data-start=\"2582\" data-end=\"2585\"\u003e→ Cast decorative base\u003cbr data-start=\"2607\" data-end=\"2610\"\u003e→ Vintage, one of a kind\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42813769941097,"sku":"VE-0341","price":302.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/A9741845-E2A5-4824-94D3-8839CE6EE826_1_201_a.jpg?v=1768297800"},{"product_id":"antique-hand-painted-side-table-with-gilt-decoration-and-turned-legs-c-19th-century","title":"Antique Hand-Painted Side Table with Gilt Decoration and Turned Legs, c. 19th Century","description":"\u003ch2 data-start=\"426\" data-end=\"442\"\u003e\u003cstrong data-start=\"429\" data-end=\"442\"\u003eThe Piece\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"444\" data-end=\"799\"\u003eThis antique side table reflects the enduring appeal of hand-painted decorative furniture produced in the late 19th century, where function and ornament were designed to coexist. Crafted from solid wood and finished with layered paint and gilt accents, the table carries the unmistakable visual language of traditional European-influenced decorative arts.\u003c\/p\u003e\n\u003cp data-start=\"801\" data-end=\"1129\"\u003eThe square top is adorned with a richly detailed hand-painted motif—scrolling foliate forms arranged symmetrically within a framed border. Traces of gilt, ochre, and deep red pigments remain visible throughout, softened by time and wear. The surface shows pronounced craquelure and abrasion, evidence of age rather than neglect.\u003c\/p\u003e\n\u003cp data-start=\"1131\" data-end=\"1428\"\u003eThe apron is detailed with applied beading, while the tapered, turned legs terminate in fine points, giving the piece a light, architectural stance despite its visual richness. Every surface bears the marks of handwork and use, resulting in a table that feels layered, dimensional, and lived with.\u003c\/p\u003e\n\u003cp data-start=\"1430\" data-end=\"1530\"\u003eThis is not a restored piece striving for perfection. It is an object that has earned its character.\u003c\/p\u003e\n\u003chr data-start=\"1532\" data-end=\"1535\"\u003e\n\u003ch2 data-start=\"1537\" data-end=\"1565\"\u003e\u003cstrong data-start=\"1540\" data-end=\"1565\"\u003eDesign \u0026amp; Construction\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1567\" data-end=\"1782\"\u003e→ Solid wood construction\u003cbr data-start=\"1592\" data-end=\"1595\"\u003e→ Hand-painted and gilt-decorated surface\u003cbr data-start=\"1636\" data-end=\"1639\"\u003e→ Square top with foliate scroll motif\u003cbr data-start=\"1677\" data-end=\"1680\"\u003e→ Beaded apron detailing\u003cbr data-start=\"1704\" data-end=\"1707\"\u003e→ Turned and tapered legs\u003cbr data-start=\"1732\" data-end=\"1735\"\u003e→ Original painted finish with visible patina\u003c\/p\u003e\n\u003chr data-start=\"1784\" data-end=\"1787\"\u003e\n\u003ch2 data-start=\"1789\" data-end=\"1808\"\u003e\u003cstrong data-start=\"1792\" data-end=\"1808\"\u003eEra \u0026amp; Origin\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1810\" data-end=\"1911\"\u003e→ Likely European or European-influenced\u003cbr data-start=\"1850\" data-end=\"1853\"\u003e→ Late 19th century\u003cbr data-start=\"1872\" data-end=\"1875\"\u003e→ Traditional decorative furniture\u003c\/p\u003e\n\u003chr data-start=\"1913\" data-end=\"1916\"\u003e\n\u003ch2 data-start=\"1918\" data-end=\"1934\"\u003e\u003cstrong data-start=\"1921\" data-end=\"1934\"\u003eCondition\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1936\" data-end=\"2121\"\u003eThe table is in authentic antique condition.\u003cbr data-start=\"1980\" data-end=\"1983\"\u003e→ Extensive surface wear consistent with age\u003cbr data-start=\"2027\" data-end=\"2030\"\u003e→ Visible paint loss, craquelure, and softening of gilt\u003cbr data-start=\"2085\" data-end=\"2088\"\u003e→ Structurally stable and sound\u003c\/p\u003e\n\u003cp data-start=\"2123\" data-end=\"2227\"\u003eWear is expected and integral to the piece’s visual depth. Nothing has been over-corrected or concealed.\u003c\/p\u003e\n\u003chr data-start=\"2229\" data-end=\"2232\"\u003e\n\u003ch2 data-start=\"2234\" data-end=\"2268\"\u003e\u003cstrong data-start=\"2237\" data-end=\"2268\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2270\" data-end=\"2445\"\u003eThis table excels as an accent piece—beside a chair, layered under artwork, or used as a sculptural stand. Its surface tells a story that no modern reproduction can replicate.\u003c\/p\u003e\n\u003cp data-start=\"2447\" data-end=\"2596\"\u003eIt works particularly well in interiors that value contrast: modern spaces softened with age, or traditional rooms enriched with texture and history.\u003c\/p\u003e\n\u003cp data-start=\"2598\" data-end=\"2654\"\u003eThis is furniture chosen for its soul, not its symmetry.\u003c\/p\u003e\n\u003chr data-start=\"2656\" data-end=\"2659\"\u003e\n\u003ch2 data-start=\"2661\" data-end=\"2682\"\u003e\u003cstrong data-start=\"2664\" data-end=\"2682\"\u003eSpecifications\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2684\" data-end=\"2771\"\u003e→ Side \/ accent table\u003cbr data-start=\"2705\" data-end=\"2708\"\u003e→ Hand-painted wood\u003cbr data-start=\"2727\" data-end=\"2730\"\u003e→ Square top\u003cbr data-start=\"2742\" data-end=\"2745\"\u003e→ Antique, one of a kind\u003c\/p\u003e\n\u003chr data-start=\"2773\" data-end=\"2776\"\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42815869878377,"sku":"VE-0351","price":193.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_0095.jpg?v=1768360220"},{"product_id":"italian-florentine-painted-coffee-table-c-late-1940s-1950s-faux-marble-top","title":"Italian Florentine Painted Coffee Table (c. Late 1940s–1950s) | Faux Marble Top","description":"\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003eItalian Florentine Painted Coffee Table\u003cbr\u003eHand-painted wood with faux marble top\u003cbr\u003eLate 1940s–1950s\u003cbr\u003eItaly\u003c\/p\u003e\n\u003cp\u003eA refined Italian Florentine coffee table featuring a hand-painted base with floral and lattice decoration, topped with a warm faux marble surface in layered ochre and honey tones. The softly contoured rectangular form rests on elegant cabriole legs, each accented with painted floral panels that reflect Italy’s long decorative tradition.\u003c\/p\u003e\n\u003cp\u003eRooted in earlier European ornamental language, Florentine painted furniture experienced a revival in postwar Italy, where historic forms were thoughtfully reinterpreted for modern interiors. This table exemplifies that moment—decorative yet balanced, expressive without excess.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDesign \u0026amp; Craftsmanship\u003c\/h2\u003e\n\u003cp\u003eThe base is entirely hand-painted, executed over a gilt-toned ground with visible brushwork that gives the surface depth and individuality. Floral motifs and classic lattice detailing are applied with careful symmetry, framing the form without overwhelming it.\u003c\/p\u003e\n\u003cp\u003eThe faux marble top is finely rendered, emulating natural stone through layered coloration rather than literal imitation. This approach offered visual richness while remaining lighter and more practical for domestic use. The cabriole legs are gracefully proportioned, lending the piece a sense of movement and elegance without heavy carving.\u003c\/p\u003e\n\u003cp\u003eThis is not factory-flat decoration. It is painterly, intentional work made to be seen and lived with.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistorical Context\u003c\/h2\u003e\n\u003cp\u003eIn the late 1940s and 1950s, Italian workshops—particularly those influenced by Florentine traditions—produced decorative furniture that bridged old-world craftsmanship and postwar lifestyles. These pieces were often created for export or for design-forward homes seeking European character without the fragility of true period antiques.\u003c\/p\u003e\n\u003cp\u003ePainted furniture of this era drew inspiration from Rococo and earlier continental styles while adapting proportions and finishes for everyday use. As a result, such pieces remain highly versatile and enduring in contemporary interiors.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003eVery good vintage condition.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eLight surface wear and minor paint loss consistent with age and use\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFaux marble top remains intact with no structural damage observed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLegs and base are stable and sound\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePresents cleanly and displays beautifully\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003chr\u003e\n\u003ch2\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp\u003eThis table offers the warmth and visual richness of antique-inspired design with the usability modern living requires.\u003c\/p\u003e\n\u003cp\u003ePlaced in a sitting room, library, or layered living space, it adds:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eColor and texture without heaviness\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEuropean character without fragility\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDecorative presence that feels collected, not staged\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIt works effortlessly alongside antiques, eclectic interiors, and refined contemporary spaces that benefit from contrast and craftsmanship.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDetails\u003c\/h2\u003e\n\u003cp\u003eOrigin: Italy\u003cbr\u003ePeriod: Late 1940s–1950s\u003cbr\u003eMaterials: Hand-painted wood, faux marble top\u003cbr\u003eStyle: Florentine \/ Old-World Decorative\u003cbr\u003eCondition: Very good vintage condition\u003cbr\u003eReady for use or display\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42830871724137,"sku":"VE-0417","price":725.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/EC412061-DBEF-4A8F-9A6F-FD4BA62A1CB9_1_105_c.jpg?v=1768975284"},{"product_id":"c-1938-1943-mersman-demilune-side-table-refinished-american-accent-table","title":"Mid-Century Mersman Demilune Side Table (c. 1938–1950s) | Cherry Wood Half-Moon Table | Hinchman Collective","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThis is an original \u003cstrong\u003emid-century demilune side table by Mersman\u003c\/strong\u003e, thoughtfully \u003cstrong\u003erefinished by Viridian Eclection\u003c\/strong\u003e as part of \u003cstrong\u003eThe Hinchman Collective\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe half-moon silhouette is classic Mersman. Light, architectural, and restrained. Slender tapered legs support a softly curved top, balanced by a lower shelf that mirrors the form above. A single drawer anchors the piece visually, detailed with a carved central motif and flanked by understated ring pulls.\u003c\/p\u003e\n\u003cp\u003eThe finish is where this table becomes distinctly Viridian.\u003c\/p\u003e\n\u003cp\u003eA \u003cstrong\u003edeep cherry tone\u003c\/strong\u003e was introduced to enhance the natural grain and bring warmth and gravity to the form, while preserving the table’s original proportions and period-correct character. Nothing was altered for trend. Nothing was softened for comfort. The goal was clarity. Structure. Presence.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2 data-start=\"146\" data-end=\"168\"\u003e\u003cstrong data-start=\"149\" data-end=\"168\"\u003eProduct Details\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-start=\"170\" data-end=\"735\"\u003e→ \u003cstrong data-start=\"172\" data-end=\"182\"\u003eMaker:\u003c\/strong\u003e Mersman\u003cbr data-start=\"190\" data-end=\"193\"\u003e→ \u003cstrong data-start=\"195\" data-end=\"206\"\u003eOrigin:\u003c\/strong\u003e United States\u003cbr data-start=\"220\" data-end=\"223\" data-is-only-node=\"\"\u003e→ \u003cstrong data-start=\"225\" data-end=\"233\"\u003eEra:\u003c\/strong\u003e Mid-20th century, c. 1930s–1950s\u003cbr data-start=\"266\" data-end=\"269\"\u003e→ \u003cstrong data-start=\"271\" data-end=\"284\"\u003eMaterial:\u003c\/strong\u003e Solid and veneered wood\u003cbr data-start=\"308\" data-end=\"311\"\u003e→ \u003cstrong data-start=\"313\" data-end=\"324\"\u003eFinish:\u003c\/strong\u003e Viridian Eclection cherry refinish\u003cbr data-start=\"359\" data-end=\"362\"\u003e→ \u003cstrong data-start=\"364\" data-end=\"373\"\u003eForm:\u003c\/strong\u003e Demilune \/ half-moon side table\u003cbr data-start=\"405\" data-end=\"408\"\u003e→ \u003cstrong data-start=\"410\" data-end=\"425\"\u003eDimensions:\u003c\/strong\u003e \u003cstrong data-start=\"426\" data-end=\"455\"\u003e26.5” W × 15.5” D × 28” H\u003c\/strong\u003e\u003cbr data-start=\"455\" data-end=\"458\"\u003e→ \u003cstrong data-start=\"460\" data-end=\"473\"\u003eFeatures:\u003c\/strong\u003e\u003cbr data-start=\"473\" data-end=\"476\"\u003e  • Single drawer with carved decorative apron\u003cbr data-start=\"532\" data-end=\"535\"\u003e  • Brass ring pulls\u003cbr data-start=\"565\" data-end=\"568\"\u003e  • Lower shelf for functional balance\u003cbr data-start=\"616\" data-end=\"619\"\u003e→ \u003cstrong data-start=\"621\" data-end=\"635\"\u003eCondition:\u003c\/strong\u003e Excellent vintage condition; professionally refinished with light, age-appropriate wear preserved\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eHistorical Context\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eBy the mid-20th century, \u003cstrong\u003eMersman\u003c\/strong\u003e had become one of America’s most recognizable furniture manufacturers, known for producing well-designed, accessible pieces that balanced traditional craftsmanship with modern living. Demilune tables were especially popular during this period, offering elegance without bulk and fitting naturally into entryways, sitting rooms, and transitional spaces.\u003c\/p\u003e\n\u003cp\u003eMersman’s success came from strong proportions and repeatable forms rather than excess ornamentation. This table reflects that philosophy. The carved drawer detail adds restraint, not decoration for decoration’s sake. It was designed to live quietly in a room and last.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Hinchman Collective\u003c\/strong\u003e builds on that foundation by preserving original craftsmanship while introducing layered, time-respectful finishes. The cherry tone used here reflects the Collective’s grounding palette: warm, saturated, and honest to the wood beneath.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003e\u003cstrong\u003eWhy It Belongs In Your Home\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eBecause it brings weight without heaviness.\u003c\/p\u003e\n\u003cp\u003eThis table works seamlessly as:\u003cbr\u003e→ an entryway anchor\u003cbr\u003e→ a side table beside a chair or sofa\u003cbr\u003e→ a bedside table with depth\u003cbr\u003e→ a transitional piece that connects rooms\u003c\/p\u003e\n\u003cp\u003eThe cherry finish adds richness while remaining neutral enough to live comfortably alongside both modern and traditional interiors. It doesn’t announce itself. It earns its place.\u003c\/p\u003e\n\u003cp\u003eThis is furniture with good bones, restored with intention, and finished to live in a modern space without losing its past.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch3\u003e\u003cstrong\u003eCollection Note\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eRefinished by \u003cstrong\u003eViridian Eclection\u003c\/strong\u003e as part of \u003cstrong\u003eThe Hinchman Collective\u003c\/strong\u003e, where original craftsmanship is preserved and elevated through grounded color, material honesty, and restraint.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42868533985385,"sku":"VE-0481","price":274.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/13C454DA-1156-423F-AC89-C82D63116FC8_4_5005_c.jpg?v=1770437239"},{"product_id":"refurbished-barley-twist-side-table-with-cane-shelf","title":"Refurbished Barley Twist Side Table with Cane Shelf","description":"\u003ch3\u003eThe Furniture\u003c\/h3\u003e\n\u003cp\u003eA vintage side table refurbished to preserve its original character while raising its presence for a modern interior. The frame, once finished in a worn and uneven brown, now carries a smooth satin Viridian finish that reads the architectural form without overpowering it.\u003c\/p\u003e\n\u003cp\u003eThe tabletop veneer was carefully sanded and revived with a dark walnut gloss, restoring depth and clarity to the grain while keeping the integrity of the original surface. The result is a rich, dimensional top set deliberately against the painted frame, a balance of warmth and structure.\u003c\/p\u003e\n\u003cp\u003eClassic barley twist legs anchor the table visually, while the woven cane lower shelf adds texture and lightness. The original brass hardware has been retained, including the brass pull on the single drawer, a subtle accent that ties the piece back to its vintage origins.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe table is vintage and its exact maker is unknown. It carries no cabinetmaker's mark, so the attribution rests on idiom and construction, principally the barley twist turned legs, the woven cane lower shelf and the single drawer with its original brass pull, all conventions of traditional occasional furniture.\u003c\/p\u003e\n\u003cp\u003eThe restoration is recent and documented. The painted surfaces were professionally sanded, refinished and sealed in satin Viridian, and the veneer top was revived with a dark walnut gloss. The original brass hardware was kept rather than replaced, so the surviving vintage components remain with the piece and the intervention is limited to the finish.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003eVintage, refurbished\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnmarked, exact maker unknown\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eSide table with barley twist turned legs, single drawer and woven cane lower shelf\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eWood frame with restored walnut veneer top, woven cane shelf, original brass hardware\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eSatin Viridian frame with dark walnut gloss veneer top\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eTraditional with eclectic restoration\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eTo be confirmed. Compact occasional size\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eExcellent refurbished condition. Professionally sanded, refinished and sealed. Veneer restored with dark walnut gloss. Painted surfaces finished in satin Viridian for a smooth, durable surface. Structurally sound and ready for everyday use\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCategory\u003c\/td\u003e\n\u003ctd\u003eCollector's Choice\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eThe piece bridges vintage craftsmanship and contemporary color without strain. Its compact size makes it useful as a side table, a lamp table or an accent piece, and the cane shelf offers storage without visual weight.\u003c\/p\u003e\n\u003cp\u003eThe contrast between the restored walnut and the Viridian finish gives the table a tailored, intentional look that reads as curated rather than recreated. It sits comfortably in traditional and eclectic rooms alike.\u003c\/p\u003e\n\u003cp\u003eIt was selected for its construction and character, then finished to extend its life without erasing its history.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42889525493865,"sku":"VE-0514","price":364.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/6CAFFE20-2C55-4889-8B70-96683EA3447A_1_105_c.jpg?v=1770433505"},{"product_id":"refurbished-art-deco-mahogany-bedside-table-c-1930s-40s","title":"Refurbished Art Deco Mahogany Bedside Table c. 1930s–40s","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003eA refined Art Deco bedside table in richly toned mahogany, featuring sculptural curved side panels, a single drawer with brass knob, and an open lower shelf. The silhouette defines the design—arched, shield-like sides that taper gently into simplified cabriole-inspired feet. Clean stepped molding along the top edge frames a beautifully figured mahogany surface, newly restored to highlight its ribboned grain and warm depth.\u003c\/p\u003e\n\u003cp\u003eCompact yet architecturally confident, this piece blends utility with early 20th-century restraint, offering both storage and sculptural presence in one balanced form.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eDesign \u0026amp; Construction\u003c\/h2\u003e\n\u003cp\u003e→ \u003cstrong\u003eForm \u0026amp; Style:\u003c\/strong\u003e\u003cbr\u003eLate Art Deco \/ transitional 1930s–40s design with softened geometry and curved side panels. The flared ends create visual movement without ornamentation. Subtle stepped molding and symmetrical proportions reflect Deco discipline—elegant, controlled, and quietly dramatic.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eMaterial:\u003c\/strong\u003e\u003cbr\u003eMahogany veneer over hardwood frame with solid wood drawer front. The top reveals natural ribboning and tonal variation in the grain. Brass round pull retains period-appropriate simplicity.\u003c\/p\u003e\n\u003cp\u003e→ \u003cstrong\u003eConstruction Details:\u003c\/strong\u003e\u003cbr\u003eSingle upper drawer with open lower shelf. Clean joinery, stable stance, and balanced proportions. Interior shows faint penciled notation consistent with vintage workshop marking. Drawer slides smoothly; structure is solid and square.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eHistory \u0026amp; Provenance\u003c\/h2\u003e\n\u003cp\u003eArt Deco furniture of the 1930s marked a shift away from heavy ornament toward silhouette and proportion. English-influenced Deco often favored curved forms softened by traditional craftsmanship, creating pieces that felt modern yet rooted in classical balance. Bedside and occasional tables from this period were designed to be both practical and sculptural—small in scale but intentional in form.\u003c\/p\u003e\n\u003cp\u003eThis example reflects that transitional moment—bridging decorative tradition and streamlined modernism.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\u003cp\u003eVery good restored vintage condition.\u003c\/p\u003e\n\u003cp\u003eTop and exterior surfaces have been professionally refurbished to revive depth and clarity of grain. Minor age-appropriate wear along inner drawer edge and subtle surface variation consistent with period authenticity. No veneer lifting or structural instability observed. Ready for immediate use.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch2\u003eProduct Details\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eAttribute\u003c\/th\u003e\n\u003cth\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eArt Deco \/ Transitional\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDate\u003c\/td\u003e\n\u003ctd\u003ec. 1930s–1940s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eMahogany veneer over hardwood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHardware\u003c\/td\u003e\n\u003ctd\u003eBrass round knob\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFeatures\u003c\/td\u003e\n\u003ctd\u003eOne drawer, one open lower shelf\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eNewly refurbished exterior\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good vintage condition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMarkings\u003c\/td\u003e\n\u003ctd\u003eFaint interior penciled marking\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003e(Measurements to be added)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003chr\u003e\n\u003ch2\u003eWhy It Belongs in Your Home\u003c\/h2\u003e\n\u003cp\u003eArchitectural yet intimate, this bedside table delivers warmth without visual weight. The curved sides add softness beside a bed, leather chair, or sofa, while the open shelf keeps styling flexible—books, ceramics, or a sculptural lamp.\u003c\/p\u003e\n\u003cp\u003eIt pairs seamlessly with moody bedrooms, layered traditional interiors, or eclectic spaces that blend old and new. The refined mahogany tone grounds a room without overpowering it.\u003c\/p\u003e\n\u003cp\u003eThis is not reproduction Deco. It is the real transition era—measured, balanced, enduring.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42955018698857,"sku":"VE-0609","price":223.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_8902.jpg?v=1772374803"},{"product_id":"hand-carved-folding-miniature-wood-pedestal-table-with-floral-inlay-kashmiri-export-craft-c-1970s","title":"Hand-Carved Folding Miniature Wood Pedestal Table with Floral Inlay, Kashmiri Export Craft c.1970s","description":"\u003ch1\u003eThe Piece\u003c\/h1\u003e\n\u003cp\u003eThis intricately carved miniature pedestal table reflects the long tradition of decorative wood carving produced for the global export market during the mid-20th century. Small in scale yet rich in detail, the table features a circular carved top supported by a folding tripod base.\u003c\/p\u003e\n\u003cp\u003eThe tabletop is decorated with a finely carved floral pattern encircling a central star-shaped inlay made from a lighter contrasting material. The carving has a soft relief depth that gives the surface a subtle dimensional quality while preserving the warmth of the natural wood grain.\u003c\/p\u003e\n\u003cp\u003eThe base is formed from three pierced carved panels joined by small hinges, allowing the table to fold flat when not in use. When opened, the panels create a stable tripod structure that supports the circular top while maintaining an elegant and lightweight appearance.\u003c\/p\u003e\n\u003cp\u003eMiniature folding tables such as this were widely produced in Kashmir and northern India during the mid-20th century as decorative export pieces. Their portability, intricate hand carving, and distinctive form made them popular souvenirs and decorative accents in Western homes throughout the 1960s and 1970s.\u003c\/p\u003e\n\u003cp\u003eThough modest in size, the craftsmanship is thoughtful. The pierced carving along the legs introduces light and shadow, while the central inlay draws the eye inward toward the carved floral border.\u003c\/p\u003e\n\u003cp\u003ePieces like this were commonly used as small display stands for incense burners, small sculptures, candles, or other decorative objects, though they also function beautifully as sculptural objects on their own.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eHistorical Context\u003c\/h1\u003e\n\u003cp\u003eWood carving has been a defining craft tradition in Kashmir for centuries, influenced by Persian, Mughal, and Central Asian design aesthetics. Floral motifs, geometric medallions, and pierced carving patterns became particularly associated with Kashmiri decorative arts.\u003c\/p\u003e\n\u003cp\u003eDuring the mid-20th century, workshops in the region began producing small decorative objects for export markets across Europe and North America. Folding tables, jewelry boxes, carved trays, and small stands became especially popular due to their portability and intricate workmanship.\u003c\/p\u003e\n\u003cp\u003eThese objects were typically hand-carved from hardwoods and assembled using small brass hinges, allowing them to collapse flat for transport while maintaining structural stability when assembled.\u003c\/p\u003e\n\u003cp\u003eToday they remain charming examples of global folk craft traditions and continue to be collected for their decorative character and handmade detail.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eProduct Details\u003c\/h1\u003e\n\u003cp\u003eObject: Folding miniature pedestal table \/ display stand\u003cbr\u003eMaterial: Hand-carved wood with inlay detail\u003cbr\u003eTechnique: Relief carving and pierced cutwork\u003cbr\u003eOrigin: Likely Kashmir, India\u003cbr\u003eEra: Mid-20th century\u003cbr\u003eDate: c.1970s\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cp\u003e• Folding tripod base\u003cbr\u003e• Floral carved tabletop\u003cbr\u003e• Star-shaped inlay centerpiece\u003cbr\u003e• Pierced decorative leg panels\u003cbr\u003e• Hinged construction allowing flat storage\u003c\/p\u003e\n\u003cp\u003eApproximate Dimensions\u003c\/p\u003e\n\u003cp\u003eHeight: ~4–5 inches\u003cbr\u003eDiameter: ~4 inches\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eCondition + Updates\u003c\/h1\u003e\n\u003cp\u003eThe table remains in very good vintage condition.\u003c\/p\u003e\n\u003cp\u003eCarving details are crisp and well preserved. Hinges function properly and allow the base to fold and unfold smoothly. The tabletop inlay remains intact.\u003c\/p\u003e\n\u003cp\u003eMinor surface wear consistent with age and handling is present along the edges and carved areas, adding to the natural patina of the piece.\u003c\/p\u003e\n\u003cp\u003eNo structural damage observed.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eWhy It Belongs in Your Home\u003c\/h1\u003e\n\u003cp\u003eSmall objects with strong craftsmanship often create the most interesting moments in a room. This miniature folding table adds texture and sculptural detail to a bookshelf, desk, or display cabinet while occupying very little space.\u003c\/p\u003e\n\u003cp\u003eIts clever folding construction and delicate carving make it both decorative and functional. It can easily serve as a stand for a small sculpture, incense burner, candle, or treasured object.\u003c\/p\u003e\n\u003cp\u003eFor collectors of global craft traditions or those who appreciate finely detailed handmade objects, it offers a beautiful combination of artistry and practicality.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003eFrom Viridian Eclection\u003c\/h1\u003e\n\u003cp\u003eAt Viridian Eclection we search for objects that celebrate craftsmanship and story, from large furnishings to small decorative curiosities.\u003c\/p\u003e\n\u003cp\u003eThis miniature folding pedestal table reflects a long tradition of skilled wood carving adapted into a charming and versatile form.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":42962020401257,"sku":"VE-0636","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/hand-carved_folding_miniature_wood_pedestal_table_with_floral_inlay_kashmiri_export_craft_c.1970s772119278397735017981296745.jpg?v=1774756811"},{"product_id":"c-1900-1930-jacobean-revival-three-leg-wall-table","title":"c.1900-1930 Jacobean Revival Three-Leg Wall Table","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA compact antique wall table with a shaped top, straight along the back edge so that it rests flat against a wall, and softened into a serpentine, scalloped profile at the front.\u003c\/p\u003e\n\u003cp\u003eThe support is a three leg arrangement with turned front legs and matching rear supports, block transitions at the joints, and a box and side stretcher base that adds both structure and visual weight.\u003c\/p\u003e\n\u003cp\u003eThe top shows a time softened surface in darkened medium brown, with visible grain, tonal variation and age wear. The wood is likely oak or a stained hardwood.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe table carries no maker mark visible in the photographs, so the attribution rests on idiom and construction rather than on a signature.\u003c\/p\u003e\n\u003cp\u003eThe turned legs, block transitions and stretcher base belong to the William and Mary and Jacobean Revival vocabulary, the hand finished rhythm associated with English revival furniture. On that basis the origin is given as English or American.\u003c\/p\u003e\n\u003cp\u003eThe date is estimated at about 1900 to 1930, the period in which those earlier forms were being produced again for domestic interiors.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1900 to 1930, estimated\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnmarked. No maker mark visible in the photographs\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eLikely English or American\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eWilliam and Mary, Jacobean Revival\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eSmall antique wall table, serving equally as a console or side table\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eLikely oak or stained hardwood\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003eThree leg support with rear wall edge. Turned legs with block transitions. Box and side stretcher base\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTop\u003c\/td\u003e\n\u003ctd\u003eStraight back edge with shaped and scalloped front profile\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eDarkened medium brown wood finish with age softened patina\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eTo be confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVisible surface wear, finish variation, edge wear and age related marks consistent with use and age\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eThis is the sort of antique decorators return to because it solves problems. Narrow enough for a tight wall, interesting enough to stand alone, warm enough to soften a room without asking for attention.\u003c\/p\u003e\n\u003cp\u003eIt slips into a layered interior beside a chair, in an entry, under a mirror, or as a small lamp table where a full console would sit too heavily. It also works as a hall table, an accent table or a display stand.\u003c\/p\u003e\n\u003cp\u003eThe silhouette gives movement, the turned legs give history, and the worn surface gives the depth that new furniture keeps trying to imitate.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":43096131436649,"sku":"VE-0760","price":227.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/c.1900-1930_jacobean_revival_three-leg_wall_table774358135613735184866525289.jpg?v=1775200950"},{"product_id":"antique-english-black-gateleg-drop-leaf-table-c-1900-1920","title":"Antique English Black Gateleg Drop Leaf Table c.1900–1920","description":"\u003ch2 data-section-id=\"xt9ena\" data-start=\"788\" data-end=\"804\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"791\" data-end=\"804\"\u003eThe Piece\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-start=\"806\" data-end=\"1119\"\u003eA classic English gateleg drop leaf table, dating to the early 20th century, defined by its practical form and beautifully turned leg structure. Designed for flexibility, the hinged leaves expand to create a full dining or work surface, supported by swing-out gate legs that lock into place with quiet confidence.\u003c\/p\u003e\n\u003cp data-start=\"1121\" data-end=\"1388\"\u003eThe base features traditional barley-twist and block-turned stretchers, forming a low, architectural lattice that gives the piece both strength and visual weight. A single drawer adds a functional detail, often used historically for linens or small dining implements.\u003c\/p\u003e\n\u003cp data-start=\"1390\" data-end=\"1626\"\u003eThis example retains its original proportions and craftsmanship, with solid wood construction throughout. The current painted surface reflects a later finish, but beneath it is a form that lends itself exceptionally well to restoration.\u003c\/p\u003e\n\u003chr data-start=\"1628\" data-end=\"1631\"\u003e\n\u003ch2 data-section-id=\"1ce9s3q\" data-start=\"1633\" data-end=\"1658\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"1636\" data-end=\"1658\"\u003eHistorical Context\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-start=\"1660\" data-end=\"2029\"\u003eGateleg tables became widely popular in England during the 17th century and remained a staple well into the early 20th century due to their adaptability in smaller homes. By the late Victorian and Edwardian periods, these tables were produced in both rural workshops and larger furniture houses, often blending traditional forms with more accessible production methods.\u003c\/p\u003e\n\u003cp data-start=\"2031\" data-end=\"2292\"\u003eThis piece reflects that transition period — still rooted in traditional joinery and turning techniques, but simplified in execution for everyday use. The result is a table that carries the structure of earlier English design without the fragility or formality.\u003c\/p\u003e\n\u003chr data-start=\"2294\" data-end=\"2297\"\u003e\n\u003ch2 data-section-id=\"izrlcp\" data-start=\"2299\" data-end=\"2333\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"2302\" data-end=\"2333\"\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2335\" data-end=\"2457\"\u003eThis is the kind of piece that earns its place through function first, then quietly becomes the thing everyone asks about.\u003c\/p\u003e\n\u003cp data-start=\"2459\" data-end=\"2750\"\u003e→ Expands for entertaining, collapses when you don’t need it\u003cbr data-start=\"2519\" data-end=\"2522\"\u003e→ Strong, grounded base that doesn’t feel flimsy like modern reproductions\u003cbr data-start=\"2596\" data-end=\"2599\"\u003e→ Perfect scale for entryway, dining nook, or studio workspace\u003cbr data-start=\"2661\" data-end=\"2664\"\u003e→ Takes a dark finish exceptionally well, elevating it from “antique” to “intentional”\u003c\/p\u003e\n\u003cp data-start=\"2752\" data-end=\"2917\"\u003eDone right, the black satin finish transforms this from overlooked to architectural. It stops being “a blue table” and becomes a statement piece that anchors a room.\u003c\/p\u003e\n\u003chr data-start=\"2919\" data-end=\"2922\"\u003e\n\u003ch2 data-section-id=\"7zrzpy\" data-start=\"2924\" data-end=\"2940\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"2927\" data-end=\"2940\"\u003eCondition\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-start=\"2942\" data-end=\"3152\"\u003eStructurally sound with expected wear consistent with age.\u003cbr data-start=\"3000\" data-end=\"3003\"\u003eSurface shows signs of prior repainting and use, making it an ideal candidate for refinishing.\u003cbr data-start=\"3097\" data-end=\"3100\"\u003eMinor surface inconsistencies and edge wear present.\u003c\/p\u003e\n\u003chr data-start=\"3154\" data-end=\"3157\"\u003e\n\u003ch2 data-section-id=\"12unya4\" data-start=\"3159\" data-end=\"3181\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong data-start=\"3162\" data-end=\"3181\"\u003eProduct Details\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"group TyagGW_tableWrapper flex flex-col-reverse w-fit\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"3183\" data-end=\"3683\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"3183\" data-end=\"3238\"\u003e\n\u003ctr data-start=\"3183\" data-end=\"3238\"\u003e\n\u003cth data-start=\"3183\" data-end=\"3202\" data-col-size=\"sm\" class=\"\"\u003eAttribute\u003c\/th\u003e\n\u003cth data-start=\"3202\" data-end=\"3238\" data-col-size=\"sm\" class=\"\"\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3294\" data-end=\"3683\"\u003e\n\u003ctr data-start=\"3294\" data-end=\"3348\"\u003e\n\u003ctd data-start=\"3294\" data-end=\"3312\" data-col-size=\"sm\"\u003eType\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3312\" data-end=\"3348\"\u003eGateleg Drop Leaf Table\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3349\" data-end=\"3403\"\u003e\n\u003ctd data-start=\"3349\" data-end=\"3367\" data-col-size=\"sm\"\u003eOrigin\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3367\" data-end=\"3403\"\u003eEngland (likely)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3404\" data-end=\"3458\"\u003e\n\u003ctd data-start=\"3404\" data-end=\"3422\" data-col-size=\"sm\"\u003eCirca\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3422\" data-end=\"3458\"\u003e1900–1920\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3459\" data-end=\"3513\"\u003e\n\u003ctd data-start=\"3459\" data-end=\"3477\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3477\" data-end=\"3513\"\u003eSolid Wood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3514\" data-end=\"3568\"\u003e\n\u003ctd data-start=\"3514\" data-end=\"3532\" data-col-size=\"sm\"\u003eFinish\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3532\" data-end=\"3568\"\u003eTo be refinished (black satin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3569\" data-end=\"3628\"\u003e\n\u003ctd data-start=\"3569\" data-end=\"3587\" data-col-size=\"sm\"\u003eFeatures\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3587\" data-end=\"3628\"\u003eDrop leaves, gateleg supports, drawer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3629\" data-end=\"3683\"\u003e\n\u003ctd data-start=\"3629\" data-end=\"3647\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-col-size=\"sm\" data-start=\"3647\" data-end=\"3683\"\u003eGood structural condition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":43165131538537,"sku":"VE-0851","price":626.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/ECBF7416-04F9-48AE-BA36-5EBD14EE158E_1_105_c.jpg?v=1777362056"},{"product_id":"antique-french-provincial-painted-two-tier-occasional-table-circa-1920s-1940s","title":"Antique French Provincial Painted Two-Tier Occasional Table, Circa 1920s–1940s","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA small painted occasional table of two tiers, with a rectangular top bordered by molded trim and small raised corner blocks, a scalloped apron, pierced elongated cutouts along the front, straight fluted legs, and a lower display shelf.\u003c\/p\u003e\n\u003cp\u003eThe lower shelf echoes the shaped lines of the upper apron, and the fluting on the legs adds vertical detail without weighting the form. The construction is light but carefully detailed.\u003c\/p\u003e\n\u003cp\u003eThe finish is a creamy ivory paint, layered and naturally distressed throughout, revealing warm beige and darker underlayers at the edges, corners, legs, and top. The silhouette is graceful and softly architectural, with enough structure and patina to keep it from feeling precious.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe table dates to approximately the 1920s to 1940s, the early twentieth century, and shows a delicate French Provincial influence.\u003c\/p\u003e\n\u003cp\u003eThe piece is unmarked and its origin is unknown, so the attribution rests on idiom and construction. The scalloped apron, the pierced cutout detailing, and the fluted legs are the features that place it in the French Provincial or Louis XV revival vocabulary.\u003c\/p\u003e\n\u003cp\u003eThe paint is original to the working life of the table rather than a modern finish, and the wear pattern at high contact points is consistent with decades of domestic use. The overall reading is rustic and romantic, in the idiom of antique cottage, French country, and collected European interiors.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eItem\u003c\/td\u003e\n\u003ctd\u003eAntique two tier occasional table\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003eCirca 1920s to 1940s, early twentieth century\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eFrench Provincial, Louis XV revival, cottage antique\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eUnknown\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003ePainted wood\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eDistressed ivory and cream paint with warm beige undertones\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eRectangular top with lower shelf\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDesign Details\u003c\/td\u003e\n\u003ctd\u003eScalloped apron, pierced front cutouts, fluted legs, raised corner blocks, lower display shelf\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eIvory, cream, beige, warm natural wood tones\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eNone recorded\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eTo be confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eAntique condition with visible distressing, scuffs, scratches, small chips, finish loss, discoloration, and surface wear throughout. The top shows circular marks, scratches, and areas of worn finish. Corners and raised details show paint loss and exposed underlayers. Structurally sound in appearance, with the minor movement or unevenness common to antique furniture. Sold as is\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eUse\u003c\/td\u003e\n\u003ctd\u003eSide table, bedside table, nursery table, plant stand, entryway accent, powder room table, decorative display. Best suited to light everyday use or display\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eThis is the kind of small antique table that makes a room look intentional. It works beside a linen sofa, next to a reading chair, or in a nursery, a hallway, a powder room, or a guest bedroom.\u003c\/p\u003e\n\u003cp\u003eThe lower shelf takes books, folded textiles, a small basket, or collected ceramics, which doubles the usefulness of a piece with a modest footprint.\u003c\/p\u003e\n\u003cp\u003eThe aged painted finish brings softness and texture, and the scalloped apron and pierced detail add just enough ornament to make it particular. It is delicate without looking fragile, and well suited to a home that values patina and old world character.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":43226235732073,"sku":"VE-0955","price":141.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_0941.jpg?v=1778891763"},{"product_id":"antique-late-victorian-edwardian-two-tier-cherry-occasional-tables-c-1890-1915-pair","title":"Antique Late Victorian \/ Edwardian Two-Tier Cherry Occasional Tables, c. 1890–1915 (Pair)","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\" data-turn-id-container=\"request-WEB:d13dd9cd-66c9-4733-9805-5f3ecb9a7575-1\" data-is-intersecting=\"true\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:d13dd9cd-66c9-4733-9805-5f3ecb9a7575-1\" data-turn-id-container=\"request-WEB:d13dd9cd-66c9-4733-9805-5f3ecb9a7575-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"caa71cd2-fd0d-4237-91c8-d77afa559fc6\" dir=\"auto\" data-message-model-slug=\"gpt-5-5-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003ch2 data-section-id=\"1bcf42u\" data-start=\"1925\" data-end=\"1937\"\u003eThe Piece\u003c\/h2\u003e\n\u003cp data-start=\"1939\" data-end=\"2236\"\u003eAntique late Victorian to Edwardian two-tier occasional tables, c. 1890–1915.\u003cbr data-start=\"2016\" data-end=\"2019\"\u003eCherry-toned hardwood or mahogany-finished wood with shaped upper tops, lower display shelves, curved supports, and cabriole-style legs.\u003cbr data-start=\"2155\" data-end=\"2158\"\u003eSold as a near pair with aged finish, visible patina, and period surface wear.\u003c\/p\u003e\n\u003cp data-start=\"2238\" data-end=\"2590\"\u003eThese antique occasional tables carry the refined proportions of late Victorian and Edwardian parlor furniture, with shaped upper surfaces, lower utility shelves, curved side supports, and cabriole-style legs. Their compact scale and tiered construction would have made them ideal for use beside seating, in a parlor, entry, bedroom, or reading corner.\u003c\/p\u003e\n\u003ch2 data-section-id=\"ery58m\" data-start=\"2978\" data-end=\"2999\"\u003eHistorical Context\u003c\/h2\u003e\n\u003cp data-start=\"3001\" data-end=\"3358\"\u003eDuring the late Victorian and Edwardian periods, small occasional tables became common in formal sitting rooms and parlors. These pieces were used for lamps, books, calling cards, florals, tea service, and decorative objects. Two-tier forms were especially useful because they offered both a top surface and a lower shelf without taking up much floor space.\u003c\/p\u003e\n\u003cp data-start=\"3360\" data-end=\"3610\"\u003eThe curved legs and shaped profiles on these tables reflect the continued influence of Victorian, Queen Anne, and early 20th-century revival furniture design. They are decorative without being oversized, making them highly usable in modern interiors.\u003c\/p\u003e\n\u003ch2 data-section-id=\"189qedo\" data-start=\"3612\" data-end=\"3630\"\u003eProduct Details\u003c\/h2\u003e\n\u003cdiv class=\"TyagGW_tableContainer\"\u003e\n\u003cdiv class=\"group TyagGW_tableWrapper flex flex-col-reverse w-fit\" tabindex=\"-1\"\u003e\n\u003ctable data-start=\"3632\" data-end=\"4411\" class=\"w-fit min-w-(--thread-content-width)\"\u003e\n\u003cthead data-start=\"3632\" data-end=\"3656\"\u003e\n\u003ctr data-start=\"3632\" data-end=\"3656\"\u003e\n\u003cth data-start=\"3632\" data-end=\"3641\" data-col-size=\"sm\" class=\"last:pe-10\"\u003eDetail\u003c\/th\u003e\n\u003cth data-start=\"3641\" data-end=\"3656\" data-col-size=\"lg\" class=\"last:pe-10\"\u003eDescription\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-start=\"3667\" data-end=\"4411\"\u003e\n\u003ctr data-start=\"3667\" data-end=\"3730\"\u003e\n\u003ctd data-start=\"3667\" data-end=\"3681\" data-col-size=\"sm\"\u003eObject Type\u003c\/td\u003e\n\u003ctd data-col-size=\"lg\" data-start=\"3681\" data-end=\"3730\"\u003ePair \/ near pair of antique occasional tables\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3731\" data-end=\"3795\"\u003e\n\u003ctd data-start=\"3731\" data-end=\"3739\" data-col-size=\"sm\"\u003eStyle\u003c\/td\u003e\n\u003ctd data-col-size=\"lg\" data-start=\"3739\" data-end=\"3795\"\u003eLate Victorian \/ Edwardian with Queen Anne influence\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3796\" data-end=\"3829\"\u003e\n\u003ctd data-start=\"3796\" data-end=\"3813\" data-col-size=\"sm\"\u003eEstimated Date\u003c\/td\u003e\n\u003ctd data-col-size=\"lg\" data-start=\"3813\" data-end=\"3829\"\u003ec. 1890–1915\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3830\" data-end=\"3892\"\u003e\n\u003ctd data-start=\"3830\" data-end=\"3841\" data-col-size=\"sm\"\u003eMaterial\u003c\/td\u003e\n\u003ctd data-start=\"3841\" data-end=\"3892\" data-col-size=\"lg\"\u003eCherry-toned hardwood or mahogany-finished wood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3893\" data-end=\"3971\"\u003e\n\u003ctd data-start=\"3893\" data-end=\"3902\" data-col-size=\"sm\"\u003eFinish\u003c\/td\u003e\n\u003ctd data-col-size=\"lg\" data-start=\"3902\" data-end=\"3971\"\u003eDeep reddish-brown cherry \/ mahogany tone with darker aged patina\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"3972\" data-end=\"4032\"\u003e\n\u003ctd data-start=\"3972\" data-end=\"3979\" data-col-size=\"sm\"\u003eForm\u003c\/td\u003e\n\u003ctd data-col-size=\"lg\" data-start=\"3979\" data-end=\"4032\"\u003eTwo-tier table with upper surface and lower shelf\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4033\" data-end=\"4063\"\u003e\n\u003ctd data-start=\"4033\" data-end=\"4040\" data-col-size=\"sm\"\u003eLegs\u003c\/td\u003e\n\u003ctd data-start=\"4040\" data-end=\"4063\" data-col-size=\"lg\"\u003eCabriole-style legs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4064\" data-end=\"4149\"\u003e\n\u003ctd data-start=\"4064\" data-end=\"4075\" data-col-size=\"sm\"\u003eFeatures\u003c\/td\u003e\n\u003ctd data-col-size=\"lg\" data-start=\"4075\" data-end=\"4149\"\u003eShaped tops, lower shelves, curved supports, decorative apron movement\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4150\" data-end=\"4234\"\u003e\n\u003ctd data-start=\"4150\" data-end=\"4160\" data-col-size=\"sm\"\u003ePairing\u003c\/td\u003e\n\u003ctd data-col-size=\"lg\" data-start=\"4160\" data-end=\"4234\"\u003eNear pair; similar in form but not necessarily an original matched set\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4235\" data-end=\"4352\"\u003e\n\u003ctd data-start=\"4235\" data-end=\"4247\" data-col-size=\"sm\"\u003eCondition\u003c\/td\u003e\n\u003ctd data-col-size=\"lg\" data-start=\"4247\" data-end=\"4352\"\u003eAntique condition with surface wear, finish variation, rubbing, scuffs, and age-related imperfections\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4353\" data-end=\"4384\"\u003e\n\u003ctd data-start=\"4353\" data-end=\"4366\" data-col-size=\"sm\"\u003e\u003c\/td\u003e\n\u003ctd data-col-size=\"lg\" data-start=\"4366\" data-end=\"4384\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-start=\"4385\" data-end=\"4411\"\u003e\n\u003ctd data-start=\"4385\" data-end=\"4394\" data-col-size=\"sm\"\u003e\u003c\/td\u003e\n\u003ctd data-start=\"4394\" data-end=\"4411\" data-col-size=\"lg\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2 data-section-id=\"1gegj36\" data-start=\"4946\" data-end=\"4978\"\u003eWhy This Belongs in Your Home\u003c\/h2\u003e\n\u003cp data-start=\"4980\" data-end=\"5187\"\u003eThese tables bring antique warmth, curve, and vertical layering into a room without feeling heavy. The two-tier construction makes them practical for styling beside a sofa, reading chair, bed, or entry wall.\u003c\/p\u003e\n\u003cp data-start=\"5189\" data-end=\"5519\"\u003eThey work beautifully in traditional, collected, Victorian-inspired, English cottage, dark academic, and moody eclectic interiors. Use them with a small lamp, stacked books, framed art, brass, porcelain, or floral arrangements to create a layered antique look that feels intentional rather than “I inherited a corner and gave up.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":43243476287593,"sku":"VE-1030","price":438.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/A1BF25B0-8C5B-49F4-B957-B1F025273EBC_1_105_c.jpg?v=1779696614"},{"product_id":"black-painted-canterbury-style-magazine-record-rack-side-table-c-1920s-1940s","title":"Black Painted Canterbury-Style Magazine \/ Record Rack Side Table, c. 1920s–1940s","description":"\u003ch2\u003eThe Piece\u003c\/h2\u003e\n\u003cp\u003eAn early-to-mid 20th-century Canterbury-style side table, finished in worn black paint with an open upper shelf and divided lower storage for magazines, books, sheet music, or records. The piece features rounded legs, molded apron detail, shaped side supports, and vertical interior dividers that give it both utility and architectural presence.\u003c\/p\u003e\n\u003cp\u003eIts surface carries visible edge wear, scuffs, rubbed corners, and exposed wood beneath the black finish. The result is a compact storage table with the kind of lived-in character that modern “distressed” furniture keeps trying to fake, usually with the subtlety of a stage injury.\u003c\/p\u003e\n\u003ch2\u003eHistory\u003c\/h2\u003e\n\u003cp\u003eThe Canterbury form originated as a portable stand for sheet music and printed material, later evolving into magazine racks, newspaper stands, and occasional side tables. By the early 20th century, the style had been adapted into domestic furniture for parlors, sitting rooms, bedrooms, and libraries.\u003c\/p\u003e\n\u003cp\u003eThis example likely dates to the 1920s–1940s, with a form that bridges traditional Canterbury storage and practical side-table use. The divided lower section makes it suitable for magazines, books, sheet music, or vinyl records if the measurements allow.\u003c\/p\u003e\n\u003ch2\u003eProduct Details\u003c\/h2\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth\u003eAttribute\u003c\/th\u003e\n\u003cth\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eObject\u003c\/td\u003e\n\u003ctd\u003eCanterbury-style side table \/ magazine rack \/ record rack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePeriod\u003c\/td\u003e\n\u003ctd\u003eEarly-to-mid 20th century, c. 1920s–1940s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eTraditional \/ Colonial Revival \/ Cottage \/ Library\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnknown\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003ePainted wood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eColor\u003c\/td\u003e\n\u003ctd\u003eWorn black finish with exposed wood at edges and corners\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDetails\u003c\/td\u003e\n\u003ctd\u003eOpen upper shelf, divided lower storage, shaped side supports, molded apron, rounded legs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVintage condition with surface wear, scuffs, rubbed edges, finish loss, exposed wood, scratches, and age-related patina throughout. Structurally condition should be confirmed before listing.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUse\u003c\/td\u003e\n\u003ctd\u003eSide table, nightstand, magazine rack, music stand, book storage, or record storage if dimensions allow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eAdd final measurements\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch2\u003eWhy It Belongs In Your Home\u003c\/h2\u003e\n\u003cp\u003eThis piece brings storage, surface, and shape into one compact form. It works beautifully beside a chair, sofa, bed, reading nook, or record setup, offering just enough room for a lamp, bowl, stack of books, or collected object above, with divided storage below.\u003c\/p\u003e\n\u003cp\u003eThe black finish gives it weight and versatility, while the worn edges keep it from feeling too polished. Style it with old books, vinyl records, brass lighting, blue-and-white ceramics, ironstone, or layered library objects\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47726048346217,"sku":"VE-1168","price":242.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/black_painted_canterbury-style_magazine_record_rack_side_table_c._1920s1940s937450861373735824756785257.jpg?v=1782883912"},{"product_id":"french-rococo-revival-draped-wall-consoles-c-1890-1915-bronzed-spelter","title":"French Rococo Revival Draped Wall Consoles, c. 1890-1915, Bronzed Spelter","description":"\u003cp\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFew decorative forms capture the romance of the Belle Époque quite like draped wall consoles. This elegant matched pair transforms a simple architectural shelf into an illusion of gathered silk, cascading tassels, and theatrical fabric suspended in bronze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach console is richly sculpted with flowing drapery gathered beneath a carved cornice, complete with braided cords and tassels that terminate in deeply folded fabric. The shelves themselves are substantial enough to display porcelain, clocks, candlesticks, or small sculptures while remaining decorative objects in their own right.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFinished in a warm antique bronze patina with subtle verdigris developing in protected recesses, the pair possesses the mellow character only decades of age can produce.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHistory\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese consoles were produced during the height of the \u003c\/span\u003e\u003cspan\u003eFrench Rococo Revival\u003c\/span\u003e\u003cspan\u003e, when nineteenth-century decorators revived the elegance of Louis XV interiors for fashionable homes throughout Europe and America.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRather than depicting architectural brackets, artisans sculpted them as luxurious swags of gathered silk complete with tassels and folds, creating an illusion that the shelves themselves were supported entirely by draped fabric. Similar consoles frequently adorned salons, parlors, music rooms, and formal dining rooms where they displayed clocks, busts, vases, and porcelain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe casting quality and surviving bronze finish suggest manufacture around \u003c\/span\u003e\u003cspan\u003e1890-1915\u003c\/span\u003e\u003cspan\u003e, before lighter-weight decorative reproductions became common in the mid-twentieth century.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eProduct Details \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable width=\"1400.2\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cstrong\u003eAttribute\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cstrong\u003eDetail\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eOrigin\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eFrance (attributed)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eDate\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003ec. 1890-1915\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eStyle\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eRococo Revival \/ Belle Époque\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMaterial\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eBronzed spelter with antique bronze finish\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eConfiguration\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMatched pair\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eMounting\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eIntegrated wall mounting\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eShelf Depth\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eApprox. 7 in.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eShelf Height\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eApprox. 3½ in.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd valign=\"middle\"\u003e\n\u003cp\u003e\u003cspan\u003eVery good antique condition with age-appropriate surface wear, light oxidation, scattered verdigris, and minor finish loss consistent with more than a century of display.  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy It Endures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWall consoles occupy a unique place in antique interiors. They are simultaneously sculpture and architecture, capable of framing artwork, elevating cherished objects, or standing alone as decorative statements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis pair possesses an uncommon sculptural quality. Rather than relying on heavy carved scrollwork, the designer created movement through flowing drapery and richly detailed tassels, giving the illusion of soft fabric transformed into metal. The result feels both refined and theatrical, making them equally at home beneath an antique mirror, flanking a painting, or anchoring a grand hallway.\u003c\/span\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47795922010217,"sku":"VE-1206","price":346.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/0C382D25-6A1A-49E9-AB0C-925FA1F325CA.jpg?v=1783881930"},{"product_id":"victorian-washstand-with-towel-bars-and-open-lower-shelf-turned-legs-american-c-1875-1900","title":"Victorian Washstand with Towel Bars and Open Lower Shelf, Turned Legs, American, c. 1875–1900","description":"\u003cdiv role=\"feed\"\u003e\n\u003cdiv role=\"article\" tabindex=\"-1\"\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eA charming country washstand in light-toned hardwood, warm and honey-colored with straight, quiet grain. The rectangular top is edged with a low gallery at the back and flanked by a pair of scrolled uprights carrying turned towel bars — the detail that gives the form its whole character. Below sits a single full-width drawer with two round brass knobs, and beneath that an open shelf spanning the base. The legs are ring-turned and tapered, ending in small turned feet that lift the whole piece off the floor with real lightness. It's a modest, well-proportioned thing, honest in its construction and endlessly useful.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBefore plumbing came indoors, the washstand held the pitcher and basin, and the towel bars at either end are exactly what they appear to be: where the linen hung to dry. American cabinet shops turned these out in enormous numbers from the 1870s through the turn of the century in walnut, butternut, ash, and pine — sturdy country furniture built for daily use rather than display, with the ring-turned legs and open shelf that mark the late Victorian vernacular. Plumbing eventually made the form obsolete and most were broken up or relegated to porches, which is why complete examples with both towel bars intact are far less common now than the bare-topped survivors.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003eField\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eObject\u003c\/td\u003e\n\u003ctd\u003eWashstand \/ server with towel bars\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eAmerican\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eSolid hardwood — likely butternut or walnut; brass knobs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDecoration\u003c\/td\u003e\n\u003ctd\u003eRing-turned tapered legs; scrolled towel-bar uprights with turned rails; low back gallery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eSingle drawer over open lower shelf, on turned legs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1875–1900\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good. Solid and stable throughout, drawer running smoothly, both towel bars present and secure. Refinished surface with warm even color; light scattered marks and honest wear consistent with age and use. Condition Guaranteed.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAvailability\u003c\/td\u003e\n\u003ctd\u003eOne of a Kind — 1 Available\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe washstand has quietly become one of the most useful antiques you can own, because its proportions suit rooms it was never built for. Use it as an entry console with baskets on the lower shelf, a bedside table with real storage, a small bar with bottles below and glasses above, or a powder-room vanity. Those towel bars still do their original job beautifully in a bath. It's slim enough for a hallway, warm enough to soften a modern room, and it layers effortlessly with brass, ironstone, botanical prints, and collected interiors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47914867294313,"sku":"VE-1301","price":398.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/victorian_washstand_with_towel_bars_and_open_lower_shelf_turned_legs_american_c._18751900941813399562536218920206441.jpg?v=1787623075"},{"product_id":"pair-of-chippendale-revival-step-end-tables-carved-mahogany-with-ball-and-claw-feet-restored-c-1935-1955","title":"Pair of Chippendale Revival Step-End Tables, Carved Mahogany with Ball-and-Claw Feet, Restored, c. 1935–1955","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cstrong\u003e\u003cspan class=\"_animating_muyve_10\"\u003eThe Piece\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cspan class=\"_animating_muyve_10\"\u003eA handsome pair of two-tier step tables in solid mahogany, and a real showcase of revival-era carving. Each rises on four cabriole legs with acanthus-carved knees, ending in fully modeled ball-and-claw feet — the talons clearly defined, gripping the ball with visible knuckles. The shaped apron sweeps in a serpentine curve and carries a carved foliate cartouche at each corner. The lower tier is finished with a molded gallery lip that runs the full perimeter, and an S-scroll support carries a raised upper tier at lamp height.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cspan class=\"_animating_muyve_10\"\u003eThe mahogany has been brought back to a deep warm red-brown with real depth in the figure, and the carving reads crisply because the finish sits in the tool marks rather than filling them.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cstrong\u003e\u003cspan class=\"_animating_muyve_10\"\u003eThese tables were acquired in pieces.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"_animating_muyve_10\"\u003e They came to us in poor condition, structurally failed and apart, and were fully disassembled, repaired, reglued, and refinished in our own shop. They are sound, square, and stable, and they are ready for another eighty years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cstrong\u003e\u003cspan class=\"_animating_muyve_10\"\u003eHistory \u0026amp; Provenance\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cspan class=\"_animating_muyve_10\"\u003eThe vocabulary here is eighteenth-century English — the cabriole leg, the acanthus knee, the ball-and-claw foot are all Thomas Chippendale's, drawn from his 1754 \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"_animating_muyve_10\"\u003eGentleman and Cabinet-Maker's Director\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"_animating_muyve_10\"\u003e. The object is not. The \u003c\/span\u003e\u003cstrong\u003e\u003cspan class=\"_animating_muyve_10\"\u003estep-end table\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan class=\"_animating_muyve_10\"\u003e is a twentieth-century American invention, designed for a twentieth-century problem: the living room needed a surface at sofa-arm height for a drink and a second surface at lamp height for a lamp, and one piece of furniture solved both.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cspan class=\"_animating_muyve_10\"\u003eGrand Rapids and the great American furniture houses produced these \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eby the tens of thousands from the 1930s \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003ethrough the 1950s, marrying Chippendale \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003ecarving to a thoroughly modern form. It \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003ewas the \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003edominant idiom of the American living \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eroom for two decades, and the quality \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eof the carving on a given example tells \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eyou plainly where \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003ein the market it was sold. The carving \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eon this pair is well above the middle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cstrong\u003e\u003cspan class=\"_animating_muyve_10\"\u003eProduct Details\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\" class=\"overflow-x-auto w-full pl-[var(--msg-block-inset,0.5rem)] pr-2 mb-6 print:overflow-x-visible\"\u003e\n\u003ctable class=\"min-w-full border-collapse text-sm leading-[1.7] whitespace-normal\"\u003e\n\u003cthead class=\"text-left\"\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eField\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"text-text-100 border-b-0.5 border-[hsl(var(--border-300)\/0.6)] py-2 pr-4 align-top font-bold\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eDetail\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eObject\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003ePair of \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003etwo-tier step-end tables\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eOrigin\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eAmerican\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eMaterial\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eSolid mahogany \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eDecoration\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eCarved acanthus knees; \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eball-and-claw feet; foliate corner \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003ecartouches; molded gallery lip\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eForm \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eTwo-tier step table on cabriole legs \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003ewith S-scroll support\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eEra\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003ec. \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003e1935–1955\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eCondition\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eExcellent, fully restored. \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eAcquired in poor structural condition \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eand disassembled, repaired, reglued, \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eand refinished in our shop. Now solid, \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003esquare, and stable throughout, with \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eall carving crisp and intact. Warm \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003ehand-applied finish. Sold as a matched \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003epair. Condition Guaranteed.\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eAvailability\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003ctd class=\"border-b-0.5 border-[hsl(var(--border-300)\/0.3)] py-2 pr-4 align-top\"\u003e\n\u003cspan class=\"_animating_muyve_10\"\u003eOne of a Kind — 1 Pair \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eAvailable\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cstrong\u003e\u003cspan class=\"_animating_muyve_10\"\u003eWhy It Belongs in Your Home\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cspan class=\"_animating_muyve_10\"\u003eA pair \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eof matched end tables is one of the \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003ehardest things to find and one of the \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003emost useful things to own — symmetry at \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eeither end of a sofa settles a room \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003efaster than almost any other move. The \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003etwo-tier design earns its keep every \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eday: the lower gallery \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eholds a drink, a book, and a phone \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003ewithout anything sliding off, while the \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eupper tier lifts a lamp to reading \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eheight without stealing the \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003esurface below it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\" dir=\"ltr\"\u003e\u003cspan class=\"_animating_muyve_10\"\u003eThey also work \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eapart. One makes an excellent entry \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003etable or a bedside with real storage \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eabove and below; \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003ethe pair flanking a bed, a fireplace, \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eor a pair of chairs looks entirely \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003edeliberate. That deep \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003emahogany is happy against velvet, \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003eleather, linen, or painted walls, and \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003ethe carved feet give a modern room \u003c\/span\u003e\u003cspan class=\"_animating_muyve_10\"\u003ethe one note of age it usually needs.\u003c\/span\u003e\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47922849480809,"sku":"VE-1317","price":455.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/pair_of_chippendale_revival_step-end_tables_carved_mahogany_with_ball-and-claw_feet_restored_c._19351955941956248381736224697139305.jpg?v=1787622990"},{"product_id":"vintage-two-section-folding-treatment-table-slate-blue-upholstery-with-nailhead-trim-adjustable-maple-base-american-c-1955-1975","title":"Vintage Two-Section Folding Treatment Table, Slate Blue Upholstery with Nailhead Trim, Adjustable Maple Base, American, c. 1955–1975","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThe Piece\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eTwo matched halves latch into one six-foot bench, and every part of it was built to travel: a stitched leather carry handle on each skirt, case hasps at the joints, and legs that fold into the body like a suitcase closing. Set up, it stands on peg-adjustable maple legs — a ladder of doweled stops that raises or lowers each end independently — with X-stretchers keeping the whole thing rigid enough to bear a person, because that's the job it was built for. The tops wear slate-blue upholstery, softly distressed like worn saddle leather, finished with a full perimeter of hand-set antiqued nailheads over the pale maple skirt. Split the hasps and it's two benches; fold the legs and it's two cases with handles, gone into a closet.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eHistory \u0026amp; Provenance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThis is a portable treatment table — the folding, sectional kind that traveled with massage therapists, chiropractors, team trainers, and visiting nurses through the middle decades of the century. The postwar hardwood versions were built like good luggage: solid maple frames, doweled leg adjustment, case hasps, and stitched leather handles — details that place this table before the aluminum-and-nylon turn of the late seventies. The two-piece latching format is the most versatile of the breed: one table, two benches, or two carrying cases, depending on the day. Tables like this earned their keep in house calls and locker rooms for twenty years, then outlived the trade that made them — which is why the survivors are almost always the well-built ones.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eNotes on this piece\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe upholstery is new from our workshop: distressed slate-blue vinyl over fresh padding, edged in individually set antiqued nailheads. The maple base was cleaned and left in its original finish. The folding and latching hardware is original and functions as built. We restore pieces to be used, and we'd rather tell you exactly what was done than leave you wondering.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eProduct Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003ctable\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003eField\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eObject\u003c\/td\u003e\n\u003ctd\u003eTwo-section folding treatment table \/ bench pair\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnattributed, American\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eMidcentury utilitarian\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eSolid maple frame, upholstered tops, nailhead trim, steel hardware, leather handles\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMechanism\u003c\/td\u003e\n\u003ctd\u003eFolding legs with doweled height adjustment; case hasps joining the sections; carry handles on each half\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eTwo latching rectangular sections forming one long padded table; freestanding as individual benches\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eUnited States\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1955–1975\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRestoration\u003c\/td\u003e\n\u003ctd\u003eNewly reupholstered in our workshop; original hardware retained; base in original finish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApprox. 72″ long × 24″ deep × 26″ high overall; each section approx. 36″\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eExcellent restored condition. Frames solid, hardware functional, legs lock positively at each height. Condition Guaranteed.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAvailability\u003c\/td\u003e\n\u003ctd\u003eOne of a Kind — 1 Available.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWhy It Belongs in Your Home\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eCount the lives this can live: window bench under a steel casement. End-of-bed bench, or split into two for twin rooms. Dining banquette along a wall. Fitting bench in a boutique. Extra seating that arrives from the closet carrying itself by its own handles — and, if you want, a working treatment table again, because nothing about it forgot how. The blue is the kind that gets along with everything, denim-soft against wood and sharp against black steel, and the nailheads dress it well past its working-class origins. Furniture that adjusts its own height, splits in two, and folds into luggage is rare at any price. Furniture that does it looking like this is one of one.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":47944791425129,"sku":"VE-1350","price":536.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_2260.jpg?v=1787634985"},{"product_id":"two-tier-tray-top-occasional-table-mahogany-with-gallery-rim-reeded-apron-and-splayed-legs-c-1915-1935","title":"Two-Tier Tray-Top Occasional Table, Mahogany with Gallery Rim, Reeded Apron, and Splayed Legs, c. 1915–1935","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA small two-tier table with a tray top — the top surface set down inside a raised gallery lip that runs the full perimeter, so anything placed on it stays put. The grain across the top is straight and even, running the length of the table in warm reddish-brown ribbons, and the finish sits low and satin rather than glassy.\u003c\/p\u003e\n\u003cp\u003eBeneath the top, the apron is worked in three stepped reeds that carry all the way around. It is a simple profile, run rather than carved, but it does the essential thing: it puts a band of shadow between the top and the legs so the table reads light instead of slab-heavy. Small shaped brackets fill each leg-to-apron junction, curved on their inner edge, which is both structural and the only ornament the piece allows itself.\u003c\/p\u003e\n\u003cp\u003eFour legs splay outward in a slow curve to the floor, tapering as they go. Between them, at the lower level, sits a second shelf with a serpentine front and back edge, cut from a board with a broad flame figure that is considerably more dramatic than the top. Whoever built it saved the showy board for the shelf and used the quiet one where things would be set down.\u003c\/p\u003e\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe tray-top table with a lower shelf came out of the tea-service tradition, where the raised gallery kept cups from walking off the edge as the table was carried or nudged, and the shelf below held the pot and the spare saucers. By the early twentieth century the form had detached itself from the ritual and become simply a very good small table, and it was produced in quantity by American and English cabinet shops through the twenties and thirties.\u003c\/p\u003e\n\u003cp\u003eThe construction tells you where this one sits. The joinery is notched and screwed rather than doweled, the screws are slotted throughout, and each one is set into a chiseled recess cut by hand rather than a machined counterbore. Slotted screws stayed in furniture use for decades, so they do not date a piece on their own, but hand-cut seating alongside machine-run apron moulding is a specific combination — a shop working with power tools for the repetitive profiles and hand tools for the fitting. That is the first third of the twentieth century.\u003c\/p\u003e\n\u003cp\u003eThe underside of the shelf carries a yellow chalk inscription in a working hand, reading as a street number and name. Marks like these are almost never the maker. They are written by movers, auction porters, or estate-sale crews to say where a piece is going, and they survive because nobody bothers to wash the underside of a table. It is not provenance in the documented sense, but it is a real trace of the object's working life, and we have left it exactly as found.\u003c\/p\u003e\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable border=\"1\" cellpadding=\"8\" cellspacing=\"0\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth align=\"left\"\u003eField\u003c\/th\u003e\n\u003cth align=\"left\"\u003eDetail\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eObject\u003c\/td\u003e\n\u003ctd\u003eTwo-tier occasional or tea table with tray top\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOrigin\u003c\/td\u003e\n\u003ctd\u003eUnattributed. No maker's label, stamp, or brand is present.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eRectangular tray top within a raised gallery lip over a three-step reeded apron; four splayed tapering legs with shaped brackets at the apron junctions; serpentine-edged lower shelf\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eMahogany with a figured shelf board; original dark stain retained on the underside\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eYellow chalk inscription to the underside of the lower shelf, reading as a street number and name; no maker's mark\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1915–1935\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good. The frame is tight and sits level with no wobble at the joints, and the gallery lip is complete and unbroken on all four sides. The upper surfaces have been refinished, and the finish is clean and even; the underside and shelf reverse retain their original dark stain. Minor shrinkage checks are present in the shelf board where it meets the leg notches, stable and typical of a solid board of this age. Condition Guaranteed.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAvailability\u003c\/td\u003e\n\u003ctd\u003eOne of a Kind — 1 Available\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eThis is the table you want beside a reading chair. The gallery lip means a glass, a mug, and a stack of books stay where you put them, and the lower shelf takes the overflow — the magazines, the remote, the thing you meant to deal with. It is narrow enough to fit where a full side table will not, and tall enough to reach from a seated position without leaning.\u003c\/p\u003e\n\u003cp\u003eIt also works as an entry table in a tight hall, a nightstand where a drawer is not needed, or a drinks table at the end of a sofa. The splayed legs give it a lighter footprint than its size suggests, which matters in a small room. A note on care: keep it out of direct sun, which will lift the color out of mahogany faster than anything else, and use a coaster — a refinished top is a good finish, not an indestructible one. Wipe with a barely damp cloth, dry it immediately, and give it clear paste wax once or twice a year. Skip the spray polishes, which build a haze that has to be stripped later.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":48008873017449,"sku":"VE-1408","price":228.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_3532.jpg?v=1788859520"},{"product_id":"two-tier-mahogany-dumbwaiter-table-scalloped-pie-crust-edges-on-a-turned-baluster-column-and-reeded-tripod-base-american","title":"Vintage Two-Tier Mahogany Dumbwaiter Table, American, c. 1925–1950","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n  \u003cp\u003eTwo round mahogany tops stacked one above the other on a single turned column, standing on three legs that sweep out to the floor.\u003c\/p\u003e\n  \u003cp\u003eBoth tiers are edged in the same way: a shaped border that rises and falls in a continuous run of scallops, moulded into the solid edge rather than applied. It is the profile furniture people call pie-crust.\u003c\/p\u003e\n  \u003cp\u003eThe timber is worth looking at. The upper tier carries a tight ribbon stripe running straight across it; the lower is broader and quieter, with a long feathered figure sweeping through the middle of the board.\u003c\/p\u003e\n  \u003cp\u003eBetween and below them runs a turned baluster column — a swelling vase shape above, a second below, separated by crisp turned rings.\u003c\/p\u003e\n  \u003cp\u003eThe base is a tripod: three legs curving out and down in a long sabre line, each one carrying a reeded moulding along its outer face that follows the whole curve, finishing in a small shaped foot.\u003c\/p\u003e\n  \u003cp\u003eTurn it over and the construction is plain to see. Each tier is held by a rectangular wooden cleat let across the underside and screwed through, with the column socketed into it.\u003c\/p\u003e\n  \u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n  \u003cp\u003eThe form is called a dumbwaiter, and the name is literal.\u003c\/p\u003e\n  \u003cp\u003eTiered stands of this kind appeared in English dining rooms in the middle of the eighteenth century for a specific social reason: to let a dinner party proceed without servants standing in the room. Dishes, decanters, glasses and plates were loaded onto the tiers in advance, the stand was wheeled or carried to the table, and the household staff withdrew. The furniture did the waiting — hence dumb waiter, a servant that cannot overhear. Conversation at table got a great deal freer as a result, which was rather the point.\u003c\/p\u003e\n  \u003cp\u003eThe tripod-and-column base is the other eighteenth-century inheritance. A three-legged base stands steady on an uneven floor in a way four legs never will, which is why every tea table, candle stand and dumbwaiter of the period is built this way.\u003c\/p\u003e\n  \u003cp\u003eThis table belongs to the long American revival of those forms rather than to the eighteenth century itself, and the construction says so: solid boards with a machine-moulded scalloped edge, a turned column, and tiers fixed by screwed cleats. American factories produced dumbwaiters, tilt-tops and pie-crust tables in enormous numbers through the first half of the twentieth century for houses that wanted the look of Georgian furniture at a price a normal household could reach.\u003c\/p\u003e\n  \u003cp\u003eMachine work is not evidence of a late date and the absence of a label is not either — a great deal of good furniture left the bench unmarked, and paper labels fall off. The date comes from the design and the joinery, and the two agree with each other.\u003c\/p\u003e\n  \u003cp\u003eThe reeded sabre legs and the ring-turned baluster column are the Duncan Phyfe revival vocabulary of the American mahogany trade between the wars. The construction matches: each tier is carried on a rectangular cleat screwed across the underside with the column socketed into it, which is revival-trade practice rather than the birdcage and iron spider plate an eighteenth-century dumbwaiter would have had. On that evidence it is offered as c. 1925–1950: an American two-tier mahogany dumbwaiter table in the Georgian revival tradition, unattributed.\u003c\/p\u003e\n  \u003ch3\u003eProduct Details\u003c\/h3\u003e\n  \u003ctable\u003e\u003ctbody\u003e\n  \u003ctr\u003e\n\u003ctd\u003eObject\u003c\/td\u003e\n\u003ctd\u003eTwo-tier dumbwaiter table in mahogany\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApproximately 29 in tall; lower tier approximately 18 in across, upper tier approximately 13 in across\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eTwo circular tiers with moulded scalloped pie-crust edges, carried on a turned baluster column over a tripod base of three reeded sabre legs with shaped feet\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eConstruction\u003c\/td\u003e\n\u003ctd\u003eSolid tops with the scalloped edge moulded into the board; each tier secured by a rectangular cleat let across the underside and screwed through, with the column socketed into it\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eTimber\u003c\/td\u003e\n\u003ctd\u003eMahogany — tight ribbon stripe across the upper tier, broad feathered figure through the lower\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eNone. No maker's stamp, brand or label on any surface. Offered unattributed.\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1925–1950. The reeded sabre legs, the ring-turned baluster column and the scalloped tiers are the Duncan Phyfe revival vocabulary of the American mahogany trade between the wars. The joinery agrees with the design: each tier is carried on a rectangular cleat screwed across the underside with the column socketed into it, which is revival-trade construction rather than the birdcage and iron spider plate of an eighteenth-century dumbwaiter.\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eStructurally sound and ready to use. The table stands firm and level on all three feet, both tiers are tight to the column with no wobble, and the cleats and screws underneath are secure. The finish is glossy and the figure reads well on both tops. There is honest surface wear: scattered fine scratching across both tiers, a few small pale flecks on the lower top, and losses and darkening along the moulded scalloped edges in places, heaviest on the upper tier. The reeding on the legs shows finish wear along its high points and at the feet. No breaks, no splits, no repairs and nothing loose. Condition Guaranteed.\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr\u003e\n\u003ctd\u003eAvailability\u003c\/td\u003e\n\u003ctd\u003eOne of a Kind — 1 Available\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\u003c\/table\u003e\n  \u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n  \u003cp\u003eThis is a small table that holds twice what its footprint suggests, which is the whole reason the form was invented.\u003c\/p\u003e\n  \u003cp\u003eEighteen inches of floor gives you two surfaces instead of one. Beside a chair it takes a lamp on top and books below; beside a bed, a glass above and everything else underneath; in a hall, keys on the upper tier and post on the lower.\u003c\/p\u003e\n  \u003cp\u003eIt is also genuinely good at what it was built for. Loaded with glasses, a decanter, ice and napkins, it works as a drinks stand you can put where the party is rather than where the furniture is. That is the original brief and it has not aged.\u003c\/p\u003e\n  \u003cp\u003eThe scalloped edges do real work. A plain round top reads as a disc; a shaped edge catches light along its whole circumference and gives the table an outline even in a dark corner. It is the difference between furniture and a surface.\u003c\/p\u003e\n  \u003cp\u003eAnd the tripod is the practical detail nobody notices until they need it. Three feet sit flat on a floor that is not, which is why these do not rock on old boards, tile or a rug edge the way a four-legged table does.\u003c\/p\u003e\n  \u003cp\u003eThe mahogany carries the room. Warm red-brown with a long figure through the lower top, it sits with leather, brass, painted walls and old rugs, and it is dark enough to anchor a corner without bulk.\u003c\/p\u003e\n  \u003cp\u003eIt is a useful object for a photographer or a shop, too — two round tiers at different heights make an excellent stand for showing small things, which is a job it does better than anything purpose-built.\u003c\/p\u003e\n  \u003cp\u003eA note on care. Keep it out of direct sun, which fades mahogany unevenly and will lighten one side of a top.\u003c\/p\u003e\n  \u003cp\u003eUse coasters and do not set anything wet on it. The finish is original and a water ring in old shellac or lacquer is the hardest mark to get out.\u003c\/p\u003e\n  \u003cp\u003eDust with a soft dry cloth and feed it once or twice a year with a good paste wax rather than a spray polish. Silicone sprays build a haze that is difficult to remove and interferes with any future refinishing.\u003c\/p\u003e\n  \u003cp\u003eLift it by the column or the lower tier, never by the upper tier alone. The upper top is carried on one cleat, and that is where the leverage goes.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":48061148987497,"sku":"VE-1615","price":200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/IMG_2525.jpg?v=1789448046"},{"product_id":"vintage-green-marble-top-tripod-pedestal-side-table-c-1940-1970","title":"Vintage Green Marble Top Tripod Pedestal Side Table, c. 1955–1985","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA tall slender tripod stand with a green marble top, the proportion of a candle stand rather than an end table, made to sit beside a chair and hold one lamp or one glass.\u003c\/p\u003e\n\u003cp\u003eThe top is the reason to buy it. A disc of green serpentine marble, mid green with dense white calcite veining running across it in seams and dark inclusions scattered through, polished on the face and cut to a clean bevel around the edge. It is a real slab of stone with real figure, not a thin plate over a substrate, and the veining is different from every angle.\u003c\/p\u003e\n\u003cp\u003eUnder it the column is a single slender turned shaft, a vase swell below the top narrowing to a run of ring turnings at the waist and again at the foot, finished in a dark red brown. Three cabriole legs spring from the base in a shallow sweep and finish in flat pad feet, the profile cut clean with no carving on the knees.\u003c\/p\u003e\n\u003cp\u003eIt stands twenty nine inches on a thirteen inch top. That is a deliberate proportion. Tall enough to serve a chair arm and narrow enough to fit where a normal side table will not.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe form is borrowed. A tripod stand with a ring turned column, cabriole legs and pad feet is the American Queen Anne candle stand of the middle eighteenth century, and those stands carry wood tops, never stone. The marble topped tripod is a separate tradition, the French gueridon, and the two were married by the American occasional table trade because the combination sold. Weiman of Rockford built a national name on marble tops over turned hardwood bases, and the plant stand and drinks table version of the idea followed it into volume production.\u003c\/p\u003e\n\u003cp\u003eThis is that later version, and the build says so. The column is slender and machine turned, the legs are cut from flat stock on a band saw with no carving at the knee, and the marble is finished with a machine bevel rather than a worked moulding. None of it is cabinet shop work and none of it pretends to be.\u003c\/p\u003e\n\u003cp\u003eThe materials set the ceiling. The base is solid timber throughout with no veneered board and no cast composition parts, and the top is a genuine serpentine slab rather than the bonded plate or the cultured marble that took over the budget end of the trade. A stand built this way sits before that changeover.\u003c\/p\u003e\n\u003cp\u003eOn that evidence it is offered as c. 1955 to 1985. Four things would narrow it: whether a paper or foil maker's label or a stencilled model number survives under the top block or inside a leg, whether the legs are let into the column with sliding dovetails or dowelled, whether the column is one piece of timber or a glued up blank, and whether the disc between the column and the stone is wood or metal.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eType\u003c\/td\u003e\n\u003ctd\u003eTripod stand, marble top on a turned pedestal\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTop\u003c\/td\u003e\n\u003ctd\u003eRound green serpentine marble, mid green with white calcite veining and dark inclusions, polished face, bevelled edge\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eColumn\u003c\/td\u003e\n\u003ctd\u003eTurned solid timber, vase swell over ring turnings at the waist and foot, dark red brown finish\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eLegs\u003c\/td\u003e\n\u003ctd\u003eThree cabriole legs in flat stock, finishing in flat pad feet\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eNone found\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1955–1985\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHeight\u003c\/td\u003e\n\u003ctd\u003e29 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTop Diameter\u003c\/td\u003e\n\u003ctd\u003e13 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e16 lb.\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eSound and stable on all three feet. Marble top intact with no chips or cracks found at the edge, polish good, with light surface marking from use. Finish on the column and legs sound with scattered handling marks and minor rubbing at the feet. Top sits loose on the block in the usual way for the form, so it lifts off for transport.\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eA thirteen inch top at twenty nine inches tall is a useful combination and a hard one to find. Most vintage side tables are low and wide, which is wrong for the gap between a chair and a wall, and wrong for a plant that needs to be seen. This one is right for both.\u003c\/p\u003e\n\u003cp\u003eGreen serpentine is the easy stone to place. White marble commits a room to a palette and grey marble goes cold, while a green top with white veining sits with mahogany, oak, brass, leather and almost any warm wall without argument, and it comes alive against a deep colour.\u003c\/p\u003e\n\u003cp\u003eThe stone also solves the practical problem. A lamp, a glass and a plant all belong on a surface that does not mark, and polished marble takes a wet glass and a pot saucer without the ring a finished wood top gives you. Put it beside a reading chair, in a hall, or in a window where a plant has to stand on something that will not swell.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":50412552519785,"sku":"VE-1690","price":1488.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/ve-1690-01_bc1207dd-6a05-4def-ac43-461321dee095.jpg?v=1790243048"},{"product_id":"antique-octagonal-drop-leaf-gateleg-table-yellow-paint-c-1900-1935","title":"Antique Octagonal Drop Leaf Gateleg Table, Yellow Paint, c. 1900–1935","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\u003cp\u003eA small octagonal gateleg table, the top divided by a single drop leaf so that it opens to a full octagon and closes to a flat backed half, and the whole thing painted a soft buttery yellow that has worn back to black and to bare wood along every edge and corner.\u003c\/p\u003e\u003cp\u003eThe top carries a shallow scratch bead run parallel to the perimeter, following all eight sides, which is the detail that keeps an octagon from reading as a plain slab. The edge below it is a simple rounded thumb profile.\u003c\/p\u003e\u003cp\u003eUnderneath it is a proper gate. Four slender legs stand at the corners, and a fifth swings out on a pivoting arm from the stretcher assembly to carry the leaf when it is raised. The legs are turned as slim balusters with ring collars, square blocks at the top and at the stretcher junction, and small turned feet below. They join a shaped cross stretcher, one arm of which is cut in a serpentine wave rather than left straight, which is the ornamental flourish the maker paid for. The apron under the leaf side is cut with a scrolled skirt.\u003c\/p\u003e\u003cp\u003eTurn it over and the story is plain. The underside was never painted. It carries its original dark, nearly black stained finish, with the yellow having run over the edges in drips and splatters where a brush was worked from the top down. A rolled steel back flap hinge sits mortised into the leaf joint, held by six flat screws, and there is an old pencil mark on the boards.\u003c\/p\u003e\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\u003cp\u003eThere is no label, stamp or paper anywhere on the table, so the dating is built from the way it was made and from what it does not have.\u003c\/p\u003e\u003cp\u003eThe floor comes from the turning. The legs are cut with uniform, repeating ring and baluster profiles of a crispness and consistency that belongs to a production lathe, not to a hand turner working one leg at a time, and the hinge is a rolled and stamped steel back flap of the kind supplied by the hardware trade rather than forged. This is factory furniture. The type itself is Colonial Revival, the American industry programme that ran from the Centennial of 1876 and dominated commercial furniture output from about 1900, and the small octagonal gateleg occasional table was one of its staple products.\u003c\/p\u003e\u003cp\u003eThe ceiling comes from the screws. Every screw in the table is slotted. Henry Phillips patented the cross recess in 1936 and American manufacturing took it up quickly, so a piece assembled much past that point would be expected to show at least some cross recess screws somewhere. There are none, which caps the date rather than setting it, and that is how it has been used here.\u003c\/p\u003e\u003cp\u003eThe wood has not been identified and is not claimed. It is stained very dark underneath and painted above, and the exposed chips show a close grained hardwood with no figure, which is consistent with the birch and maple that American factories used for turned work but is equally consistent with several other woods. Stripping a corner would settle it.\u003c\/p\u003e\u003cp\u003eThe yellow is a later coat, and that is not in doubt. It stops at the underside, it has run over the edges in drips onto a finish that was already there, and the finish beneath it is the original dark stain. How much later is not established. The paint is worn thin on every high point and chipped to black and to bare wood at the corners and along the leaf edge, which is a long time of use rather than a recent distressing.\u003c\/p\u003e\u003ch3\u003eProduct Details\u003c\/h3\u003e\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1900–1935. Dated on construction and hardware rather than on style, since the Colonial Revival reproduced earlier forms continuously. The uniform production lathe turning and the stamped steel back flap hinge place it as factory furniture, and the octagonal gateleg occasional table is a Colonial Revival staple of the period from about 1900, which is the floor. Every screw in the table is slotted, with no cross recess screws anywhere, which caps the date at roughly the point American manufacturing adopted the Phillips recess after its 1936 patent. The absence of a label sets no boundary of its own. The yellow paint is later than the table and is not part of the dating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eOctagonal top with a single drop leaf, five legs including one swinging gate leg, shaped serpentine cross stretcher, scrolled apron\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterial\u003c\/td\u003e\n\u003ctd\u003eClose grained hardwood, not identified, consistent with birch or maple. Original dark stained finish retained on the underside\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eLater pale yellow paint over the original dark finish, worn thin on the high points and chipped to black and bare wood at the corners and edges. Underside unpainted with brush drips over the edges\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eHardware\u003c\/td\u003e\n\u003ctd\u003eRolled steel back flap hinge mortised into the leaf joint, six slotted flat screws, original and oxidised\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eNone. No maker label, stamp, stencil or paper. An old pencil mark on the underside boards\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApproximately 24 in. across the octagon open by 29 in. high, and approximately 16 in. deep with the leaf down\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eGood sturdy antique condition. Frame tight, joints sound, stands level without rock. Gate swings freely and carries the leaf. Hinge firm with all six screws present. Paint worn throughout with chipping to black and bare wood at the corners, the leaf edge and the feet, and a small open loss on the top near one edge. Top boards show a visible seam at the leaf joint. Sold as found with the paint untouched\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\u003cp\u003eThe drop leaf is the reason to buy this rather than a round side table. Flat against a wall it takes almost no room and reads as a narrow console. Swing the gate out and you have a full octagon that seats two for coffee or holds a lamp, a stack of books and a drink. Very little furniture at this size does two jobs that cleanly.\u003c\/p\u003e\u003cp\u003eThe paint is doing work too. A yellow this soft is close to a neutral, and because it is worn through to black at every corner it carries contrast that a freshly painted piece never has. It will sit against white walls, against dark green, against wood tones, and it will look at home in a farmhouse room, a cottage room or a modern one that needs something with a history in it.\u003c\/p\u003e\u003cp\u003eIt can also be taken the other way. The underside proves the original dark finish is still under the yellow, so a buyer who wants the table stripped back has a known quantity waiting rather than a gamble. Either choice is open, which is worth something on its own.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":67556091166825,"sku":"VE-1744","price":1531.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/01_13a3b358-6a71-4220-8572-1b33c2e9d740.jpg?v=1790560969"},{"product_id":"brandt-warfield-mahogany-triple-pedestal-banquet-table-c-1937-1950","title":"Brandt Warfield Mahogany Triple Pedestal Banquet Table, c. 1937–1950","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA mahogany banquet dining table on three pedestals, built in the Duncan Phyfe manner with reeded sabre legs, brass box caps and brass casters, and carrying its maker's name and a patent date stencilled on the frame.\u003c\/p\u003e\n\u003cp\u003eIt is made as three sections. Each end is a drop leaf table on a single square tapered column with four sabre legs swept out from the base. The centre is a twin pedestal, two columns standing side by side and joined by a turned baluster stretcher, on shared sabre legs. Put together with the slide, that gives four columns carrying the whole length, which is why a table of this span has no leg anywhere a diner would meet one.\u003c\/p\u003e\n\u003cp\u003eThe tops are laid in a ribbon figured mahogany, quartered so the stripe runs the full length in long parallel bands and catches light differently as you move round it. The edge is a reeded moulding finished in near black, and the same dark finish carries the pedestal columns, so the table reads as two tones: a bright figured field held inside a dark frame.\u003c\/p\u003e\n\u003cp\u003eThe extension is the engineering. Under the top runs a hardwood equalising slide of seven interlocking sections a side, machined with tongues and grooves cut to a tolerance you can still feel when it moves, with an iron equaliser arm to keep both halves opening together. It takes five leaves and opens to banquet length.\u003c\/p\u003e\n\u003cp\u003eThe brass is original and uncleaned, gone to a soft dull gold, and the casters still turn.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThis table tells you who made it and when, which almost none of them do.\u003c\/p\u003e\n\u003cp\u003eStencilled along one of the slide rails, in the factory's own block letters, is THE BRANDT CABINET WORKS, INC. Stencilled again on the frame, near the pedestal, is the pattern name WARFIELD, over PATENTED, over FEB. 23, 1937, over NO. D-103303.\u003c\/p\u003e\n\u003cp\u003eThat patent number resolves cleanly. United States design patent D-103,303, Design for an Extension Table, was filed on 8 January 1937 by Carl H. Brandt and granted on 23 February 1937. The stencil is not decoration and it is not a style attribution. It is the firm citing its own patent on its own product, and because a patent cannot be cited before it issues, the date on the frame is a hard floor. This table was made after 23 February 1937.\u003c\/p\u003e\n\u003cp\u003eThe Brandt Cabinet Works was founded in Hagerstown, Maryland in 1901 and traded for the better part of a century, selling under the line Brandt Furniture of Character. It was a serious American cabinet shop rather than a case goods assembler, and this table is the evidence: quartered figured veneers, hand fitted sabre legs, a seven section equalising slide, and cast brass caps and casters at a moment when most of the trade was already economising on all four. The works closed in the mid 1980s and a group of former employees carried the name on nearby for a while afterwards.\u003c\/p\u003e\n\u003cp\u003eThe Warfield was the pattern name for this model, and it is documented on other surviving examples of the same table. Warfield is a Maryland name of long standing, which is the sort of thing a Hagerstown firm named a flagship dining table after.\u003c\/p\u003e\n\u003cp\u003eWhat matters commercially is the completeness. Banquet tables of this generation survive constantly. Their leaves do not. A set of five original leaves, the full slide, the equaliser arm and all three pedestals together, on a table that names its own maker and patent, is a different object from the anonymous refinished Duncan Phyfe table that turns up in every estate sale in America.\u003c\/p\u003e\n\u003cp\u003eThe tops have been refinished at some point. They are bright, even and glossy, with open grain and no crazing, ring marks or patina, and they read lighter and newer than the bases, which keep an older darker finish with honest rub through at the brass caps. That is stated plainly here because it is visible in the photographs and because it is the one thing that separates this from a wholly original example.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1937–1950. Dated from the table's own stencil. The frame cites design patent No. D-103303, granted 23 February 1937 to Carl H. Brandt for a Design for an Extension Table, which sets a hard floor because a patent cannot be cited before it issues. The ceiling comes from the pattern's production life, the design patent term running to 1951 and Brandt's mahogany Duncan Phyfe production being strongest through the late 1930s and 1940s. This is documentary dating, not stylistic dating\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eThe Brandt Cabinet Works, Inc., Hagerstown, Maryland. Founded 1901, traded as Brandt Furniture of Character, closed mid 1980s\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003ePattern\u003c\/td\u003e\n\u003ctd\u003eThe Warfield\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eTriple pedestal banquet dining table. Two drop leaf end sections on single square tapered columns, one twin pedestal centre section with a turned baluster stretcher, all on reeded sabre legs with brass box caps and casters\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eRibbon figured mahogany tops, mahogany pedestals and legs, ebonised reeded edge moulding, hardwood equalising extension slide, cast brass caps and casters, iron equaliser arm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eExtension\u003c\/td\u003e\n\u003ctd\u003eSeven section hardwood equalising slide a side with an iron equaliser arm. Five leaves included\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eTHE BRANDT CABINET WORKS, INC. stencilled on a slide rail. WARFIELD, PATENTED, FEB. 23, 1937, NO. D-103303 stencilled on the frame\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApproximately 132 in. long fully extended with all five leaves by 44 in. wide by 29 in. high. Each end section approximately 44 in. by 22 in. with its leaf down\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good. Structurally sound throughout with all three pedestals firm, the sabre legs tight and true, and the table sitting level. Extension slide complete and working, photographed fully open, with the equaliser arm present and the brass casters turning. All five leaves present. Tops refinished at some point, bright and even with no crazing, ring marks, burns or veneer loss found; they read lighter and newer than the bases, which keep an older darker finish with rub through at the brass caps. Ebonised edge moulding complete with light rubbing to the high points. Slight open seam at one leaf join. Brass caps and casters original and uncleaned. Sold as found, not restored or re-polished\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eThis is the table you buy once. Eleven feet of it seats twelve without anyone straddling a leg, and because the weight is carried on three pedestals rather than on corner legs, the seating is continuous all the way round.\u003c\/p\u003e\n\u003cp\u003eIt also collapses gracefully, which is the part people underestimate. Take the leaves out and it is a dining table for six. Drop the leaves on one end section and you have a console for a hall or a sofa back. The two end sections will work as separate tables entirely, which means a dining room that expands for Thanksgiving and contracts again in December without anything being stored in a garage.\u003c\/p\u003e\n\u003cp\u003eThe ribbon figure is what makes it worth looking at rather than merely owning. Quartered mahogany laid this way changes as you walk past it, and against the near black edge and columns it holds a room the way a much more expensive English table does.\u003c\/p\u003e\n\u003cp\u003eFor a dealer or a designer, the documentation is the sale. Anyone can offer a Duncan Phyfe banquet table. Very few can point at the maker's stencil, the pattern name and a patent number that resolves to a named inventor and a specific day in February 1937, and then open the slide and produce all five leaves. That is the difference between selling a style and selling an object.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":67559051427945,"sku":"VE-1770","price":4900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/01_f09a1b9f-43d4-443f-bf7b-afabe0aca715.jpg?v=1790599009"},{"product_id":"hannahs-walnut-oval-pie-crust-occasional-table-kenosha-c-1920-1935","title":"Hannahs Walnut Oval Pie Crust Occasional Table, Kenosha, c. 1920–1935","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eAn oval occasional table with a carved scalloped edge, standing on four reeded turned legs braced by an X stretcher, and carrying its maker's paper label and factory model number on the underside.\u003c\/p\u003e\n\u003cp\u003eThe top is the reason to own it. It is laid in walnut veneer, quarter matched so the figure runs out from a centre cross and meets itself four ways, with a crossbanded border worked round the outside. The oval is then cut into a scalloped pie crust edge, carved in a running wave of lobes with a moulded lip, so the outline changes shape as you walk round it.\u003c\/p\u003e\n\u003cp\u003eThe edge and the apron are finished dark, almost black in the hollows of the carving, and rubbed back on every high point to a warm gold. Whoever finished it wanted the moulding to read as relief rather than as a line, and it does.\u003c\/p\u003e\n\u003cp\u003eBeneath, a reeded apron runs the full oval and drops into square blocks at the four legs. The legs are turned, gently tapered, and reeded down their whole length, with a ring turning at the top and a small turned foot. An X stretcher of moulded section runs corner to corner with a turned boss at the crossing, which is both the brace and the prettiest detail on the piece.\u003c\/p\u003e\n\u003cp\u003eTurn it over and the factory is still there: a stencilled 3574 and a paper label under it. The screws holding the top down sit in brass cup washers, slotted heads, not a Phillips among them.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe label reads HANNAHS, in a shield with a script h, over Quality Furniture, Trade Mark Reg. U.S. Pat. Off., Kenosha, Wis. U.S.A. Above it the model number 3574 is stencilled straight onto the wood.\u003c\/p\u003e\n\u003cp\u003eHannahs Manufacturing Company of Kenosha, Wisconsin was a table works. Not a general furniture factory that also made tables, a specialist: their trade catalogues are titled Hannahs Tables, and Catalogue 35 was issued in 1923 with another following in 1929. Catalogue numbering that high means a long run of issues behind it. The company appears in the Kenosha History Center's record of the city's lost industries, which is to say the works are gone and the name went with them.\u003c\/p\u003e\n\u003cp\u003eWhat survives is the product, and this is a good example of it. A quarter matched veneered top with a crossband border, a hand finished carved edge, reeded legs turned to match and a moulded X stretcher with a turned boss is a specialist's work. A general factory making a hundred forms does not reed four legs the full length or cross a stretcher with a turned centre.\u003c\/p\u003e\n\u003cp\u003eThe dating rests on three things together. The registered trademark label and the stencilled model number place it in Hannahs's catalogued production, which the surviving trade catalogues put squarely in the 1920s. The form is Colonial and Georgian Revival occasional furniture, a style that ran hard from the middle teens into the 1930s and then fell away. And every screw in the piece is slotted and seated in a brass cup washer, with no Phillips head anywhere; the Phillips drive arrived in 1936 and spread through American furniture production after it, so its complete absence sits as a soft ceiling rather than a hard one.\u003c\/p\u003e\n\u003cp\u003eNothing here is guessed from style alone. The maker is named on the object, the model number is on the object, and the rest is construction.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1920–1935. Dated from the label, the model number and the construction. The paper label carries a registered trademark and the underside is stencilled with the factory model 3574, placing the table in Hannahs's catalogued production; the firm's surviving trade catalogues date to 1923 and 1929. The Colonial and Georgian Revival occasional table form belongs to the same window. Every screw is slotted and seated in a brass cup washer with no Phillips drive present, which gives a soft ceiling rather than a hard one\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eHannahs Manufacturing Company, Kenosha, Wisconsin. A table specialist, trading as Hannahs Quality Furniture\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eModel\u003c\/td\u003e\n\u003ctd\u003e3574, stencilled to the underside\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eOval occasional or parlour table. Carved scalloped pie crust edge, reeded apron, four reeded turned legs, moulded X stretcher with a turned centre boss\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eWalnut veneer quarter matched over a solid core with a crossbanded border, solid hardwood edge, apron, legs and stretcher. Slotted steel screws in brass cup washers\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eDark glazed finish held in the carving with the high points rubbed back to a warm gold\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003ePaper label to the underside reading HANNAHS Quality Furniture, Trade Mark Reg. U.S. Pat. Off., Kenosha, Wis. U.S.A. Stencilled model number 3574 above it\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApproximately 29 in. long by 20 in. deep by 29 in. high\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good. Structurally sound and sitting level, with all four legs firm, the stretcher tight at every joint and the turned boss intact. Top veneer flat and complete with no lifting, bubbling or loss found; light surface scratching and scuffing across the field consistent with use. Carved edge complete round the whole oval with wear to the high points of the moulding, which is where the finish is meant to show through. Paper label present and largely legible with edge loss. Offered as found, not restored or re-polished\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eA signed table beats an unsigned one every time, and this one signs itself twice. Most American occasional tables of this generation lost their labels decades ago. This one kept its label and its model number, which means you can say where it was made, by whom, and what they called it.\u003c\/p\u003e\n\u003cp\u003eThe oval is the useful part. It fits beside a chair or a sofa without the corners a square table pushes into the room, it works in a hall where a round table would be too deep, and at this height it takes a lamp, a drink and a book without crowding.\u003c\/p\u003e\n\u003cp\u003eThe scalloped edge is what makes people touch it. Carved relief catches light from any direction, so the table reads as worked rather than plain even in a dim corner, and the dark glaze in the hollows against the rubbed gold high points does the job that a lamp usually has to do.\u003c\/p\u003e\n\u003cp\u003eFor a dealer, a labelled Midwestern table works with surviving trade catalogues is a piece you can catalogue properly and defend on the object. Kenosha is gone, the factory is gone, and the tables are the only part of it still in circulation.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":67559115161705,"sku":"VE-1771","price":1488.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/01_34c48957-a15e-464e-a459-478d8d7e93d1.jpg?v=1790599735"},{"product_id":"vintage-birch-nightstand-shaped-sides-and-open-shelf-c-1935-1955","title":"Vintage Birch Nightstand, Shaped Sides and Open Shelf, c. 1935–1955","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA small bedside cabinet in solid birch, with one drawer over an open shelf, shaped scroll sides and a moulded bracket base with a scalloped apron.\u003c\/p\u003e\n\u003cp\u003eThe sides are the design. Each is cut from a single board in a long S curve that swells out at the top, pulls in at the waist and flares back out to the foot, so the whole case reads as two shaped brackets carrying a drawer rather than as a box. The front edges are moulded to follow the curve the whole way down.\u003c\/p\u003e\n\u003cp\u003eThe top is solid birch, three boards edge joined, and the figure in it is unusual for the wood: a soft mottled cloud pattern with flame and blister running across all three boards under a warm honey stain. The edge is moulded and slightly overhung.\u003c\/p\u003e\n\u003cp\u003eThe drawer sits high and runs the full width, with a moulded edge and two small black turned knobs set close together so it reads as a pair of drawers from across a room. Beneath it the shelf is open front and sides, floored with a fielded panel and framed by the two scroll sides.\u003c\/p\u003e\n\u003cp\u003eThe base is a moulded bracket plinth with a scalloped apron cut into the front, and the back is closed with a nailed board panel.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThere is no label, stamp or maker's mark anywhere on the piece. What dates it is the construction.\u003c\/p\u003e\n\u003cp\u003eThe back is a sheet of pressed fibreboard, nailed on all round, still bearing its factory surface. Pressed hardboard of this type entered American furniture production from the later 1920s and had become the standard back panel through the 1930s, so it sets a floor. Before it, the back of a piece like this would have been thin solid boards or a plywood panel.\u003c\/p\u003e\n\u003cp\u003eEverything else is solid wood. The sides, the top, the drawer front, the shelf and the bracket base are all timber rather than veneer over core, which in a small bedroom piece of this period means a middle grade maker rather than the cheapest end of the trade. The top being three edge joined boards of figured birch rather than a plain glue up is the tell.\u003c\/p\u003e\n\u003cp\u003eThe form is Colonial Revival, the scroll sided bedside stand that appeared in American bedroom suites from the 1930s and ran through the 1950s before the shape flattened out into the plain rectangular nightstand. The bracket base and the scalloped apron belong to the earlier half of that run rather than the later.\u003c\/p\u003e\n\u003cp\u003eThe two black knobs are later. They are small, modern in section, and set at a spacing that does not match any sign of earlier fixing, so they are read as a replacement and are described as such rather than passed off.\u003c\/p\u003e\n\u003cp\u003eNo corresponding ceiling evidence survives, and an absence gives an outer limit rather than a starting point, so the range below is set from the fibreboard floor and the form and left honest at that.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1935–1955. Dated from construction. The nailed pressed fibreboard back sets the floor, that material having entered American furniture production in the later 1920s and become standard through the 1930s. The scroll sided Colonial Revival bedside form with a moulded bracket base and scalloped apron ran from the 1930s into the 1950s. No label, stamp or mark survives, and that absence gives an outer limit only\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnattributed American factory work. No label or mark found\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eBedside cabinet. One full width drawer over an open shelf, shaped scroll sides, moulded bracket base with a scalloped front apron\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eSolid birch throughout, figured on the top. Pressed fibreboard back panel, nailed\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHardware\u003c\/td\u003e\n\u003ctd\u003eTwo small black turned knobs, later replacements\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApproximately 18 in. wide by 14 in. deep by 26 in. high\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eGood honest condition, offered as found. Structurally sound and standing square with the case tight and the drawer running. Two glue joints in the top have opened slightly and read as fine lines across the surface; they are stable and not lifting. Light chipping to the moulded edge of the bracket base at the front corners. Finish worn and lightly scuffed overall with the figure showing through. Fibreboard back present, sound and original to the piece. Knobs are later replacements. Not restored or refinished\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eA nightstand with an open shelf earns its place in a way a closed one does not. Books, a carafe, a folded throw or a basket live on the shelf and stay visible, and the drawer takes the things nobody wants to look at.\u003c\/p\u003e\n\u003cp\u003eThe scroll sides are what lift it above the ordinary bedside box. A shaped side throws a curved shadow against the wall and softens the corner of a room, which matters more in a bedroom than in any other space in a house.\u003c\/p\u003e\n\u003cp\u003eThe figure in the top is a genuine piece of luck. Birch does not usually do this, and a mottled cloud pattern running clean across three boards under a honey stain is worth putting a lamp on rather than covering with one.\u003c\/p\u003e\n\u003cp\u003eIt is also the right size for the way people actually live now, small enough for a narrow bedroom or a guest room, tall enough to sit level with a modern mattress, and useful as a hall stand or a phone table if the bedroom is already full.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":67559118372969,"sku":"VE-1772","price":744.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/01_2906c273-0946-4943-ac8a-d235d65aa428.jpg?v=1790599844"},{"product_id":"painted-duncan-phyfe-kidney-coffee-table-brass-paw-feet-c-1935-1955","title":"Painted Duncan Phyfe Kidney Coffee Table, Brass Paw Feet, c. 1935–1955","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA low kidney shaped coffee table in the Duncan Phyfe manner, with a single drawer in the frieze, twin turned columns rising from a shaped platform, and four reeded sabre legs ending in cast brass lion paw caps.\u003c\/p\u003e\n\u003cp\u003eThe top is a long serpentine oval, pinched in at the centre of the front so the outline reads as a kidney rather than a plain ellipse, with a moulded edge that follows every curve. The apron below it carries a run of rope moulding along its lower edge and a small applied rosette block at each corner where the curve turns.\u003c\/p\u003e\n\u003cp\u003eThe drawer is the centrepiece. Its front is worked with a flowing foliate scroll, pierced open on either side of the pull and standing proud of the ground, and the whole ornament has been picked out in a warm coral against the green so the pattern reads from across a room. A small brass bail hangs from a turned rosette at the middle of it.\u003c\/p\u003e\n\u003cp\u003eUnderneath, two turned columns carry the top down to a shaped lower platform that echoes the kidney of the top. From the platform four legs sweep out and down, reeded along their whole length, each shod in a cast brass paw with a caster behind it.\u003c\/p\u003e\n\u003cp\u003eThe finish is a soft apple green, hand applied and rubbed back over a coral ground and down to bare wood along every edge, every moulding and every high point, so the colour sits differently depending on where the light falls.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eTwo things date this table, and neither is its style.\u003c\/p\u003e\n\u003cp\u003eThe first is what it is. A low table meant to stand in front of a sofa was not an ordinary American domestic object until the later 1920s, and it did not become standard equipment in a living room until the 1930s. Before that, tables in a parlour stood at chair height or higher. A coffee table at this height, in this shape, cannot be earlier than that, whatever the ornament on it suggests.\u003c\/p\u003e\n\u003cp\u003eThe second is how it is made. The twin column support on a shaped platform, the splayed reeded sabre legs and the cast brass paw caps with casters are the Duncan Phyfe revival vocabulary that ran through American factory furniture from roughly 1930 into the early 1950s. The ornament on the drawer and the rosettes at the apron corners are moulded and applied rather than cut by hand, which is what a production shop did in those years. By the later 1950s the low table had gone modern and this whole language was finished.\u003c\/p\u003e\n\u003cp\u003eThe green is later than the table, and the table proves it itself. Turn it over and the underside of the lower platform was never painted: the original mahogany toned finish is still there, and written across it in blue ink is a number, 1265, with a set of initials beneath. That is a previous inventory or lot mark rather than a maker's mark, and it is offered as what it is.\u003c\/p\u003e\n\u003cp\u003eThe drawer tells the same story from the inside. Its bottom is a single wide panel still carrying the original dark stain, scuffed and speckled from long use, while the sides are green only on the outside faces where the brush reached. The paint went on with the piece already assembled, by somebody decorating rather than restoring.\u003c\/p\u003e\n\u003cp\u003eThat is worth saying plainly rather than glossing. This is a mid century American factory table wearing a considered later paint finish, and the value in it is the shape, the brass and the colour rather than an untouched original surface.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1935–1955 for the table, with a later painted finish. Dated from form and construction. The low coffee table became a standard American domestic form only from the later 1920s and 1930s, which sets the floor. The twin column and platform base, splayed reeded sabre legs and cast brass paw caps with casters are the Duncan Phyfe revival idiom of American factory furniture from about 1930 into the early 1950s, and the drawer and corner ornament are moulded and applied rather than hand cut. The green finish is later, proven by the unpainted original surface surviving on the underside of the platform\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnattributed American factory work. No label or stamp found\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eKidney shaped coffee table. Single frieze drawer, twin turned column supports on a shaped lower platform, four reeded splayed sabre legs\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eMahogany and mahogany toned hardwood, later painted. Cast brass paw caps and casters. Brass bail pull on a turned rosette\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDecoration\u003c\/td\u003e\n\u003ctd\u003eMoulded foliate scroll to the drawer front, pierced either side of the pull, applied rosette blocks at the apron corners, rope moulding along the lower apron edge\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eLater hand applied apple green over a coral ground, rubbed back to the coral and to bare wood along the edges, mouldings and high points. Underside of the lower platform left unpainted\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eThe number 1265 and a set of initials written in blue ink on the unpainted underside of the lower platform. A previous inventory or lot mark, not a maker's mark\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eApproximately 36 in. long by 20 in. deep by 19 in. high\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eVery good. Structurally sound and sitting level, with the columns firm, the platform tight and all four legs true. Drawer present and running, with its original stained bottom and honest use wear inside. All four cast brass paw caps present and fixed, casters present. Drawer ornament complete with no loss found, rope moulding and corner rosettes complete. Painted finish sound and deliberately distressed throughout, with the coral ground and bare wood showing at the edges and high points by intention rather than by damage. Offered as found\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eCoffee tables are hard to buy because most of them are rectangles and a rectangle does nothing for a room. This one is a curve from every angle, and a curved low table in front of a sofa is what stops a seating group looking like a waiting area.\u003c\/p\u003e\n\u003cp\u003eThe colour is the reason to move on it. Apple green is a difficult thing to get right, and it is right here because it was rubbed back rather than left flat, so the coral underneath warms it and the bare wood at the edges keeps it from reading as a craft project. Against cream linen, natural wood, brass and old porcelain it does the work a rug usually has to do.\u003c\/p\u003e\n\u003cp\u003eThe details reward being close to it. Brass paws under reeded legs, a rope moulding running the whole apron, and a scrolled drawer front picked out in coral are a lot of incident for a table this size, and they are what make it photograph well from any direction.\u003c\/p\u003e\n\u003cp\u003eIt is also useful in the ordinary way. The drawer takes coasters, remotes and the things that otherwise live on the surface, the lower platform holds books or a tray, and the casters mean a table of this weight moves when the room needs it to.\u003c\/p\u003e\n\u003cp\u003eFor a dealer, painted case and occasional pieces in this palette move faster than brown furniture and they photograph better in a booth. This one has the brass and the shape to hold its price rather than becoming another green table.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":67559167983721,"sku":"VE-1774","price":1531.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/01_8e1fa348-bc5b-4c7b-818b-b504cd8f6be5.jpg?v=1790601180"},{"product_id":"drexel-heritage-distressed-side-table-with-drawer-c-1975-1995","title":"Drexel Heritage Distressed Side Table with Drawer, c. 1975–1995","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eA square side table by Drexel Heritage, with one long drawer, a shaped apron and four turned legs, finished in a warm reddish brown with heavy antiquing throughout.\u003c\/p\u003e\n\u003cp\u003eThe top is laid out as random width, random length planking, bordered by a molded edge with a scratch bead run inside it. The drawer front carries a routed bead outline and a cast bail handle in a dark antiqued silver, with beaded rosettes and a rosette and scrollwork cast into the bail itself. A pierced keyhole sits above the handle. Below the drawer the apron drops into a long undulating scalloped profile on all visible sides.\u003c\/p\u003e\n\u003cp\u003eThe legs are the best part of the design. Each starts as a heavy compressed ball where it meets the apron, tapers down a long column, and finishes in a collar, a turned cup and a small pad foot. They are solid turned hardwood and they lift the case well clear of the floor, which is what gives the table its light stance despite the mass of the top.\u003c\/p\u003e\n\u003cp\u003eThe brass oval maker's medallion is fixed inside the drawer.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eDrexel Furniture Company was founded in 1903 in Drexel, North Carolina, by Samuel Huffman and five Morganton businessmen on fourteen thousand dollars, starting with about fifty workers making oak bedroom and bathroom furniture. Under Robert O. Huffman, who became president in 1935, the firm moved deliberately away from the low end toward medium priced quality goods, and by 1950 it held roughly one and a half percent of national wood household furniture sales.\u003c\/p\u003e\n\u003cp\u003eIn January 1957 Drexel acquired Heritage Furniture, Inc. of High Point and Mocksville, and the combined business became Drexel Enterprises Inc. By that year it ranked among the largest American makers of middle and upper priced bedroom and dining room furniture, with a twelve hundred piece line sold through some twenty five hundred stores. It passed to U.S. Plywood Champion Papers in 1968 for a hundred million dollars in stock, to Dominick International in 1977, and to Masco in 1986. The name Drexel Heritage Furnishings came into use after the 1977 sale.\u003c\/p\u003e\n\u003cp\u003eWhat the table itself says is worth stating plainly, because it is the kind of thing a dealer will check. The top is veneered, and the plank layout is scribed into it rather than built from separate boards. Short cross lines are cut at intervals to suggest board ends, which is a decorative treatment and not joinery. The antiquing is factory work as well. Fly speck spatter, fine scratching and worm track squiggles run across the top, the drawer front and the apron, and they sit under the finish rather than through it, which means they were applied at the factory before the piece was sealed.\u003c\/p\u003e\n\u003cp\u003eNone of that is a fault. It is how Drexel built its Old World and European country lines, and it is executed well here. The legs are solid turned stock, the apron is properly shaped, the hardware is cast rather than stamped, and the whole piece is heavier and better made than the look-alikes that followed it.\u003c\/p\u003e\n\u003cp\u003eDating rests on the brand and the idiom rather than on a document. The Drexel Heritage name places the table after the Heritage acquisition and, as a corporate name, after 1977. The heavily distressed veneered country look with turned baluster legs belongs to the last quarter of the twentieth century. No model number or date code has been located on this example, so the range given is an estimate from style and construction and is stated as such.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eDrexel Heritage, North Carolina. Brass oval medallion fixed inside the drawer\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1975 to 1995. An estimate from brand, style and construction, not from a date code. The Drexel Heritage name follows the January 1957 Heritage acquisition and, as a corporate name, the 1977 sale to Dominick International. No model number or date stamp found on this example\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eSquare side or end table with one long drawer, shaped apron and four turned legs\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eFigured hardwood veneered top over a hardwood case, with solid turned hardwood legs. Species not confirmed, the figure being consistent with pecan or elm\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTop\u003c\/td\u003e\n\u003ctd\u003eVeneered and scribed to read as random width, random length planking, with short cross lines cut to suggest board ends. Molded edge with an inner scratch bead\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHardware\u003c\/td\u003e\n\u003ctd\u003eCast bail handle with beaded rosettes and a cast rosette and scrollwork on the bail, in a dark antiqued silver finish. Pierced keyhole above\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eWarm reddish brown with factory antiquing. Fly speck spatter, fine scratching and worm track marks applied before sealing and sitting under the finish\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eTo be confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eGood. Case sound and sitting level, drawer running correctly, hardware complete and tight. Finish presents well. Expected light handling marks, with a small light area noted at one foot. The surface irregularity across the top is the original factory antiquing and not damage\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eA square top on tall turned legs is a useful shape. It takes a lamp and a book and a drink without crowding, the drawer swallows the things that otherwise live on the surface, and the open leg stance keeps a small room from feeling blocked.\u003c\/p\u003e\n\u003cp\u003eThe finish is the reason to buy it rather than something plainer. A warm reddish brown with real surface incident reads as lived in from the first day, which means it will sit happily beside genuine antiques without either one showing the other up, and it will take a scratch without anyone noticing.\u003c\/p\u003e\n\u003cp\u003eFor a dealer or a designer, Drexel Heritage is a name a client recognizes and a quality level that holds up under handling. This is a transitional piece in the useful sense. It has enough period language in the turnings and the apron to work in a traditional room, and enough weight and simplicity to work in a plainer one.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":67571504480361,"sku":"VE-1782","price":1138.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/01_d2f876cc-5b57-481c-b6b1-0e417b2e459a.jpg?v=1790818319"},{"product_id":"turned-leg-side-table-chipped-pink-and-blue-paint-c-1890-1920","title":"Turned Leg Side Table, Chipped Pink and Blue Paint, c. 1890–1920","description":"\u003ch3\u003eThe Table\u003c\/h3\u003e\n\u003cp\u003eA small rectangular side table on four turned legs, with a box stretcher at the base and a stripped top over a chipped two color painted frame.\u003c\/p\u003e\n\u003cp\u003eThere is no drawer. The apron is a plain board on all four sides, and the surface above it is uninterrupted, which makes the table a good deal more useful as a surface than its drawered cousins and a good deal less useful for hiding things.\u003c\/p\u003e\n\u003cp\u003eThe legs are the structure and the ornament at once. Each has a square block at apron height, a short collar, a swelling baluster, then a long taper to a second square block where the stretchers meet it, and finally a small turned bun foot. The turning is crisp and the profiles repeat exactly leg to leg.\u003c\/p\u003e\n\u003cp\u003eThe stretcher arrangement is worth describing because it is not the usual one. A rectangular box stretcher runs the full perimeter at low level, and two short cross rails run between the long stretchers, dividing the lower frame into three bays. There is no shelf, and the rails carry no rabbet, no nail holes and no sign that one was ever fitted.\u003c\/p\u003e\n\u003cp\u003eThe top is a single flat board with a simple molded edge, stripped and sanded back to bare wood with traces of the old finish still caught in the molding.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe table is unmarked and has to be read from the way it was made.\u003c\/p\u003e\n\u003cp\u003eThe turnings are machine work. The profiles are crisp, the collars and swellings land in the same place on every leg, and the bun feet are turned in one with the leg rather than applied. That kind of repeatability belongs to powered lathe production, which puts the floor after the eighteen seventies and eighties. The joinery is mortise and tenon into squared blocks at both apron and stretcher height, which is the standard vernacular method of the period and the reason the frame is still tight.\u003c\/p\u003e\n\u003cp\u003eThe form itself is the common American turned leg side table or stand, made in very large numbers from roughly the eighteen nineties into the nineteen twenties, after which the box stretcher drops out of commercial production for this kind of table. That sets the ceiling. Nothing on the piece argues for a date outside that span.\u003c\/p\u003e\n\u003cp\u003eThe paint is a later decoration and should be understood as such. Two colors were used, a soft pink on the turned members and a pale blue green on the flat rails, aprons and square blocks, and both were laid over an earlier brown finished surface rather than over bare wood. Where the paint has flaked, brown shows through, not another color. A pale ground is visible at some chip edges. The scheme reads as a decorative repaint rather than a factory or original finish, and both layers are now extensively lost, which is what gives the base its present look.\u003c\/p\u003e\n\u003cp\u003eAt some point after that the top was stripped and sanded back while the base was left alone. Whether that was a refinish abandoned halfway or a deliberate contrast is not recorded on the piece. Either way it is the state it is offered in, and the two surfaces now read as a pale timber top over a chipped colored frame.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1890 to 1920. Dated from construction rather than from a mark. Machine turning of this regularity sets the floor after the eighteen seventies, and the vernacular box stretcher form leaves commercial production by the nineteen twenties\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnmarked. American vernacular production. No workshop identified\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eRectangular side table or stand, no drawer, four turned legs with square blocks at apron and stretcher height, bun feet, full perimeter box stretcher with two cross rails dividing the lower frame into three bays\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eSolid hardwood throughout. Species not confirmed, the stripped top reading as a pale close grained timber consistent with birch or maple\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eLater two color decorative paint over an earlier brown finish. Soft pink on the turned members, pale blue green on the flat rails and square blocks. Both layers extensively flaked to the brown beneath. Top stripped and sanded to bare wood with traces of old finish in the edge molding\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eJoinery\u003c\/td\u003e\n\u003ctd\u003eMortise and tenon into squared blocks at apron and stretcher height\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMarks\u003c\/td\u003e\n\u003ctd\u003eNone found\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eTo be confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eGood and structurally sound. Frame tight, table sitting level, no breaks, no repairs and no replaced members found. Paint loss across the base is extensive and is the character of the piece rather than damage. Top stripped and bare, with light sanding marks and old finish residue at the molded edge. Some paint remains on the edge of the top where the stripping stopped. No shelf present and no evidence one was fitted. Sold as found\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003ePink and faded blue green over brown is a combination almost nobody would choose deliberately now, which is exactly why it works. It has arrived at its color rather than been assigned one, and it brings warmth into a room without matching anything, which is the hardest thing to buy.\u003c\/p\u003e\n\u003cp\u003eThe bare top is the practical half of the same argument. It takes a glass, a lamp or a stack of books without anyone worrying about the finish, and the pale timber keeps the piece from reading heavy against the color below.\u003c\/p\u003e\n\u003cp\u003eIt is a useful size and an honest height. Beside a chair, at the end of a sofa, in a hall, under a window, or as a nightstand for someone who does not want a drawer. The stretcher frame also makes it steadier than most tables this light.\u003c\/p\u003e\n\u003cp\u003eFor a dealer or a designer, surface like this is the part that cannot be manufactured convincingly. Factory distressing is everywhere now and it always reads as pattern. This flaked where hands and feet and furniture polish actually took it off, and at close range the difference is obvious.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":67571511459945,"sku":"VE-1783","price":1050.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/01_4cefe4bb-4bb9-48b5-9cad-ef6e70613cd3.jpg?v=1790818779"},{"product_id":"louis-xv-style-carved-cabriole-leg-side-table-painted-c-1940-1980","title":"Louis XV Style Carved Cabriole Leg Side Table, Painted, c. 1950–1970","description":"\u003ch3\u003eThe Table\u003c\/h3\u003e\n\u003cp\u003eA square side table in the Louis XV manner, with a full width drawer, a carved foliate front and four slender cabriole legs, refinished in a dry brushed white over a pink ground.\u003c\/p\u003e\n\u003cp\u003eThe drawer is the piece of design that carries the table. Its front is shaped rather than flat, dropping into a long scalloped lower edge that reads as an apron when the drawer is closed, and across it runs a band of foliate carving in low relief. Two opposed acanthus leaves meet at a double C scroll in the middle, and from each a slender stem of leaves and flowers trails out to the corners. It opens the full width of the case.\u003c\/p\u003e\n\u003cp\u003eThe legs are long, thin cabrioles with a raised bead running down the outer face and a gentle flare at the foot. There is no stretcher. The whole base is carried on the four legs alone, which is what gives the table its lightness and is also why the proportions have to be right. They are.\u003c\/p\u003e\n\u003cp\u003eThe top is square with a molded edge and an inner border band, and inside that it carries a diamond trellis pattern. The paint has settled into the joint lines and picks them out as fine grooves.\u003c\/p\u003e\n\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe table is unmarked and is offered as a mid twentieth century piece in the Louis XV taste rather than as a period one.\u003c\/p\u003e\n\u003cp\u003eThe form is the French occasional table of the middle eighteenth century, with the shaped drawer front, the serpentine lower edge and the stretcherless cabriole base all drawn from that vocabulary. It is a style that has been made continuously ever since, in France and elsewhere, and the quality of a given example comes down to how well the curves are handled. Here they are handled well. The cabriole has a real double curve rather than a bow, the bead follows the leg cleanly around its changes of direction, and the carved band is cut with enough depth that the leaves throw a shadow.\u003c\/p\u003e\n\u003cp\u003eThe date given rests on an assessment of the piece in hand rather than on a mark, and places it in the nineteen fifties and sixties. Nothing in the construction argues against that. The carcass is consistent with mid century production in the French manner, and nothing visible suggests an eighteenth or nineteenth century date. A buyer wanting a firm attribution to a country of manufacture should examine the drawer interior, where the dovetailing would settle it.\u003c\/p\u003e\n\u003cp\u003eThe table has been refinished, and the present surface is a decorative paint treatment rather than an original finish. A soft pink was laid down first, then a white was dragged over it with a nearly dry brush so that it skips and leaves the pink showing through in a fine crosshatch. The effect is deliberate and is carried evenly across every surface, including the inside edges of the legs. There is fine crazing in the white film in places.\u003c\/p\u003e\n\u003cp\u003eThe diamond trellis on the top sits under that paint. It may be laid parquetry or it may be scribed decoration, and the paint makes it impossible to say which without stripping a corner, so it is described here as the pattern it presents and nothing more.\u003c\/p\u003e\n\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n\u003ctd\u003eEra\u003c\/td\u003e\n\u003ctd\u003ec. 1950 to 1970. Dated from an assessment of the piece in hand. No maker's mark, label or date code found, and the drawer interior has not been examined\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eStyle\u003c\/td\u003e\n\u003ctd\u003eLouis XV taste. French manner, country of manufacture not established\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eMaker\u003c\/td\u003e\n\u003ctd\u003eUnmarked. None identified\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eForm\u003c\/td\u003e\n\u003ctd\u003eSquare occasional or side table, one full width drawer with a shaped and carved front, four slender cabriole legs, no stretcher\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCarving\u003c\/td\u003e\n\u003ctd\u003eFoliate band in low relief across the drawer front. Opposed acanthus meeting at a double C scroll at the center, with trailing leaf and flower stems to each corner\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eTop\u003c\/td\u003e\n\u003ctd\u003eSquare with a molded edge and an inner border band, carrying a diamond trellis pattern. Whether laid parquetry or scribed decoration cannot be determined under the paint\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eFinish\u003c\/td\u003e\n\u003ctd\u003eRefinished. Decorative paint treatment, not original. Soft pink ground with a white dry brushed over it, leaving the pink reading through in a crosshatch. Fine crazing in the white film in places\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eHardware\u003c\/td\u003e\n\u003ctd\u003eNone present. The drawer opens by hand at the lower edge of the front\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eTo be confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n    \u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eGood. Frame sound and sitting level on all four legs, drawer running and opening the full width. Carving complete with no losses found. Refinished at some point, the painted surface intact with fine crazing in the white film and the expected light handling marks\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eThis is a table that does not need a wall. With no stretcher and four long legs it reads light from every side, so it can float beside a chair, stand behind a sofa, or sit in the middle of a small room without closing it off.\u003c\/p\u003e\n\u003cp\u003eThe finish is the reason it will go where a brown table will not. Pink under white is a quiet, warm, slightly faded register that sits against linen, pale plaster, old gilt and almost any upholstery, and it keeps the carving legible because the white catches the raised work and the pink stays down in the ground.\u003c\/p\u003e\n\u003cp\u003eThe drawer is a real one and runs the full width, which on a table this size means it actually holds things rather than gesturing at storage.\u003c\/p\u003e\n\u003cp\u003eFor a dealer or a designer, the appeal is the shape. Cabriole legs this slender are the part of the style that cheap versions get wrong, and these are right. Set beside a plain modern sofa it does the job a good antique does, which is to stop a room reading as a showroom.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":67571516735593,"sku":"VE-1784","price":1575.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/01_dad768c5-1088-4032-ad21-6149ed4dd387.jpg?v=1790819249"}],"url":"https:\/\/viridianeclection.com\/collections\/tables.oembed?page=2","provider":"Viridian Eclection","version":"1.0","type":"link"}