{"product_id":"the-yearling-rawlings-grosset-and-dunlap-movie-jacket-c-1946-1950","title":"The Yearling, Rawlings, Grosset and Dunlap Movie Jacket, c. 1946–1950","description":"\u003ch3\u003eThe Piece\u003c\/h3\u003e\n\u003cp\u003eMarjorie Kinnan Rawlings, The Yearling, in the Grosset and Dunlap reprint bound in bright apple green cloth. The front board is stamped in black with Edward Shenton's figure of the boy Jody standing on a strip of ground with the fawn in his arms. The spine carries the title in script, the author in capitals, the Grosset and Dunlap imprint, and a leaf ornament at head and tail. The rear board is plain.\u003c\/p\u003e\n\u003cp\u003eThe title page repeats the Shenton device in its fuller form, the boy and the fawn against a sunburst with the Baxter cabins behind, credited Decorations by Edward Shenton, over the Grosset and Dunlap New York imprint. The copyright page reads 1938 by Marjorie Kinnan Rawlings, printed in the United States of America, all rights reserved without the permission of Charles Scribner's Sons, and at the foot, by arrangement with Charles Scribner's Sons. There is no printing date.\u003c\/p\u003e\n\u003cp\u003eShenton's decorations open the chapters throughout. Jody lying in the rain among the clay furrows at chapter one. The doe leaping the fence away from Ma Baxter and her broom at chapter twenty two, page 271. They are cut in the manner of wood engraving, black and white and very sharp, and they are the reason this edition still has admirers.\u003c\/p\u003e\n\u003cp\u003eWhat makes this copy unusual is what a previous owner did with the dust jacket. Rather than lose it, they cut it apart and taped it to the inside of the boards. The front endpaper carries the front panel and part of the spine, in color, Jody holding the fawn against the pines and the river, with an oval inset of Gregory Peck and Jane Wyman and the line about the Pulitzer Prize novel on which M-G-M based its motion picture. The rear endpaper carries the back panel, a black and white still of Peck, Wyman and Claude Jarman Jr. with the fawn, under the full film credits. The tape has aged to amber and the paper beneath it is stained, but the jacket is there and it is legible.\u003c\/p\u003e\n\u003cp\u003ePasted on the front free endpaper is an engraved bookplate, a steel-engraved Minute Man standing with his musket beside the plow, cannon smoke rising behind him, set inside a broken pediment under the words Ex Libris. The name below reads ICHARD S. KNAPP, the first letter lost where the plate meets the tape at the gutter.\u003c\/p\u003e\n\u003ch3\u003eHistory \u0026amp; Provenance\u003c\/h3\u003e\n\u003cp\u003eThe Yearling was published by Charles Scribner's Sons in March 1938, edited by Maxwell Perkins, who had turned down several of Rawlings's earlier projects and told her to write instead about the Florida backcountry she had moved to. It was the best selling novel in the United States that year at more than 250,000 copies, the seventh best seller the year after, and it took the Pulitzer Prize for the Novel in 1939. Edward Shenton illustrated it from the first edition onward, and his decorations carried over into the reprints.\u003c\/p\u003e\n\u003cp\u003eThe film took two attempts. Metro-Goldwyn-Mayer started in 1941 with Spencer Tracy as Penny Baxter and Victor Fleming directing, hired Rawlings herself as consultant and location scout, renovated a cabin and built a town set in Florida, and shut the production down after three weeks of heat, insects and a cast with no appetite for the material. It was revived in 1945 under Clarence Brown, who cast Gregory Peck and Jane Wyman and, after a long search for a boy, Claude Jarman Jr. in his first film. It was released on 18 December 1946 and took Academy Awards for color art direction and color cinematography, with a Juvenile Award to Jarman, against nominations for picture, director, actor, actress and editing.\u003c\/p\u003e\n\u003cp\u003eThat release date is the floor for this copy. The jacket taped inside sells the film as current, so neither the jacket nor the printing it came off can predate the end of 1946. Grosset and Dunlap gave the reprint no printing date, and the firm kept the title in print for years afterward, so the upper end is an estimate rather than a fact. The run of the film tie-in jacket puts it in the late forties.\u003c\/p\u003e\n\u003cp\u003eThe bookplate is the Minute Man of Concord, Daniel Chester French's first major commission, unveiled on 19 April 1875 at the centennial of the fight at the North Bridge. French showed the farmer stepping away from his plow with his coat still draped over it, one hand on the musket. The image was reproduced constantly through the late nineteenth and early twentieth centuries, and stock engraved bookplates using it were sold by stationers to anyone who wanted one. It names an owner rather than a family: a reader who cared enough about his books to put his name in them, and enough about this one to save its jacket.\u003c\/p\u003e\n\u003ch3\u003eProduct Details\u003c\/h3\u003e\n\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eTitle\u003c\/td\u003e\n\u003ctd\u003eThe Yearling\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAuthor\u003c\/td\u003e\n\u003ctd\u003eMarjorie Kinnan Rawlings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIllustrator\u003c\/td\u003e\n\u003ctd\u003eEdward Shenton\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher\u003c\/td\u003e\n\u003ctd\u003eGrosset and Dunlap, New York, by arrangement with Charles Scribner's Sons\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDate\u003c\/td\u003e\n\u003ctd\u003ec. 1946–1950, reprint of the 1938 first edition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eEdition\u003c\/td\u003e\n\u003ctd\u003eLater Grosset and Dunlap reprint. Not a first edition and not a photoplay edition, which would carry film stills bound in. The Shenton decorations are the only interior illustrations\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBinding\u003c\/td\u003e\n\u003ctd\u003ePublisher's apple green cloth over boards, front stamped in black with the Shenton boy and fawn device, spine lettered and ornamented in black\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eJacket\u003c\/td\u003e\n\u003ctd\u003eOriginal M-G-M film tie-in jacket, cut apart and taped inside the front and rear boards by a former owner. Front panel in color with Peck and Wyman inset, rear panel a black and white film still with credits\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eProvenance\u003c\/td\u003e\n\u003ctd\u003eEngraved Minute Man bookplate on the front free endpaper, named ICHARD S. KNAPP with the initial letter obscured\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDimensions\u003c\/td\u003e\n\u003ctd\u003eTo be confirmed\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCondition\u003c\/td\u003e\n\u003ctd\u003eGood. Cloth bright and clean with the color strong. An abrasion across the upper front board where a label was pulled away, showing white beneath. Spine frayed at head and tail with small loss, corners lightly bumped. Endpapers stained amber where the jacket tape sits, with the tape itself brittle and partly lifting. Jacket panels chipped and cracked along old folds. Text block clean, square and tight, pages lightly toned, all present and legible. Not restored\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3\u003eWhy It Belongs in Your Home\u003c\/h3\u003e\n\u003cp\u003eGreen is the hard color to find on a shelf. Most cloth from this period is brown, maroon or navy, and a run of spines in those colors reads as one brown mass from across a room. This one is apple green, clean, and it does the work of three books.\u003c\/p\u003e\n\u003cp\u003eIt also happens to be a book people recognize, which matters when the shelf is in a room other people sit in. The Yearling is a Pulitzer novel, the best selling American novel of its year, and the source of a film that three generations saw. Shenton's decorations are genuinely good, and the copy opens flat enough to leave on a stand at the deer and the broom.\u003c\/p\u003e\n\u003cp\u003eThe thing that sets this copy apart is not bibliographic. It is that someone took a failing dust jacket, cut it into panels and taped it inside the covers so that it would survive, and then put his name on the facing page under a Minute Man. That is a reader's book, not a collector's, and it reads that way on a shelf of Americana, in a cabin or lake house, or propped open beside a run of green cloth.\u003c\/p\u003e","brand":"Viridian Eclection","offers":[{"title":"Default Title","offer_id":67621435113577,"sku":"VE-1803","price":263.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/0093\/9369\/files\/01_e2466e69-dc2a-4b4d-9aec-d73a2d324268.jpg?v=1791618746","url":"https:\/\/viridianeclection.com\/products\/the-yearling-rawlings-grosset-and-dunlap-movie-jacket-c-1946-1950","provider":"Viridian Eclection","version":"1.0","type":"link"}