A striking amber and clear glass sculpture with an organic, egg-like contour and a suspended teardrop core. Founded in San Francisco in the early 1950s, Dynasty Gallery became known for its handcrafted glass, ceramics, and decoratives designed to bring artistry to modern living. The outer layer is a heavy, satin-frosted crystal, while the inner chamber holds a luminous, honey-amber drop with air bubble inclusion. Light passes through the clear body and refracts around the inner form, creating a subtle, glowing halo. The piece rests solidly on its base with a softly beveled edge—hand-finished and ground flat, typical of fine Murano and Scandinavian studio glass.
History & Attribution
This form was pioneered in Murano, Italy, in the 1950s–1960s, during the height of the sommerso (“submerged”) glass technique, perfected by masters such as Flavio Poli for Seguso Vetri d’Arte and Alfredo Barbini. Scandinavian studios, notably Kosta Boda and Orrefors, later echoed the style through the 1960s–70s, blending Italian sculptural sensibility with Nordic restraint.
The technique involves layering molten glass of contrasting colors—clear over color, sometimes with trapped bubbles—to produce a suspended, weightless effect. The frosted exterior and amber interior of your piece suggest late-1950s to early-1960s production, most likely Italian, possibly Seguso-inspired or made by an independent Murano workshop.
Details
→ Period: Mid-century (c. 1950s–60s)
→ Origin: Dynasty Gallery — Vinci Collection
→ Technique: Sommerso (encased layered glass)
→ Color: Amber core, clear crystal body, frosted exterior
→ Dimensions: typically 7–9 in (18–23 cm) tall (confirm actual)
→ Condition: Excellent; minor base wear consistent with age
→ Material: Hand-blown glass, ground and polished base
Placement & Styling
This sculptural glass form thrives where light and shadow interact—on a console beneath a picture light, in a bookcase vignette, or on a minimalist pedestal where natural sunlight can animate the amber core. It pairs beautifully with brass, walnut, or black marble surfaces, echoing the quiet opulence of mid-century Italian interiors.
For collectors, it sits comfortably among Barbini, Flavio Poli, or Mandruzzato works—refined, elemental, and unmistakably mid-century modern.