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Late-19th Century Victorian Giltwood & Gesso Frame With Original Glass
  • Late-19th Century Victorian Giltwood & Gesso Frame With Original Glass
  • Late-19th Century Victorian Giltwood & Gesso Frame With Original Glass
  • Late-19th Century Victorian Giltwood & Gesso Frame With Original Glass
  • Late-19th Century Victorian Giltwood & Gesso Frame With Original Glass
  • Late-19th Century Victorian Giltwood & Gesso Frame With Original Glass
  • Late-19th Century Victorian Giltwood & Gesso Frame With Original Glass
Late-19th Century Victorian Giltwood & Gesso Frame With Original Glass
$115.00

THE PIECE

A beautifully aged Victorian giltwood and gesso picture frame, dating from the late 1800s to very early 1900s. The frame features its original wavy glass, untouched patina, and a narrow profile decorated with pressed foliate and beaded relief patterns characteristic of late-19th century decorative framing. Time has softened the gilt finish into an understated bronze-brown tone, revealing areas of naturally exposed gesso that create a warm, authentic aged texture.

This frame was originally intended for cabinet photos, small portraits, or watercolor studies, and would have been hung in a parlor or bedroom. It retains its period construction, including the old hanging wire and corner joinery visible on the interior edge.

DESIGN & CONSTRUCTION

  • Material: Gilt gesso over hardwood (likely pine or poplar)

  • Decoration: Repeating pressed foliate border with inner bead line; classic Victorian machine-pressed molding

  • Glass: Original single-pane wavy glass with early float imperfections

  • Patina: Naturally worn gilding, exposed gesso, and oxidation consistent with 120+ years of age

  • Back Construction: Early wire hanging system still present

  • Condition: Surface wear, gilt loss, and minor chipping — desirable and fully authentic for collectors of 19th-century frames

DATE & HISTORICAL CONTEXT

This frame style appears between 1880 and 1900, during the Victorian era’s fascination with machine-pressed ornamentation. As mass-production technology improved, frames like this became widely accessible, offering ornamental richness without hand-carved cost. The narrow profile and repeating motifs place it in the late Aesthetic Movement period.

Frames like this often housed cabinet cards, mourning portraits, religious prints, or botanical studies, especially in middle-class homes. The survival of the original glass and unstripped finish is increasingly rare.

Its moody, distressed aesthetic makes it exceptionally desirable for gothic, dark academia, and Victorian-inspired interiors — especially against the textured black wall you photographed it on. This increases its design value significantly.

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