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1907 Kodak Tank Advertisement – Early Eastman Kodak Co. Lithograph, Framed Antique Print

The Piece

An original 1907 Eastman Kodak Co. “Kodak Tank” advertisement, printed during the dawn of amateur daylight film development. This full-page chromolithograph shows a camping scene in warm, painterly tones: a young man proudly examining his freshly developed negatives while a woman leans in, hands on hips, admiring the results. In the background, tents, a fire, and early photographic gear establish the romance of outdoor adventure at the turn of the century. The untouched wear, ragged edges, and visible water wrinkles give the piece a haunting, archival beauty — the kind of honest age that feels like it was pulled from an attic trunk rather than reproduced. Framed in a vintage gold moulding with a linen mat, the artwork reads as both artifact and art object.


Design & Construction

→ Form & Style:

This is classic early-20th-century commercial illustration, leaning heavily into the soft realism and natural palette popular in pre-war American advertising. The forest scene is atmospheric, almost painterly, with brushy greens, warm browns, and a distinctly Edwardian sensibility in the clothing and color tones. The layout is tall and vertically expressive, allowing the image to breathe above the bold serif headline: KODAK TANK.

→ Typography:

Bold transitional serif type announces the product, supported by smaller explanatory copy touting the convenience of daylight development — a revolutionary innovation in 1907. The right margin includes Kodak’s famous slogan:
“If it isn’t an Eastman, it isn’t a Kodak.”

The typography alone dates the piece to the early 1900s, long before Kodak adopted the mid-century modern branding more people recognize today.

→ Materials & Framing:

The print is mounted in a light gilded frame with decorative stamped detailing — likely mid-century — paired with a linen-textured mat that softens the aged edges of the original paper. The contrast of muted gold, off-white matting, and the distressed 1907 print brings a quiet museumsque quality to the piece. Behind glass, the imperfections (cracks, wrinkles, paper loss) become part of its charm and preservation.


History & Provenance

This advertisement was produced by Eastman Kodak Co., Rochester, N.Y., at the height of Kodak's early 20th-century innovations. The Kodak Tank represented a major shift in photography: development outside the darkroom, using daylight — a radical simplification that expanded amateur and travel photography.

The illustration style and the emphasis on “pressing the button” reflect Kodak's long-running mission: to make photography accessible to everyone. Ads of this era rarely survive in any condition; examples from 1905–1910 are highly valued by collectors of photographic history, ephemera, and pre-war advertising.


Condition

Well-worn but evocative. The print displays significant edge wear, water wrinkling, and paper loss — all consistent with a 117-year-old advertisement removed from a magazine. Color remains surprisingly strong and visible. The mat and frame are clean, stable, and ready to hang. The patina and distressing elevate the piece, making it ideal for moody, historically rich interior styling rather than pristine archival collecting.


Product Details

Attribute Description
Brand Eastman Kodak Co.
Year 1907
Publication Likely a full-page magazine advertisement (original)
Material Lithograph on paper; matted and framed under glass
Origin Rochester, New York
Condition Distressed, with edge tears, wrinkling, and paper loss
Frame Vintage gold-tone frame with patterned detailing
Dimensions (To be measured)
Style Early 20th-century American advertising illustration

Why It Belongs in Your Home

This piece carries the soul of early photography — adventure, invention, and the romance of capturing life outdoors before the modern world transformed everything. Its distressed paper edges, soft illustration, and antique character make it perfect for eclectic, vintage-forward, or moody interiors. Whether hung in a study, hallway, photography studio, or gallery wall, it brings a sense of history, warmth, and quiet narrative intimacy. It feels like a relic from a world of tents, negatives drying on lines, and the thrill of seeing one’s photographs for the very first time.

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