The Piece

Late 19th–early 20th century apothecary jar with lid.
Waymans, England.
Glazed ceramic with printed label.
Marked “Made in England.”

Comparable late 19th-century English apothecary jars with transfer-printed labels and retailer addresses appear in British museum collections focused on pharmacy and medical history, including documented Victorian chemist shop wares.

Primary Description

This cylindrical apothecary jar is formed in white glazed ceramic and fitted with a matching domed lid. The front bears a black printed label identifying the contents as Sage, framed by ornamental borders and commercial insignia associated with Waymans.

The jar’s proportions are upright and compact, designed for shelf storage and repeated handling. The glaze is smooth and evenly applied, with crisp label printing that remains legible. The lid seats cleanly, indicating it is original to the piece.

Historical Context

Before standardized packaging and mass-produced glass containers, British chemists relied on ceramic storage jars to house dried herbs, powders, and compounds. These jars served both functional and visual purposes, communicating trust, cleanliness, and order within the shop.

Retail-branded examples such as this one were used behind the counter or on open shelving, reinforcing the chemist’s identity while organizing medicinal stock. Sage was a commonly stocked herb, valued for both culinary and medicinal use, making this jar a practical component of daily pharmacy operations.

Comparable jars appear in British museum collections focused on medical and pharmaceutical history, including holdings related to Victorian-era chemist shops.

Product Details / Materials & Presentation

→ Medium: Glazed ceramic (ironstone-type body)
→ Construction: Thrown or molded body with fitted ceramic lid
→ Markings: Waymans branding; “Made in England”
→ Label: Black printed apothecary-style typography

Condition + Updates

Overall condition is very good for its age.
No cracks or repairs observed.
Minor surface wear and glaze variation consistent with age and use.
Printed label remains sharp with minimal loss.
Lid is original and fits securely.

Typographic & Graphic Cues

• The black transfer-printed label uses a Victorian display serif mixed with blackletter for the address line (“Redcliffe Street”), a combination common in British commercial ceramics c. 1880–1910.

• The rope-and-cartouche borders, paired with symmetrical floral devices, align with late Victorian apothecary label conventions rather than Edwardian simplification.

• The word “GENUINE” framed by ornamental dots and scrollwork was a common trust-signaling device used by chemists and druggists in the late 19th century, before regulatory standardization reduced such language.

Address & Retail Branding

• The inclusion of a specific street address (“60 Redcliffe Street”) strongly indicates a retail chemist or supplier, not a generic pottery blank.

• British apothecary jars with full retail addresses are most frequently documented pre-1914, before WWI disrupted small-scale retail supply chains and ceramic production.

Manufacturing & Marking Context

• The phrase “MADE IN ENGLAND” appears without a registry mark or factory stamp, consistent with export or retailer-branded wares produced for the domestic market rather than hotel or institutional use.

• The ceramic body and glaze are consistent with ironstone or vitrified earthenware commonly used for apothecary storage prior to widespread glass adoption.

Why It Belongs in Your Home

This jar works well on open shelving, within a vitrine, or grouped with other apothecary objects where material consistency and typography matter. Its neutral palette allows it to integrate into both antique and contemporary interiors without visual noise.

From Viridian Eclection

Viridian Eclection curates objects that reflect how work, care, and commerce were once organized materially. Apothecary jars like this one survive because they were made to be used, not displayed.