Lenox Woodland Vase, Ivory Porcelain with Embossed Acanthus and Scalloped Rim, Made in USA

The Piece

A tall, elegant flare vase in Lenox's signature warm ivory porcelain. The body rises from a narrow footed base, draws in at a slim waist, and opens outward to a wide mouth finished in a deeply scalloped, petal-like rim — a silhouette that reads as a trumpet, or a lily caught mid-bloom.

The whole surface is worked in low relief with the Woodland pattern: slender acanthus leaves and teardrop buds rising in continuous vertical stems from foot to rim, each one modeled in the mold rather than applied, so the ornament and the body are a single piece of porcelain. Glazed in Lenox's characteristic ivory — never stark white, always faintly warm — the relief catches light along every leaf edge and shadows softly in the channels between. The base carries the gold Lenox laurel backstamp, MADE IN U.S.A.

History & Provenance

Lenox is the great American porcelain house. Founded in Trenton, New Jersey, in 1889 by Walter Scott Lenox, the firm set out to prove that American porcelain could stand beside European — and settled the argument in 1918, when Woodrow Wilson commissioned a 1,700-piece Lenox state service for the White House. Every president since has continued the tradition, which makes Lenox the only American china to have served every administration for over a century.

The Woodland collection belongs to Lenox's giftware line, produced in ivory porcelain with the embossed foliate relief that became one of the house's most recognizable decorative languages. The pattern was made in a range of forms — bud vases, flare vases, bowls, and candlesticks — and the collection remains among the most collected of Lenox's decorative wares precisely because the pieces group so well.

Product Details

Why It Belongs in Your Home

Ivory porcelain is the most forgiving thing you can put on a shelf — it agrees with every wood tone, every wall color, and every other object in the room. Fill this one with white tulips, hydrangea, or a fistful of eucalyptus and it looks like it belongs in a room that was designed; leave it empty and the relief carries it on its own as a piece of quiet sculpture. The flared rim gives loose garden stems somewhere to fall, which is exactly what most tall vases fail to do.

It's also a natural grouping piece. Set it with white ironstone, milk glass, or other Lenox on an open shelf and the varied textures in a single color read as a deliberate collection rather than an accumulation. And it makes a genuinely graceful gift — the Lenox name still carries weight, and the mark on the base says so.