The Piece

1988 landscape painting.
Signed Terry Daugherty and dated ’88.
Oil on canvas, framed in wood with gilt liner.
Signature and date visible along the lower margin.

Primary Description

This painting depicts a small settlement spread across a high desert hillside beneath a broad, pale mountain. A cluster of buildings occupies the lower left of the composition, connected by a narrow trestle or walkway, while additional structures are scattered sparsely across the slope.

The land rises gradually toward the mountain, which dominates the background with a softly modeled, rounded form. Brushwork is controlled and even throughout, with fine textural variation in the grasses and hillside and a lighter, more diffuse handling in the sky. The palette is muted, relying on tans, soft greens, and pale blues to convey distance and elevation rather than contrast.

About the Artist / Maker

Terry Daugherty was an American regional painter active in the late 20th century, working primarily in representational landscapes rooted in the American West. His paintings frequently depict rural environments shaped by human presence, including settlements, roads, bridges, and structures integrated into open terrain.

Documentation of institutional exhibitions is limited, and his work appears primarily in private and regional contexts. Across multiple signed and dated works from the 1980s, Daugherty demonstrates a consistent studio practice focused on place, structure, and quiet observation.

Historical Context

By the 1980s, many Western painters continued to document landscapes that reflected earlier patterns of settlement and industry. Isolated buildings and hillside communities, often referencing mining or ranching histories, remained common subjects in Northern Nevada and surrounding regions.

Paintings like this reflect an interest in the residue of human activity within expansive landscapes. Rather than dramatizing decline or growth, the scene is presented neutrally, emphasizing scale, distance, and the relationship between structures and land.

Product Details / Materials & Presentation

→ Medium: Oil paint
→ Support: Canvas
→ Construction: Stretched canvas, framed
→ Signature / date: Signed “Terry Daugherty” and dated 1988
→ Frame: Wood frame with gilt inner liner, period-appropriate

Condition + Updates

Overall condition is good.
The paint surface is stable with no visible flaking or loss. Canvas remains taut. Light surface wear and minor frame wear are consistent with age. No restoration or conservation has been performed.

Why It Belongs in Your Home

This painting works well where quiet narrative matters. Its horizontal format and subdued palette make it suitable for living rooms, offices, or transitional spaces where scale and calm are preferred over color intensity.

The composition rewards time rather than immediacy. Its appeal lies in the relationship between land and settlement, offering visual depth without overt drama.

From Viridian Eclection

Viridian Eclection presents regional works with clear attribution and honest context. Each piece is offered without embellishment, allowing material presence, place, and authorship to remain intact.