Roxanne Gribbin

Roxanne Gribbin

Reno Portrait and Pastel Painter · Gallery Owner · Artists' Co-op, Mill Street · 1980s

On the back of our portrait of a fair haired woman, high on the raw canvas, a name is written in pencil: Roxanne Gribbin. When we first catalogued the painting we searched the standard indexes of American artists and the auction databases, found no painter of that name, and concluded the name most likely belonged to the sitter. The Reno newspapers of the 1980s tell a different story. They record a Roxanne Gribbin, sometimes printed Gribben, who painted portraits and animals, worked in oil and pastel, ran her own gallery on South Virginia Street, won first prizes for portraiture and for pastels, joined the Artists' Co-op on Mill Street and took commissions for portraits. The name on the back of our canvas is, we now believe, the painter's own.

A Demonstration of Animal Painting, 1980

She first appears in January 1980, in the Nevada State Journal's report of the Nevada Artists Association newsletter. The Reno chapter was to meet at the Reno Recreation Center at Riverside and Vine on 10 January, and Roxanne Gribbin would give a demonstration of animal painting. She was also taking the reservations for a two-day workshop on painting animals with Ancey Chesebrough of Los Altos, California. A painter trusted to demonstrate technique to her own chapter was not a beginner.

Innovation Arts, 1583 South Virginia

Six months later she had a gallery of her own. On 6 June 1980 the Reno Evening Gazette's round-up of additions to Reno's visual arts scene announced that Innovation Arts, a new gallery at 1583 South Virginia Street, would open that Saturday at noon with a champagne reception and a drawing for an original painting. Its owner, Roxanne Gribben, said the new space would display forty paintings by local artists, and that the first featured artist would be the oil painter Jessica Clark. The same column reported the opening of a gallery for the nationally known Edna Hibel on Lakeside Drive; Roxanne Gribbin was opening hers in the same week.

First Prize for Portraits, 1982

On 1 and 2 May 1982 the Pizen Palettes club held the annual Nevada Artists Association Spring Art Show in the National Guard Armory at Yerington. The Mason Valley News printed the judging, by James Lawrence of Gardnerville, category by category, and under Portrait Awards the first prize went to Roxanne Gribben. The other prizewinners that weekend included Mary Chadwell, a founder of the Reno co-op, and the watercolourist Lane Sharman. Six weeks later, in June 1982, she showed again on the sidewalks of Reno's Village Center at California Avenue and Booth Street, one of four Reno artists in a sidewalk art show with Kathy McKenzie, Mahree Roberts and Lane Sherman.

The Artists' Co-op and Portrait Commissions

By the end of 1983 she had been elected to the Artists' Co-op Gallery at 627 Mill Street, the volunteer-run gallery founded in 1966 in an old French laundry. Writing on Christmas Day 1983, the Reno arts columnist Velda Morby, herself a co-op founder, reported that the pastels of the gallery's two newest members, Roxanne Gribben and Ruth Cantrell, were proving popular, and added that Roxanne takes commissions for portraits. The same column noted that Marge Means had for many years run a Wednesday portrait workshop at the Reno Community Center, which tells us how lively portrait painting from the model was in Reno in those years.

Her commissions reached print. On 28 April 1985 the Reno Gazette-Journal illustrated an arts column with a portrait of a man captioned simply Lawlor, credited as Roxanne Gribben's portrait.

Best in Pastels at the State Fair, 1986

In August 1986 the Nevada Arts Association announced its Reno chapter winners at the Nevada State Fair art show, chosen from 254 entries. First place in pastels went to Roxanne Gribben. In February 1988 she was among the contributors to a University of Nevada, Reno benefit auction, and in May 1989 her pastels were the featured exhibition at the Nevada Gallery in the lobby of the Reno Gazette-Journal building, shown with the work of Margot Seymour Schulze of Auburn, California.

The Painting

Our portrait is a head and shoulders study of a fair haired woman turned three quarters to the viewer, her hair swept up and back in a full soft wave, a pale scarf gathered at her throat. She looks out and a little past us, composed and slightly guarded. It was painted wet into wet in a single sitting over a warm toned ground that is left showing through most of the canvas. The background is barely touched and the shoulders are a few broad sweeps; all the effort went into the face. The palette is held to ochre, cream and raw canvas, with three notes of colour let in on purpose: green in the brow and the shadow of the eye, pink on the cheek and red on the lower lip.

That is exactly the kind of picture a working portrait painter makes from life, in a session with the model in the room, and it fits a painter whose reputation in Reno was built on portraits and on pastel, a medium that rewards the same economy of means.

Why Roxanne Gribbin Matters

Gribbin belonged to the generation that kept Reno's art life running in the 1980s: painters who demonstrated for their chapter, opened small galleries, staffed the co-op, entered the fair and painted their neighbours to order. None of them made the national indexes, and that is why their work loses its names so easily. Our portrait kept its name in pencil on the back, and the newspapers have now given that name a career.

A Life in the Record

Jan 1980

Gives a demonstration of animal painting to the Reno chapter of the Nevada Artists Association and takes reservations for an animal painting workshop.

Jun 1980

Opens Innovation Arts, her own gallery at 1583 South Virginia Street, Reno, showing forty paintings by local artists.

May 1982

First prize for portraits at the Nevada Artists Association Spring Art Show, Yerington.

Jun 1982

One of four Reno artists in the Village Center Sidewalk Art Show, with Mahree Roberts.

Dec 1983

Newest member of the Artists' Co-op Gallery, 627 Mill Street; her pastels sell well and she takes portrait commissions.

Apr 1985

Her portrait of a man named Lawlor is reproduced in the Reno Gazette-Journal.

Aug 1986

First place in pastels at the Nevada State Fair art show, Reno chapter, out of 254 entries.

May 1989

Featured exhibition of her pastels at the Nevada Gallery, Reno Gazette-Journal building.

We first read the pencilled name as the sitter's. The Reno papers show Roxanne Gribbin was a portrait painter with her own gallery, first prize for portraits in 1982 and for pastels at the State Fair in 1986, who took commissions from the Mill Street co-op. The quick, confident face on this canvas looks very much like her trade.
Viridian Eclection, Reno

Inquire About Available Works

If you knew Roxanne Gribbin, sat for her, or own a portrait or pastel by her, especially a signed one, we would like to hear from you. One signed work would let us compare her hand directly with the name on our canvas.

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No Signature on the Front, Her Name on the Back
Reverse of the canvas · Roxanne Gribbin, in pencil
Reading the Inscription

No Signature on the Front, Her Name on the Back

Roxanne Gribbin

The face of the painting is unsigned. On the reverse, written in graphite on the raw canvas just above the hanging wire, is Roxanne Gribbin, in a rounded hand with a joined double b and a short dotted i at the end.

The spelling matters. The newspapers print her name both ways, but Gribbin, the form on our canvas, is the one that appears most often in the Reno papers of the 1980s, including her own exhibition listing of 1989. A name written in full and nothing else, with no price, stock number or measurement beside it, reads as the painter marking her own canvas rather than a dealer or framer making a note.

Because the inscription is in pencil and not a painted signature, and because we have not yet compared it with a signed work, the Signature Index lists the portrait as attributed. A signed Gribbin portrait or pastel would let us confirm the hand.

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Three Notes of Colour
Green in the brow, red on the lip
Alla Prima

Three Notes of Colour

All the work went into the face.

Come close to the portrait and you can follow the order it was painted in. A warm ochre ground was laid over the whole canvas first. The drawing went in with thin, dark strokes, and then the lights of the face and hair were brushed on thick and wet, pushed into each other so the edges soften where the hair meets the cheek.

The painter then stopped. The background is little more than the toned ground, and the scarf is a handful of strokes. On that quiet surface the three colours do everything: green to cool the eye and set it back in its socket, pink to warm the cheek, red to fix the mouth. It is a painting that knows when to leave off, the habit of someone who painted faces for a living.

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From the Archive

Notes on the record, gathered from the sources listed below.

Recorded exhibitions and awards

  1. Innovation Arts, 1583 South Virginia Street, Reno, her own gallery, opened June 1980.
  2. Nevada Artists Association Spring Art Show, National Guard Armory, Yerington, 1 to 2 May 1982: first prize, portraits.
  3. Village Center Sidewalk Art Show, Reno, June 1982.
  4. Artists' Co-op Gallery, 627 Mill Street, Reno, member from 1983: pastels and portrait commissions.
  5. Nevada State Fair art show, Reno chapter, Nevada Arts Association, August 1986: first place, pastels.
  6. Nevada Gallery, Reno Gazette-Journal building lobby, May 1989: pastels.

Notes on the record

  1. Spelling. Gribbin on our canvas. The Reno papers print both Gribbin (most often) and Gribben. The listed-artist indexes carry neither.
  2. Earlier catalogue entry. We first catalogued the name as most likely the sitter's. The newspaper record of a working Reno portrait painter of the same name leads us to attribute the portrait to her.
  3. Date. Her documented career runs from 1980, when she was already demonstrating technique to her chapter, to 1989. The sitter's hair and makeup suit the 1970s and early 1980s, so we place the portrait about 1970 to 1985. The listing's earlier date of c. 1965 to 1975 is under review.
  4. The Lawlor portrait. The 1985 caption names the sitter only as Lawlor; we have not identified him.
  5. Privacy. We publish nothing about her private life. One 1987 civic notice and later out-of-state hits for the name were not used.

Sources

  1. Nevada State Journal, 6 January 1980, p. 79 (Nevada Artists Association, Reno chapter)
  2. Reno Evening Gazette, 6 June 1980, p. 18 (Adding to visual arts picture: Innovation Arts)
  3. Mason Valley News, Yerington, 7 May 1982, p. 5 (Spring Art Show proves successful)
  4. Reno Gazette-Journal, 17 June 1982, p. 9 (Village Center sidewalk art show)
  5. Velda Morby, Reno Gazette-Journal, 25 December 1983, p. 67 (Artists' Co-op new members)
  6. Reno Gazette-Journal, 28 April 1985, p. 77 (Lawlor, Roxanne Gribben's portrait)
  7. Reno Gazette-Journal, 17 August 1986, p. 69 (State fair art awards)
  8. Reno Gazette-Journal, 17 February 1988, p. 9 (University auction contributors)
  9. Reno Gazette-Journal, 30 April 1989, p. 28 (Nevada Gallery: pastels by Roxanne Gribbin)
  10. Viridian Eclection, Mahree Roberts artist page

Every Original Is One of One

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