Porcelain Single-Toggle Switch Plate with Pink Dogwood Transfer Decoration, Oval Form, Unused with the Original Screws Still Sealed to the Reverse
Viridian Eclection
The PieceAn oval porcelain switch plate, decorated in pink blossom and green foliage, and never installed.The form is moulded rather than flat: a raised outer rim, a shallow dished field, and a rec...
The Piece
An oval porcelain switch plate, decorated in pink blossom and green foliage, and never installed.
The form is moulded rather than flat: a raised outer rim, a shallow dished field, and a recessed oval panel around the toggle opening, so the plate has real relief in the hand and throws a shadow line on a wall.
The decoration runs around that panel — open pink blossoms with orange-red centres, smaller ivory blossoms on fine stems, and green leaves in two tones, drawn across the top and bottom of the oval and left clear at the sides.
The glaze is a warm gloss white, and the reverse is left as unglazed bisque, moulded with slotted screw bosses and a raised rib.
Taped to that reverse, still sealed in its original clear packet, is the pair of mounting screws it was made with.
History & Provenance
The screws are the point. This plate has never been on a wall.
A switch plate is a consumable fitting. It goes up, it gets painted around, it gets scratched by a hundred thousand thumbs, and the screws are lost within a year. Finding one unused, with its own factory screw packet still taped where the maker put it, is considerably less common than the object itself suggests.
Decorated ceramic switch plates belong to a real chapter of American domestic decoration. Through the later twentieth century the ordinary plastic plate was replaced, room by room, with porcelain, brass and painted wood in kitchens, bathrooms and bedrooms — the same impulse that put a ruffle on a lampshade and a stencil above a doorframe. They were sold in hardware stores, gift shops and mail-order catalogues by the hundred thousand.
The decoration here is a printed transfer rather than hand painting, and the object says so plainly: under magnification the pink and green are laid in as a fine halftone dot screen, with a printed outline beneath. That is not a fault and it is not a downgrade. It is how decorated ceramics have been produced since the eighteenth century, and it is why the drawing is crisp and the colours are even.
The plate carries no maker's mark, no country of origin and no date of any kind on either face. No date is claimed for it. It is offered as what it can be shown to be: an unused moulded porcelain switch plate with transfer decoration, complete with its original screws.
Product Details
| Object | Moulded porcelain single-toggle switch plate, unused |
| Dimensions | Approximately 5 in high by 3½ in wide |
| Form | Oval, with a raised outer rim, dished field and recessed panel around the toggle opening; unglazed bisque reverse with slotted screw bosses and a raised locating rib |
| Decoration | Transfer-printed pink blossoms with orange-red centres, ivory blossoms on fine stems, and green foliage in two tones, arranged above and below the toggle panel |
| Finish | Gloss white glaze to the face and rim; unglazed to the reverse |
| Fittings | Original pair of countersunk mounting screws, still sealed in the factory packet taped to the reverse |
| Marks | None. No maker's mark, country of origin or date on either face. Offered unattributed, and no date is claimed. |
| Condition | Unused. No chips, no cracks, no repairs, and no wear of any kind to the face — this plate has never been mounted. The glaze is bright and the transfer decoration is crisp and unfaded. There is a small dark speck fired in beneath the glaze beside one blossom, and one area near the rim where the glaze lies slightly heavier and catches the light differently; both are original to the making. The unglazed reverse carries grey smudging from storage and handling, which is on the face that goes against the wall. The screw packet is intact and both screws are present. Condition Guaranteed. |
| Availability | One of a Kind — 1 Available |
Why It Belongs in Your Home
It is the cheapest way to change a room that exists.
A switch plate is at hand height beside every doorway, which means it is one of the few objects in a house that people touch every single day and look at without noticing. Replace one and the wall around it changes character; it costs two screws and four minutes.
Porcelain does something plastic cannot. It has weight, a glaze that catches light along the moulded rim, and an edge that reads as a made object rather than a stamped one. Against painted plaster or wallpaper it looks like part of the house.
The blossom decoration puts it in a particular kind of room and does it well — a papered powder room, a cottage bedroom, a pantry, a back hall painted in something soft. It belongs with white-painted board, brass fittings and old linen.
Unused with its own screws is the part worth paying for. Almost every vintage plate offered anywhere has been on a wall, and comes scratched, paint-flecked and screwless. This one is exactly as it left the factory, and the screws match.
It is also a good small gift with a use attached, which is a hard combination to find — for anyone restoring an old house, finishing a guest room, or replacing the last builder-grade fitting in a place they have otherwise made their own.
And if you would rather not fit it, it stands perfectly well on a shelf or a plate easel as a piece of decorated porcelain, which is more than most hardware can say.
A note on fitting, and it matters. Turn the power off at the breaker before you touch the existing plate. Porcelain does not flex, so tighten the two screws gently and evenly and stop as soon as the plate is seated; over-tightening is the single most common way these get cracked.
Check the opening against your switch before buying if the fitting is unusual. This is cut for a standard single toggle.
Clean it with a damp cloth and nothing abrasive. The decoration is under the glaze and will not rub off, but a scouring pad will dull the gloss around it.
Every piece is packed with professional-grade materials: multiple foam layers, double-boxing, directional and fragile handling labels. For large furniture we use custom timber crating. We photograph packing before dispatch and can provide images on request.
White-glove delivery is complimentary within 100 miles of Reno, NV. National shipping quotes provided at checkout. All shipments are photographed and documented. Damage claims must be filed with the carrier; we provide all documentation needed to support your claim.
Local pickup is available at Viridian HQ (Reno, NV) with 2–4 days notice. Contact us to arrange. Private viewings also available.
All antique and vintage items are sold as described and all sales are final. Each listing includes detailed condition notes and photographs so you can make a fully informed decision. We encourage buyers to ask questions — about condition, dimensions, finish, provenance — before purchasing.
Antiques are irreplaceable and one-of-a-kind. Carrier handling is outside our control once a piece has left our facility, and major carriers including FedEx do not insure antiques. We do everything within our power to ensure safe transit, but cannot accept liability for carrier damage. If damage occurs in transit, we will provide full documentation to support your carrier claim.
Have a question? — we're happy to provide additional photos, condition detail, or discuss the piece directly.

