Pierced Scrollwork Table Lamp, Antiqued Bronze Finish with Burgundy Damask Shade, Old World Revival, c. 1995–2010
Viridian Eclection
The Piece A dramatic lamp with genuine architectural presence. The body is a hexagonal tapering urn — a torch form, narrow at the foot and flaring to a wide shoulder — pierced entirely through with...
The Piece
A dramatic lamp with genuine architectural presence. The body is a hexagonal tapering urn — a torch form, narrow at the foot and flaring to a wide shoulder — pierced entirely through with a repeating lattice of scrolled arabesques, so the whole column reads as openwork rather than solid mass. It stands on a stepped hexagonal plinth carried on small bracket feet, and that plinth is pierced to match, so the ornament runs uninterrupted from the table surface to the shoulder.
The finish is a deep antiqued bronze-black, rubbed back at every edge and high point to warm copper, which makes the scrollwork read three-dimensionally even in low light. Above sits a turned neck, a standard socket, and a dark pinecone finial.
The shade is the piece's other half: a cut-corner square bell in burgundy chenille jacquard, woven with a large acanthus and floral damask in bronze and antique gold, lined in cream and finished with a soft folded hem. Lit, the openwork body throws a genuinely beautiful pattern of scrolled shadows onto the wall behind it — this lamp does something after dark that most lamps don't.
History & Provenance
The vocabulary is Mediterranean and old — pierced scrollwork of this kind descends from Moorish mashrabiya screens and the wrought-iron grilles of Spain and southern Italy, where openwork was used to filter light and air in equal measure. The object is thoroughly modern. This lamp belongs to the Old World / Tuscan revival, the decorating movement that dominated American interiors from the mid-1990s through roughly 2010, when warm terracotta walls, heavy damask, faux-finished plaster, and antiqued bronze were the language of the well-appointed living room.
That moment produced some genuinely good design. Manufacturers invested real money in mold work, and the better pieces — like this one — have depth of relief and finish quality that reads as far older than it is. It is styled as an antique rather than being one, and the fair way to sell it is to say so plainly.
Product Details
| Field | Detail |
|---|---|
| Object | Table lamp with shade |
| Origin | Decorator production |
| Material | Cast composite with antiqued bronze finish; chenille jacquard shade, cream lining |
| Decoration | Fully pierced scrolled arabesque lattice to body and plinth; copper rub-through highlights; pinecone finial |
| Form | Hexagonal tapering urn on stepped plinth with bracket feet; cut-corner bell shade |
| Era | c. 1995–2010 |
| Electrical | Standard socket with brass turn-key switch; tested and in working order |
| Condition | Very good. Structurally sound and stable with the pierced lattice intact throughout — no losses to the openwork. Light finish wear and a small chip to one lower edge of the plinth, consistent with use. Shade clean and taut with no fading, tears, or seam separation; lining bright. Condition Guaranteed. |
| Availability | One of a Kind — 1 Available |
Why It Belongs in Your Home
Some lamps light a room and some lamps furnish it. This one furnishes it. The pierced body gives it visual weight without bulk, so it holds a console, an entry table, or the end of a long sideboard where a solid base would look heavy. Turn it on in a dim room and the openwork does the rest, casting scrolled shadows up the wall — it is as much a light fixture as a lamp.
The burgundy shade is a real color decision, and it pays off against warm neutrals, terracotta, deep green, leather, and wood. If you'd rather the base carry the room alone, a plain cream or oatmeal drum turns it into a completely different and much quieter lamp, and the body is handsome enough to take the change.
Every piece is packed with professional-grade materials: multiple foam layers, double-boxing, directional and fragile handling labels. For large furniture we use custom timber crating. We photograph packing before dispatch and can provide images on request.
White-glove delivery is complimentary within 100 miles of Reno, NV. National shipping quotes provided at checkout. All shipments are photographed and documented. Damage claims must be filed with the carrier; we provide all documentation needed to support your claim.
Local pickup is available at Viridian HQ (Reno, NV) with 2–4 days notice. Contact us to arrange. Private viewings also available.
All antique and vintage items are sold as described and all sales are final. Each listing includes detailed condition notes and photographs so you can make a fully informed decision. We encourage buyers to ask questions — about condition, dimensions, finish, provenance — before purchasing.
Antiques are irreplaceable and one-of-a-kind. Carrier handling is outside our control once a piece has left our facility, and major carriers including FedEx do not insure antiques. We do everything within our power to ensure safe transit, but cannot accept liability for carrier damage. If damage occurs in transit, we will provide full documentation to support your carrier claim.
Have a question? — we're happy to provide additional photos, condition detail, or discuss the piece directly.



